S10E6: "The British Journalist" by Humbert Wolfe

For this fifteenth season of the Well Read Poem, we are reading six poems in translation, written by a variety of ancient and modern poets. We hope that our discussion of these poems will be both interesting and instructive to anyone with an interest in literary translation as an art, and that it will serve to introduce you to a few poets whose acquaintance you have yet to make.  

Today's poem is “Ask Not (Odes I.11)” by Horace, translated by John Conington. Poem begins at timestamps 8:40 (in Latin) and 9:28 (in English).

Odes I.11

by Horace, trans. by John Conington

Tu ne quaesieris (scire nefas) quem mihi, quem tibi
finem di dederint, Leuconoe, nec Babylonios
temptaris numeros. Ut melius quicquid erit pati!
Seu pluris hiemes seu tribuit Iuppiter ultimam,
quae nunc oppositis debilitat pumicibus mare
Tyrrhenum, sapias, vina liques et spatio brevi
spem longam reseces. Dum loquimur, fugerit invida
aetas: carpe diem, quam minimum credula postero.

Ask Not

Ask not (’tis forbidden knowledge), what our destined term of years, 
Mine and yours; nor scan the tables of your Babylonish seers.
Better far to bear the future; my Leuconoe, like the past,
Whether, Jove has many winters yet to give, or this our last;
This, that makes the Tyrrhene billows spend their strength against the shore.
Strain your wine and prove your wisdom; life is short; should hope be more?
In the moment of our talking, envious time has ebb’d away.
Seize the present; trust to-morrow e’en as little as you may.

For this fifteenth season of the Well Read Poem, we are reading six poems in translation, written by a variety of ancient and modern poets. We hope that our discussion of these poems will be both interesting and instructive to anyone with an interest in literary translation as an art, and that it will serve to introduce you to a few poets whose acquaintance you have yet to make.  

Today's poem is “I Do Not Like Thee, Doctor Fell” by Martial, translated by Tom Brown. Poem begins at timestamp 7:25.

Non amo te, Sabidi

by Martial, trans. Tom Brown

Non amo te, Sabidi,
nec possum dicere – quare;
Hoc tantum possum dicere,
non amo te.

I Do Not Like Thee, Doctor Fell

I do not like thee, Doctor Fell,
The reason why I cannot tell;
But this I know, and know full well,
I do not like thee, Dr Fell.

For this fifteenth season of the Well Read Poem, we are reading six poems in translation, written by a variety of ancient and modern poets. We hope that our discussion of these poems will be both interesting and instructive to anyone with an interest in literary translation as an art, and that it will serve to introduce you to a few poets whose acquaintance you have yet to make.  

Today's poem is “The Cat” by Charles Baudelaire translated by Roy Campbell. Poem begins at timestamps 2:46 (in French) and 4:49 (in English).

Le Chat

by Charles Baudelaire, trans. Roy Campbell

Viens, mon beau chat, sur mon coeur amoureux;
Retiens les griffes de ta patte,
Et laisse-moi plonger dans tes beaux yeux,
Mêlés de métal et d'agate.

Lorsque mes doigts caressent à loisir
Ta tête et ton dos élastique,
Et que ma main s'enivre du plaisir
De palper ton corps électrique,

Je vois ma femme en esprit. Son regard,
Comme le tien, aimable bête
Profond et froid, coupe et fend comme un dard,

Et, des pieds jusques à la tête,
Un air subtil, un dangereux parfum
Nagent autour de son corps brun.

The Cat 

Come, my fine cat, against my loving heart;
Sheathe your sharp claws, and settle.
And let my eyes into your pupils dart
Where agate sparks with metal.

Now while my fingertips caress at leisure
Your head and wiry curves,
And that my hand's elated with the pleasure
Of your electric nerves,

I think about my woman — how her glances
Like yours, dear beast, deep-down
And cold, can cut and wound one as with lances;

Then, too, she has that vagrant
And subtle air of danger that makes fragrant
Her body, lithe and brown.

For this fifteenth season of the Well Read Poem, we are reading six poems in translation, written by a variety of ancient and modern poets. We hope that our discussion of these poems will be both interesting and instructive to anyone with an interest in literary translation as an art, and that it will serve to introduce you to a few poets whose acquaintance you have yet to make.  

Today's poem is “Marsyas” by Jose-Maria de Heredia translated by Thomas Banks. Poem begins at timestamps 3:21 (in French) and 4:50 (in English).

Marsyas

by Jose-Maria de Heredia, trans. by Thomas Banks

Your voice once charmed these trees whose burning wood 
Has scorched your skin and bone, and the red stain 
Of your spilled life flows slowly to the plain 
In mountain brooks dyed crimson with your blood. 

Jealous Apollo full of heavenly pride
With iron rod shattered your reeds that long 

Made lions peaceful and taught birds their song: 
With Phrygia’s singer Phrygian song has died. 

Nothing remains of you except the dry 
Remnant of flesh Apollo in his hate 
Left on a yew-branch hanging; No pained cry 
Or tender gift of song opposed your fate. 

