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    The AI-generated, oddly colored future of art

    enNovember 16, 2022

    Podcast Summary

    • Adobe's Photoshop: Evolving with Technology and User NeedsSuccessful products like Adobe's Photoshop balance innovation and preserving core essence to cater to new generations of users while maintaining their appeal.

      Adobe's Photoshop, which has been a mission-critical tool for artists for decades, showcases the importance of evolving with technology and user needs. First introduced in 1990, Photoshop's core functionality has remained relevant, but its success lies in its ability to adapt. The challenge for developers is to maintain the appeal of established tools while catering to new generations of users. This was demonstrated in a fun experiment where a graphic designer attempted to use the first version of Photoshop to create a design. Although the result wasn't impressive, it showcased Adobe's early success in creating a powerful and enduring tool for digital art. However, as technology and user expectations evolve, the eternal struggle for successful products is to strike a balance between innovation and preserving the core essence that made them popular in the first place.

    • Balancing innovation and customer satisfaction for Adobe's PhotoshopAdobe introduces new tools and apps to cater to specific needs while allowing Photoshop to remain largely unchanged, recognizes importance of letting Photoshop be Photoshop, and aims to introduce users to its suite through more accessible and affordable tools.

      Adobe, specifically with its flagship product Photoshop, faces a challenging balance between innovation and customer satisfaction. While there is a demand for new features and modern interfaces, the user base, many of whom are professionals and have invested significant time and resources into mastering the tool, strongly prefer not to have their workflows disrupted. Adobe has managed to navigate this by introducing new tools and apps, such as Lightroom and Express, that cater to specific needs and user types, while allowing Photoshop to remain largely unchanged. The company also recognizes the importance of letting Photoshop be Photoshop, but is exploring ways to adapt it to new technologies and user behaviors, such as web-based versions and collaboration features. Ultimately, Adobe aims to introduce users to its suite through more accessible and affordable tools, while allowing them to upgrade to more advanced offerings like Photoshop as their needs and skills grow.

    • Adobe's future plans for Photoshop: Easier collaboration and more AI-assisted featuresAdobe aims to simplify collaboration with stakeholders through easier sharing and commenting functionalities, while AI automates time-consuming tasks and serves as a co-pilot for creatives.

      Adobe's future plans for Photoshop involve making it easier for creatives to collaborate with stakeholders and incorporating more AI-assisted features. Currently, the process of engaging with stakeholders is antiquated and relies heavily on email attachments. Adobe aims to simplify this by introducing easier sharing and commenting functionalities. Additionally, recent advances in AI have made image editing tasks that were once time-consuming and complex, such as removing objects or applying colors, automatic and effortless. Adobe is also exploring the use of generative AI to create content from scratch. The creative control will always remain with the user, with AI serving as a co-pilot to enhance productivity. The integration of AI is expected to revolutionize the way we create and edit visual content, and we'll be diving deeper into this topic in the upcoming segment. In the meantime, Canva, a sponsor of this podcast, offers an AI-powered solution for generating creative decks for presentations, making the process faster and more efficient.

    • Exploring the Evolution of Generative AI in ArtGenerative AI is revolutionizing the art world with its ability to create unique and intriguing content, but raises questions about copyright, safety, and bias. Early experiments like Google Deep Dream paved the way for more recent advancements like diffusion models, which can generate a wide range of content from text and code to music and art.

      We are witnessing an exciting and complex evolution in the art world with the emergence of generative AI. Art Beets and Lyrics, a new documentary on Hulu, showcases the growth of a cultural phenomenon from humble beginnings in Atlanta. Meanwhile, in the tech sphere, generative AI, including art models like Dolly and Stable Diffusion, is making waves with its ability to create unique and intriguing content. James Vincent, The Verge's AI expert, explains that generative AI has been developing for decades, with earlier experiments like Google Deep Dream paving the way for more recent advancements, such as diffusion models. These models have the ability to generate a wide range of content, from text and code to music and art. The implications of this for the art industry are significant, raising questions about copyright, safety, and bias. While the future of art may involve more AI-generated content, the human role in art and creativity remains essential. The intersection of art and technology continues to push boundaries and challenge our perceptions.

