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    • A surprise departure from Kill Tony in SacramentoThe Iron Patriot left Kill Tony unexpectedly, marking a new chapter for the show with potential exciting surprises in Sacramento's diverse scene

      Sacramento offers a unique and adventurous experience with its diverse offerings, from IPAs and festivals to outdoor activities and music. Meanwhile, in the world of Kill Tony, the unexpected happened as the Iron Patriot left the show, surprising both the hosts and the audience. The Iron Patriot, known for his old-school ways and distinctive car door slamming, reportedly felt the show wasn't up to his standards and was ready to move on to bigger opportunities. This departure marks a new chapter for Kill Tony, with exciting surprises to come. So whether you're looking for a fresh adventure in Sacramento or tuning in for the latest in Kill Tony, expect the unexpected and embrace the change.

    • The Importance of Loyalty and Respect in Professional RelationshipsLoyalty and respect are crucial in maintaining positive professional relationships. Burning bridges can lead to negative consequences and hasty decisions can have serious repercussions.

      In the world of show business, burning bridges can have serious consequences. In the discussed situation, a guest named Iron Patriot, known for his quirks and eccentricities, suddenly quit without warning. The host, despite his past willingness to overlook small issues, was shocked and upset by this betrayal. The incident led to the hiring of a new guest, Iron Josh, and a humorous on-stage introduction. However, the way Iron Patriot had treated the host, disregarding their past relationship and business arrangements, served as a reminder that loyalty and respect are essential in any professional endeavor. The incident also highlighted the importance of communication and the potential consequences of hasty decisions. Ultimately, the experience was a lesson in the value of maintaining positive relationships and treating others with respect.

    • Discussing Character Upgrades and Unusual Topics with Tom Segura and Bert KreischerThe hosts of Kill Tony explored character upgrades and welcomed guests Tom Segura and Bert Kreischer, leading to a lively conversation about unusual topics like poop preferences and favorite roller coasters.

      During this episode of Kill Tony, the hosts discussed various upgrades to their characters, including the Iron Josh and the introduction of Iron Mirvus. A notable moment was when they brought on guests Tom Segura and Bert Kreischer, and the conversation shifted towards unusual topics such as poop preferences and favorite roller coasters. Tom shared his fascination with the Bristol Stool Chart, a tool used to classify stool consistency, while Bert revealed his preference for tall roller coasters, much to the amusement of the hosts. Despite the seemingly random topic changes, the conversation flowed naturally and showcased the hosts' unique sense of humor.

    • Riding Roller Coasters: The Thrill and the RiskCommunities can form around shared passions, providing support and connections through shared experiences, even in the face of adversity.

      Riding in the back seat of intense roller coasters can be an exhilarating experience, but it comes with a risk of injury. Speakers Brian and Tom shared their personal experiences of riding various roller coasters, including the infamous "Beast" at Kings Island, which left Brian with a neck injury. They also discussed a fan of the show, Yuck Nasty, whose house had burned down, and how the Kill Tony community came together to raise funds for him. The show donated the Kill Tony sword from the last 34 episodes for auction, and a fan named Waterboxer exchanged it for a new one. The speakers also mentioned how they have formed connections with their fans through social media and podcasts. Overall, the discussion highlighted the sense of community and shared experiences that can form around passionate interests, whether it be roller coasters or comedy.

    • Discovering Passions and Standing OutEveryone has unique talents and quirks that make them special. Embrace them and let them define who you are.

      Everyone, no matter their background or talents, can find their unique place in the world. Nick Babbit, a comedian and whittler, grew up in Arizona with limited options for hobbies and discovered his passion for whittling. His unique perspective and humor allowed him to stand out in the comedy scene. The conversation also highlighted the importance of respecting others' boundaries and not imposing unsolicited advice. The group shared laughs and engaged in a light-hearted conversation, showcasing the power of connection and shared experiences. Ultimately, the discussion emphasized the importance of embracing one's talents and quirks, as they make us who we are.

    • Experiences and Instincts in Comedy PerformanceTrusting instincts, persevering through regular performances, pushing boundaries, and considering audience reactions are crucial for successful comedy performances.

