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    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    Welcome back to the Audiobooks.com Podcast! This week we have a very different show for you, but one we’ll hope you’ll enjoy as a book lover. To start things off, we discuss some of the audiobooks that were recently released and our interest in them, then get into some of the books we’ve been listening to.

    The core of our discussion revolves around some controversies occurring right now in the book industry. Many of the decisions that have been made surrounding these incidents bear a significant impact on the creative side to the business of books and audiobooks, and we wanted to take the time to explore some of these issues. Taking a serious look at them, we believe, makes us better consumers and equips us with the knowledge we need to make informed decisions and support those who need to be supported. Exercising our consumer rights can be the loudest weapon we have against the creative types who are being manipulated by the money-driven machine that fuels them.

    ON THE RADAR

    Mindy Kaling’s newest book, Why Not Me, was released on September 15, 2015. She reads much of the book herself, but also has other voices making appearances on the audiobook production, including Greg Daniels (known for his work on Saturday Night Live and The Office) and B. J. Novak (writer and fellow co-star on The Office).

    Kaling’s first book, Is Everyone Hanging Out Without Me? (And Other Concerns), which was released in 2011, received mixed responses amongst critics. As her writing style ranges from prose to a more blogging-feel, Mindy herself reads the audiobook, with help from Michael Schur, and brings it to life with a more conversational tone. She covers topics from recounting experiences in Hollywood to childhood memories.

    Why Not Me is a collection of humorous essays of Mindy’s mission to find a balance of fulfillment and joy in life, from love to weight loss. And we hear it is one heck of a chuckler!

    Also on our radar is a book from singer-songwriter Jewel, entitled Never Broken: Songs Are Only Half the Story. As far as typical celebrity memoirs go, this one is on the longer side. The audiobook is 10 hours and 30 minutes long, but it is read by Jewel herself. 

    We are familiar with Jewel’s early albums, such as her debut Pieces of You from 1995, but the singer has been releasing albums almost every year or two throughout the 2000s. This memoir isn’t the first publication Jewel has released. She published a book of poetry in 1998 entitled A Night Without Armor, and then an autobiography in 2000 called Chasing Down the Dawn, which chronicled  her journey from Alaska to the world’s stage.

    Never Broken seems to be Jewel’s second stab at an autobiography, but one that is already being met with great reviews! We’re excited to check it out.

    Putting Up Guards

    Here at Audiobooks.com, we’re all about supporting the creative geniuses behind the books and materials we enjoy. As consumers, we have the poignant power to show publishing companies our opinions through choosing to purchase, or not purchase, a book or audiobook instead of complaining. However, we’re neither advocating nor supporting a boycott in these situations we bring up, rather we want to bring to light that when the creative process is mistreated by someone intent on making a sell, we have the opportunity to respond to that in kind.

    The two controversial situations we examine at length are Harper Lee’s Go Set a Watchman and the late Steig Larsson’s The Girl In the Spider’s Web. While some books are currently receiving heat for their accuracy, such as Wednesday Martin’s The Primates of Park Avenue, these books are brought to our attention because of the publisher’s role in releasing a creative work that the author, arguably, had no say in due to death or mental acuity.

    What makes matters difficult for fans, we think, is a desire to respect the creative process of an author while still having an insatiable curiosity to discover what the book holds. Fans of the first three novels released by Steig Larsson under the Millennium Series are no doubt anxious to read the rumored 7 books that remain. Following Larsson’s death in 2004, the hope of reading any further seemed to be dashed.

    In that same vein, Harper Lee’s 1960 novel To Kill A Mockingbird was an immediate success, winning Lee a Pulitzer. But the reactions by Lee and her family, following the books release, make it difficult to justify reading the book. How much of the book was changed from Lee’s original manuscript? Did she have a say in the changes that were made? Is this book really deserving of Lee’s name under the authorship?

    When controversy like this arises, what is your response? Do you find yourself interested to read the final product of a long, legal battle, or do you pass on the newly published work in favor of respect for an author? Or is there an option C? We’d love to hear opinions on this, because we’re at a crossroads over what the right course is to take.