    • From experiments to practical applications of diffusion modelsDiffusion models, once an intriguing experiment, are now transforming lives through advancements in computation and data availability. New players are disrupting the industry with a different approach, giving away models for free.

      Diffusion models, a type of artificial intelligence technology, have recently transitioned from intriguing experiments to practical applications that significantly impact people's lives. This transformation is due to a combination of factors, including advancements in parallelized computation and the availability of vast data sets. Diffusion models work by taking an image and gradually transforming it into an unrecognizable state, then learning how to reverse the process. This method, which involves numerous calculations happening simultaneously, aligns well with the current default approach to artificial intelligence that relies on powerful GPUs. Currently, we're witnessing a shift from cautious, established AI labs like DeepMind, OpenAI, and Google Brain to new players who are experimenting with different approaches. The second wave of AI labs, such as Stability AI, have adopted a strategy of giving away their models for free, challenging the established players' business models and disrupting the industry. The implications of these developments are far-reaching and will likely influence the wider AI landscape.

    • Stability AI's free text-to-image model causing waves, raising concernsStability AI's free text-to-image model, Stable Diffusion, is gaining popularity but raises concerns about content ownership, veracity, and safety.

      Stability AI, a German research organization, has made waves in the industry by releasing their text-to-image model, Stable Diffusion, for free. This approach has led to rapid adoption by various companies, including Canva, TikTok, and Shutterstock. The text-to-image technology is seen as a game-changer, but there are significant questions surrounding content ownership, veracity, and safety that remain unanswered. While debates about these issues are not new, the ease of use and accessibility of these features have raised concerns about potential copyright infringement and the implications for content creators. Previous discussions about these topics, such as deep fakes and search engine snippets, offer some potential solutions, like watermarks and metadata. However, the widespread availability and integration of these features into everyday applications may necessitate new answers to these long-standing questions. The rapid pace of innovation in this area underscores the importance of continued dialogue and exploration of these complex issues.

    • AI and copyright: A complex relationshipThe use of copyrighted material in AI models raises legal questions, with the first case challenging a generative AI model recently launched. The origin of AI-generated outputs is challenging to trace, making it crucial for stakeholders to stay informed and engaged in the conversation.

      The distinction between AI and human creativity is not as clear-cut as it may seem. Companies like OpenAI are using vast amounts of data scraped from the internet to train their models, often without disclosing the exact contents of their training data. The use of this data is defended under the fair use doctrine, but there is uncertainty about how these systems should be used to avoid copyright infringement. The first legal case challenging a generative AI model, GitHub Code Pilot, has been launched, and its outcome could significantly impact the use of copyrighted material in AI. The complexity of this issue lies in the fact that it's challenging to trace the origin of the output generated by these models, as they function as a "black box." A tool called Clip Interrogator attempts to identify the input used to generate an image, but it's important to note that this is just one piece of the puzzle. The legal landscape surrounding AI and copyright is still evolving, and it's crucial for stakeholders to stay informed and engaged in the conversation.

    • AI-generated images in legal proceedingsOpenAI's Dolly generates images based on descriptions, but its integration in legal proceedings raises concerns over transparency, potential job displacement, and admissibility.

      The integration of AI in creating visual content is a complex issue with many implications. OpenAI's Dolly, a text-to-image model, can generate images based on descriptions, potentially providing insights into an artist's style. However, the usefulness and admissibility of such technology in legal proceedings are uncertain. OpenAI's reluctance to share training data, which includes hundreds of millions of licensed images from Shutterstock, raises questions about transparency and potential job displacement for artists and photographers. Shutterstock's response to this development includes adding text-to-image systems to their website and setting up a contributors fund to pay royalties to creators whose work was used in training Dolly. Yet, the one-time payment and potential loss of jobs remain significant concerns. The tension between understanding the workings of AI systems and their companies' desire to maintain opacity will likely persist, necessitating ongoing dialogue and exploration.

