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    • Defying Expectations: Sidney Poitier's Journey from the Bahamas to HollywoodBorn in the Bahamas, Sidney Poitier challenged racial stereotypes and became the greatest American movie star, defying expectations and transforming America's perception of black people.

      Sidney Poitier, born in the Bahamas and raised in the black community, defied expectations and became the greatest American movie star by challenging the way Americans saw black people on screen. Growing up in the Bahamas, Poitier was surrounded by a black community where he saw black people in every profession and role. However, when he came to the United States, he faced discrimination and segregation, which made his success in Hollywood even more remarkable. Poitier's acting career began when his father sent him to live with his brother in Miami to lighten the family's financial burden. Despite the challenges he faced in the United States, Poitier's talent and determination allowed him to break through barriers and change the way America saw black people. Poitier's impact went beyond the movies, transforming America itself by challenging stereotypes and paving the way for future black actors. As Wesley Morris, a culture critic at The New York Times, stated, "He was changing the way people saw a people who for a 120 years at that point in the 1920s were only looking at black people one way."

    • Starting from the bottom to prove his worthDespite being told he wasn't good enough, Sidney Poitier's determination led him to work at a theater to learn and hone his craft, ultimately leading to a successful acting career.

      Sidney Poitier's determination to become an actor was fueled not by a dream or ambition, but by a personal offense. Repeatedly being told he wasn't good enough to pursue acting led him to prove his worth. He started by proposing to work as a maintenance man at the American Negro Theater in exchange for observing acting lessons and productions. This arrangement provided him with valuable education and helped him hone his craft, eventually leading to a successful acting career. Poitier's story highlights the power of perseverance and the importance of not letting others define one's potential.

    • Sidney Poitier's groundbreaking film career shifted negative stereotypes of black people in HollywoodSidney Poitier challenged Hollywood stereotypes with roles as doctors, educators, and complex characters, humanizing black people on screen and paving the way for more authentic portrayals.

      Sidney Poitier's early film career was groundbreaking as he challenged and began to shift long-standing negative stereotypes of black people in Hollywood. He was assigned roles as doctors and educators, which were significant departures from the usual parts black actors were offered. Poitier's exceptional talent and intelligence allowed him to embody these characters in a way that humanized black people on screen, helping to undo decades of racist images. One notable performance can be seen in "A Raisin in the Sun," where he played a character named Walter Lee Younger, a role that allowed audiences to enter his home and experience his personal struggles, which was a revolutionary act for black characters at the time. Poitier's impact on Hollywood was seismic, paving the way for more nuanced and authentic portrayals of black people in film.

    • A Raisin in the Sun: The Story of a Black Family's Inheritance DecisionThe play highlights the struggle for economic advancement and racial acceptance, with Sidney Poitier's powerful portrayal of Walter marking a turning point for black representation in both theater and film during the civil rights era.

      That "A Raisin in the Sun," a 1961 play by Lorraine Hansberry, tells the story of a black family in Chicago and their decision on how to spend an inherited $10,000. The central tension arises when the mother, Lena Younger, wants to buy a house in a white neighborhood, facing resistance from a Neighborhood Improvement Association. The character Walter, played by Sidney Poitier, advocates for taking the money, emphasizing the importance of economic advancement. Poitier's performance as Walter, filled with anger and hope, marked the beginning of the 1960s, a new era of black self-expression. Poitier's growing popularity as a movie star during this time paralleled the civil rights movement, with his successes fueling the belief that the movement was more likely to succeed. By 1967, Poitier began to challenge white America in his film roles, setting a new standard for black representation in Hollywood.

    • A groundbreaking moment in 'In the Heat of the Night' film historyThe film marked a shift in Hollywood storytelling with Sidney Poitier's character physically confronting racism, symbolizing a move beyond trying to reverse perceptions and instead challenging the status quo.

      That the film "In the Heat of the Night," starring Sidney Poitier, marked a significant shift in Hollywood storytelling with its portrayal of racial dynamics. Poitier's character, Virgil Tibbs, defied expectations by physically confronting racism, specifically in the form of a slap from a racist police chief, played by Rod Steiger. This moment was not in the script and required Poitier's advocacy, symbolizing a reversal of past representations of blackness in films. The impact of this scene was profound, with audiences describing it as an "earthquake" moment they never forgot. This physical confrontation of racism was a bold step forward in film history, representing a move beyond trying to reverse perceptions of blackness and instead challenging the status quo.

    • Powerful commentaries on race relations during the civil rights eraBoth 'A Raisin in the Sun' and 'Guess Who's Coming to Dinner' challenged societal norms and sparked uncomfortable conversations about race relations during the civil rights era.

