The '90s: Nirvana — In Utero

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Arkells frontman Max Kerman (@arkellsmusic) to discuss Shine A Light, the 2003 sophomore album from Constantines. The Cons had a huge influence on Max and his bandmates, and this episode allows us to explore how influences make their way into a band’s sound, consciously and subconsciously. Find out more about The Cons’ 519 roots, how their legendary live shows helped build a following, and why some great bands stay a kept Canadian secret on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy trace the so-called emo tree back up almost all the way to the top, exploring the definitive parent of the Midwest emo branch, Sunny Day Real Estate’s 1994 album Diary. It stands to reason that if you listen to this podcast, a lot of the bands you enjoy (and episodes we’ve done to date) were influenced by Diary, as SDRE genuinely helped move the genre forward. Find out more about why SDRE couldn’t sustain their success through some fault of their own, which of our hosts’ favourite bands today draw influence from Diary, and where the Foo Fighters come in on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by NBA writer James Herbert (@outsidethenba) to discuss At The Drive-In’s 2000 album Relationship of Command. This is a fun revisiting of a very influential album. Find out more about James and Blake’s unlikely non-friendship in university, how At The Drive-In became the Mars Volta and Sparta separately, and how Relationship of Command holds up against In/Casino/Out in the present on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Sasha Kalra (@sashakalra) to discuss Lil Peep’s 2017 album Come Over When You’re Sober, Pt. 1. While Lil Peep is admittedly outside of the podcast’s normal genre wheelhouse, his influences are so similar to the podcast’s and to the artists that the podcast covers that he represents a unique look into the out-of-genre effects of industry and cultural changes. Find out more about how Lil Peep earned a major following by sampling pop-punk and emo songs on Soundcloud, what the status of this subgenre is following Peep’s untimely passing, and what Jake thinks of his first taste of emo-rap on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy break down Modest Mouse’s 2004 breakthrough Good News for People Who Like Bad News. Unlike some of the other bands to perform at The Bait Shop, Modest Mouse were already quite well-established, but The OC rub and an enormous hit in Float On helped push them into the mainstream consciousness. That didn’t mean Good News was any less weird and fun, though. Find out more about why a band like Modest Mouse would agree to a bit part on a teen pop-culture series, why our hosts lament their earlier Bukowski appreciation, and why you should revisit the band if Float On is your primary reference point on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (@sarahsmacdonald, sarahsmacdonald.com) to discuss The Killers’ 2004 debut Hot Fuss. Another Meet Me In The Bathroom-era breakthrough sees our hosts bring Sarah back because The Killers require a certain level of cool they can’t reach alone. That’s a long way to have come for some kids from Las Vegas sneaking in to UNLV to practice and record. Find out more about how The Killers came to be, how Brandon Flowers’ former band influenced his writing and The Killers’ unique sound, and which Hot Fuss track is the millennial Stairway To Heaven on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy break down The Walkmen’s 2004 album Bows + Arrows. The Walkmen represent an interesting and often self-defeating secondary character in the indie rock boom and an unlikely Bait Shop performer. They’re also emblematic of the Meet Me In The Bathroom-era New York rock scene, dripping in cool while made up of the pieces of other, disbanded groups. Find out more about the enormity of The Rat, the overall excellent use of music as a world-builder, character-developer, and story-teller in The OC, and which Canadian rock band one host initially confused The Walkmen with on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie’s enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard’s workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are just two boys talking about Just A Girl as they dive deep on No Doubt’s 1995 classic Tragic Kingdom. They’re also joined briefly by Cassie Leigh Clancy (@cassleigh, co-host of the @restingonpod podcast) to discuss the fashion side of Gwen Stefani’s legacy. Find out more about some of the controversy around Stefani’s more problematic choices in that regard, how Stefani became a major pop culture influence coming out of Tragic Kingdom, and how an in-band relationship made for a powerful, if awkward, songwriting process on this week’s podcast.

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We’re that band, Radiohead. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by music and culture writer Josh Terry (@JoshhTerry) to break down Radiohead’s 2007 album In Rainbows. With a handful of interesting Radiohead options, the guys go the In Rainbows route out of deep appreciation, but maybe not because it’s their No. 1 Radiohead album. You, too, surely have a Radiohead album ranking take. Find out more about that choice, how Radiohead stayed ahead of the curve in a dynamic record industry environment in the mid-2000s, and why Scott Tenorman must die on this week’s podcast.

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