    Coming Up

    Brian is still making his way through Ready Player One, but we promise that a full review of that audiobook is coming up soon! In the meantime, Addy is still learning Italian, so we may need a translator in an upcoming episode for when she becomes fluent!

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    Books & Resources Mentioned

    Audiobooks.com Book Sale

    Mindy Kaling’s Favorties

    Why Not Me? by Mindy Kaling

    Never Broken: Songs Are Only Half The Story by Jewel

    Go Set a Watchman by Harper Lee

    The Girl in the Spider’s Web

    Recent Episodes from The Audiobooks.com Podcast | Let Us Tell You A Story

    AB 24 | The Best Audiobooks of 2015

    AB 24 | The Best Audiobooks of 2015

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    Welcome back to the Audiobooks.com Podcast! We're wrapping up this year in audiobooks with the Best of 2015. We've coalesced this list of top audiobooks based on sales and public response and segmented them by fiction and non-fiction so we can dish it up for you with some color commentary.

    You'll recognize several titles on these two lists from previous discussions on the podcast. We talked about Elon Musk in episode 2. Why Not Me, Go Set a Watchman and Girl in the Spider's Web in episode 12. And even though Addy has been struggling to read a Stephen King novel, we got a voicemail from a listener encouraging her to give it another go!

    Reflecting back on 2015, we see trends amongst the most popular books. One is gender flipping, such as with Grey by E. L. James, when an author, who has written from one gender’s point of view, writes another novel in the voice of another gender in the original, or a novel that jumps between the point of view of a man and a woman.

    Another trend is comedians writing autobiographies, or otherwise works of non-fiction. In addition to Aziz Ansari and Mindy Kaling on the non-fiction list below, 2015 also saw books from David Spade, Rainn Wilson, Tim Hawkins, Amy Poehler, and Judd Apatow. We’re not complaining!

    The final trend is similar to the second but even more, indicative of how much our culture is changing. YouTubers and Bloggers are also writing books, which brings us new authors like Miranda Sings, Shane Dawson, and Jenn McAllister, amongst a shocking number of other book deals from the visual internet mediums.

    Without further ado, here are the lists! Let's see if they match up with your top 10 of 2015!

    Fiction

    The Girl on the Train by Paula Hawkins

    Grey by E.L. James 

    Go Set a Watchman by Harper Lee 

    The Nightingale by Kristin Hannah

    Luckiest Girl Alive by Jessica Knoll

    Girl in the Spider's Web by David Lagercrantz

    Finder's Keepers by Stephen King

    Rogue Lawyer by John Grisham

    See Me by Nicholas Sparks

    Seveneves by Neal Stephenson

    Non-Fiction

    Modern Romance by Aziz Ansari

    Down the Rabbit Hole by Holly Madison

    The Wright Brothers by David McCullogh

    Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future

    Dead Wake: The Last Crossing of the Lusitana by Erik Larson

    Why Not Me by Mindy Kaling

    Troublemaker: Surviving Hollywood and Scientology by Leah Rimini

    Between the World and Me by Ta-Nehisi Coates

    The Road to Character by David Brooks

    Big Magic: Creative Living Beyond Fear Elizabeth Gilbert

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    Books & Resources Mentioned

    AB 23 | Audio Theater with Lee Stephen

    AB 23 | Audio Theater with Lee Stephen

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    A love of a particular book arises for many reasons. A premise, a concept, a theme often draws us to the book, but an author’s imagination is usually what makes us stay. This week on the Audiobooks.com Podcast, we speak with an author who has that envious and covetous imagination which brings books to life in a multidimensional sort of way. Lee Stephens, author of Dawn of Destiny, part of the Epic series, created a full production audio drama out of his first novel and joins us for a little chat!

    To give you an idea of just how involved and exciting the audiobook is, we play a short clip of his epic science fiction adventure. In this clip we hear both the description of the action and the sound effects that accompany it. We hear unique voices for each characters. And, most importantly, we hear the result of four and a half years of commitment to a project Lee believed in and wanted to share with the world.

    The plan for the Epic Universe is an 8-book series. Four are currently available, but only Dawn of Destiny is available in audiobook form. The fifth book, Lee promises, is nearing completion. We asked Lee if he has plans to turn the other books into the same type of audio drama as he did with the first one. You’ll have to tune in to the podcast for the answer!

