Episode 64: Celebrating the Life of Barry Lynch: A Conversation with Hannah Lynch

If there’s one lesson songwriters learn over and over again, it’s that sometimes you just gotta let go. Sometimes you just gotta let the song work its way out on its own schedule. Just let it go. That’s the trick my next guest leaned on for his band’s latest single. Peter Argyropolous, lead singer and songwriter for LA-based rockers Sons of Silver, joins me to discuss Tell Me This, a classic, 70s-esque punk rocker released in early 2024. In addition to being a great friend of the show, Peter is also a fantastic interview. Coming off the heels of Sons of Silver's blistering 2022 EP Ordinary Sex Appeal, Peter opens up about the difficulties he had in finishing the song, especially its off-kilter lyrics. Peter also goes into detail about the band’s struggles in dealing with new personnel and refurbishing their sound. We cover a bit of everything here—songwriting, guitar tech, and gearing up (hopefully) for a year of touring. So dig in and welcome one of my favorite recurring guests Peter Argyropolous back to For Songs.

If there’s been one constant chronicled on this podcast, it’s that no one knows the future of the music industry. Hell, no one even knows what the next few days are going to be like in the industry. Certainly my next guest, Seattle-based singer/songwriter Ian Jones, is doing all he can to crack the code. Ian is making his third appearance on this show, this time to discuss his latest single, I Can’t Seem to Drink Her Off My Mind (https://open.spotify.com/album/3zkzAlf7arCVfra5MqU5h3?si=_-rhySY6ROm3fdLB9KeIsg). The song is a throwback to Merle Haggard, David Allen Coe, Buck Owens—a true drown-in-your-beer country tune that sounds like it was recorded in Bakersfield 50 or 60 years ago. Interesting, Ian is taking a kitchen-sink approach to marketing the song, as the album it will eventually be on is still being record. Not only that, he released a live version of the song before anyone’s heard the studio version. Will it work? Who knows! And that’s the point—there’s no blueprint, so why the hell not? It’s a fantastic, booze soaked lament that will keep your toes tapping and eyes watering. So sit back and listen in as Ian gives a frank assessment of the industry and how the song came together.

Lest anyone doubt the power of music, I give you the life of Barry Lynch. I met Barry while on vacation in May 2012 at a small pub in the small town of Moy, Northern Ireland, after he led a brilliant Irish session in which he sang and played just about every stringed instrument known to man. I finally brought him onto this show in July 2022 (https://forsongs.fireside.fm/49)to discuss an album he’d just produced by a band called the Armagh Rhymers. Sadly, Barry passed away suddenly in Spring 2023. In this episode, Barry’s daughter Hannah Lynch joins me to discuss her Dad’s life and musical journey. Barry’s belief that music can connect people and change the world took him all over the globe. As a teacher in a divided area of Northern Ireland, Barry used music to bring opposing sides together, an effort that took him to the White House and the United Nations as the Belfast Peace Accords were being negotiated. We discuss a 2013 album he recorded with family (including Hannah and her sister Jane) and lifelong friends John Devlin and others under the nom de plume of The Monday Men (https://www.facebook.com/TheMondayMen/). Join me in learning from Hannah about Barry’s commitment to music, family, peace, and how music can literally change the world.

When we last caught up with Yasmin Williams (https://www.yasminwilliamsmusic.com/), her life was just about to change. It was February 2021, the pandemic was slowly but surely starting to ease, and the DC-based acoustic guitar maestro released her groundbreaking album Urban Driftwood. Full of spellbinding, mesmerizing, uplifting acoustic-guitar driven instrumentals, Urban Driftwood took Yasmin from her parent’s house to all around the globe, playing festivals, selling out clubs, and doing gigs with some of her heroes. It’s been a whirlwind—and two-plus years later, Yasmin is back. In this episode of For Songs Singles, we talk about Yasmin’s latest breathtaking tune Dawning. As hypnotic as anything she’s written, Dawning is a revelation. It signals a re-awakening of life after a catastrophic pandemic, new love, hope, and, well, pretty much whatever you want. Yasmin had help for this one, including Grammy winning singer/songwriter Aoife O’Donovan. Yasmin gushes over Aoife’s magical, soaring vocals and reveals just how much her life is different from just two years ago. So sit back, listen and let the amazing Yasmin Williams take you away.

Thirty years ago, I popped in If I Should Fall From Grace with God by the London-Irish punk band the Pogues, and my life changed forever. I was 17, socially awkward, and a bit of a loner, but discovering the Pogues opened a whole world for me. Finding their brand of traditional Irish music blended with punk rock was like discovering a new home—comfortable yet dangerous, familiar yet mysterious. So it is such a tremendous honor to welcome Pogues founding member and accordion player James Fearnley to For Songs. James, hailing from outside Manchester, England, joined the band at the beginning, enlisted because if he could play the piano, surely he could play the accordion. I spoke with James via Zoom from his L.A. home. We tackle a few obligatory Pogues questions but spend most of our time discussing James’ latest venture, The Walker Roaders (https://walkerroaders.com/). The Walker Roaders, which released their first record in August 2019, are a Celtic punk supergroup, featuring not only James from the Pogues, but Ted Hutt from Flogging Molly and Marc Orrell from the Dropkick Murphys. We talk about the band’s songwriting prowess, lessons James has picked up from being around amazing artists like Shane MacGowan, Jem Finer, Joe Strummer, among others. Yeah, you’re gonna wanna listen to this one. So sit back, grab a pint (or two) and welcome James Fearnley to For Songs.

