Logo

    #1 CARLO GAMBINO - Midnight Social Recordings & Amongst Others

    en-gbOctober 27, 2019
    What was the main topic of the podcast episode?
    Summarise the key points discussed in the episode?
    Were there any notable quotes or insights from the speakers?
    Which popular books were mentioned in this episode?
    Were there any points particularly controversial or thought-provoking discussed in the episode?
    Were any current events or trending topics addressed in the episode?

    About this Episode

    Well I'm very pleased to bring you an absolute cracking first edition #1 of my podcast series.. And by non other than, what many say is 'The nicest guy in the business' CARLO GAMBINO Label Owner – Midnight Social Recordings (UK) & Amongst Others (UK) One half of ‘Low Tone’ with Al Bradley Carlo Gambino should need no introduction to this industry we all love, he has been DJ’ing since the 90’s and has played at many of worlds best loved club nights including ‘Back to Basics’ (Leeds), ‘Sankeys’ (Manchester), ‘Trafik’ (London), ‘Culture Box’ (Copenhagen), ‘Pix Club’ (Switzerland), ‘Decadence’ (Paris), ‘Verboten’ (NYC), ‘Sash’ (Sydney). Carlo has also held many significant residencies over the years both in his hometown of Leeds and also in Europe, including The Premier Etage Terrace for Carl Cox at Space in Ibiza plus the weekly Sunday Social parties for Audiojack at Veto, also in Ibiza. Collecting Vinyl from the age of 11, Carlo was 16 when his love of all things ‘House’ began. It became very clear from an early age that music would play a major role in Carlo's life; for over 35 years his father has worked in the music industry, touring with artists such as Michael Jackson, Prince, Black Sabbath, Madonna and Rod Stewart, so it came as no surprise that he was destined to follow a similar path.  Carlo's dj career spans well over 2 decades with his production career now well into double figures gaining countless support from all the A-listers including Jamie Jones, Moodymanc, Justin Harris, PBR Streetgang, Inland Knights, Adam Shelton to name but a few. Carlo’s first major signing was for Al Bradley’s 3am Recordings, since then Carlo has gone onto release several more tracks for 3am including the labels 50th anniversary release with 2 vinyl releases for 2019. Several strong releases have followed since the start of 2010, which have led to a rapid increase in demand for Carlo's original and remix work globally. With releases on heavyweights such as Made With Love, Whoyostro, Oh So Coy, Bullet:dodge, Click Therapy, Dilate, Something Else, Apollo Music, Proper Slap, Tokyo Red, Euphoria, Still Play Records and Jamie Jones’s ‘Hot Waves'. In 2011 Carlo launched his very own label, 'Midnight Social Recordings'. The label has gone from strength to strength, gaining recognition in all the right places. The label is now pushing forward this year with another string of quality releases including some more vinyl releases, which will take the label way past the mammoth 50th mark. The label is now on its 62 release and has no plans of slowing down anytime soon. In 2018 Carlo also launched his second label, ‘Amongst Others’, taking on the more minimal tech side of house. Artists including Lee Guthrie, Lau Frank, Rob Pearson and MYR have already released on the label with plenty more to come this year and beyond. Links http://soundcloud.com/mr-gambino https://www.facebook.com/carlogambinomusic/ http://classic.beatport.com/artist/carlo-gambino/101972

    Recent Episodes from DJ Joolz Collins Presents That's Fantastik Podcasts

    Episode 15: #15 MATT BLACK - 'ONE TO WATCH'

    Episode 15: #15 MATT BLACK - 'ONE TO WATCH'
    "Like water, music has a fluidity that can often be gentle in the way it moves, but now and then it has the capability to exert such a force that it will literally knock you off your feet" It shares so many similarities when being described as the 'Elixir of Life' that music has Maybe because at its very core the energy taken from the 'Fountain of Youth' is an essential element of our life. In my podcast series highlighting just that is an essential part of this journey..  By exposing and giving a platform to those I call 'THE MUSICAL YOUTH' Here I make space for the next generation of uber talented incredible humans to continue the good word of what is HOUSE MUSIC, dedicating themselves to carrying the torch on to the next. So let me introduce as important as the creators.. #15 MATT BLACK - 'ONE TO WATCH' Matt Black was born Matthew Belcher, in the United Kingdom in December of 1993. As a young man, he developed a strong interest in Music. At the age of ten, he started dabbling with electronic music and quickly found himself in the DJ scene. He rapidly developed skills through the excessive amount of time that he devoted to his music and with that experience came the knowledge and genius that flows through his capabilities as a DJ & Producer to this day. He soon began to play professional, highly skilled performances for various festivals and events in order to make a name for himself. Keep Pumpin' the Beats! Joolz Collins