    The story featured here in this podcast, Dawn of Destiny, follows a young man heeding a call to war. Earth has been invaded by three alien species, and Scott Remington is one of a handful of young men that lead outstanding excursions onto the battlefield, coming up with the impossible, and igniting an action-packed story. This book explores though-provoking themes about the human condition, about God and faith, and about what it means to answer a call on one’s life.

    A huge thank you to Lee for being on the show this week! Take a moment to go check out Lee’s website, epicuniverse.com, and then show him some love on Twitter: @epicuniverse. His first, and only, audiobook (thus far) is available at Audiobooks.com! Check out the Books and Resources section of this post to be redirected.

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    Books & Resources Mentioned

    AB 22 | Welcome To Night Vale with Joseph Fink and Jeffrey Cranor

    AB 22 | Welcome To Night Vale with Joseph Fink and Jeffrey Cranor

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    In 2012, the world was made aware of a strange, desert town in the Southwestern United States. Details of this town were provided through advertisements and news segments on a bi-monthly basis. The name of this town? Night Vale.

    This week on the Audiobooks.com Podcast we had the pleasure of speaking with the creative minds behind Welcome to Night Vale, the very podcast that made Night Vale one of the most popular fictional towns in the world. Or, at least, on the Internet. Joseph Fink and Jeffrey Cranor developed and released Welcome to Night Vale in June of 2012, providing bi-monthly installments since then, and became the most-downloaded podcast of 2013.

    In the ongoing wake of the podcast’s popularity, the men wrote a novel which hit our hungry bookshelves in October 2015. Set within the same town, but narrated by two characters fans of the podcasts will recognize, the novel is for new fans and seasoned fans alike! We catch up with Joseph and Jeffrey just a couple months after the book’s release to learn about their motivation for writing it, their creative process and storytelling techniques, and how the book has been received by fans.

    Joseph and Jeffrey, as well as many of the Night Vale cast members, belong to the New York-Neo-Futurist performance organization, which is known for its long-running show Too Much Light Makes the Baby Go Blind. For 50 weeks a year, the Too Much Light family puts on a different show, consisting of 30 plays in 60 minutes. The show format is quick, comic and light, the audience gets involved, and the plays are written by the performers. Both men say that they borrowed significantly from their experiences writing for a variety of people and styles, week after week, to make Welcome to Night Vale into what it is today. If you’re ever in New York, catch a show!

    A huge thank you to both Joseph and Jeffrey for their time with us this week! Go show them some love on Twitter and Facebook. And then, listen to the book!

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    Books & Resources Mentioned

    AB 21 | Relationships & The Truth with Neil Strauss

    AB 21 | Relationships & The Truth with Neil Strauss

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    Can you handle the truth? The Real Brian and the One and Only Addy serve it up on a silver platter in this week’s installment of the Audibooks.com Podcast! We had the great privilege of speaking with Neil Strauss, author of 2005 New York Times bestseller The Game and the newly released The Truth. From an elite player in a secret society celebrating the artistry of picking up women to a father and committed monogamist, Neil tells us about the amazing journey of writing The Truth that lead him away from being a monogamy nay-sayer.

    Having already exposed his pick-up methods and encounters in a very detailed manner throughout The Game, and later Emergency, we were interested in learning about how his approach to the new book differed from his approach to the earlier ones. How did the writing process change for him? Did he continue to learn more about himself as he put it into words?

    To our great surprise and interest, Neil says that he started out writing The Truth as a means to redefine relationships and speak out against monogamy, coming at the book with all sorts of research that exposed the inefficiencies of that lifestyle. But at one point, while re-reading his own words, he reflected on the voice coming from the page and thought he sounded like a man scared of intimacy and commitment. This reflection redirected his course and turned The Truth into what it is today, an uncomfortable book about relationships.

    Neil leaves us with some excellent advice that corresponds directly to the wonderful conversation we had in the course of getting to know him and his new book. He gives this advice: “Lovingly and compassionately question and challenge yourself, question your presuppositions and the bases on which you have your thoughts. Challenge yourself to break habits and routines, to get outside your comfort zone.”

