Creation of Rim Encheres Paris with Rim Mezghani

In today’s episode, Isabelle Imbert welcomes Dr Suzanne Compagnon, post-doctoral fellow at the university of Utrecht. Suzanne recently got her Ph.D. from the University of Vienna with a thesis focused on Turkish Ottoman painting, and more specifically on the single-page figures produced by the painters Levni and Bukhari in the first quarter of the 18th century. Ottoman painting in general has not been studied as much as its Persian and Indian counterparts, and Suzanne dived into the topic with passion. In the episode, they talk about the career and work of these two painters, their sources of inspiration, powdered wigs, bonnets, and much more.

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and X
• Follow Suzanne on Academia
• Read Suzanne's Ph.D. dissertation online (open access)
• Esin Atil, Levni and the Surname: the Story of an Eighteenth-Century Ottoman Festival, University of Washington Press, 2000. 
  • Review of the book and reproductions of paintings on Istanbul traveloguewebsite (2014)
• Gwendolyn Collaço, "‘Word-Seizing’ Albums: Imported Paintings from ʿAcem and Hindūstān on an Eclectic Ottoman Market", Ars Orientalis, 51 (2021), pp. 133-187 (open access on Academia)
• Album Arabe 6076, Bibliotheque nationale de France (digitised) 
• Album Arabe 6077, Bibliotheque nationale de France (digitised) 
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of artefacts discussed in the episode. 

Isabelle Imbert welcomes Pr Stephane Pradines, Professor of Islamic Art, Architecture and Archaeology at the Aga Khan University in London. Stephanes is an archaeologist with a particular expertise on Sub-Saharan Africa, a large region that is being discussed for the first time on this podcast, and for today the Swahili coast in the East. In the episode, they talk about Stephane’s past and ongoing archaeological projects, before diving into the architecture of the Swahili coast, artistic exchanges in the Indian ocean, as well as the practice of archaeology in different terrains and climates.  

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and X
• Follow Stephane Pradines on Academia
• Stephane's profile and list of publications on the Aga Khan University website
• Stephane's publications mentioned in the episode: 
  • "Early Swahili Mosques: The Role of Ibadi and Ismaili Communities, Ninth to Twelfth Centuries", Muslim Cultures of the Indian Ocean, Edinburgh Uni Press: 2023
  • Historic Mosques in Sub-Saharan Africa, from Timbuktu to Zanzibar, Brill: 2022
  • "Islamic Archaeology in the Comoros: The Swahili and the Rock Crystal Trade with the Abbasid and Fatimid Caliphates", Journal of Islamic Archaeology, vol 6-1 (2019)
  • "Madagascar, the Source of the Abbasid and Fatimid Rock Crystals: New Evidence from Archaeological Investigations in East Africa", Seeking Transparency: Rock Crystals across the Medieval Mediterranean, A. Shalem, C. Hahn (eds), Gebr. Mann Verlag: 2020
• More information: 
  • Pradines, S., Blanchard, P., "From Zanzibar to Kilwa : Eighteenth and Nineteenth Century Omani Forts in East Africa", Fort, 47 (2019)
  • Pradines, S., "Sufi in War: Persian influence on African weaponry in the 19th century Mahdist Sudan", JAAS, XXII (2018)
  • Pardines, S., "Swahili Archaeology New edition", Encyclopedia of Global Archaeology, Springer International Publishing 2018
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of architectures and objects discussed in the episode. 

For the 2 years anniversary of the ART Informant podcast, I welcome... myself. A very special host comes in to ask me questions about my newly released children's book, La Tortue et les Deux Canards, et autres fables de La Fontaine de source arabe, published at Versant Sud Jeunesse. We also talk about the podcast, of course, how and why it started, how it is going, and where I hope to take it in 2024. I hope you'll enjoy this very special episode!

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and X
• Follow Isabelle Imbert on Instagram, LinkedIn and Academia
• La Tortue et les Deux Canards et autres fables de la Fontaine d'origine arabe, Versant Sud Jeunesse, 2023.
• Kalila wa Dimna in Islamic Arts and Literature with Annie Vernay-Nouri and Aida El Khiari, ART Informant Podcast, 2022.
• Shahnama made for the Mughal emperor Jahangir in 1021H/ 1612. Millon, 3 May 2018, lot 227
• A Page of the Royal Padshahnama, From the St Petersbourg Muraqqa’, Millon & Associés, 3 Dec. 2019, lot 366
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of artefacts discussed in the episode. 

In today’s episode, we take a step aside from Islamic & Indian art history to welcome Alexander Herman, director of the Institute of Art & Law in London. Alexander is specialised in the complex legislation of art and cultural heritage, and has recently published The Parthenon Marble dispute: Heritage, Law, Politics (Bloomsbury). In the episode, he offers the most valuable introduction to cultural heritage and provenance laws. He talks about his investigation in the dispute surrounding the Parthenon marbles, as well as several high profile cases involving art pieces, protection of cultural heritage and how to make sure the art you buy is legal and protected.