    #14 TONY WALKER - LOVE 2 BE

    #14 TONY WALKER - LOVE 2 BE
    SPECIAL SELECTION: An EXCLUSIVE 4hr Mix... DJ JOOLZ COLLINS PRESENTS.. THAT'S FANTASTIK PODCASTS #14 TONY WALKER In the two decades that have passed since Tony Walker discovered dance music and spent his entire student grant on decks, his illustrious DJ career has spanned five continents and seen him work alongside some of the worlds most revered DJs, producers and promoters. Since his first ever gig (after a Carl Cox main set at a Leeds rave no less) the self confessed vinyl obsessive has maintained a permanent presence on the northern dance scene making his name synonymous with house music and club culture. Walthamstow born but with an affinity for the home of all soulful music, also known as the north west. Tony has made Leeds his home since his University days in the early 90s. First residing alongside pop dance act Utah saints in 1992, Tony went on to create Happy a weekly house night at the once infamous home of Back to Basics; The Music Factory in Leeds. The night soon became notorious in the north and eventually nationally winning the prestigious accolade of best UK midweek dance night from DJ magazine. Then came Love to be…(voted club of the year in 1995). Immediately a phenomenal success, this promoter/ DJ role lead Tony to further work with clubs such as Gatecrasher and eventually his own radio show with American icon DJ Disciple. The Transatlantic mix was soon nationally networked across the UK on Kiss FM / Galaxy FM and the direct American influence set a welcome precedent in the field. The show was truly irresistible as it showcased the most upfront tracks from both sides of the pond often months before national releases were made and attracted interviews and acclaim from international players such as Armand van Helden, Roger Sanchez, Dj Sneak, Eric Morillo, Mousse T, David Morales. An underground, grass roots show but with all the benefits of commercial radio” commented Mixmag. Indeed the show was such a success it was later translated into global syndication and a sell out tour with dates as far and wide as Australia and the US. With his status well and truly elevated into that of superstar DJ, Tony became a regular spinner at some of the best clubs around the globe including: Space (Ibiza), Ministry of Sound, Gatecrasher, Pacha (Ibiza), Centro Fly (NYC), Speed Queen, Passion, Déjà vu, Federation, Sugar (Singapore), Salt (Australia), Stark (Dallas). In 2000 he went on to be listed no 22 in DJ magazines top 100 DJ’s public poll. Despite this accolade Tony’s talents are by no means restricted to DJing. Extensive Knowledge of the intricacies of the industry has been gathered writing freelance for Muzik, Ministry and DJ magazines as well as managing both Urban Rhythm and Eastern Bloc record shops. Tony can often be found in the studio producing his own tracks (recorded as Main Connection, Soul Friction, Trimtone, One foot in the Groove and the Barkin Brothers), managing his own labels One foot in the groove, Peak Time Players and Love to be... He also signed a prestigious worldwide record distribution deal which saw all his labels taken onto i tunes, traxsource, beatport and all leading digital outlets. Tony also set up the Nightlife Solutions consultancy to provide bars and clubs with marketing, promotion and managerial support. From this he has taken ownership of bar and nightclub projects in Europe and the UK. Today Tony can be found djing at a prestigious selection of UK and European venues. During the week he is kept busy as managing director of Love to be...ltd and overseeing the Nightlife Solutions portfolio. SPINOGRAPHY Tony started djing in 1989. His first gigs were Ark and Dream in Leeds. He then presented several shows on Dream FM in 1992. His first weekly club residency was at the Gallery in Leeds in 1992 for the Utah