A team of promoters set out to recreate the euphoria of Woodstock 1969 three decades later only to discover how much music and culture have changed. Two documentaries on this event (Netflix and Hulu) will be thoroughly spoiled in this episode. Also much of the content is vile and/or graphic. You’ve been warned.
NY Post article: https://nypost.com/2022/08/27/florida-woman-tries-to-beat-dui-test-with-irish-dance/amp/
Irish jig video: https://youtu.be/FCfbrxhfdFE
Sylvester Stallone dog causes divorce: https://www.google.com/amp/s/wamiz.co.uk/news/42368/sylvester-stallones-wife-files-for-divorce-after-25-years-over-a-dog/amp
This is the third episode JLE has done on prison YouTuber, Jessica Kent. Someone who was supported by thousands for her honesty and relatability only to find out that the house she built founded on sobriety and redemption was made entirely of lies and it has finally come crashing down.
At the start of this mini series we went over Jessica Kent’s tumultuous timeline as seen on YouTube. Now we’re unearthing the many lies she has told that will likely lead to her demise but something tells me this is only the beginning.
WARNING this episode contains graphic content involving violence, drug use, domestic abuse, and probably other awful things too.
A couple of personal stories after Shut Up & Listen on how perspective in life changes with time. Then we discuss and attempt to straighten out the tangled timeline that is the life of former inmate/drug dealer turned prison YouTuber, Jessica Kent. What is real and what is for the internet?
Shut Up and Listen:
Gone are the days of tattoos being solely associated with smarmy individuals but what does that mean for the historical unmatched medium of tattooing? Is it possible to be unique in a sea of ink? Thankfully, it still is and it might be because of the emerging style known as blackout tattoo.
A minute with Jesus.
The first take you may appreciate.
A morning devotional read at night.
A few minutes with Jesus.
Birds be scary sometimes.
A collection of words by Emily Dickinson.
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