John Baldessari: Read Write Think Dream - Stuart Collection at UC San Diego

Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya’s Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]

Yale Strom’s Hot Pstromi is a U.S.-based klezmer ensemble. Much of the repertoire comes from Strom's many years of ethnographic research he has conducted in Eastern Europe. Many of the melodies and Yiddish songs come from Jews and Roma who played before and after the Holocaust and that Strom interviewed and with whom he performed. The band’s New York-based lineup includes: Peter Stan, Norbert Stachel, Elizabeth Schwartz, Sprocket and Klezmatics co-founder David Licht. Series: "Arts Channel " [Arts and Music] [Show ID: 39282]

An 800-foot-long stone path of words, KAHNOP • TO TELL A STORY is the 22nd public artwork commissioned by the Stuart Collection at UC San Diego. The text for the UC San Diego walkway draws from the writing of authors and scholars with ties to the University and its history. Organized by a spine of keywords composed by Ann Hamilton, this concordance of documents weaves together threads of thinking from many different disciplines. The piece was built line by line, rather than as a singular continuous narrative, and yet clear themes emerge and recur throughout the 1,300-line composition. A feminist narrative transcribed by two Kumeyaay scholars exists in bands situated at a regular interval throughout the entire length of the piece, creating its own cadence and rhythm within the larger whole. These juxtapositions form a field of text and an infinite number of paths to be composed and recomposed every time someone walks its surface. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 39374]

An 800-foot-long stone path of words, KAHNOP • TO TELL A STORY is the 22nd public artwork commissioned by the Stuart Collection at UC San Diego. The text for the UC San Diego walkway draws from the writing of authors and scholars with ties to the University and its history. Organized by a spine of keywords composed by Ann Hamilton, this concordance of documents weaves together threads of thinking from many different disciplines. The piece was built line by line, rather than as a singular continuous narrative, and yet clear themes emerge and recur throughout the 1,300-line composition. A feminist narrative transcribed by two Kumeyaay scholars exists in bands situated at a regular interval throughout the entire length of the piece, creating its own cadence and rhythm within the larger whole. These juxtapositions form a field of text and an infinite number of paths to be composed and recomposed every time someone walks its surface. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 38928]

From the La Jolla Music Society's SummerFest 2022 series, music director Inon Barnatan creates an ambitious program, evocatively titled “Under the Influence,” exploring the muses that seduced and inspired some of the greatest composers in musical history. This program features Liszt's At the Grave of Richard Wagner (arr. Barnatan), Dohnanyi's Sextet in C Major, Op. 37, and Schubert's String Quartet in D Minor, D.810 “Death and the Maiden” (arr. Mahler). Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39124]

From the La Jolla Music Society's SummerFest 2022 series, music director Inon Barnatan creates an ambitious program, evocatively titled “Under the Influence,” exploring the muses that seduced and inspired some of the greatest composers in musical history. This program features Strauss's Metamorphosen, L. Boulanger's Nocturne, and Fauré's Piano Quartet No. 1. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39123]

Art is everywhere. From large cultural institutions to pop up street art, places like San Diego are bursting with creative, inspiring art that reflects the diversity of the region. In this panel discussion, host Dean Nelson talks with three San Diego cultural artists - Leah Goodwin, Susanna Peredo Swap and Adrian Arancibia - about where to find the art that is happening around San Diego and the challenges local artists face. [Arts and Music] [Show ID: 38942]

From the La Jolla Music Society's SummerFest 2022 series, music director Inon Barnatan creates an ambitious program, evocatively titled “Under the Influence,” exploring the muses that seduced and inspired some of the greatest composers in musical history. This program features Ravel's Piano Trio in A Minor and Brahms' Quintet for Clarinet and Strings, Op. 115. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39122]

From the La Jolla Music Society's SummerFest 2022 series, music director Inon Barnatan creates an ambitious program, evocatively titled “Under the Influence,” exploring the muses that seduced and inspired some of the greatest composers in musical history. This program features Pablo de Sarasate's Fantasy on Bizet’s Carmen, Op. 25, Caroline Shaw's Microfictions (West Coast première), and Antonio Vivaldi’s The Four Seasons. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39121]

Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]