Saints with whom he toured America. He created and promoted “Happy" a weekly house night at the Leeds Music Factory in 1993, which became best midweek dance night in the UK (as voted by DJ Mag). In 1994 he promoted and Djed at “Love to be” voted club of the year 1995. In 1996 Tony gained the accolade of best resident Dj in the UK. 1997 saw the start of his first UK wide radio show the “Transatlantic Mix” on the Kiss/Galaxy Network. Tony was elevated to the realms of the superstar Dj when he broke into the worlds top 100 Djs list at number 22. Since then Tony has been a regular spinner at the best clubs around the globe including: Love to be (worldwide tour), Retro (worldwide tour), Hed Kandi, Federation, Ministry of Sound, Gatecrasher, Glasshouse, Passion, Déjà vu, Kinky Malinky & Venus (UK), Space, El Divino, Es Paradis, Eden & Pacha (Ibiza), Centro Fly & Cheetah (NYC), Supper Club (Amsterdam), Sugar (Singapore), Flux & Home (Australia), Stark & Fishdance (Dallas) to name only a few. Tony is now managing director of Love to be... Ltd and is taking the sucessful club brand back on tour to celebrate its 18th year in clubland. The Love to be...events in Leeds at Mint Club and Space are the regions busiest soulful and funky house night and has been nominated for club of the year 2010. Tony has also established the Love to be...brand in Manchester at Venus the club, Planet in Liverpool, Sakura in Lincoln, Voudou in Barnsley, Plug in Sheffield, Cotton Factory in Huddersfield, Tube in Halifax, Helsinki in Leicester, The School in Hull, Club M in Majorca, Pacha and Space in Ibiza. 2011 saw Tony set up his groundbreaking nightclub project Phono in Leeds which has quickly established itself as one of the leading late night venues in the North of England playing host to some of the regions most respected events such as Retro, Glasshouse, Risque, Radar and the legendary Love to be... afterparties. Tony’s production credits are lengthy including projects for Laurent Wolf, Crispin J Glover, Lonnie Gordon, Jonnie Fiori, Mary Pierce, Jeremy Sylvester, Unique 3 and Serena as well as his own trax recorded as Main Connection, Soul Fricton, One Foot in the Groove, Peak Time Players and the infamous Barkin Brothers. Tony Is co-founder and Managing Director of the One Foot in the Groove Label which has over 70 releases under its belt all of which can be found at traxsource, beatport and all good download sites. Tony relaunched the Love to be... record label in 2010 which is currently looking for trax to sign alongside its current catalogue some of which can be heard on Tony's myspace page or via the love to be website www.wix.com/lovetobe/love-to-be. Message Tony with links to your demos if you are looking for you track to feature on the Love to be... label. Tony also co ordinates and produces at the Love to be... studio suite which is based in Leeds. Tony's radio work has included being presenter of several shows on Dream FM (Leeds) from 1992 to 1995. In 1996 Tony became producer and presenter of the Transatlantic Mix show on Kiss/Galaxy Network. This show was co presented with Dj Disciple from NYC and featured the best upfront house music alongside interviews with artistes such as Armand Van Helden, Roger Sanchez, Dj Sneak, Eric Morillo, Mousse T, David Morales, Tony Humphreys, Barbara Tucker, Sandy B…etc. Tony also presented the Dance Capital Show on Galaxy 102 (Manchester). Several of Tony’s shows have been syndicated globally to networks including Station 1 (Italy), UK Radio (Greece), KDGE (Dallas) and WIRE (NYC). Tony now hosts the Love to be... radio show Mondays 6-8pm on www.ssradiouk.com, MGR, Monkey Radio, & House Social Radio. Tony also hosted the One foot in the Groove show on SSR which has been nominated the best global dance music radio station at Midem As you can see Tony is testiment to the phrase "music is my life"