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Mentioned in the Episode and Further Links 

•  Follow the Art Informant on Instagram and X
• Follow Alexander Herman on X and LinkedIn
• The Institute of Art and Law
• Alexander Herman, The Parthenon Marbles Dispute: Heritage, Law, Politics, Bloomsbury, 2023 (Bloomsbury)
• The 1970 UNESCO convention
• The 1954 Hague Convention
• United Nations Security Council Resolution 2347 for protection of cultural heritage in Iraq and Syria
• The 1995 UNIDROIT convention
• Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, Knopf Doubleday: 2015 (Amazon)
• Peter Watson, The Medici Conspiracy: The Illicit Journey of Looted Antiquities. From Italy's Tomb Raiders to the World's Greatest Museums, PublicAffairs, 2007 (Amazon)
• Art Law Podcast: "Turkey’s Quest for the Stargazer", part 1, 2 Dec. 2021
• Art Law Podcast: "Turkey’s Quest for the Stargazer", part 2, 2 Mar 2022
• The Art Loss Register
• The Lost Art Database
• The ICOM Red Lists
• Alexander Herman, "Methods of Securing Returns: Tough Stance of New York District Attorney Over Ancient Persian Artefact", Art, Antiquity and Law, Vol 23, Issue 4, 2018 (get in touch for a free copy)

 Click here to see the reproductions of artifacts discussed in the episode. 

For the 30th episode of the ART Informant, Isabelle Imbert travels to mediaeval Spain with Dr Mariam Rosser-Owen, curator of the Middle Eastern Section in the Victoria and Albert Museum. Al-Andalus, Muslim Spain and Portugal, is particularly recognised for its rich production of carved ivory objects and its architecture, which Mariam and Isabelle talk about at length in the episode. They also discuss Mariam's role as a curator in the Victoria and Albert museum in London, the ongoing changes in the museum, and Mariam fascinating collaborations with contemporary artists.

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and Twitter
• Follow Marian Rosser-Owen on Instagram and Academia
• Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus, Brill, 2021
• Mariam's publications on the V&A blog
• Mosque of Cordoba, information and pictures (Archnet)
• The Ardabil Carpet, Persia, 16th c. (V&A)
• Fatimid rock crystal ewer, Egypt, 10th-11th c. (V&A)
• Book of Gifts and Rarities: Selections Compiled in the Fifteenth Century from an Eleventh-Century Manuscript on Gifts and Treasures, trans. Ghada Hijjawi-Qaddumi, Harvard, 1997
• Ivory Act 2018
• Abbas Akbari
• Malek Gnaoui
• Shahpour Pouyan
• Sphero-Conical Vessels: Evidence from Baalbek (Lebanon), Valentina Vezzoli (Khamseen)
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of artifacts discussed in the episode.

In this episode of the ART Informant, Isabelle Imbert welcomes Dr Amanda Phillips, Associate Professor of Islamic Art and Material Culture at the University of Virginia. Amanda specialises in the consumption and trade of textiles in Ottoman Türkiye. It is the topic of her latest book: Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean, published in 2021 (University of California Press). In the episode, they talk about the techniques and particularities of Ottoman silks, such as the so-called Studenica silk, and of course of crimson and gold-embroidered velvets made in Bursa, particularly well represented on the market, as well as academic career, book writing, and much more.

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and Twitter
• Follow Amanda Phillips on Instagram and Academia
• Amanda Phillips, Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean, University of California Press, 2021.
• Amanda Phillips, Everyday Luxury, Art and Objects in Ottoman Constantinople, 1600-1800, Verlag Kettler, 2018 (free access).
• Nurhan Atasoy, Walter B. Denny, IPEK. The Crescent & the Rose: Imperial Ottoman Silks and Velvets, Azimuth, 2001
• Work of Pr Suraiya N. Faroqhi on Academia
• Christie's, "Collecting guide: Ottoman silk velvet panels", 2019
• Nazanin Hedayat Munroe, "Silks from Ottoman Turkey", MET Museum blog, 2012
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of artefacts discussed in the episode. 

In the episode, Isabelle Imbert welcomes Bharti Lalwani, art critic and perfume maker, and Dr Nicolas Roth, visual librarian at Harvard University Library, gardener and historian of horticultural knowledge and practices in India. Bharti and Nicolas have collaborated on an online exhibition: Bagh-e Hind, the Garden of India, a unique project combining art history and perfume making to recreate smells of Rajput and Mughal paintings. In the episode, they talk about the creation of the exhibition, smells, shared visual cultures, the accessibility of art history to all, and more. 