      The films "A Raisin in the Sun" and "Guess Who's Coming to Dinner" served as powerful commentaries on race relations in America during the civil rights era. In "A Raisin in the Sun," the slap symbolized the growing frustration and anger within the black community, as cities burned and the peaceful protest movement began to falter. Meanwhile, "Guess Who's Coming to Dinner" challenged white audiences with the interracial relationship between Sidney Poitier and Katharine Hepburn's character. Despite Poitier's impeccable background, the tension was shifted onto the black characters, forcing them to confront the prejudices and misgivings of white society. Both films pushed boundaries and sparked uncomfortable conversations, contributing to the larger dialogue around civil rights and racial equality.

    • White is White: America's Love-Hate Relationship with Sidney PoitierDespite groundbreaking films like 'Guess Who's Coming to Dinner' and 'In the Heat of the Night', Sidney Poitier faced criticism for not being confrontational enough towards white characters, sparking conversations about representation and advancement for black people in entertainment.

      The films "Guess Who's Coming to Dinner" and "In the Heat of the Night," groundbreaking for their time in addressing racial issues, were met with public acceptance despite containing scenes that were unrealistic for the historical context. Sidney Poitier's character, in particular, faced criticism for not being confrontational enough towards white characters. A New York Times article from 1967, titled "White is White: America Loves Sidney Poitier," critiqued Poitier's function in movies as a black actor, arguing that his mere presence wasn't enough and that he needed to do more to challenge white characters. However, Poitier's greatness as a movie star, being both black and successful, was seen as disturbing to some and flattering to others. Ultimately, these films sparked important conversations about representation and advancement for black people in entertainment.

    • Paving the Way for Black Artists: Sidney Poitier's LegacySidney Poitier's groundbreaking career as a movie star gave hope to many and inspired future generations, shaping society's perception and inspiring aspirations for greatness.

      Sidney Poitier's groundbreaking career as a movie star came with a cost for other black people, but he paved the way for future generations of black artists and influenced society beyond the realm of art. Poitier, who went first and showed it was possible for a black person to have a successful acting career, gave hope to many and inspired countless individuals, including Wesley Morris, who credits Poitier for his own career. Poitier's legacy extends far beyond the screen and into the fabric of society, shaping how people see and relate to each other, and inspiring aspirations for greatness. His decision to not wash dishes when told to by a discriminatory employer symbolizes his courage and determination to challenge the status quo. Poitier's impact on the world is a testament to his absolute greatness.

    • Supreme Court Blocks Part of Biden's Vaccine Mandate for CompaniesThe Supreme Court blocked a part of President Biden's vaccine mandate for large companies, affecting 80 million workers, but upheld a separate mandate for healthcare workers receiving federal funds.

      The Supreme Court has blocked President Biden's mandate for large companies requiring employees to be vaccinated or regularly tested for COVID-19. This decision, which affects around 80 million workers, was based on the Court's finding that the mandate exceeded the president's legal authority. However, the Court did uphold a separate vaccine mandate from the Biden administration, which requires vaccination for 10 million healthcare workers at facilities receiving federal funds. This split decision undercuts a significant part of the president's plan to curb the spread of the virus. The ruling was made in a 6 to 3 decision, with the conservative justices in the majority. The Daily, a news podcast, reported on these developments, which were produced by Sydney Harper, Daniel Guillemette, Ricky Nowetzki, Muj Zaidi, and Robert Jimmerson, with help from Alexander Lee Young and Eric Krupke. The episode was edited by Larissa Anderson and John Ketchum, and contained original music by Marion Lozano and engineering by Brad Fisher. The theme music was by Jim Grunberg and Ben Landsberg of Wonderly. The Daily is a daily news podcast, and Michael Barbaro will be back with new episodes after the holiday.

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    Links to columns touched on by Emil in Podcast No.14:

    http://aaldef.org/blog/emil-guillermo-last-fable-day-asian-americans-emmy-snub-fresh-off-the-boat-easter-xua.html

     

    http://aaldef.org/blog/emil-guillermo-is-fresh-off-the-boat-historical-or-the-taming-of-eddie-huang.html

    http://aaldef.org/blog/emil-guillermo-wong-kim-ark-gop-anchor-baby-suzanne-ahn-award.html

     

    http://aaldef.org/blog/emil-guillermo-asian-americans-no-1-by-2065-immigration-pew-report.html

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    Emil Guillermo PODCAST: Randall Park at the APAICS gala for AAPI Heritage Month talks about Asian American representation in the media
    May 22, 2017 10:19 AM

    On Emil Amok's Takeout, I corner Randall Park at the gala dinner of the Asian Pacific American Institute for Congressional Studies (APAICS). a/k/a Asian Prom.