    #13.2 MIKE KNOWLER - QUADRANT PARK

    #13.2 MIKE KNOWLER - QUADRANT PARK
    PART 2 of 3 and a much more in-depth look into the man they call.. “The Godfather of Liverpool House Music” Mike Knowler is one of the North West’s most respected DJs, well known for his eclectic taste and extensive musical knowledge. He is widely recognised as one of the first British DJs to bring Chicago House music to the UK, and is the man responsible for setting the standard for the UK’s first legal all-night raves in Liverpool. His story begins in a much earlier era. He learned the techniques of DJing while still at technical college and took up his first residency at Southport’s Kingsway Casino in the autumn of 1969, at the age of 17. In those days he played (6Ts) rare soul and R’nB and, growing in confidence, he took up a second residency in Southport at the Nest Club where he developed his style to encompass the newly emerging US ‘street funk’. Throughout the early 1970s Mike’s musical horizons were expanding rapidly and he soon became eager to take his music to a wider audience. In 1972 he joined a successful mobile disco road show called “Radio Doom Good Guys” and played to a different crowd almost every night of the week. Then, in 1978, he joined Open Eye, a community based media project, where he designed and built an 8 track recording studio and established two record labels: Zoo Records and Open Eye Records. At that time Liverpool was experiencing the rise of ‘the New Merseybeat’ with bands like Big in Japan, The Teardrop Explodes, Echo and the Bunnymen, OMD and Dead or Alive’. In 1978, as well as recording bands, Mike was also DJing at both Liverpool and Preston Polytechnic, and at Erics, a new club that hosted performances by bands such as the Clash, the Stranglers, Joy Division, Ian Dury & the Blockheads and Elvis Costello & the Attractions. Once again, Liverpool was making musical history, and Mike Knowler was right at the heart of the action. During this period Mike was also studying electronics engineering, first a Preston Polytechnic as a part-time student, and later at Liverpool University as a full-time student. At Preston Polytechnic Mike was the Social Secretary / events organiser and also the student DJ; and it was a live gig by the band Theatre of Hate that Mike first met Andy Carroll, another local DJ with a similar love for ‘new music’. As a result of hearing his set, Andy invited Mike to become co-resident DJ at a Southport club called ‘Sandbaggers’ ; and the two formed a partnership that went on to become the stuff of Liverpool legend. Mike Knowler graduated from Liverpool University in 1984, a year in which the mood on Merseyside was buoyant. This was the effect of the international media attention generated by Liverpool’s Garden Festival which was located on a large site just beyond the City Centre. Immediately after graduating, Mike was offered the residency at the newly opened Cavern Club. It was while DJing in the Cavern that an intervention of fate provided with an opening at the City’s flagship venue, The State Ballroom, as a result of which Mike became the resident DJ in September 1984. It was during his time at the State that the seeds of a whole new music revolution were being sewn, across the pond, in New York and Chicago; as a result of this Mike went to New York to attend the New Music Seminar. He was blown away by what he discovered – a newly emerging genre called ‘House’ music. And while at the Seminar he was given a list of 50 essential House tracks by a little known Chicago DJ ‘General B’ who described the House sound as being a cross between Philly Soul and New Order. Mike brought the tracks back to Liverpool and started to play them at the State. At first the audience at the State did not catch on to the revolution then, in 1988, a local promoter called James Barton hired the State to put on a weekly Acid House event called ‘Daisy’. This was to be on Mondays with DJs ‘mic microdot’ & Andy C (aka Mike Knowler and Andy Carroll). This was Liverpool’s first dedicated Acid House night; but very soon House music became the music policy on Thursday, Friday and Saturday nights. The revolution had arrived! The State was now more successful than it have ever been, with at least twice as many punters as the entertainment licence permitted. The Police were very aware of this and, sadly, external pressures forced the club to close its doors in November 1989. Mike continued to DJ at the Twilight Zone, a smaller venue on Liverpool’s Duke Street, where similar problems were encountered. Mike worked in the daytime as an electronics lecturer at Hugh Baird College in Bootle, where the Student’s Union invited Mike to be their DJ for the College Christmas Party. And it was Mike’s suggested venue for the Hugh Baird’s Christmas dance that proved to be a defining moment in Liverpool’s music history. The date of the Christmas Party was to be 18 November 1989. The students had wanted to hire the State but, as this would not be possible, Mike suggested Quadrant Park as the most suitable venue for their Christmas event. Quadrant Park was a modern discotheque club located quite near to the college in Bootle. Mike suggested that the students place an add in the Liverpool Echo and, as a result, the event was a huge success, attracting over a thousand people. As a direct consequence of this success, Quad manager Dave Caul offered Mike a weekly residency playing House music. Initially, the residency was for Thursday nights only, starting 11 January 1990, but Mike’s night was so successful that within two months he took over Friday and Saturday nights as well. Saturday nights saw the arrival of co-DJ Andy Carroll. But Quadrant Park was no ordinary venue and, secretly, was holding an ace up its sleeve. When the venue opened in the mid 1980s it comprised, in addition to the night club, of a 24 hour Snooker Club and a large warehouse area at the back used for ‘car boot sales’. In October 1990, after taking legal advice, Quad owner Jim Spencer converted the large warehouse area at the rear of the nightclub into a separate venue for hosting all-night rave