How to do what you love without overstretching your body and mind: Kamile Marmaite

In this conversation, I had the pleasure of speaking with my high school mate, flautist Beata Preisaitė-Šidiškienė. Our discussion revolved around the complexity of musical careers, emphasizing the importance of recognizing their non-linear nature. We delved into our early experiences as forming musicians, highlighting the significance of nurturing expansive dreams in both music-making and career development.

Beata pursued her musical education at prestigious institutions such as the Saarbrucken Academy of Music in Germany, the Faculty of Music at the University of California, Fullerton in the USA, as well as the Royal Danish Academy of Music, where she earned her master's degree. As a soloist, Beata has performed with the Kaunas City Symphony Orchestra, the Lithuanian Chamber Orchestra, the Southern California Philharmonic Orchestra and the University of California Fullerton Orchestra. The flutist has also played in the Danish National Radio Orchestra, the Copenhagen Philharmonic and other orchestras.

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Episode music - Rosehip "Bloom". Big thanks to my good friend, inspiring music creator Rosehip, who provided music for this episode. 
Carl Reinecke - Flute Sonata Undine, Op. 167 (Performed by B. Preisaitė-Šidiškienė and Galya Kolarova)

Dawn Bennett has authored over 300 publications including Understanding the Classical Music Profession in 2008. One of her main research areas was classical music including musicians' identities, their employability, and the career thinking of postgraduate classical music performance students. We talked about success, challenges and cultural pressures in this field. Her free Employ-Ability toolkit can be accessed here.  
 

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Episode music - L. van Beethoven - Piano Trio in E-flat major, Op.70 No.2, I mvt. | M. Lozinskienė, Nadia Kalmykova (Violin) and Loukia Loulaki (Cello)

Pianist and Head of Keyboard at the Royal Conservatoire of Scotland Aaron Shorr speaks about finding novelty in classical music, musician's routine, his way of working at the Conservatoire and the purpose of being a musician. 

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Episode music - L. van Beethoven - Piano Trio in E-flat major, Op.70 No.2, I mvt. | M. Lozinskienė, Nadia Kalmykova (Violin) and Loukia Loulaki (Cello)
 

Ugnė is a doctoral student and she is investigating the role of emotional intelligence for musicians at the Royal College of Music. The aim of her research is to investigate  a musicians’ EI profile and how it impacts their professional life.  If you are a professional musician, please consider filling this survey and helping Ugnė to collect as much data as possible.

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Graduating from the music conservatoire, preparing for your professional career, musical exellence vs. relevant skills, the reason behind making arts. All these topics and more in the conversation with Sean Gregory a Vice-Principal & Director of Innovation and Engagement at the Guildhall School of Music and Drama. 

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Episode music - M. Ravel "Ondine" performed by M.Lozinskienė

In this episode, I had the pleasure of speaking with Andrew Simonet, a choreographer and writer who shared his insights and experiences on making a life as an artist. We also discussed the importance of cultivating a strong work ethic, building a supportive community, and taking risks in pursuit of one's artistic goals.

Andrew reflects on the unique challenges faced by artists, including financial instability, self-doubt, and the pressure to constantly innovate and create. He offers practical advice on how to navigate these challenges, emphasizing the importance of staying focused on one's vision, staying connected to one's values, and finding joy in the creative process itself.

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Andrew's website - https://www.andrewsimonet.com/


Music - L. van Beethoven - Piano Trio in E-flat major, Op.70 No.2, II mvt. | M. Lozinskienė, Nadia Kalmykova and Loukia Loulaki; M. Ravel - Gaspard de la Nuit, No. 1, "Ondine" | Monika Lozinskienė

In this conversation we uncover different professional roles and how swaping between those roles can be challenging. Also I was interested to know Jurgita's unbiased opinion about the classical music industry. She shared a lot of valuable insights about artistic life and how archetypes play an important role in it.

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  Connect with Jurgita

https://www.linkedin.com/in/jurgitagaukste/

https://samoningalyderyste.lt/blogas/

https://www.facebook.com/JurgitaGaukste

Music - M. Ravel - Gaspard de la Nuit, No. 1, "Ondine" | Monika Lozinskienė

Bernhard Schimpelsberger is an Austrian composer and percussionist. He studied Indian classical rhythms with masters such as Suresh Talwalkar and Trilok Gurtu. Bernhard says "Rhythm is a universal language that allows us to connect on deeper levels." Join us for this more than incredible talk with some beautiful excerpts of Bernhard playing the percussion.

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MEREDIAN | Melodic World Percussion | Bernhard Schimpelsberger
Rhythm Diaries - Rhythms of fractals and collective movement - Bernhard Schimpelsberger

The Guru Utsav Solo (Full Concert) ・Bernhard Schimpelsberger

Intro music - M. Ravel - Gaspard de la Nuit, No. 1, "Ondine" | Monika Lozinskienė

A very homey conversation with my dear friend, pianist and roommate Kamilė Zaveckaitė. At the moment we both live and study music in Vienna. We talk about our very private feelings as jealousy, comparison and how do we feel in the classical music industry. Kamilė has listened to all of my episodes and we discuss ideas from the previous episodes. Join us! With an exception of my and Kamile's performance of Lutoslawski's  Variations on a Theme by Paganini for Two Pianos, you will hear music performed by Ukrainian musicians. 

This is a homage to all Ukrainian people, who have been suffering since Russia's invasion. Make Art not War.

1. Intro: Dmytro Gnativ - Ukrainian composer's Vitaly Hubarenko concerto for flute
2. Mariia Kurhuzova - Ligeti Etude No. 4 "Fanfares"
3. Outro: Dmytro Choni - J. Brahms  Rhapsody, op.79
   
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If someone would ask me to describe this episode, I would say two words - beauty of thought and gratefulness.  On the last day of 2021, I am sharing this spiritual, but also very down to earth conversation with soprano from Barcelona  Serena Sáenz. Serena is among those remarkable people who I have been lucky to meet while living and studying in Barcelona. Little did we know that in 5 years since then, Serena will be singing with the world famous conductors including Daniel Barenboim and that during her first season as a member of the Staatsoper Berlin International Opera Studio, Serena will be asked to jump in as Pamina for the opening night of Yuval Sharon’s production of Die Zauberflöte (The Magic Flute). I am so thrilled to be able to bring you this conversation which, I believe, is the best fit to positively end this year and gracefully start the new year. Enjoy and Happy New Year!

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About Serena Sáenz

Serena's IG
About the spiritual practice Serena mentioned.

Episode music - M. Ravel - "Ondine" performed by M.Lozinskienė

Lucia di Lammermoor’s, Mad scene “Il dolce suono” performed by Serena Sáenz and pianist Ricardo Estrada