The Color of Money

In honor of Black History month, we decided to examine two disparate, albeit excellent, depictions of the African American experience with Mo' Better Blues and If Beale Street Could Talk. Ahead of our subjects, we sort through a premium selection of Blue Plate Special items, including our thoughts on the recently announced Sam Mendes' series of films on The Beatles, a pair of new releases in Bob Marley: One Love and Lisa Frankenstein, and the complicated legacy of departed country music superstar Toby Keith. We eventually turn the radio on over to the highest quality jazz station imaginable with our double feature: listen as we dive into the careers of auteurs Spike Lee and Barry Jenkins, discuss how their visions of blackness are translated into their respective films, situate the extent to which the former's 1990 work fit into his larger narrative and aesthetic interests, and question what the latter's future looks like in an age where personally expressive commercial cinema is harder and harder to come by. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

As the world prepares to enter an ultra charged Super Bowl weekend, we kick off the festivities with the most special of appetizers, a pair of French New Wave classics from the late Jean-Luc Godard with Contempt and Pierrot le Fou! But before we explore the auteur's signature brand of cinematic nihilism, we preview the upcoming big game, try and make sense of the WWE's #WeWantCody phenomenon, get excited about the prospects of a contemporary-set Paul Thomas Anderson movie, and cautiously sort through our thought on the latest Jonathan Glazer film, The Zone of Interest. Have no fear though, we give Jean-Luc plenty of time and attention: listen as we celebrate his at once beautiful yet apocalyptic cinema, one that remains every but as vibrant as it did six decades ago. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Toss up the glitter and dust off that harmonica: that's right, we're celebrating two of Todd Haynes's most iconic films, a pair of musical dramas with Velvet Goldmine and I'm Not There. We do wade into the relatively shallow yet agreeable enough waters of the new horror flick Night Swim but primarily dedicate this episode to Haynes's explorations of fame, musicianship, fandom, the divergent yet similarly heavy legacies of glam rock and folk music, find joy in Velvet Goldmine's opaque approximation of David Bowie before puzzling over I'm Not There's narratively muddled yet aesthetically exceptional approach to adapting the Troubadour of Conscience. Come for some hot takes on the wildcard round of the NFL playoffs and predictions about the forthcoming Royal Rumble, stay for above average Bob Dylan impressions. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Another year gone, another year awaits...The team here at Overlapping Dialogue decided to ring in 2024 with an affectionate look back at the highs, lows, and above all else memorable moments of 2023 with our inaugural Harry Dean Awards! Listen as we discuss the many noteworthy performances of Oppenheimer, highlight our favorite aspects of Barbie, decide on the year's best use of Tilda Swinton, christen our Comeback Player of the Year, and dive into a great many more categories and distinctions, culminating in our recognizing of the Filmmaker and Film of the Year. The Academy "Awards" only grow all the more irrelevant with the arrival of the only film awards you'll ever have to pay attention to from here on out! As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

This holiday season, cozy up to the fire, feast on some figgy pudding, and join Overlapping Dialogue as we deliver a special bonus audio commentary for one of our very favorite Christmas movies, Home Alone! Listen as we dissect the endless entertainment value inherent to Chris Columbus and John Hughes's family comedy without the family, complete with discussions of the McCallister's stately suburban Chicago estate, appreciations of the downright genius of pairing Joe Pesci with Daniel Stern, and a general agnosticism on the question of polka as a worthwhile art form. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://www.nytimes.com/2023/12/20/movies/home-alone-mccallisters-wealth.html

As you sort through your Thanksgiving leftovers and start your Christmas shopping, let Overlapping Dialogue serve the role of comforting holiday companion. We ring in the series of occasions with a pair of football movies that tug on the heartstrings- albeit in wildly different ways- with Heaven Can Wait and Friday Night Lights. But before they settle their respective differences on the gridiron, we as humble color commentators devour a full fledged meal with a Blue Plate Special lineup: listen as we discuss the latest edition of the Call of Duty franchise (Modern Warfare 3...again) and ponder what the yet-to-be-released Coyote vs. Acme and its stalled fate means for the future of the motion picture industry, as well as find theatrical solace with an unlikely trio of satisfying new releases in Anatomy of a Fall, The Holdovers, and Thanksgiving. Upon finally arriving to our pigskin-themed main event, we delight in the multi-hyphenate nature of the 1978 romantic comedy fantasy sports yarn and try and catch our breathes from the insistent, stifling DRAMA in all caps (no cap, fr fr) of the 2004 high school sports saga. Appropriately, we even enshrine one of this episode's subjects into our very own Hall of Fame, the Immune. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2023/11/19/update-makarov-goes-nuclear-call-of-duty-modern-warfare-iii-why-are-you/

Light your cigs and scout the blotter: it's Noirvember, sugar bumps! This episode's pair of films, dedicated to one of classic Hollywood's richest legacies, celebrates the waning years of the legendary Orson Welles's time in the States with The Stranger and The Lady from Shanghai. But before we get lost in the shadows of postwar American ennui, our Blue Plate Special segment finds us diving ever so briefly back into the domain of bloody baboons with a discussion of the teaser trailer for Kingdom of the Planet of the Apes. We eventually trade in our computer generated fur for some proper money suits with a double feature of Welles noirs, one which subtly makes a case that fascism wasn't totally extinguished at the conclusion of the Second World War and another that stylishly crashes and burns with the intensity of a cinematic volcano. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

As All Hallows' Eve approaches with a creeping intensity, Spooktober Spooktacular continues with two iconic cinematic ghost stories that have left an indelible impact with audiences of every subsequent generation: Poltergeist and The Sixth Sense. But before we exercise these spirits, we unpack and sort through our thoughts on the latest Martin Scorsese's historical epic Killers of the Flower Moon, look for answers in the satisfying labyrinth of The Blair Witch Project, and muse over the highs and lows of Hulu's small screen comedy-mystery Only Murders in the Building. Join us as we enter a pair of old dark houses that is our double feature: listen as we try to suss out the Spielbergian elements within Tobe Hooper's 1982 supernatural horror before taking stock of the innumerable hallmarks that at once put Shyamalan on the map in 1999 and established a formula he's yet to ever succeed outside of. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2023/10/21/our-blood-is-turning-white-killers-of-the-flower-moon-needed-more-and-less/

Bedazzle the cobwebs and yassify the cemetery: it's that time again, the third annual Overlapping Dialogue Spooktober Spooktacular! We dive into the Halloween spirit in with two black and white chillers from the 30s and 40s with Vampyr and Isle of the Dead. In addition to tangling with the undead, we get fat and happy with a Blue Plate Special bag of goodies, ranging from thoughts on the new Wes Anderson shorts adapting Roald Dahl on Netflix, predictions on what effects Swifties will have on theaters with the release of Taylor Swift: The Eras Tour, and puzzle our way through Rolling Stones Magazine's ranking of the "50 Worst Decisions in Movie History." It's a *scary* good episode that may or may not conclude with us chowing down on some General Mills monster cereal. But which one? You'll have to listen to the very end to find out. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

In this edition of Overlapping Dialogue, we make off with a load of fat greenbacks that turn out to be counterfeit junk with 1987's The Untouchables and 2009's Public Enemies. Though both films have generated healthy followings over the years, we take issue with their approaches to and executions of the crime genre, a medium we have particular passions for. Also, there's no Blue Plate Special this time but have no fear, we made a whole meal out of the cinematic dumpsters we're highlighting. Feel free to lock us up after this one and throw away the key: it's our story and we're sticking to it. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.