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and Twitter
• Follow Bharti on Instagram and check Lithrab Perfumery
• Follow Nicolas on Instagram and Academia
• Bagh-e Hind exhibition
• Ali, Daud, and Emma J. Flatt, eds. GardenandLandscapePracticesinPre-colonialIndia:HistoriesfromtheDeccan. New Delhi: Routledge India, 2012.
• Click here for more episodes of the ART Informant.

Click here to see the reproductions of artefacts discussed in the episode. 

In today’s episode, Isabelle Imbert welcomes Hiba Abid, doctor in Islamic Arts History and curator for Middle Eastern and Islamic Studies in the New York Public Library. Isabelle and Hiba have known each other for a long time, so it was time to catch up on the topics that passionate Hiba, in particular the history of manuscripts production in the Muslim West, a region still often ignored. Hiba is now a newly appointed curator and gives the audience real insights into her role, as well as the particularities of the NY Public library Middle-Eastern collection and its significance. 

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Mentioned in the Episode and Further Links

• Follow the Art Informant on Instagram and Twitter
• Follow Hiba on Twitter and Academia
  • Material Images and Mental Ziyāra: Depicting the Prophet’s Grave in North African Devotional Books (Dalāʾil al-Khayrāt), Journal of Material Cultures in the Muslim World, 1 (2020), 331-354.
• New York Public Library 
• Umberto Bongianino, The Manuscript Tradition of the Islamic West. Maghribi Round Scripts and the Andalusi Identity, Edinburgh University Press, 2022.
• Click here for more episodes of the ART Informant.

Isabelle Imbert welcomes Valentina Bruccoleri, doctor in Chinese art history and postdoctoral researcher of the Marco Polo Centre for Global Europe-Asia Connections at the university of Venice. Valentina is a specialist of Chinese ceramic, and more precisely, she specialises in the artistic interactions between the Persian dynasties of the Timurid (1370-1507) and Safavid (1501-1722), and the Chinese Yuan (1279–1368) and Ming (1368-1644) dynasties. In the episode, they talk about the production and trade of blue & white porcelains and celadons, of the circulation of ceramic forms and decorative motifs and of the reception of Chinese ceramics in the Persianate sphere, all from a Chinese perspective.

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Mentioned in the Episode and Further Links 

• Follow the Art Informant on Instagram and Twitter
• Follow Valentina Bruccoleri on Instagram and Academia
  • "Éléments islamiques dans la porcelaine impériale chinoise du début de la dynastie Ming (1368-1435)", 2020
• Ruy González de Clavijo, ambassador of Henry III of Castile to the court of Timur (1403-1406) 
  • Historia del gran Tamorlan e itinerario y enarracion del viage, y relacion de la embaxada que Ruy Gonçalez de Clavijo le hizo, por mandado del muy poderoso señor rey Don Henrique el Tercero de Castilla, 1412 (Biblioteca virtual Miguel de Cervantes)
  • Narrative of the Embassy of Ruy Gonzalez de Clavijo to the Court of Timour at Samarcand, A.D. 1403-6, translated Sir Clements Robert Markham, 1859 (Google book)
• Didier, Michel, Chen Cheng, 1365-1457: ambassadeur des premiers empereurs Ming, Paris- Louvain, Éditions Peeters, 2012 (Amazon.co.uk).
• Rossabi, Morris, « Two Ming Envoys to Inner Asia », T'oung Pao, 1976, vol. 62, p. 1-34. (jstor)
• A Soup for the Qan: Chinese Dietary Medicine of the Mongol Era As Seen in Hu Sihui's Yinshan Zhengyao, Brill, 2010. 
• Click here for more episodes of the ART Informant.

 Click here to see the reproductions of artefacts discussed in the episode. 

Isabelle Imbert welcomes Dr Eleonore Cellard, researcher in early Qur'anic manuscripts and specialist in codicology and palaeography. She holds a Ph.D. from the Ecole Pratique des Hautes Etudes in Paris and have been working ever since on uncovering the secrets of the oldest Quranic manuscripts. In the episode, they talk about when and how the Qur’an was put into writings and the characteristics of early Quranic manuscripts, including the challenges to date and locate them. We also talk about an important project Eleonore is currently conducting on early Moroccan manuscripts, and the urgency of documenting them.

 If you've liked this episode and want to support, buy me a coffee! 

Mentioned in the Episode and Further Links 

• Follow the Art Informant on Instagram and Twitter
• Follow Eleonore Cellard on Twitter and Academia
• Eleonore's fundraiser (Go Fund Me)
• The Birmingham Qur'an in the University of Birmingham
• Leaves of the Monumental Qur'an attributed to Caliph 'Uthman (BNF Arabe 324)
• Click here for more episodes of the ART Informant.