    We want to thank Neil for being a guest on our show this week and hope that you will too! You can find him on Twitter, @NeilStrauss and keep up with his latest projects by visiting his website, neilstrauss.com. Check out his available audiobooks in the Books & Resources section in this blog post.

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    Books & Resources Mentioned

    AB 20 | The Power of Storytelling with J.R. Young - The Tale of Nottingswood

    AB 20 | The Power of Storytelling with J.R. Young - The Tale of Nottingswood

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    What better way to close out the month of November on the Audiobooks.com Podcast than with an author, and a book, that would make for a great Christmas gift! By the next time we’re streaming into your ears, we’ll be beyond Thanksgiving and into the season of shopping and of gift giving. For children, and for those with childlike imaginations, we recommend the novelette The Tale of Nottingswood by J.R. Young.

    To help seal the deal on this gift, we had the wonderful opportunity of speaking with Justin himself, who, before writing this book has made a name for himself in acting, voice acting, and public speaking. We get to ask Justin about how he made the leap into writing, what the process was for turning his book into an audiobook, and the aftermath of releasing both.

    The Tale of Nottingswood is written in verse and, as Justin says himself, needs to be read aloud. Deeply thought provoking, moving, and enlightening, the tale follows a boy and a girl, twins, who live in a land which cast out their majestic guardian, built a wall to block out the sun, and find contentment in decay. But then this brother and sister stumble across a Creature who changes their lives forever, and thus The Tale is born

    We play a clip from the audiobook, which Justin recorded himself, to give you a quick glimpse into just how wonderful this story is. If you end up giving this gift as a Christmas gift, please follow up with us after the book has been opened and read and share the experience you had while reading it aloud or listening to it! Based on the feedback Justin has received thus far, and the opportunities it’s provided him to speak with schools and students, we have no doubt that great conversations can be had from that experience.

    Get in touch with J.R. Young! We encourage you to reach out to him, buy his book AND audiobook, because the illustrations alone are a sight to be seen, and share your experiences with the book with him. Justin says the best way to keep in touch and be updated on what’s going on is to visit Nottingswood.com. He can also be found on Facebook.

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    Books & Resources Mentioned

    AB 19 | The Man Behind The Audiobooks.com Curtain with Sanjay Singhal

    AB 19 | The Man Behind The Audiobooks.com Curtain with Sanjay Singhal

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    Welcome to the Audiobooks.com Podcast! Every week we have the great privilege of chatting about the audiobooks industry, sometimes talking about what we’re currently listening to, other times getting to speak with people on the business side or authors or avid book lovers. The spectrum of guests has been enlightening and rewarding and we look to continue that streak with this installment, featuring special guest Sanjay Singhal, CEO of Audiobooks.com! Our conversation with Sanjay covers everything from where Audiobooks.com started from to where the industry is headed and to what is currently in his audiobooks queue.

    Meet & Greet

    We’re getting an inside look this week from the man who devotes his livelihood to anticipating and innovating the future of the audiobooks industry. It is both encouraging and exciting to hear about the passion Sanjay has for the industry, and audiobooks in general, because it only means good things to come our way in the future.

    Inspired by Netflix and the methodology of delivering entertainment to the doorstep of a consumer, Sanjay and his business partner launched Simply Audiobooks in Canada back in 2003 with monthly fees and an assortment of titles in their collection. After sticking with the business despite a rocky first year, audiobook rentals have exploded into a lucrative and evolutionary business.

    Looking at the last couple decades of audio, it’s amazing to see how the preferred medium has transformed the delivery; from cassettes to CDs to digital media, our methods of consumption have changed tremendously, and industry leaders like Sanjay have been on point to meet new needs as they arise. As the escalation of technological advances shows no sign of slowing down, the format of audiobooks will no doubt continue to change as well.

    Watching the market, watching technology, and listening to the consumer base helped Sanjay to guide the delivery of audiobooks in a transformative way. This same attention, and same passion for making audiobooks accessible to everyone, is now leading audiobooks into the next phase of life as interest and competition increases.

    Finishing Well

    Lately, we’ve been talking about some peripheral topics surrounding reading and listening to books, and this week we approached the question of whether it’s imperative to finish a book once you’ve started. Brian is reading a book that he considers mostly review for him for where he is in his career, but isn’t quite sure how he feels about quitting on the book.