      Confidence and experience are key elements in delivering successful comedy performances. The conversation between comedians Nick Babbitt and Tom revealed their past experiences and the importance of trusting one's instincts and improving through regular performances. Additionally, they shared their unique and sometimes controversial jokes that resonated with audiences, demonstrating the importance of pushing boundaries in comedy. The discussion also highlighted the significance of audience reactions and feedback in shaping a comedian's career. Overall, the conversation emphasized the importance of perseverance, creativity, and a willingness to take risks in the world of stand-up comedy.

    • Creative Approaches to Sexual CommunicationMen can enhance their sexual messages by using creativity and originality to connect with their partners. Timing, context, and positive responses are also crucial.

      Men can make their sexual messages more creative and original to make a stronger connection with their partners. The speaker shares her experience of receiving headless dick pics and suggests men try more unique and humorous approaches, such as using mirrors or creative angles. She also emphasizes the importance of timing and context in delivering such messages. The speaker also shares her personal experience of receiving and responding to dick pics, and the importance of positive and playful responses. Overall, the key takeaway is that men can make their sexual communication more engaging and enjoyable by being more thoughtful, creative, and attentive to their partner's preferences.

    • Finding Humor in Unusual Places: Dick Pics and BeyondUnexpected situations can be made less uncomfortable through humor. Consent and respecting boundaries are crucial when sharing explicit content.

      Humor can be found in unexpected places, even in seemingly mundane or awkward situations like receiving and responding to unsolicited dick pics. The conversation also touched on the idea that everyone responds differently to such situations, and finding the humor in it can help make the experience less uncomfortable. The discussion also highlighted the importance of consent and respecting boundaries when it comes to sharing explicit content. Additionally, the use of technology and pop culture references added an entertaining and relatable element to the conversation. The speakers also shared their personal experiences and perspectives, demonstrating the universality of the topic and the importance of open and honest communication. Overall, the conversation showcased the power of humor and the importance of approaching potentially uncomfortable situations with a light-hearted and respectful attitude.

    • Authenticity of premise sells comedy bitsSuccessful comedy relies on selling authenticity of premise, even if exaggerated. Impressions, unique twists add value. Confidence, on-stage presence crucial.

      Delivering a successful comedy bit involves selling the audience on the authenticity of the premise, even if it's an exaggerated or fictionalized version of reality. Impressions and unique twists can add value to the bit and make it more engaging. For instance, using different accents on a GPS system or presenting a hip hop artist as the voice of a GPS can make the audience second-guess what's real and what's not. The comedian's stage presence and confidence also play a crucial role in delivering a successful bit. As the comedian gains more experience, they will transition from premise-driven bits to sharing more about themselves on stage. However, it's essential not to spend too much time on premise-driven jokes and instead focus on developing a strong on-stage presence and unique perspective.

    • The importance of detailed storytelling in stand-up comedyEffective stand-up comedy requires comedians to recall every detail of their experiences to identify the funniest beats, not just rely on reactions for laughs.

      Effective storytelling in stand-up comedy requires detailed and overtelling of experiences to identify the funniest beats. Sarie, a comedian, shared an experience of encountering a naked man in a porn theater who thought he was in a private setting due to being high on drugs. Although it scared Sarie, she acknowledged the need for a joke in the reaction for comedic effect. However, she emphasized the importance of remembering every detail of a story to find the funniest parts and not just relying on reactions for laughs. Additionally, Sarie shared her experience of working as a bouncer in a strip club and advised against stripping fully nude in such establishments due to it being offensive to the staff and other patrons. Overall, the discussion highlighted the significance of thorough storytelling and comedic timing in stand-up comedy.

    • Setting the scene with unexpected humorTo create a successful comedy routine, establish credibility through unexpected humor and build up to a surprising and memorable punchline, keeping the audience engaged and entertained throughout the performance.

