Imagining Shakespeare's Wife

In her new memoir, Green World, Shakespeare scholar Michelle Ephraim tells the story of how she came to Shakespeare relatively late in her education. Although she didn’t grow up with Shakespeare, Ephraim became transfixed by The Merchant of Venice as a grad student. In particular, she found herself drawn to Jessica, Shylock’s daughter, and the mysteries of their relationship. That curiosity led Ephraim to discover a novel Biblical interpretation of some lines from the play as she researched her dissertation. In Ephraim’s memoir, Merchant refracts through the changing dynamics of her own family, as her Holocaust-survivor parents age and she becomes a mother herself. She shares her story with host Barbara Bogaev.

Michelle Ephraim teaches Shakespeare at Worcester Polytechnic Institute in Massachusetts. She’s the co-author of a cocktail recipe book called Shakespeare, Not Stirred, and the co-host of the Everyday Shakespeare podcast, both with Caroline Bicks. Her memoir, Green World: A Tragicomic Memoir of Love & Shakespeare, won the Juniper Award for Creative Nonfiction, and is out now from University of Massachusetts Press.

From the Shakespeare Unlimited podcast series. Published March 12, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from WICN in Worcester and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Eddie Izzard has a long record of dramatic roles. She has starred in two plays by David Mamet, and earned a Tony nomination for her Broadway debut in the play A Day in the Death of Joe Egg. She had a recurring role in Ocean’s Twelve and Thirteen, and even played the title character in Christopher Marlowe’s Edward II. But it’s her decades of experience as a stand-up comedian that prepared Izzard for her recent solo shows—first Great Expectations, and now Hamlet. Performing every role in those shows requires a marathoner’s stamina. Fortunately, Izzard also runs marathons. Eddie Izzard is interviewed by Barbara Bogaev.

From the Shakespeare Unlimited podcast series. Published February 27, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Digital Island Studios in New York and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Maybe there really was something rotten in Denmark. On this episode, we talk with Bradley J. Irish about disgust in Shakespeare. In his new book, Irish identifies the emotion, which combines physical revulsion and moral outrage, as one of the central thematic emotions in Shakespeare’s plays. In his close readings across the canon, Irish finds disgust everywhere: in Caius Martius Coriolanus’s disdain for ordinary Romans, in the over-indulgent food Antony eats in Egypt, in Henry IV’s preoccupation with sickness and disease in Henry IV, and beyond. Bradley Irish is interviewed by Barbara Bogaev.

Bradley J. Irish is a professor at Arizona State University. Shakespeare and Disgust: The History and Science of Early Modern Revulsion is out now from Bloomsbury Publishing.

From the Shakespeare Unlimited podcast series. Published February 13, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

When the Folger reopens on June 21 and you come to take a walk in our new west entrance garden, look down. There, you'll see a new poem, written for the Folger by former US Poet Laureate Rita Dove.

Dove joins us on the podcast to read that poem aloud for the first time. Plus, she reflects on how writing for marble is different from writing for the page, and remembers the moment she discovered Shakespeare. Rita Dove is interviewed by Barbara Bogaev.

Rita Dove served as the US Poet Laureate for two terms, from 1993 to 1995, and as a special bicentennial consultant to the Library of Congress in 1999. Her third collection of poetry, Thomas and Beulah, won the Pulitzer Prize. She is the only poet ever to receive both the National Humanities Medal and the National Medal of the Arts, from presidents Bill Clinton and Barack Obama. In 2021, she received the Gold Medal for Poetry from the American Academy of Arts and Letters—the first African American poet in the medal’s history. She teaches at the University of Virginia in Charlottesville.

Dove has also read in the Folger's O.B. Hardison Poetry series four times, and contributed a poem to our 2012 collection Shakespeare’s Sisters: Women Writers Bridge Five Centuries.

From the Shakespeare Unlimited podcast series. Published January 30, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from With Good Reason, Virginia Humanities, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Even after appearing in a Shakespeare play, historical romance novels, a Broadway musical, and prestige TV dramas, there's still more to learn about Anne Boleyn.

A new biography by the team of husband-and-wife historians John Guy and Julia Fox takes a scholarly look at the evidence surrounding Anne’s rise and fall. They freshly examine well-known accounts, and also take in passing references in neglected sources. In particular, they focus on Anne’s years of training in the courts of Europe, which shaped her into the formidable woman whom Henry VIII came to regard as an intellectual equal. It also prepared her for the ruthless politics of the English court, where Anne’s ambition and cunning won her some powerful enemies. Fox and Guy are interviewed by Barbara Bogaev.

John Guy is a fellow at Cambridge University and a Tudor historian who has appeared on many TV and radio documentaries about the period. He’s written biographies of Henry VIII, Thomas More, and Queen Elizabeth I. His biography of Mary Queen of Scots was adapted into a film in 2018. Julia Fox has written biographies of Henry VIII’s first wife, Catherine of Aragon, and Anne’s sister, Jane Boleyn. Hunting the Falcon: Henry VIII, Anne Boleyn, and the Marriage That Shook Europe is out now from Harper.