    What do you think? When is it appropriate to set a book aside, with no real interest in completing it? Do you have a rule you follow when you find yourself in these situations? Send us an email and let us know your perspective!

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    Books & Resources Mentioned

    AB 18 | The Audiobook Experience with Ellory Wells | Reviews & News

    AB 18 | The Audiobook Experience with Ellory Wells | Reviews & News

     

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    From Tamara Ireland Stone to Fred Godsmark to Tucker Max, we’ve had a lot of authors and audiobook business persons featured on the podcast, so this week we get back to the receiving end of audiobooks. Welcome business coach and audiobook lover Ellory Wells to the discussion! Ellory lends us his perspective on the listening experience and gives us a lot of recommendations for audiobooks to explore.

    The Experience

    We’ve discussed on the podcast before the differences between listening to an audiobook for entertainment purposes versus listening to an audiobook for reasons of time constraints or circumstance. It is much easier, and safer, to listen to an audiobook while stuck in traffic, for example, than reading a hardcover book! If the purpose we have to listen to an audiobook is entertainment, then the narrator contributes a great deal to that experience.

    The book series that Ellory is currently reading, Undying Mercenaries written by B. V. Larson, keeps him engaged largely because of the narrator, Mark Boyett. Earth is visited by visitors from another galaxy in this book series, and instead of being exterminated, mankind joins with their visitors and go on adventures in space. Ellory says they’re easy reads, but are engaging and he enjoys the way Mark Boyett brings the characters to life. The entertainment value is high.

    The same goes for The Martian, a book and audiobook we’ve discussed previously on this podcast, and one that continues to receive good reviews. The narrator for The Martian does a fantastic job of conveying Mark Watney’s, the main character, personality. Heavily sardonic, but an articulate intellectual, who has been well trained to survive in circumstances that normal people do not face. The narrator brings charm to Watney’s voice and a deep emotional connection with the man living alone on Mars.

    Is It Cheating to Listen?

    Does the method of consumption contribute to the legitimacy of an experience? Do we lose something by listening to, rather than reading, a book? This is one of the questions we ask Ellory, and his response is very interesting! We’re going to let you listen to the podcast to hear his perspective, but in the meantime, let’s take another look at this concept.

    It should come as no surprise that in our modern, 21st-century culture, scientists have explored the differences of effects between reading and listening to books when it comes to how the brain processes and absorbs information. Researchers have done studies for decades about listening comprehension versus reading comprehension and their correlation to different personalities and different learning styles. But even through all of this research there seems to be inconclusive evidence that a person absorbs or understands better either through reading or listening.

    A well-known phrase, coined by Marshall McLuhan in his 1964 book Understanding Media: The Extensions of Man, says this: “the medium is the message.” One of his first objectives is to demonstrate how the content of a particular medium is also a medium. In the case of audiobooks, if we were to ask what the content of an audiobook is, the answer might be “book”, whereas we’d say the content of a book is “the written word”.

    The question of whether it is cheating to listen to a book becomes a little different in this context because there is a degree of separation between the written word and the way it is absorbed. If scientists can’t find conclusive proof that we, as humans, understand better through reading or listening, then it’s difficult to say that listening is straight up cheating. There is certainly something to be gained by various learning styles from listening to audiobooks, but it can also neither be a blanket statement.

    In Understanding Media, McLuhan argues that a medium translates content. While reading a book, the written word translates the story for our brains to absorb; while listening to an audiobook, the narrator translates the story for our brains to absorb. In both cases, our brains still achieve direct access to the story; our mind’s eye must still create the story in our imaginations or our intellect must process the information for application.

    Is it cheating to listen to audiobooks? Science and social theory may never be able to give us a direct answer to that question. Perhaps that question is tied into a deeper social issue of the modern age as we witness other mediums fade into the category of obsolete technology. Whether we use technology as an excuse or a crutch to avoid a tedious task is also called into question. In the end, we love audiobooks for the similar reason we love the theater, or a film, or a rock concert: it is another medium through which we can absorb, learn, grow and be entertained.

    Get In Touch!