      Creating a successful comedy routine involves setting the scene and establishing credibility through humor, even if it means playing unexpected roles or making outrageous jokes. For instance, starting with a joke about strip club rules can help establish a credible character and create a connection with the audience. The key is to build up to a surprising and memorable punchline, while keeping the audience engaged and entertained throughout the performance. Remember, the goal is to be authentic and relatable, even when telling outrageous stories or playing unconventional roles. And don't be afraid to try out different lines and see what works best. Ultimately, the key to a successful comedy routine is to keep the audience laughing and engaged from start to finish.

    • Stories of performing under pressure and adapting on stagePerformers must stay resilient and adaptable, connecting with their audience even in unexpected circumstances.

      Performing on stage, especially in comedy, requires resilience and adaptability. Emily McCarron shared a story about her mom's reaction to her desire to be a cheerleader for Halloween, which led to her creating a unique costume with a peace theme. Later, McCarron talked about the challenges of performing while dealing with physical needs like having to pee or poop on stage. Cristela Alonzo shared a similar experience, but with a unexpected compliment from the audience despite her predicament. The conversation then turned to advice for improving stage performance. Iron Josh suggested taking the opposite approach of one's natural instincts, using sincere and honest stories as a build-up to big jokes. McCarron, known for her high energy, agreed and emphasized the importance of practicing different styles, such as deadpan or low energy jokes, to improve overall performance. Despite the occasional mishaps, the key takeaway is that performers must keep going and find ways to connect with their audience, even in unexpected circumstances.

    • Finding the right balance between energy and word choiceMastering the balance between energy and word choice enhances a comedian's performance. Write your own material and learn from high-energy acts, but don't steal their material.

      Finding the right balance between energy and word choice can significantly enhance a comedian's performance. Chris Rock and Dane Cook are examples of comedians who have mastered this art, with Chris Rock using low energy and dry delivery to let the words shine, while Dane Cook accentuates his words with high energy. Comedians should write their own material and not rely on others, even if they believe their parents may be funny. The essence of a high-energy act can be observed and learned from, but it's essential not to steal their material. Lastly, maintaining energy throughout a performance is crucial, and comedians can find inspiration in various sources, such as their own experiences or hobbies.

    • Importance of confidence and authenticity in stand-up comedyUnique experiences and authenticity can make for engaging and memorable comedy, even for those with unconventional backgrounds. Confidence and connecting with the audience are crucial elements for success.

      Self-confidence and authenticity are key elements in successful stand-up comedy, even for those with unconventional backgrounds. The discussion highlights the experience of a comedian, who is also a porn star, and the impact of her unique perspective on her comedy. The comedian shared her experience of performing stand-up for the first time and the feedback she received, which emphasized the importance of projecting confidence and connecting with the audience. She also mentioned how her porn background could offer a fresh perspective on topics often considered taboo, making her comedy stand out. The conversation also touched upon the distraction factor of her appearance and the importance of being mindful of how she presents herself on stage. Overall, the conversation underscores the importance of being true to oneself and leveraging unique experiences to create engaging and memorable comedy.

    • The balance between appearance and comedy mattersComedians should find a balance between their look and their jokes, and use relatable, unique stories, selling confusion, and committing fully to bits for success.

      The way a comedian presents themselves visually can sometimes overshadow the content of their jokes. The more sexually appealing a comedian is, the less attentively their audience may listen to their material. It's important for comedians to find a balance between their appearance and their comedy. Another key point is the importance of telling relatable and unique stories. Audiences respond well to personal experiences that are unfamiliar to them, and comedians can use their own stories to engage and entertain their audience. Additionally, selling confusion in jokes can lead to bigger laughs, and committing fully to a bit can make it more effective. Lastly, using sex as a comedic angle can be successful, but it's important to find the right approach and not rely on it too heavily. Ultimately, a comedian's success depends on their ability to connect with their audience through their material and their performance.

    • Effective communication and relatability in comedyUsing relatable experiences, self-deprecation, analogies, and industry-specific language can make comedy engaging and entertaining. Respecting diverse perspectives and experiences is also important in comedy.

