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    Bringing the Characters to Life | 3

    enMay 27, 2020
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    About this Episode

    In this episode, the actors from Dirty John: The Betty Broderick Story talk about prepping for their roles – including the challenges of playing Betty Broderick herself, a character brought to life by Amanda Peet.

    Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.

    Recent Episodes from Dirty John Season 2: The Podcast

    Introducing 'Foretold'

    Introducing 'Foretold'
    "Foretold" is the newest podcast from the L.A. Times, and we're sharing a preview of the first episode with you here today. In the fall of 2019, reporter Faith E. Pinho received a tip from a woman named Paulina Stevens. Paulina claimed she had grown up in an insular Romani community in California, where she was raised to be a wife, mother and fortuneteller — until she decided to break away. That first call unraveled a story spanning multiple continents, hundreds of years, and complex metaphysical realities.  Follow "Foretold" to hear new episodes every Tuesday

    A Fresh Approach to an Enduring Story | 2

    A Fresh Approach to an Enduring Story | 2
    The creators of Dirty John: The Betty Broderick Story share their insights on what it took to bring a fresh approach to this enduring story, including the role of female directors in the re-telling the infamous murder. Among the directors whose work shaped the series are Maggie Kiley and Series Director Alexandra Cunningham, who made her directorial debut.

    Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.

    The Cultural Climate | 1

    The Cultural Climate | 1
    To understand why the story of Betty Broderick endures, the creative minds behind the series – Executive Producer, Writer and Director Alexandra Cunningham, along with Executive Producer Jessica Rhoades – explain the importance of the cultural climate of the late 1980s and early 1990s, as well as how they approached this complex case so many years later.

    Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.
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