    Listen to my short conversation with the "Fresh Off the Boat" star, as well as an excerpt from his speech accepting the 2017 APAICS Vision Award.

    RandallParkEG-W.jpg

    Oddly, I forgot to ask him if politics was in the cards for him. Writing and producing was. But politics? He does play a governor in HBO's "Veep." 

    As I flew into D.C., I noticed at the airport magazine racks the conservative National Review trying to make the case for a presidential bid by "The Rock"--a Republican.

    President Rock?

    Dwayne Johnson hosted the season finale of "Saturday Night Live" this past weekend, and was joined by Tom Hanks.

    Hanks said if they ran as a ticket, he'd "get them the senior vote because he fought in WWII--in ten different movies.

    The Rock added that he'd get the minority vote, "because everyone just assumes, I'm, well, whatever they are."
     
    JohnsonHanks5.jpg

    It got a big laugh. 
     
    It sounds like a joke, but given the rise of a reality show star to the presidency and the immense popularity of Johnson and Hanks, you never know.

    And with that, the SNL banners unfurled to reveal the slogan "Johnson Hanks 2020."

    JohnsonHanks2020.jpg

    Considering that The Rock and Hanks seem like stable personalities with decent vocabularies, anything would be an improvement over the present White House occupant.

     

     

     

     

     

     

     

     

     

     

     

    Emil Guillermo is an independent journalist/commentator.
     
    Updates at www.amok.com. Follow Emil on Twitter, and like his Facebook page.
    The views expressed in his blog do not necessarily represent AALDEF's views or policies.

    Contact Emil at http://www.aaldef.org/blog, the site of the Asian American Legal Defense and Education Fund.

    If you like what you see, consider clicking the "DONATE" button.  AALDEF is a 501 C3 and your contribution is tax-deductible.

    Give us your feedback there, or at www.amok.com

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    Consider subscribing for free on iTunes, where you can rate and review.

    You'll also find us on YouTube, SoundCloud, and Stitcher.

       

    BIO

    Emil Guillermo wrote for almost 15 years his "Amok" column for AsianWeek, which was the largest English language Asian American newsweekly in the nation. "Amok" was considered the most widely-read column on Asian American issues in the U.S.


    His thoughtful and provocative social commentaries have appeared in print in the San Francisco Chronicle, SFGate.com, San Francisco Examiner, USA Today, Honolulu Star Bulletin, Honolulu Advertiser, Los Angeles Times, Washington Post, and in syndication throughout the country.  His columns are seen in Asia and around the world, on Inquirer.net. 

    His early columns are compiled in a book "Amok: Essays from an Asian American Perspective," which won an American Book Award from the Before Columbus Foundation in 2000.

    Guillermo's journalistic career began in television and radio broadcasting. At National Public Radio, he was the first Asian American male to anchor a regularly scheduled national news broadcast when he hosted "All Things Considered" from 1989-1991. During his watch, major news broke, including the violence in Tiananmen Square, the fall of the Berlin Wall, and the end of dictatorships in Romania and Panama. From Washington, Guillermo hosted the shows that broke the news. 

    As a television journalist, his award-winning reports and commentaries have appeared on NBC, CNN, and PBS. He was a reporter in San Francisco, Dallas, and Washington, D.C.

    After NPR, Guillermo became a press secretary and speechwriter for then Congressman Norman Mineta, the former cabinet member in the Bush and Clinton Administrations. 

    After his Hill experience, Guillermo returned to the media, hosting his own talk show in Washington, D.C. on WRC Radio. He returned to California where he hosted talk shows in San Francisco at KSFO/KGO, and in Sacramento at KSTE/KFBK.

    Guillermo's columns in the ethnic press inspired a roundtable discussion program that he created, hosted, executive produced, resulting in more than 100 original half-hour programs. "NCM-TV: New California Media" was seen on PBS stations in San Francisco, Sacramento and Los Angeles, and throughout the state on cable.

    Guillermo also spent time as a newspaper reporter covering the poor and the minority communities of California's Central Valley. His writing and reporting on California's sterilization program on the poor and minorities won him statewide and national journalism awards.

    In 2015, Guillermo received the prestigious Dr. Suzanne Ahn Award for Civil Rights and Social Justice from the Asian American Journalists Association. The award, named after the late Korean American physician from Texas, recognizes excellence in the coverage of civil rights and social justice issues in the Asian American and Pacific Islander community.

    Guillermo, a native San Franciscan, went to Lowell High School, and graduated from Harvard College, where he was named Ivy Orator, the class humorist.

    Thanks for listening to Emil Amok's Takeout!

    http://www.twitter.com/emilamok

    http://www.aaldef.org/blog