      Effective communication and relatability are key elements in comedy. Using analogies, industry-specific language, and setting up a clear point at the beginning of a joke can help engage and entertain an audience. The use of relatable experiences and self-deprecation can also add to the comedic impact. The discussion also touched upon the importance of understanding and respecting different perspectives and experiences, as well as the power of humor in breaking down barriers and bringing people together. The comedians' unique styles and ability to find humor in everyday situations showcased the importance of staying authentic and true to oneself in the art of comedy.

    • The importance of specificity in comedyClearly setting up a joke's premise increases its impact and invests the audience in the joke. Both Tom Segura and Kimberly Congdon emphasized this through their engaging and relatable stories.

      Specificity is key in comedy. Both Tom Segura and Kimberly Congdon highlighted the importance of clearly setting up the premise of a joke before delivering the punchline. This makes the audience more invested in the joke and increases its comedic impact. Kimberly also shared her personal experience of learning the importance of loyalty and authenticity in relationships, which she discovered after a heartbreaking experience in college. Tom and Kimberly's engaging and relatable stories showcased their unique comedic styles and left the audience in stitches. Kimberly, a college dropout from Florida, started her stand-up career in Los Angeles and has been writing a new minute every week since. Tom, a successful comedian and podcast host, provided insightful commentary and shared his own experiences in the comedy world. Overall, the discussion emphasized the importance of specificity and authenticity in both comedy and relationships.

    • Bert Kreischer Promotes Upcoming Book, Podcast, and Netflix SpecialComedian Bert Kreischer is promoting his upcoming book, podcast episodes, and Netflix special. Fans can preorder his book, listen to his podcasts, and watch his Netflix special on March 15th.

      Bert Kreischer is a comedian with a rich background and multiple projects coming up. He is currently promoting his upcoming book, "Life of the Party," which fans can preorder on his website. Kreischer also mentioned his podcast, "The Mom's House," which gained popularity after the creation of "Death Squad." He will also have a special premiering on Netflix on March 15th. For those unfamiliar with his work, Kreischer suggested checking out episode 188 of "The Mom's House" podcast. Additionally, he mentioned his podcast with Alex, and invited Nick to be a guest. Kreischer emphasized his connection to the audience, encouraging those interested in learning more about his life to listen to his podcasts. Lastly, he promoted the city of Sacramento as a vibrant and exciting destination for visitors.

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    Aston Merrygold: Rob Interviews with Global Pop Star from JLS [Business, mindset, entrepreneur, disruptors]

    Aston Merrygold: Rob Interviews with Global Pop Star from JLS [Business, mindset, entrepreneur, disruptors]

    Interview with Aston Merrygold, former member of JLS, one of the biggest ever boy bands with 10,000,000 records sold. Aston’s since been a judge on a dance talent show and appeared on Strictly Come Dancing. He’s appeared in adverts for Coca-Cola, Samsung and Tesco.

    Rob’s met with Aston at his dance studio in Vauxhall to discuss success, wealth, leveraging social media, reinventing your career and dealing with the business side of celebrity.

    KEY TAKEAWAYS

    You’re now pursuing a career as a solo artist, that must be different to working with your bandmates. I bet there’s upsides and downsides, do you want to talk about that Aston? Yeah, I guess the only real difference is the social. you'd be in a room with your friends, business partners, having a heated business discussion, everyone's got their own ideas and nothing ever arrives to arguments or blows, but from an outside perspective it can be quite awkward. It looks like we're going at each other, but that's just the passion. Now on my own, it's my way or the highway. I prefer it that way, 100%! I'm so thankful to the rest of the guys and my team, but now being on my own I can finally be myself and express myself fully, not contribute 25% to a four-piece.

    How do you want to be known and remembered, Aston? Well, I want to be remembered as one of the greats, and I think if you don't want that, then you're in the wrong industry. If I could have an eighth, a third or a slice of something someone like Michael Jackson had or Justin Timberlake, more recently. If I could get a slice of their success, I'd be more than happy!

    Music or dance specifically, or the fusion of both, Aston? Do you know what? I think it's just entertainment. People ask me what I do for a living, and I tell them entertainment. It's everything, music, from a writing perspective, from a performance perspective, dance-wise, acting, everything. I love everything to do with this industry.

