Beyoncé's Surprise Singles + Usher's Halftime Show + New Music Speed Round (with Variety's Steven J. Horowitz) (Patreon Preview)

In a preview of this week's Pop Pantheon: All Access episode and as a capstone to our latest series on Ariana Grande, Bustle's Nolan Feeney joins DJ Louie to discuss Ari's seventh studio album, Eternal Sunshine, which dropped on Friday. Louie and Nolan dig into all the record's themes, aesthetics, how it toys with her public narrative, the impact of collaborator Max Martin, absence of long-time songwriting aces Victoria Monet and Tayla Parx and so much more.

To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app. 

For part two of our Ariana Grande series, Pitchfork senior editor Anna Gaca is here to discuss the aesthetic pivot of 2018’s Sweetener, the superstar's first album following the horrific bombing of her Manchester concert and which found her reaching for light amidst unthinkable darkness. From there, Louie and Anna tackle the tabloid frenzy of Ari's relationship with comedian Pete Davidson and how their break-up, along with the death of her ex-boyfriend Mac Miller, turned 2019’s thank u, next into a once-in-a-career deluge of public fixation and artistic revelation. Finally, they consider 2020’s ode to stay-a-home pandemic sex, Positions, discuss their hopes for her imminent seventh studio album, Eternal Sunshine, due tonight, and re-address Ariana Grande's ranking in the official Pop Pantheon.

Join us on Pop Pantheon: All Access next week for our review of Ariana’s seventh studio album, Eternal Sunshine.

Listen to Pop Pantheon's Ariana Grande Essentials Playlist

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Pop music critic at the LA Times, Mikael Wood, joins Pop Pantheon for our first ever full re-examination of the first ever artist we ever ranked in the official Pop Pantheon: Ariana Grande.

In Part 1, Louie and Mikael trace Ariana’s roots as a performer, from her start on Broadway as a teenager to her Nickelodeon years and her bubblegum debut single through to her first studio album, 2013’s Babyface-assisted Yours Truly. Then they tackle 2014’s My Everything, which ensconced Ariana as pop’s newest superstar, and 2016’s Dangerous Woman, which marked her rite of passage from child starlet to sexually-embodied adult pop star. Finally, they discuss the 2017 terrorist attack at her concert in Manchester; an international tragedy that forever altered the course of Ariana’s persona, narrative, music and career.

Join us next week for Part 2 where we'll explore 2018's Sweetener, 2019's Thank U, Next and 2020's Positions and join our Patreon for our album review of Ariana’s upcoming seventh album, Eternal Sunshine, due March 8. 

Listen to Pop Pantheon's Ariana Grande Essentials Playlist

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When was the last time a single pop star dominated culture like Taylor Swift? From her blockbuster re-recordings, which brought a new generation of fans into the Swiftie fold, to her world-conquering Eras Tour, record-breaking 4th Album of the Year Grammy for 2022’s Midnights and the endless fascination with her personal life and new relationship with Travis Kelce, Taylor Swift has become the biggest music superstar of the millennium. In the wake of her eleventh studio album, The Tortured Poets Department, Pop Pantheon’s DJ Louie XIV will be joined by Every Single Album’s Nora Princiotti, writer Hunter Harris and Rolling Stone’s Brittany Spanos to break down Taylor’s latest record, dissect her place atop the current pop firmament and ponder how long this blazing hot streak can possibly last.

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Jennifer Lopez might not have stopped the world when she released her new self-financed visual album, This is Me... Now: A Love Story, last week. But she certainly drummed up a lot of conversation, much of which most certainly would not have been happening had she simply dropped a new record.

After watching the film, DJ Louie got together with writer Sydney Urbanek, who is currently developing a series for her newsletter Mononym Mythology on the history of the visual album, to talk This is Me... Now, how it fits into the broader lineage of visual albums and serves as just the latest in a long history of pop musicians turning to film as a way to flesh out the world of their music. 

