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    Inside the Mind of a Music Supervisor: A Conversation with Matthew Hearon-Smith - IP 157

    enAugust 14, 2019
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    About this Episode

    If you've ever admired the soundtrack to a film or TV show and wondered who was behind the music, we've got you covered! Sean sat down with Music Supervisor Matthew Hearon-Smith, who has selected songs for the award winning films Tangerine and The Florida Project and also has curated the soundtracks for various television shows including Viceland’s My House. We discuss his process for finding the right song for the right moment and how he collaborates with directors and showrunners to create the mood for specific scenes.

    Then, we share some of our top picks for popular songs that have been featured in films and TV programs and have indelibly changed the memory of that song for us.

    Plus, Amita gives her rating and review of Sean’s Big Sell- Fantastic Negrito’s latest album, Please Don’t Be Dead and big sells an honest and revealing interview from The Good Place actress Jameela Jamil about the standard of beauty that women have been held up to and how she’s trying to rise above to help women love themselves for who they are, as they are.

    Links:

    Matthew Hearon-Smith- IMDb | Website | Twitter

    Sense8‘s use of the song- “What’s Up?

    Blue Velvet’s use of the song – “In Dreams

    Blue Velvet’s use of the song – “Blue Velvet

    Captain Fantastic‘s use of the song- “Sweet Child o’Mine

    Little Miss Sunshine‘s use of the song- “Super Freak

    Jameela Jamil Channel 4 Interview

    Follow us on Twitter & Instagram @PopInsiders

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    Inside the Mind of a Music Supervisor: A Conversation with Matthew Hearon-Smith - IP 157

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    If you've ever admired the soundtrack to a film or TV show and wondered who was behind the music, we've got you covered! Sean sat down with Music Supervisor Matthew Hearon-Smith, who has selected songs for the award winning films Tangerine and The Florida Project and also has curated the soundtracks for various television shows including Viceland’s My House. We discuss his process for finding the right song for the right moment and how he collaborates with directors and showrunners to create the mood for specific scenes.

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