    As always, we would love to hear what you are currently listening to and what is in your queue! Send us an email or hit us up on Twitter. And while you’re at it, send Ellory a quick thank-you for talking with us this week!

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    Books & Resources Mentioned

    AB 17 | Do You Really KNOW Tucker Max?

    AB 17 | Do You Really KNOW Tucker Max?

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    Welcome back to the Audiobooks.com Podcast! Halloween has passed, November is upon us and we can finally start thinking about Thanksgiving here in the United States. No more being shy about ordering pumpkin spice lattes, it’s now a shameless request. There are a lot of fantastic autumn beverages that often get overlooked, though, like Masala Chai and apple cider. If you have a favorite autumn beverage that gets overlooked, write us and tell us what it is!

    We have a very special treat for you this week as we invited entertainer and entrepreneur Tucker Max to join us. The truth is, every week is a special week, every guest is a special guest, but we are excited to share this interview with you because of the unique change Tucker has brought to the world of books and audiobooks.

    Google and Wikipedia will tell you about the Old Tucker Max, the one without a wife and a son, the one who wrote I Hope They Serve Beer In Hell, and the one who basically helped form the genre fratire. What they don’t spend a lot of time describing is the New Tucker Max, the one who we got to chat with in this interview and the one who is re-inventing what it means to author books.

    As much as we celebrate audiobooks on the appropriately titled Audiobooks.com Podcast, we also celebrate the opportunity to consume knowledge from those who have the expertise and experience to provide it. Unfortunately, by the nature of that position in life, a book containing that knowledge often ends up being compiled in a memoir. The relevance of its content, upon release, is already losing its criticality and is thus treated by the media and public as more of a biographical work.

    Book in a Box is changing everything. Tucker Max and his business partners have developed a method which enables a person with expertise to get relevant knowledge out to its target audience while it is still critical. As audiobook lovers, we can appreciate the time it takes to either read or listen to a book, which says nothing about the time it took an author to write it. The greatest aspect to Book in a Box is that it does not take a person with this critical knowledge more than 12-16 hours over the phone! Time, as a caveat to producing relevant content, is almost negligible.

    This process has amazing potential and we are excited to see the products that result from it. Check out the links below for more information on this enterprise, as well as the books that Tucker Max has written! Then, send him a thank-you for taking the time to chat with us.

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    Books & Resources Mentioned

    AB 16 | Books of Horror with Fred Godsmark of Audio Realms

    AB 16 | Books of Horror with Fred Godsmark of Audio Realms

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    "All that we see or seem is but a dream within a dream." — Edgar Allen Poe

    We’ve all heard of H. P. Lovecraft, Edgar Allen Poe, Stephen King, and Dean Koontz, but this week on the Audiobooks.com Podcast we’re talking with the founder of Audio Realms, Fred Godsmark. As Halloween is just a couple days away, we thought it appropriate to bring on an expert in the field of horror, someone knowledgeable about the books and audiobooks currently popular in the genre, and get some insight into current trends and demographics surrounding fans of horror.

    Niche Books

    There are fans, and then there are true fans. The dedicated masses. The fanatics. The ones that will paint their faces, dress up like a mascot or character; the ones that go to conventions, host themed parties, and follow the object of their fanaticism around the country. These kinds of fans undoubtedly inspire companies like Audio Realms to not just exist, but to thrive.

    These kinds of fans, in fact, create companies like Audio Realms! Fred himself is an avid reader of the horror genre and dedicated to bringing the authors and stories he loves into the light. He mentions that stories by H.P. Lovecraft sell just as well now as they did 10 years ago, but he also says that new authors come about every year with fascinating stories to tell that don’t get nearly the same attention as the pop culture horror authors do.

    To remedy this, Fred gives us a ton of recommendations to get a more thorough look into the genre of horror! At the forefront of his mind are Wolfland by Jonathan Janz, The Things That Are Not There by C. J. Henderson, and The Guns of Santa Sangre by Eric Red.

    Getting a Taste

    Audio Realms is currently working on a series of short story collections. Historically, Fred shares with us, the medium for horror was predominantly short stories. People would line up to buy these “old rags”! One such collection Audio Realms has produced is called Out of Tune, which has a really cool theme. They’ve taken a series of old ballads and wrote short stories to accompany them, and also a short explanation of the ballad. This collection was edited by Jonathan Mayberry.

