Jorge Antunes formou-se em violino, composição e regência. Em 1961 se destacou como precursor da música eletrônica no Brasil. Realizou estudos pós-graduados na Argentina, na Holanda e na França. Foi Professor Titular na Universidade de Brasília de 1973 até 2011 quando se aposentou. Obteve vários prêmios nacionais e internacionais. É membro da Academia Brasileira de Música. Suas obras são publicadas por Salabert, Breitpkof&Hartell, Gerig, Ricordi, Sistrum, Billaudot e Suvini Zerboni.
Sua produção literária é vasta, embora pouco conhecida. A divulgação de seus poemas, crônicas e outros escritos tem se restringido à inclusão em algumas coletâneas, livros coletivos e jornais e revistas. Em 1998 a editora Hemisfério Sul, de Blumenau, publicou seu livro de literatura juvenil A Morte do Arco-Íris. Em 2001 ganhou o primeiro lugar no concurso de contos da Revista Poiésis. Em 2006 recebeu menção honrosa no Concurso de Contos Yage, em Salzburg, na Áustria.
Participou dos Salões Nacionais de Belas Artes, do Salão de Abril no MAM e dos Salões Nacionais de Arte Moderna. Partindo do princípio de que “o grau de recepção de uma mensagem artística é proporcional ao número de sentidos usados na recepção”, criou obras as quais denominou “arte integral”, pelo apelo direto aos cinco sentidos, inclusive o paladar. Emprega assim os diferentes recursos audiovisuais e cinéticos, além de odores, elementos gustativos e possibilidades táteis.
Aida Sulova (KGZ) talks with Janeil Engelstad about her recent exhibition "News From Central Asia," organized for The Jewelry Library in NYC and her practice building communities and planting seeds for social change in Kyrgyzstan and the US.
The best drink around
Steven began the session by tying it back to an earlier presentation of his Expanded Diagram Project. One of his aspirations of that still ongoing study is to transcend the overly constrained, largely western-based categories of contemporary art by illuminating specific kinds of creative processes that span a wide range of historical and contemporary world cultures and practices. From there he turned to yet another multi-media project called the Exurban Archipelago Project which focuses on the rapidly expanding networks of distribution/fulfillment centers populating the exurban fringes of so many metropolitan areas around the world. The final portion of the talk focused on his recent exhibitions and current studio activities including his Never the Same Space Twice series of paintings that he plans to contribute to the upcoming SMRN conference and exhibition in Vancouver.Steven began the session by tying it back to an earlier presentation of his Expanded Diagram Project. One of his aspirations of that still ongoing study is to transcend the overly constrained, largely western-based categories of contemporary art by illuminating specific kinds of creative processes that span a wide range of historical and contemporary world cultures and practices. From there he turned to yet another multi-media project called the Exurban Archipelago Project which focuses on the rapidly expanding networks of distribution/fulfillment centers populating the exurban fringes of so many metropolitan areas around the world. The final portion of the talk focused on his recent exhibitions and current studio activities including his Never the Same Space Twice series of paintings that he plans to contribute to the upcoming SMRN conference and exhibition in Vancouver.
Carol presented aspects of several recent projects as well as what she is currently working on, related to the study and understanding of Islamic geometric patterns as intersections of art and mathematics. Her contribution to the third edition of the Encyclopedia of Islam on “Geometry in Art,” consists of sections on plane and solid geometry, geometric constructions and repeat patterns (periodic and quasiperiodic). She considers the use of an algorithmic aesthetic in two-dimensional space, which should be thought of as an innovation. She also addressed issues of solid geometry in three-dimensional space, and the use of projections from two- to three-dimensions. In contrast, her contribution on “Ornament” takes a more historiographic approach, arguing that the study of ornament in Islamic art requires an expanded definition of ornament than that of the Western paradigm in which ornament is ornamental. Both entries for EI3 express a narrative approach to geometry and concern cultural issues of identity and interpretation, as well as aesthetics. She lamented the recent removal of her comprehensive website on Symmetry and Pattern: The Art of Oriental Carpets (1996), which had been developed under the auspices of The Math Forum (first at Swarthmore College, then Drexel University and most recently the National Council of Teachers of Mathematics). And she sought advice, guidance, and encouragement from SMRN members as to what she might next address in charting a future course for the study of Islamic ornament.
A rising start in European Art, independent curator and art historian Róna Kopeczky talks with MAP’s Janeil Engelstad about the importance of caregiving and how that is central to her curation, feminism in the former communist bloc countries, the expanding notion of the print and more.
How would enabling professionals with knowledge in coding transform medical practice in developing countries? Join us with Ayen Kuol and Stephen Lagu as we dive into the landscape of coding technology in practice and explore its relationship & possibilities with the people of South Sudan. We introduce the concept of the 'psychology of coding' , and some of the ways that the cultural gaps--which obstruct the propagation of new technology--can be bridged. At the core of this discussion is a vision for a unified and inclusive Africa.
Janeil Engelstad talks with Elizabeth Monoian and Robert Ferry, founders of Land Art Generator about the social impact, politics and aesthetics of renewable energy and the role of art in providing solutions to climate change.
Janeil Engelstad talks with Elizabeth Monoian and Robert Ferry, founders of Land Art Generator about the social impact, politics and aesthetics of renewable energy and the role of art in providing solutions to climate change.
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