    Working with business partners, sometimes that passion can overflow, sometimes you can fall out, how did you and your band learn to deal with and overcome that? To be honest, I don't know why, we just did! There was no learning process. As individuals we just wanted to fight the good fight. We would put it to each other like, "If we do this we could be here, if we do that we could be there..." It was all about where we needed to be. What was best for us as a collective. I was the youngest of the four so I tended not to take things as seriously, when it came to the business aspect I was more than happy to give my opinion and not back down, but ultimately I thought that was why we outsourced, hiring business managers, administrators and consultants, to make those decisions on our behalf.

    How much of it was agents and labels telling you what to do and how much of it was you saying, "Wait a minute, we want to do this." Well, I'd say about 50\50. We were trusted with our opinions which was great. There were times when we trusted the label, sometimes great, sometimes not so great. Just the way of the industry. Sometimes our hits which we didn't think would succeed were massive and other times the releases we thought would be huge just didn't hit the mark. Luck of the draw, half the time. We would have to trust our lives to these people and we had a great run, I think I can speak on behalf of myself and the boys when I say it was the best thing we'd ever done. 
    So, from your position, why do you guys feel like you moved on? I think it was the perfect turn, I'm still in JLS, I'm always going to be in JLS, but we were young when we entered the industry, then we got our break. We're all now in our mid 20's, we've already had a fantastic career, we have time to pursue other dreams! Five albums take a lot of time, there's been a lot of tours and it was the thought of signing the deal for another five albums and being contracted all over again. Now we're all starting families, it seemed to us that we were at the top of our game, didn't want to overstay our welcome and then if we're welcome back then we're welcome back! We're more than happy with where JLS left.
    Was it scary, leaving the industry to try other things? Hell yeah! It was so scary, because I'd been cocooned. For the last 7/8 years I'd lived by the diary, having cars pick me up at certain times to take me to meetings and events at certain times. From life being handled by every aspect to getting the reigns back to my own life was definitely scary, but I was free. I got to start again with all the knowledge and wisdom of the industry which I didn't have before, it was a rush!

    You seem totally laid back about transitioning career and going from being massive to starting from scratch, Aston. What would you say to people who aren't as laid back as you and they're scared? Well, you can look at fear one or two ways; it can over could you and make you introverted, or you can take it upon yourself and admit it's scary. There's a difference jumping out of a plane with a parachute and without one. Regardless of whether you have one or not, it's scary. Jumping without one, it'll only ever end one way, with one you still have a safety net which may not work but at least you confront it and take it head on. 

    Nowadays on Social Media you can be absolutely killed. One wrong remark or faux-pas and that could be your career done within a matter of hours, regardless of what's happened. It's as cut-throat as that. Once you realise and know that, life won't be so stressful! You might as well just be like, "Alright, well I'll try again."

    Is that faith? Is that belief in yourself? Is that confidence? Is that accepting of your industry and career and how it can be or is it all of those, Aston? It's all of them, it has to be. Sometimes I can see the bad sides of all those things within the industry and think you can be too confident. You might as well be naked on stage and say, "There you go, judge away."

    Has the industry changed you? Yeah, definitely. I used to go out with my mates from uni, early twenties, same as everyone else. The only difference was that I was I had money so we could really enjoy ourselves and the media perceived me to be showing off. What else would you be doing on a weekend with your friends from uni at that age, going out every night obviously! Do I have work tomorrow? Yeah of course, but I'm fine!

    So you've talked about these glass ceilings to smash through, what's your glass ceiling and how're you going to smash through it? The next glass ceiling is just getting music out there. Letting people know that I'm a solo artist now. Not many people know it. Music's based mainly online now, it's ever-changing and you can so quickly and easily get lost. It's me having the courage to step back and take a harder look at it and evaluating how I want to approach it. At first I was like, "Yeah I want to chuck anything out and do whatever." Whereas now I'm like, "Now I have to chuck it out in the right way." 

    Do you think some of the purists struggle with how fast music and content are changing? Yes! I had a meeting the other day with a great friend of mine who works for a label and he got pissed off with me for talking on my phone. He said, "Stop talking, I've heard your stuff, let people hear it and decide!" 