parties. This new venue was to be called the Pavilion and Mr Spencer used a very clever legal wrangle to allow the Snooker Club’s 24 hour entertainment licence to become a member’s only all-night rave club. This was how the Quad became the UK’s first ‘superclub’: the Pavilion all-nighter had a capacity of more than 3000 and clubbers from all over the country arrived there on Saturdays for the UK’s first legal all night raves. In the all-nighter, guest DJs included Sasha and Laurent Garnier. It should be mentioned, here, that the Quadrant Park nightclub continued to operate, successfully, in parallel with the all-nighter. This is why Quadrant Park really was a superclub! The Pavilion all-nighters at Quadrant Park ran for a total of 40 consecutive Saturday nights, from November 1990 to July 1991, with Mike Knowler as the main resident DJ throughout. However, the Acid House / Rave phenomenon, and its associations with drug culture, proved to be intolerable to the licensing authorities; police forces across the UK were taking concerted action to prevent all-night rave parties, and Sefton Council were forced to revoke the Quad’s 24 hour entertainment licence. At the time, the reason given was that the Pavilion had been admitting non-members; however, it was just a convenient excuse. The original Quad nightclub continued to be popular for another couple of months but, by the end of September 1990, weekly attendance went into severe decline. The reasons for this included the emergence of two brand new clubs in Liverpool’s City Centre, and the fact that Quadrant Park far too expensive to get in. In addition, a total lack of investment spelled the end for the Quad; and Mike played his last gig there on Christmas Eve 1991, a couple of weeks before it closed its door for good. Mike had seen the writing on the wall and, towards the end of 1990, he had begun to play Quad sets at other venues on Merseyside: DJ Dave Graham had invited Mike to play at the Drome in Birkenhead, and promoter Nicky Dee had asked him to be resident at Hard Dock Café on Fridays. Liverpool’s Hard Dock Café was to be Mike’s next club residency, working alongside former Coconut Grove DJ Alan James. At the Hard Dock the music played was hardcore and techno, and there were guest appearances from DJs such as Carl Cox and Grove Rider, and artists such as Prodigy and Shades of Rhythm. Mike and Alan’s residency was a great success, lasting until January 1994, when he and Alan left over music policy differences with the club’s new promoters. From 1990 onwards Hax Promotions (James Barton and Andy Carroll) had been putting on concert events at Liverpool’s Royal Court Theatre, with artists including Adamski, K-Klass, Prodigy, N Joi and Katherine E. Here Mike Knowler was invited to be one of the support DJs along with John Kelly. Around this period Mike also made guest appearances at a number of other venues across the North West including Cleo’s in Wolverhampton, Bowlers in Trafford Park, Maximes in Wigan and club 051 in Liverpool. Mike played alongside other House music luminaries such as Laurent Garnier, Stu Allen, Welly, Robbie Edwards, Andy Brewer et al. Throughout is career Mike has always put his love of music before fame and success and, in 1995, he made the decision to move into the pre-club bar scene, where he was able to experiment with an eclectic blend of styles derived from his soul, funk and disco roots. He enjoyed an 18 month residency at the Gallery bar in Liverpool’s Concert Square (now Modo Bar) where he continued to break new music. Most of the records played were US import House tracks by artists such as Masters at Work, Urban Blues Project / Michael Proctor, Ultra Nate, Groove Collective, Kim English and Blaze. This was followed by a move to a brand new pre-club bar in Southport called The Glasshouse. Mike had heard a rumour that the Gallery was being sold and didn’t want to find himself out of a job; so Mike moved on. Mike was resident DJ at the Glasshouse for just over twelve months: Thursday night was 1970s ‘rare groove’; Friday and Saturday was ‘upfront’ US House & Garage; and Sunday night was House Anthems 1988 to 1992. After a year in the Glasshouse, in April 1998, Mike moved on again, this time to ‘Bar Non’ also in Southport. Here the format was very similar to the Glasshouse: Thursday was ‘soul funk disco and jazz’, Friday night US House & Garage and Monday night House Anthems. However, in January 1999 Mike had become disillusioned with the music scene, bar owners had proved difficult to please, and he retired as a full-time DJ. In September 2003 Mike was asked to be the headline DJ at a band new ‘Old Skool’ night that was to be held at the Zanzibar Club in Liverpool’s Seel Street. The night was called Hazy Dayz and was to be a monthly event. Hazy Days was an immediate success and Mike was offered the monthly residency. However, Mike declined the offer of being the resident at Hazy days and this honour went, instead, to DJ Vertigo. Between 2003 and 2005 Mike made a number of guest appearances both at Hazy Days and at Garlands. However, the memories of the club, and the all-nighters, at Quadrant Park were etched in Liverpool folklore; and the Quad’s vibe refused to die. Quadrant Park themed events began appearing as early as 1994, and have followed at rare intervals ever since. The Quadrant Park tribute website was launched in 2004 and this paved the way for Quadrant Park Reunions on a much larger scale. Mike is part of the original DJ team still hosting reunion events across Merseyside and the North West; and he has spoken about his days at Quadrant Park both on City FM and KCR. Mike Knowler’s story is one that has taken him from ‘apprentice’ to ‘master’ on a musical journey that spans more than 30 years. He has had some incredible experiences along the way: the 1970s were all about ‘learning his trade’; in the 1980s mike was part of the zeitgeist; and in the 1990s Mike was making history of his own. Today, if you are lucky, you can still catch him playing in Liverpool and, in particular, at Quadrant Park Reunions. This quiet man is the stuff that true legends are made of.