Your flute is heard no more; hung on the trees 
Your flayed skin is the plaything of the breeze. 

Marsyas

by Jose-Maria de Heredia

Les pins du bois natal que charmait ton haleine 
N’ont pas brûlé ta chair, ô malheureux ! Tes os 
Sont dissous, et ton sang s’écoule avec les eaux 
Que les monts de Phrygie épanchent vers la plaine. 

Le jaloux Citharède, orgueil du ciel hellène, 
De son plectre de fer a brisé tes roseaux 
Qui, domptant les lions, enseignaient les oiseaux ; 
Il ne reste plus rien du chanteur de Célène. 

Rien qu’un lambeau sanglant qui flotte au tronc de l’if 
Auquel on l’a lié pour l’écorcher tout vif. 
Ô Dieu cruel ! Ô cris ! Voix lamentable et tendre ! 

Non, vous n’entendrez plus, sous un doigt trop savant, 
La flûte soupirer aux rives du Méandre... 
Car la peau du Satyre est le jouet du vent. 

For this fifteenth season of the Well Read Poem, we want to thank Emily Williams Raible, who suggested the theme "Poems in Translation" to us*, who probably should have thought of it ourselves, but, for whatever reason, failed to do so. Be this as it may, it is a theme rich in possibilities, and we hope that it will be a source of much enjoyment to all our listeners. We will introduce six poems in translation, written by a variety of ancient and modern poets. We hope that our discussion of these poems will be both interesting and instructive to anyone with an interest in literary translation as an art, and that it will serve to introduce you to a few poets whose acquaintance you have yet to make.  *By "us", we mean, of course, "me" (Thomas Banks).

Today's poem is "On His Brother's Death" by Catullus, translated by Aubrey Beardsley. Poem begins at timestamps 5:50 (in Latin) and 8:21 or 11:07 (in English).

On His Brother's Death

by Catullus, trans. by Aubrey Beardsley

By ways remote and distant waters sped,
Brother, to thy sad grave-side am I come,
That I may give the last gifts to the dead,
And vainly parley with thine ashes dumb:
Since she who now bestows and now denies
Hath ta'en thee, hapless brother, from mine eyes.
But lo! these gifts, the heirlooms of past years,
Are made sad things to grace thy coffin shell;
Take them, all drenched with a brother's tears,
And, brother, for all time, hail and farewell!

Frater, Ave Atque Vale (Catullus 101)

As befits the time of year, we are reading six poems of Advent and Christmas during this fourteenth season of the Well-Read Poem. We have selected certain familiar ones, which may yet contain certain surprises in their authorship and composition history, as well as some less well-known pieces which we hope will help you better enjoy the late days of the year leading up to the great Feast of the Nativity of Christ the Lord. 

Today's poem is "Christmas" by John Betjeman. Reading begins at timestamp 5:05.

Christmas

by John Betjeman

As befits the time of year, we will be reading six poems of Advent and Christmas during this fourteenth season of the Well-Read Poem. We have selected certain familiar ones, which may yet contain certain surprises in their authorship and composition history, as well as some less well-known pieces which we hope will help you better enjoy the late days of the year leading up to the great Feast of the Nativity of Christ the Lord. 

Today's poem is "Noël" by Théophile Gautier in translation by Agnes Lee. Reading begins at timestamps 4:33 and 6:18.

Noël (Christmas)

by Théophile Gautier, trans. by Agnes Lee

As befits the time of year, we will be reading six poems of Advent and Christmas during this fourteenth season of the Well-Read Poem. We have selected certain familiar ones, which may yet contain certain surprises in their authorship and composition history, as well as some less well-known pieces which we hope will help you better enjoy the late days of the year leading up to the great Feast of the Nativity of Christ the Lord. 

Today's poem is "Good King Wenceslas" by Vaclav Svoboda in translation by John Mason Neale. Reading begins at timestamp 6:26.

Good King Wenceslas

by Vaclav Svoboda, translation by John Mason Neale

As befits the time of year, we will be reading six poems of Advent and Christmas during this fourteenth season of the Well-Read Poem. We have selected certain familiar ones, which may yet contain certain surprises in their authorship and composition history, as well as some less well-known pieces which we hope will help you better enjoy the late days of the year leading up to the great Feast of the Nativity of Christ the Lord. 

Today's poem is "Christmas Carol" by Sara Teasdale. Reading begins at timestamps 4:08 and 7:08.

Christmas Carol

by Sara Teasdale

As befits the time of year, we will be reading six poems of Advent and Christmas during this fourteenth season of the Well-Read Poem. We have selected certain familiar ones, which may yet contain certain surprises in their authorship and composition history, as well as some less well-known pieces which we hope will help you better enjoy the late days of the year leading up to the great Feast of the Nativity of Christ the Lord. 

Today's poem is "Mistletoe" by Walter de la Mare. Reading begins at timestamps 4:50 and 7:36.

Mistletoe

by Walter de la Mare