    Get your content out there. Whether 10 people here it or 10,000,000 people hear it, you'll effect change. People think they should wait for the perfect time but there is not perfect time. It's ever-changing, so fast paced! 

    People are now starting to put their own truth out to the world. Podcasts, YouTube, Social Media, etc. People want honesty, but you're damned if you do and damned if you don't if when for example your niche is writing sad songs and you decide to write a happy one, some of your followers may disapprove but at least you're being authentic. Too often we aim to please everybody and don't want to be judged too harshly.

    A lot of people are really intrigued about the business side of your career, did you show an interest in that or did you just want to go and do entertainment? At first, I was definitely happy-go-lucky, thinking business was cool but then I'd get invited to an accounting meeting and I'd think, "Perfect..." Then the taxes came and I wanted to know who was taking my money! 

    As it went on I wondered why hadn't they taught me about this at school? All these avenues and options, I don't know why it took me to reach a certain age for it to click. In the early stages money was coming in thick and fast, unreal! First I was partying, then I wanted to buy a house, then the business aspect start to get more real. Then I started to analyse why the volume of gigs in the first part of the year was more than the third part of the year, etc. I started to realise there was a business cycle behind it all. A preparation period, a release period, etc. A template every artist follows.

    People are launching from yesterday. "I'm gonna be in the studio tomorrow, everyone out there, check out this song that I posted last night." The rule book's been thrown out the window!

    Slade wrote a Christmas number one 40 years ago and they're still milking £500,000 per year from it! Cristiano Ronaldo gets €300,000 per tweet if he does a brand endorsement. 

    There's some downsides to Social Media but if you want to set up a business or be an artist or creative, surely it's gotta be the best time in history?! You get a small tripod for £5, set your camera up, start singing or dancing or whatever and start selling products!

    Have you embraced all the Social Media, are you quite active? Instagram and visual things I love, things like Twitter, not so much. For me, Twitter's maybe 90% negative and 10% positive. You get a lot of opinions when people post music but aren't ready to perform in front of large crowds of people.

    You want to be true to your art and your work and you could spend 30 years crafting your work, never be perfect, get still always be judged by purist critics.

    Social Media today, you can dictate the terms. If you like the comments, get involved. If you hate it, turn it off, if you're an introvert you can do a podcast because nobody can see your face! There's ways around it now, there's lanes, avenues, ways people can really express themselves.

    Building multiple streams of income and making hay while the sun shines. I've seen a lot a lot of people who've become very successful and then relaxed. You never know when there could be another recession. In your world Aston, you can be the best and then you can be gone. Do you think about building income streams, having multiple business interest endorsements? What are your thoughts on streams of income and making hay while the sun shines? I'm 110% up for building these streams of income. As an artist I choose when I get paid. If I don't want to get paid, I don't go out and work. It doesn't work for me. You're never too successful! There's always bills to pay and people to provide for. We're sitting in one of my avenues now. There's always a bigger picture. I'd like ten of these, dotted around the country, dotted around the world. 

    You've got a business partner in this venture. How important is having that business partner, what benefit have you got? It's nice to always have the other perspective, coming from a band it's nice to bounce ideas. At the same time, when I'm touring, I need someone to hold down the fort. If something comes up within the business which I can't handle straight away, he can handle that. It's nice having a business partner that's totally on your wavelength. Gold dust!

    People say you shouldn't go into business with friends. I say life's too short to go into business with people purely for commercial benefit and not enjoy your time together, especially if you succeed. Surely, you'd want to succeed with your friends and people you care about?! If they're true friends, you'll never run into any worries. They'll all eventually show their true colours. 

    The best advice you've ever received, if you can remember it? From Seal, actually. One of the greats. He told me, "Enjoy it." Regardless of whether you're performing in front of 50 people at a local concert or 50,000 in an arena, enjoy it. We're all rushing everything we ever do, so slow down, soak it up.

    Worst advice? Honestly, I've never had bad advice. If I've ever had advice which didn't go according to plan, I'd learn from it, which would be invaluable anyway. Going against my gut always bites me. 