    We’ve talked a couple times on the podcast about how the length of a podcast can be difficult to fully embrace. It’s true that listening to an audiobook is often faster than reading it, but audiobooks that are 20-30 hours long is a big commitment. When it comes to a road trip, the longer the better! Short stories, on the other hand, are ideal for commutes that aren’t quite of the same degree as a road trips. It could take 45 days to listen to a 30-hour audiobook, if your daily commute is 40 minutes. That’s over 2 months!

    If you’re someone who enjoys completing a task more quickly than that, then perhaps looking into Audio Realms’ short story collections is a good idea for you! Watch for new collections from Audio Realms to get a taste of horror for yourself.

    What Are You Listening To

    We’ve heard from Fred, now we want to hear from you! What was on your audiobooks playlist for the advent of Halloween?

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    Books & Resources Mentioned

    AB 15 | Every Last Word with Tamara Ireland Stone and Amy Rubinate

    AB 15 | Every Last Word with Tamara Ireland Stone and Amy Rubinate

    Site: http://www.audiobooks.com/podcast  | Email: podcast@audiobooks.com

    We are so excited to share this week’s installment of the Audiobooks.com Podcast! Last week, Addy gave us a preview into the new novel by Tamara Ireland Stone entitled Every Last Word and this week we have the honor and privilege to speak with Tamara and the woman who read the audiobook, Amy Rubinate. It was such a pleasure to speak with both women about their journeys, hear the stories that have inspired them to do what they do, and, in turn, to be encouraged and inspired by their experiences and advice.

    Prior to becoming an author, Tamara owned her own marketing strategy firm. But her true calling has always been writing. Now her bibliography includes three novels. In addition to Every Last Word, which centers around a young girl with OCD, she also wrote Time Between Us in 2012 and Time After Time in 2013, both exploring an unlikely romance between a girl from 1995 Chicago and a time-traveling boy from 2012 San Francisco. The author is very active on social media, including Twitter and Tumblr, so we encourage you to connect with her and thank her for the time she spent with us on the Audiobooks.com Podcast!

    From behind the pen to behind the mic, we get a glimpse into where Amy got her start as well. Amy actually began as a cabaret singer, then migrated into voiceovers before falling in love with audiobooks and finding a niche in that industry. Since getting involved with audiobooks, and starting her own audiobook publishing company called Ideal Audiobooks, Amy has recorded dozens of books and received the AudioFile’s Earphones Award.

    As much as it is a treat to hear both of their stories, it is even more incredible to hear about the relationship and rapport the women have developed since their paths crossed following the release of Tamara’s first book. They hold deep respect for one another, and the industry of books and audiobooks, out of which comes an invigorating passion in the way they talk about their craft.

    If you are as much a book and audiobook nerd as we are, you are going to love the detail that Tamara and Amy go into about their respective trades. On Tamara’s side, we get a look into how she begins writing, how she develops characters, and that routine she has when starting out on a new idea to get inside the heads of her characters. On Amy’s side, she tells us about how she goes about bringing a voice to the story she narrates, both in resonating with the characters and with the author.

    The stories and experiences these women share are so wonderful and we’re always just so thankful to speak with individuals in the industry who are eager to see the medium thrive. When we have the chance to hear authors and narrators genuinely fawn over what they do, and also express a genuine love for the craft, it is equally as transdimensional as it is to be immersed in a book or audiobook. They transport us to this dimension where all that exists are fictional stories that enable us to depict deep truths in relatable ways, and we really felt that throughout this conversation.

    Thanks for joining us this week! We encourage you to reach out to Tamara and Amy on social media and thank them for their time. Be sure to check out Tamara’s other books, as well as the ones Amy has narrated. And then, let us know what you thought of the interview. What inspired you? What did you learn? Let us know!

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    Books & Resources Mentioned

    Every Last Word by Tamara Ireland Stone | Narrated by Amy Rubinate

    Ideal Audiobooks

    Tamara Ireland Stone on Twitter

    Amy Rubinate on Twitter