    • AI-generated imagery: Legal liabilities and ethical concernsCompanies are debating the use of AI-generated imagery due to potential legal liabilities and ethical concerns. Some have banned it entirely, while others have implemented safety measures. The future use of AI-generated imagery remains uncertain, but guardrails and ethical considerations are necessary.

      While some companies are embracing AI-generated imagery, others are shying away due to potential legal liabilities and ethical concerns. Getty Images, for instance, has banned AI-generated imagery entirely. The lack of clear guardrails on AI-generated imagery raises concerns about its misuse, similar to the early days of chatbots. Some companies, like OpenAI, have implemented safety measures and filters, while others, like Stability AI, have more lenient policies. The debate around AI-generated imagery continues, with some arguing that technology is neutral and it's up to individuals to make the right choices. However, others believe that companies have a responsibility to implement adequate safeguards to prevent misuse. The future of AI-generated imagery remains uncertain, but it's clear that guardrails and ethical considerations are necessary to ensure its safe and responsible use.

    • The Risks of AI-Generated ArtThe ease of use and accessibility of AI art models like Dream Booth could lead to harmful applications, necessitating proactive measures to mitigate harm and establish guidelines.

      While the potential of AI-generated art is vast and transformative, it also presents significant risks, particularly in the realm of non-consensual imagery and harassment. The ease of use and accessibility of models like Dream Booth could lead to a surge in harmful applications. The argument that we should wait and see what happens before reacting is not sufficient, as the consequences of inaction could be severe. Instead, it's crucial for individuals and organizations to proactively address these issues and establish guidelines and filters to mitigate harm. The line between AI art and clip art is becoming increasingly blurred, and it's essential to acknowledge and understand the implications of this technology in various contexts. As journalists, it's our responsibility to report on the reality of the situation, which includes both the potential benefits and the potential risks.

    • Pantone's Color Monopoly in QuestionThe recent requirement for a Pantone subscription to access their colors in Adobe products has sparked debate over the value of standardized color offerings in a digital age

      The recent announcement by Pantone and Adobe requiring a subscription for access to Pantone colors in Adobe products has caused confusion and frustration in the design community. Pantone, established in the 1960s, provides a universal color language through its expensive swatch books, ensuring consistent color representation in print design. However, the digital age has blurred the lines of color ownership. While some argue that colors are just codes on a computer, others see value in Pantone's curated and standardized offerings. The ongoing debate highlights the evolving nature of design tools and the potential implications for creators and consumers alike.

    • Understanding Pantone Ink and Its Importance in Print DesignPantone is a specific ink system used in print design for consistent color representation, offering a wider range of colors than CMYK. Adobe and Pantone's partnership may be strained due to disagreements over updates within Adobe's software.

      Pantone is a specific type of ink used in print design to ensure consistent color representation. It offers a wider range of colors, including brighter and metallic hues, that cannot be achieved through the CMYK color space. Pantone is not a color space itself but a standardized ink system. There are different color spaces like RGB for digital media and CMYK for print, each with unique characteristics and limitations. Adobe and Pantone have had a long-standing partnership, but Pantone feels that Adobe has not allowed them to update their product sufficiently within Adobe's Creative Suite and Creative Cloud. This disagreement may have led to recent developments in their business relationship.

    • Pantone and Adobe's Split: Implications for DesignersDesigners working in print and with freelance artists face challenges converting digital art to Pantone colors due to their removal from Adobe Creative Cloud, requiring a separate subscription and adding complexity to the design process.

      Pantone and Adobe have parted ways, leading to Pantone colors being removed from Adobe Creative Cloud and requiring a separate subscription for access. This change has significant implications for designers, particularly those who work in print and with freelance artists, as converting digital art to Pantone colors can be a time-consuming and complicated process. The lack of seamless integration between different color standards and applications has long been a pain point for designers, and this development only adds to the complexity. The sudden removal of Pantone colors from Adobe's offerings has left many designers feeling frustrated and uncertain about how to navigate this new landscape. Overall, this shift highlights the importance of understanding the limitations and complexities of different color standards and the need for better integration between digital and print design tools.