    A myth about the industry or a celebrity or someone in the media which most people don't know about? When you get £1,000,000 you don't actually get £1,000,000! Why didn't they teach you in school that if you're an employee, when you get paid, you lose 40% to tax?! Management, agents, staff, whomever it may be, they all get a slice too. So once all of the overheads are cleared you're left with around £200,000/£300,000... Don't ever believe the newspapers! If I did six or seven of those gigs, then I'd be looking at earning that kind of money.

    Anything you strongly believe in the world that you'd like to change and put your stamp on? The Social Media is such a curse and such a blessing at the same time. People use it for so much good but at the same time you have to filter through so much rubbish and negativity to find any scrap of it. I'd like to put more filters and choice for people. 

    The theme that's emerged in this interview is that there's two sides to this reality. Social media is a bit negative, but we can put our products and content out to the world in five minutes. Celebrity's all good or celebrity's all bad... There's a choice. You can always choose how you look at things and approach them. 

    What does the word disruptive mean to you? Now? A four-and-a-half-month old baby screaming at 2am! Personally, for me being disruptive is probably more of a good thing. Music is always disrupting the airways and people's vision and hears. Music that disrupts popular, conventional music creates its own undefined genre. I enjoy proving that there aren't any rules!

    BEST MOMENTS

    The best thing about building a dance studio underneath a railway bridge is that there’s no sound restrictions, so if clients want to have their music playing at top volume, they can. It's good that clients hear music going on when they arrive, if it was silent then it'd feel like something was wrong. The smell adds to it too!

    I never felt the need to push buttons. If someone was feeling a bit tender over a business decision or something similar, I'd tend to back off and give them some time and space. 

    There's no ceiling. Every ceiling you see is made of glass and if you don't smash through it then you're going to get stuck. 

    I'm going to invest in myself instead of waiting for years for the knock on the door from the big label. Everybody's putting their stuff out through their own means. 

    That one bad review out of the 1,000 decent ones really doesn't matter! Don't fixate on it.

    If I sit out home all day, doing nothing, it's not long before the phone stops ringing. I have to go out, make myself known, do shows, take appointments, etc. because if I don't do it now then my family will be in trouble.

    Focus yourself on what you've got, not what you've not got.

    I realised Social Media was a daily thing. Instagram, Twitter, people wanted to see all of you, not just the music. Sometimes I would grow my hair for campaigns, sometimes you'd see a yearly cycle within a day!

    As you said, happiness is a choice. Now it feels like, well that's just common sense, why would I not want to be happy? It's quite alluring and tempting, the gossip, the bad news, it's an attractive thing for some people. 

    When my little boy came along, I thought he needs everything I didn't have when I was growing up, regardless of whether I can buy it right now or not.

    [Business, mindset, entrepreneur, disruptors]

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    ABOUT THE HOST

    Rob Moore is an author of 9 business books, 5 UK bestsellers, holds 3 world records for public speaking, entrepreneur, property investor, and property educator. Author of the global bestseller “Life Leverage” Host of UK’s No.1 business podcast “Disruptors”

    “If you don't risk anything, you risk everything”

    CONTACT METHOD

    Rob’s official website: https://robmoore.com/

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    disruptive, disruptors, entreprenuer, business, social media, marketing, money, growth, scale, scale up, risk, property: http://www.robmoore.com

    125 - THE WORST ARMY RECRUITERS ft. OnePunchDad & MandatoryFunday

    125 - THE WORST ARMY RECRUITERS ft. OnePunchDad & MandatoryFunday
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    Talking all Things Radio, Hip-Hop, NYC, Hard Work and Patience w/ Yung Gravy

    Talking all Things Radio, Hip-Hop, NYC, Hard Work and Patience w/ Yung Gravy

    Today's episode is a dope conversation I had with artist Yung Gravy! We talk about Gravy's introduction into the music industry, how getting his first radio single feels, what Hip Hop means to us, life before the internet, hard work and patience being the key to success and much, much more!


    Enjoy! Let me know what you thought!


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