If you’ve ever felt like there’s just not enough time in the day, that the world is crashing down and you’re feeling more pressure than you can handle, have I got the song for you. In this episode of For Songs Singles, I welcome back Lisset Diaz of the Havana-by-way-of-Nashville-based Sweet Lizzy Project (www.sweetlizzyproject.com). Lisset discusses the band’s dynamite new single, Somebody Wake Me When It’s Over. The song is a musical tour-de-force, a blistering rock opera that jumps out of your speakers right into your heart. Lyrically, the song addresses anxiety and the fear that there’s just not enough time to accomplish your dreams. This is a true rock masterpiece and if there’s any justice in the world, the band’s guitarist and producer Miguel Comas will be the most sought after producer in the country after this single. So sit band and enjoy as Lisset Diaz returns to For Songs.

Sometimes life comes full circle. In this episode of For Songs, I welcome back Louisiana-based singer/songwriter Louis Michot of the traditional Cajun band the Lost Bayou Ramblers. Louis first appeared on the show in Fall 2020, at the height of the pandemic. He didn’t know it at the time but he was in the midst of writing and recording his first solo album. Three years later, Louis has just released Reve du Troubadour, which is Cajun French for Troubadour’s Dream (https://www.louismichot.com/). In this episode, Louis discusses how those eerie first few months of the pandemic resulted in creative output that even surprised him. Although the album is entirely sung in Cajun French, the songs span a much wider range. You’ll hear Lee “Scratch” Perry. You’ll hear the Pogues, you’ll hear classical music. You’ll hear…well, you get the point. In addition the music, you’re also going to learn something. Louis is as much of a historian as he is a musician, and some of his songs will make you uncomfortable. Learning about the past can be difficult, but that’s the point. So sit back and listen as Louis takes us through Reve du Troubadour (https://louismichot.bandcamp.com/album/r-ve-du-troubadour).

The sun is out, life is returning to normal and our favorite bands are back on tour. Not even two years ago this seemed like an impossible dream, as I’ve chronicled on this show. But here we are, in Summer 2023, and things seem, well, pretty good. A new day is dawning. Just ask acclaimed multi-instrumentalist/singer-songwriter Dom Flemons (www.theamericansongster.com), who released his brilliant solo record Traveling Wildfire this past March. Dom joins me for a third time to discuss his new record, and how it signals a new beginning for him and the rest of us. Dom talks about how writing and recording this album was a cathartic experience, to be in the studio again with musicians and producers, and to get back on the road. Traveling Wildfire tracks dozens of emotions from the last few years, from the pain of loss to the joy of normalcy. We also talk about how his interactions with folks like Bob Dylan and James Fearnley of the Pogues influenced a few tracks on the album in particular. As it always is when talking to Dom, you will learn something along the way. So sit back and let Dr. Dom Flemons take you away…

Music, not unlike life, is about the journey rather than the destination. And perhaps no artist I’ve interviewed knows that better than Seattle-based singer/songwriter Ian Jones (https://www.ianjonesmusic.com/). A true song craftsman, Ian knows that getting your big break in the music industry is about luck and being in the right place at the right time. But more than anything, you need killer songs. And while Ian hasn’t quite struck his lucky break, it’s not for a shortage of great tunes. Ian is influenced by the best—Dylan, the Beatles, Jim Messina, you name it. His music would fit at home on Outlaw Country, though he has a soulful voice that recalls John Denver as much as it does Chris Stapleton, or whomever is leading the so-called “Americana” charts. Ian and I chatted about his latest release Results Not Typical. We talk about four songs—Rollin’, Someday, Without You I’m Lost, and Goodbyes are the Hardest Words. We discuss the path he’s chosen, his commitment to break into the business, and the inspirations for these brilliant songs. This is an emotional interview, as we get into some pretty raw memories at times. So sit back, grab a beer, and welcome Ian Jones back to For Songs.

The best thing about music is no matter how old you are, no matter how long you’ve been listening and loving music, you can still hear something that will stop you in your tracks. Which is what happened to me a few months ago when London-based singer/songwriter Emma Noble’s latest single Break Down the Walls jumped out of my Spotify feed. It was an old-school sound with a fresh twist. Or maybe it was a fresh, new vibe with an old-school feel. Whatever it was, I was hooked. Break Down the Walls sounds like it could’ve been recorded yesterday, or 40 years ago on Motown. Emma is a key player in London’s thriving soul scene. Her music draws influences from ‘50s-‘60s soul, ‘70s disco, and ‘80s new wave. But she brings a fresh, crisp modern vocal and melodic perspective. In this episode of For Songs Singles, Emma discusses her musical journey, how her DJ-ing business led to developing relationships with producers and songwriters, and how this genre-bending gem of a pop tune came together. Dig in! And I take no responsibility if you are humming this song for days…