    • Subscription models in creative software: Controversy and potential consequencesAdobe and Pantone's shift to subscription models for their software and color books has caused controversy, with concerns over black market software, long-term cost-effectiveness, and potential consequences for consumers.

      The shift from one-time purchases to subscription models in creative software, such as Adobe and Pantone, has been a topic of controversy. Adobe's decision to move to a subscription-based model for their Creative Cloud suite and Pantone's switch to a subscription service for their color books have left some users feeling betrayed and frustrated. These changes have led to discussions about the potential for a black market for old versions of software and the long-term cost-effectiveness of subscriptions. Additionally, the prevalence of software piracy for Adobe and Microsoft Office Suite, along with the discovery that older versions of Adobe software can have Pantone color books manually imported, has further complicated the issue. Ultimately, the debate raises questions about the reliability of for-profit companies to provide necessary services and the potential consequences of these business models for consumers.

    • The Debate between Pantone and Open Source Color StandardsThe industry standard for print color matching, Pantone, faces competition from open source alternatives. The shift towards digital design and RGB colors may offer a solution, but understanding CMYK vs RGB is essential for designers. Cost and accessibility of creative tools and potential for innovation are key issues in this debate.

      The debate around color standards in design, specifically between Pantone and open source alternatives, highlights the challenges of adoption and standardization in creative industries. Pantone, long considered the industry standard for print color matching, faces competition from artists and designers creating their own color books as a form of protest or alternative. However, the shift towards digital design and the use of RGB colors in hex codes may present a solution for those working digitally native. Yet, understanding the distinction between RGB and CMYK is crucial for designers. This debate also raises questions about the cost and accessibility of creative tools and the potential for innovation in the industry. Ultimately, the challenge lies in getting everyone to adopt a new standard, which is no easy feat for an industry known for being slow to change.

    • Impact of Pantone color discontinuation on larger businessesLarger businesses may face challenges in maintaining brand consistency without Pantone colors, but the costs are justifiable due to their importance in protecting unique shades.

      While the disappearance of Pantone colors may not significantly impact smaller creatives and illustrators, it could pose a challenge for larger manufacturing businesses and brands that rely on specific Pantone colors for their branding. The unique ability of Pantone to accurately represent and protect branded colors sets it apart from other color matching systems like CMYK. However, the additional costs associated with maintaining a Pantone subscription may be negligible for larger businesses due to their ability to absorb these costs. The conversation also touched upon the possibility of smaller businesses opting for alternative color matching systems, but the importance of Pantone for branded projects was emphasized. Ultimately, the decision to continue using Pantone colors is in the best interest of brands, as it ensures consistency and exclusivity for their specific shades.

    • Exploring resources for simplifying and streamlining aspects of lifeUtilize technology hotlines, AI-powered design tools, and documentaries for time-saving knowledge and inspiration

      There are numerous resources available to help simplify and streamline various aspects of our lives, from technology hotlines for answering questions, to AI-powered design tools like Canva for creating presentations, to documentaries like "Art Beats in Lyrics" for entertainment and inspiration. These tools can save time, provide knowledge, and offer unique perspectives. Whether it's technology, art, or work-related tasks, there are resources out there to make the process easier and more efficient. So, don't hesitate to call the tech hotline, use Canva for presentations, or watch "Art Beats in Lyrics" on Hulu. And remember, always drink responsibly when enjoying Jack Daniels and Tennessee Honey.

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    Links:


    The Adobe-Figma deal is historic for tech startups — if it goes through
    https://www.protocol.com/newsletters/pipeline/adobe-figma-antitrust-concerns


     


    Guests:


    Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn.