    #13.1 MIKE KNOWLER - QUADRANT PARK

    #13.1 MIKE KNOWLER - QUADRANT PARK
    It’s such an honour to announce my next guest as he’s known by so many friends as.. ‘THE GOD FROM QUAD’ That’s Fantastik Podcasts 13th Episode is an Exclusive 3 Parter by a true legend… #13 MIKE KNOWLER We wanted you to be able to learn more about the man himself, so we asked Mike to tell you his story.. He kindly provided us with this ‘Personal Statement’ I was born on 20 November 1951, so that definitely puts me in the grumpy old man category. A sort of disco version of the late John Peel! I started DJing when I was 17, so that means that I have been DJing for nearly 38 years. Like so many DJs of my generation I started off playing soul music and, back in the late 1960s and early 1970s, I was expected to talk between the records, just as a radio DJ would today. In the 1970s lead guitarists such as Eric Clapton and Jimi Hendrix were considered to be Gods. But by the 1990s it was DJs like Sasha, Carl Cox and Paul Oakenfold who had become the Gods. A couple of my friends have referred to me recently as the God from the Quad – but I assume them to mean this ironically! I have an eclectic taste in music, as will be obvious from reading my DJ profile. However, it is the House Music of the period 1988 to 1992 that is my abiding passion. Strictly speaking, a person of my generation (known as baby boomers) would not be expected to be a House DJ. (Mind you, Frankie Knuckles and Tony Humphries are now both in their sixties). However, I went to New York in July 1986, to attend the New Music Seminar, and was exposed to House Music by a little known black DJ, and dub poet, General B, from Chicago. He described House Music as being a cross between Philly-Soul and New Order. He then obliged me by making a list of about 50 House tracks that he considered essential listening. I then went to Downstairs Records in New York, which was actually up some stairs, and purchased all of the tunes on his list with my credit card. Much to my surprise, by Christmas 1986, one of the records on my list was number one in the British pop charts: “Jack Your Body” by Steve ‘Silk’ Hurley. My copy is the original US pressing on the Underground label UN-101. The House Revolution had definitely arrived. Unfortunately, at the State, my audience were not yet ready for the revolution. To quote the Last Poets: “When the revolution comes you will know that it is the revolution because it won’t be shown on TV”. For me the lyrics of the Italian House track “Getting Out” by S.L.D. (On the Italian Mighty Quinn label) sum up my personal feelings precisely: Get Ready For The Best Time In Your Life”!!! I was 38 when I bought that record. How many people can say that they had the best time of their life between the ages of 35 to 45? Most people are too busy having a mid-life crisis! At this juncture I would just like to thank Mike Pickering, Graeme Park and Laurent Garnier (who were all originally DJs at Manchester’s Hacienda for being there to inspire me. I used to go to the Hacienda when ever I could, most often on a Wednesday. Of course there have been other memorable periods in my life: like visiting Manchester’s Twisted Wheel Club in the late 1960’s to listen to rare soul played by Roger Eagle, Bobby Derbyshire and Les Cockell; then attending the Highland Room at the Blackpool Mecca to be blown away by Mr Tony Jebb, my earliest DJ mentor; or attending the Wigan Casino Northern Soul “All Nighters in the mid 1970’s; next Punk Rock and going to, and DJing at, Erics Club I n Liverpool’s Mathew Street to see bands like The Clash and The Stranglers in 1977-78; DJing at one off concert events, in the late 1970’s and early 1980’s, supporting bands like Teardrop Explodes, The fall, Dexys Midnight Runners, Curtis Mayfield, Big in Japan, Q Tips, Cherry Boys, Big Audio Dynamite, Suzie and the Banshees and Ultravox; playing alternative dance music & hip hop at The State in the mid 1980’s; and playing upfront funky American House Music in various bars between 1995 and 1998. My only real regrets as a DJ are that I never worked outside the UK; and I never recorded or produced my own House Record. This year, 2008, is the 20th Anniversary of the Acid House revolution and Liverpool is the European Capital of Culture. Who knows what might happen. Maybe I will get the chance……But it has got to be House Music. Finally, I am proud of some of the work that I did at Open Eye and Square One Studios between 1978 and 1985. As a recording engineer / record producer, I made recordings that helped to launch the careers of people like Pete Burns (Dead or Alive), Echo and the Bunnymen and OMD. The ‘Birth of a Nation’ EP by Nightmares in Wax, Pete Burn’s original band, was produced and engineered by me at Amazon Studios in Kirkby, and was released on the Inevitable label in 1980. According to the Record Collector Rare Record Price Guide, an original copy, in mint condition, would now be worth £40.00. Several of my other productions are also listed including the ‘Street to Street’ compilation LP, for which John Peel, who was a friend of mine at that time, very kindly wrote the sleeve notes. Bibliography: “Central 1179” (The Story of Manchester’s Twisted wheel Club) by Keith Rylatt and Phil Scott. Published by PCP Limited. A good read; a fantastic book. “Soul Survivors”: (The story of the Wigan Casino All-Nighters) by Russ Winstanley, and David Nowell. Published by Robson Books in 1996. “The Scouse Phenomenon” Parts One & Two. The scrapbook of the new Liverpool Rock Scene. Compiled by Klaus Schwartze, from Dreieich in West Germany in 1988: entitled “From Deaf School to Frankie Goes to Hollywood” and published by Druckerei und Verlag Bitsch GMBH 1987 / 1988. “Last Night a DJ Saved My Life” (The History of the DJ) written by Bill Brewster and Frank Broughton. UK Publisher not known. Mine is a US Copy. Published by Grove Press New York, an essential read.