From the Shakespeare Unlimited podcast series. Published January 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Shakespeare has the perfect lines for riding into battle or stumbling around a stormy heath. But does he have the right stuff to take us on a daily commute or a trip to the grocery store? On this episode, David and Ben Crystal join us to talk about their new book, Everyday Shakespeare: Lines for Life, which offers daily Shakespeare quotes you can apply to your everyday existence.

The Crystals—David is a linguist, Ben is an actor—are the father-son duo behind the Oxford Illustrated Shakespeare Dictionary; Shakespeare's Words: A Glossary and Language Companion; and The Oxford Dictionary of Original Shakespearean Pronunciation. Host Barbara Bogaev asks them about the quotations they included, why they chose to forego the typical contextual notes, and how you can improve your memory for Shakespeare’s words.

Everyday Shakespeare: Lines for Life is available from Chambers Books.

From the Shakespeare Unlimited podcast series. Published January 2, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

The most unforgivable crime in Richard III has to be when the king orders the murder of his two young nephews, Edward and Richard. But what if Richard III was framed?

Philippa Langley is the amateur historian whose commitment to righting a historical wrong led to the discovery of Richard III’s remains a decade ago. Langley wasn’t a scholar—she was a screenwriter and a member of the Richard III Society. Langley convinced academic historians and archaeologists at the University of Leicester to excavate the parking lot where she believed Richard was buried. There, they found a body, and DNA analysis confirmed that the remains belonged to Richard III. The discovery led to further insights about the historical Richard. For example, the physical deformities of Shakespeare’s character were Tudor inventions. Far from being a “bunch-backed toad,” the real Richard III had nothing more than a case of scoliosis.

Since discovering the body in 2012, Langley and a team of collaborators have worked on cleaning up Richard’s reputation. Her new book, The Princes in the Tower, examines Richard’s most famous alleged crime: the murder of his two nephews, the sons of Edward IV. Investigating their disappearance as a 500-year-old cold case, Langley explores evidence that the princes survived Richard III’s reign… and points to another suspect for their eventual deaths. Langley talks with Barbara Bogaev about tracking down two of history’s most famous missing persons.

Philippa Langley’s new book, The Princes in the Tower: Solving History’s Greatest Cold Case, is out now from Pegasus Books.

From the Shakespeare Unlimited podcast series. Published December 19, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

What comes to mind when you think about a “court jester?”  What if we told you that fools in the Tudor court didn’t look or sound anything like the zany clowns you have in mind?

Historians don’t know much about Will Somer. We know he was Henry VIII’s court fool, but the details of his biography—and, crucially, his comedy—were never recorded.

By Shakespeare’s time, Somer had become famous. Whenever a poet or playwright needed to reference a long-lost comedy great, they’d name-check Will Somer—kind of like mentioning Charlie Chaplin or Groucho Marx today. But unlike Chaplin or Groucho, none of Somer’s jokes survived. So later writers just made them up, inventing a comedian to suit their own tastes.

Peter K. Andersson’s new biography of Somer, Fool: In Search of Henry the 8th’s Closest Man, digs through the layers of fiction that accumulated over the centuries to reveal is a fool very different from anything we might recognize from King Lear or Twelfth Night. We talk to Andersson about what we know about Somer, how he became a celebrity, and how people with intellectual disabilities were treated in the 16th century.

Peter K. Andersson is a historian at Sweden’s Örebro University. Fool: In Search of Henry the 8th’s Closest Man is available from Princeton University Press.

From the Shakespeare Unlimited podcast series. Published December 5, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Frida Anund in Sweden and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Isabelle Schuler’s debut novel Queen Hereafter attempts to fill in a backstory for Lady Macbeth. The book takes place in 11th century Scotland, where a king’s reign tended to be short and brutal. For her version of Lady M, Schuler didn’t rely on Shakespeare or his source material, Holinshed’s Chronicles. Instead, she looked to the annals and sagas that predate Holinshed. There, Schuler found Gruoch, who married Macbethad (the historical Macbeth) after her first husband died. Schuler talks with Barbara Bogaev about how she filled in the gaps of Shakespeare’s tragedy.

Queen Hereafter is available now from Harper Perennial.

From the Shakespeare Unlimited podcast series. Published November 21, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

The First Folio—the first collected edition of Shakespeare’s plays—hit bookstores 400 years ago this November. Emma Smith of Oxford University tells us just what this famous book has been up to for the past four centuries. We explore notable collectors like Sir Edward Dering and our founders, Emily and Henry Folger; how the 18^th-century slave trade supercharged the book’s value; how the 235 extant copies scattered across the world; and much more. Emma Smith is interviewed by Barbara Bogaev.

Emma Smith teaches Shakespeare at Oxford University and is the author of Shakespeare’s First Folio: Four Centuries of an Iconic Book. A new edition is available now from Oxford University Press. Smith is also leading a year-long scholarly program for the Folger Institute called “Next Gen Editing.”

From the Shakespeare Unlimited podcast series. Published November 7, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from VoiceTrax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.