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In a preview of this week's Pop Pantheon: All Access episode, as we gear up for Justin Timberlake's sixth studio album Everything I Thought I Was, due in March, DJ Louie and writer Rachel Brodsky gather to reflect on his debut, 2002's Justified. The two parse out how Justin's public profile nosedive has impacted the public's experience of this music, whether it's possible to enjoy this album in vacuum, and If perhaps there's been an overcorrection on Timberlake in recent years that ignores some of delights of his peak work.

To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier.

Writer Natalie Weiner joins Pop Pantheon to unpack Sheryl Crow’s “winding road” to pop superstardom. Natalie and Louie trace back Sheryl’s early days in the music business, from her gig singing backup on Michael Jackson's blockbuster Bad Tour to writing songs for Celine Dion and Tina Turner, then discuss the roots rock infused pop of 1993's Tuesday Night Music Club that made Sheryl a star and won her Best New Artist at the Grammy Awards. From there, they break down her signature 1996 self-titled album, 1998’s The Globe Sessions, her status as a tabloid celebrity, Sheryl’s second wave of hits like “Soak Up the Sun” and “Picture,” her continued output of varied and critically acclaimed records, and the massive influence she's had on contemporary acts from HAIM to BoyGenius to Kacey Musgraves and more. Finally, they rank Sheryl Crow in the Official Pop Pantheon.

Listen to Pop Pantheon's Sheryl Crow Essentials

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In a preview of this week's Pop Pantheon: All Access episode, Beyoncé dropped two singles plus announced her new album! Usher performed at the Super Bowl Halftime Show! Variety's Steven J. Horowitz joins Louie and Russ to discuss it all, plus a new music speed round featuring Justin Timberlake, Kacey Musgraves & Ice Spice.

To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier.

In anticipation of Usher's Super Bowl Halftime performance on Sunday, we're re-sharing our episode on him from September 2022.

Music writer and Assistant Professor at Syracuse University, Rawiya Kameir, is back on the show to discuss the career and confessions of the great Usher. DJ Louie and Rawiya break down Usher’s musical origins singing in the church, the failed boy band he fronted in the early ‘90s, Nu Beginnings, and how his deal with the storied LaFace Records and subsequent “flavor camp” with Sean “Puff Daddy’ Combs set the stage for his self-titled debut record in 1994. They then dive into his breakthrough sophomore album, 1997’s My Way, how it solidified Usher’s persona as a smooth, sensitive, emotionally-conflicted lover boy as well as one of the most dexterous R&B singers of his generation, its blockbuster follow up, 2001’s 8701, which furthered Usher’s thematic fascination with the complexities of and distress caused by love and sex and of course, his magnum opus, 2004’s Confessions, a hit-packed concept album about the aftermath of infidelity that sold over 20 million copies worldwide and stands today as Usher’s signature artistic and commercial achievement. Next, Louie and Rawiya debate Usher’s latter period output, from swings at trendiness on 2008’s Here I Stand and 2010’s Raymond Vs. Raymond to more rewarding experiments on 2012’s Looking 4 Myself and 2016’s Hard II Love. Finally they rank Usher in the official Pop Pantheon.

Check out Louie's Usher Essentials Playlist on Spotify

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The long-simmering beef between Nicki Minaj and Megan Thee Stallion recently exploded from our streaming services with the release of their respective diss tracks "Big Foot" and "Hiss" and onto social media, where Nicki vented her ire for her rival for days, then, thanks to the rapper's most ardent fans, onto some people's front doorsteps and even to the gravesite of Megan's mother.

This beef is yet another moment where the ferocity of stan armies and their relentless defense of their pop star favs went from fun and games on the internet to doxxing, threatening people's families and more. Rolling Stone's Mankaprr Conteh is here to discuss the beef, the role stans have played in it, our increasingly cloistered internet bubbles and realities, what we lose artistically and personally when stanning dominates our cultural discourse and why it may be time to seriously rethink the stan ecosystem, for all of our sakes.

Read Mankaprr's breakdown of Nicki and Megan's beef from Rolling Stone

Watch Ryan Ken's Tik Tok on stanning

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