    #12 HOWIE BELLAFONTÉ - WALLOP!

    #12 HOWIE BELLAFONTÉ - WALLOP!
    It's a NEW YEAR... A NEW DECADE 2020 and you'll be pleased to hear our vision continues to keep on showcasing the same level of incredible talent, as we always have done up to now... DJ Joolz Collins Presents.... #12 HOWIE BELLAFONTÉ - THAT'S FANTASTIK PODCASTS. Howie has been playing at various parties in the city of Leeds and across northern England for over 20 years. In 2016, he played his first international gig in Tisno, Croatia for the world famous Vortex. More latterly he's played for former Back to Basics and Haçienda legend Buckley at the 'Upgrade' parties at distrikt, Leeds and Malanga in Ibiza as well as for the Afro Co soundsystem and Nick Curly's 'Trust'. Howie also produces his own regular podcast online, 'The Groove Cast' playing anything from soul and funk through to disco / nu disco, jackin' and deep house beats. He can be currently found spinning for 'Wallop!' @ 212, Leeds every 3rd Saturday of the month.

    #11 SCOTT FEATHERSTONE - JUPITER LABEL

    #11 SCOTT FEATHERSTONE - JUPITER LABEL
    Raise your hands up for our 3rd and final guest in our 'NEW YEAR SPECTACULAR' DJ Joolz Collins Presents.. #11 SCOTT FEATHERSTONE - That's Fantastik Podcasts In the 90s, Scott released a series of EPs that went by relatively unnoticed until recently. These records are now Highly sort after, having been rediscovered by new school and up and coming DJs worldwide, with veterans such as Desyn Masiello (Seekers) and Alex Picone (Small Black Dots) helping in this rediscovery too. Tracks on Scott’s DAC (Deeper Audio Cuts) label are sort after gems in this era of vinyl records making a return to the underground scene, with digital releases being, in general the same old, same old. DAC is perhaps the sound of yesternow, modern yet classic in style. W: deeperaudiocuts.com Scott continues to record, produce and DJ Underground House Music, working closely with Vocalist Kym Sims along with many other DJs and House Artist around the world as well as working on remix projects for general release. W: jupiterlabel.com Also an accomplished DJ himself, Scott plays regularly at events, clubs and bars: TRACKED UNDERGROUND LEGENDS OF HOUSE STRUCTURE CLUB TOGETHER W: scottfeatherstone.com

    #10 PAUL WESTON - NINJA TUNES

    #10 PAUL WESTON -  NINJA TUNES
    It's with enormous pleasure I'm able to announce our 2nd guest in the.. 'NEW YEAR SPECTACULAR' DJ Joolz Collins Presents.. #10 PAUL WESTON - That's Fantastik Podcasts 30+ years djing, resident of the legendary leeds club "the townhouse", ninja tunes/big dada recording artist with the group "new flesh", the dj for legendary uk hip hop artist "skinnyman". dj'ed around the world along side artists like nightmares on wax, saxon sound system, james brown, grandmaster flash and the furious 5, new edition, marshall jefferson etc, played at festivals such as leeds fest, glastonbury, brighton festival etc. radio host with a weekly show on emergency fm, guested many times on radio 1 and mtv base. Specialising in hip hop, house music, r&b, reggae, d&b, funk and disco.