    Mark Fuccio is actively involved in high tech startup companies, both as a principle at piqsure.com, or as a marketing advisor through his consulting practice Tactics Sells High Tech, Inc. Mark was a proud investor in Microsoft from the mid-1990's selling in mid 2000, and hopes one day that MSFT will be again an attractive investment. You can contact Mark through Twitter on LinkedIn.


    Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer’s Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, and jeffgamet on LinkedIn., and on his YouTube Channel at YouTube.com/jgamet.


    David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65.


    Jim Rea has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. Follow Jim at provue.com and via @provuejim on Twitter.


    Warren Sklar helps host the Mac to The Future Group on Facebook, and is the co-host of In Touch With iOS with David Ginsburg.

    Brittany Smith is a trained cognitive neuroscientist who provides ADD/ADHD, technology, and productivity coaching through her business, Devise and Conquer, along with companion video courses for folks with ADHD. She’s also the cofounder of The ADHD Guild, a community for nerdy folks with ADHD. She, herself, is a self-designated “well-rounded geek”. She can be found on Twitter as @addliberator and on YouTube with tech tips.


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    Episode 9: Sander van Dijk

    Episode 9: Sander van Dijk

    Sander van Dijk is a freelance animator from Brooklyn, New York. During this episode, we talked about his background in architecture and carpentry, why he switched to freelance and the importance of designing work that matters.

    Links:

    Wish List After Effects http://www.sandervandijk.tv/after-effects-features

    Twitter https://twitter.com/georegulus 

    Website http://www.sandervandijk.tv/

    Sugar Detox Project: http://www.sugardetox.me/

    Time Well Spent Project: http://timewellspent.io/

    Facebook Redesign: http://dcurt.is/facebooks-predicament

    Motionographer article: http://motionographer.com/2015/12/15/trends-with-benefits/

    Steve Jobs’ Speech: http://news.stanford.edu/news/2005/june15/jobs-061505.html

    Highlights:

    -Transition from architecture and carpentry into animation

    -King and Country brought Sander to the U.S.

    -Worked for Buck

    -Transition to freelance

    -Move away from advertising

    -Importance of communicating life changing ideas

    -Daily choices

    -Personal next steps

    -Choosing clients that support what you believe

    -New Projects: food, health, and technology

    -Sugar detox project

    -Time well spent project

    -Facebook redesign  

    -After Effect’s wish list

    -Why motion graphics specifically can help bring about change

    -Getting close to a story and a concept when working on a project

    -Motionographer article - trends, learning

    -What new things Sander has been learning

    -Advice for people starting out in motion graphics

    -Dream client: someone with a complex idea and communicating it an easy, understandable way

    -Favorite animated film: Adventure Time Episodes

    -What does your parents think you do: they get what I do and are gracious enough to let me run with it.

    -Animalator: a squirrel

     

    Animalators is part of the Gradient Podcast Network. Learn more at Gradient.is

    Episode 14: Greg Gunn

    Episode 14: Greg Gunn

    Greg Gunn is a creative director at Blind studios based in Los Angeles, California. During the episode we talked about the importance of creative weightlifting, the pros and cons of art school and the importance of developing and sharpening ideation skills.

    Links:

    Mythical Mondays: https://vimeo.com/151205483

    Website: http://www.ggunn.com

    TLDR: http://www.ggunn.com/tldr/

    Twitter: https://twitter.com/grgnn

    Highlights:

    -Otis College of Art and Design

    -3D Animation

    -Thrown into directing

    -Benefits of art school

    -Design thinking

    -Importance in finding a teacher, mentor

    -Transition from school to director

    -Ego & creative control in a project

    -Working with clients

    -Speaking truths over yourself

    -Personal projects

    -Mythical Mondays

    -Creative weightlifting

    -Becoming a creative director

    -A day in the life of Greg Gunn

    -Keeping skills fresh

    -Style vs. substance

    -Sharpening ideation skills over technical

    -Teaching

    -Dream client: A nonprofit, help create a video that will tangibly help people

    -Favorite animated film: Spirited Way

    -What do the people you love think you do: no clue

    -Animalator: a fox