    #9 INVU - KICKDRUM CULTURE

    #9 INVU - KICKDRUM CULTURE
    ‘THE NEW YEAR SPECTACULAR’ From the other side of the world.. Yeah, Down-under! Well.. I like to call it ‘DOWN UNDERGROUND’ I know they celebrate the coming of a New Year way before us, what feels like hours before we do here in the United Kingdom.. But here’s a Top Tip: (if you wanna know the numbers for tomorrows lottery.. He’s ya man) DJ JOOLZ COLLINS PRESENTS… #9 INVU - THAT’S FANTASTIK PODCASTS INVU has spent his whole life infatuated with music and in particular over the past 10 years, House and Techno. UK born producer Jamie Gibson has quietly amassed a dedicated following since migrating to Australia, while running parties at local hotspots Candy's Apartment and Sweetheart's Rooftop. We've always got our ear to the streets for new music from Sydney-based talent, so were excited to hear that he recently released his debut album 'Kickdrum Culture' on local label, Vibe Material.

    #8 STEVE LUIGI - Leeds Gallery

    #8 STEVE LUIGI - Leeds Gallery
    An absolute gem of an edition for the series DJ JOOLZ COLLINS PRESENTS… AN EXCLUSIVE CHRISTMAS SPECIAL OF THE THAT’S FANTASTIK PODCAST It's a wonderful gift for all of us, gratefully provided with such kindness by a Leeds House Music aficionado, who has more authority in the biz than almost any other I know. Welcome... #8 STEVE LUIGI - Leeds Gallery And what an honour it is to eventually do business with one of my heroes (and he knows it, we’ve had many a late night chat, exactly about just how much respect I and many others have for this guy). I made no bones about it during our conversation, that he is without a doubt, up there with regards to him being someone totally deserving of huge recognition. And trust me, you’ll understand why, as we take a step further forward on our mission to deliver a series intended to be a musical trip through Joolz Collins looking glass and those that then become the influences (whilst firmly reflecting on the incredible journey it has been, to get to where we are now) So here he is… Steve Luigi's name goes alongside the very best naturally talented DJs in the UK, not only on the Dance scene, but on the biggest underground scene in the UK, the 'Northern Soul' scene. Steve's Love of music started in the 60s when he used to be sang to sleep by Elvis Presley and Roy Orbison, the records that his brother bought and played in their shared bedroom. Steve went on to meet his first love in the late 60s, 'Northern Soul', and has remained true to her by still being involved in the scene over 40 years later. Steve was the first ever DJ to play a House record in the City of Leeds, and in 1986 went on to play and promote what eventually would become the infamous 'Leeds Gallery', which in 1992 was voted the number 2 club in Europe, second only to the 'Hacienda' in Manchester, in a survey performed by ''Mixmag', an international music magazine. Steve went on to play alongside such DJ names as; Sasha Pete Tong Carl Cox Dave Seaman Paul Oakenfold Marshall Jefferson Joey Beltram Todd Terry Danny Rampling............... Well!..... You name them! The list REALLY IS endless. Steve also played on various legendary radio stations such as Dream FM, Peoples FM, ABC FM, Kiss 105, and Galaxy 105, and went on to own record shops in Leeds for 18 years, constantly being voted as the best Independent record shops in the city. Steve now broadcasts a weekly Northern Soul Radio show on Peoples City Radio, every Tuesday evening at 8pm. www.peoplescityradio.co.uk There is really nothing else that needs to be said about Steve, as his reputation goes before him, except that now at the age of 65 he still plays and loves to play to his many supporters countrywide, "the buzz of seeing people raising their hands to his music is better than any drug" and he has no plans to end the dream that has been his life. Keep Pumpin’ the Beats Joolz Collins
    Logo

    © 2024 Podcastworld. All rights reserved

    Stay up to date

    For any inquiries, please email us at hello@podcastworld.io