Set during World War II and the internment of Japanese Americans, AMC’s “The Terror” weds that real-life horror story with a tale of the supernatural.
But showrunner Alex Woo says the second season of the anthology series, titled “Infamy,” is not just a period piece. Instead, it uses the horror genre to bring a story from the past into the present to represent the fear and terror of American citizens betrayed by their own government.
“Infamy” was intentionally cast with actors of Japanese descent, so the show is very personal for many of the people working on it, including star Derek Mio, who plays Chester Nakayama, a second-generation Nisei, or American-born Japanese. Mio’s grandfather’s family lived in the same Japanese American community portrayed in the show, the one that once existed on Terminal Island in San Pedro. Its residents were forced into internment camps after the attack on Pearl Harbor.
The show also features George Takei, who was interned along with his family when he was 5 years old. Writers, directors and crew members also bring their personal and family experiences with the incarceration.
Mark Olsen (@IndieFocus) talks with Mio ( @derekzmio) Woo (@thealexwoo) and Times film writer Jen Yamato (@jenyamato).
Oscar-nominated songwriters Billie Eilish and Finneas O'Connell sat with Mark Olsen to talk about 'What Was I Made For?' from 'Barbie' and how they approach writing songs.
The Oscar-nominated America Ferrara talks to Yvonne Villarreal about how "Barbie" has changed her life and what it's like experiencing all the accolades at this stage of her career. And Mark Olsen sits down with Nadia Stacey, Oscar-nominated for hair and makeup for "Poor Things," to talk about working with Emma Stone for a third time.
Oscar-nominated cinematographer Rodrigo Prieto talks about working with Martin Scorsese on "Killers of the Flower Moon" and going from that project right to "Barbie." Songwriter Diane Warren chats about her Oscar-nominated song "The Fire Inside" and what it means to her to receive a 15th nomination. Finally, writer-director Justine Triet discusses her film "Anatomy of a Fall."
The writer/director talks to Shawn Finnie about the making of her epic film. Also, Yvonne Villarreal gets intimate with 'The Holdovers' Da'Vine Joy Randolph.
The actress discusses her leap to a leading role with Mark Olsen: Also, costume designer Francine Jamison-Tanchuck talks to Shawn Finnie about her long "Color Purple" journey.
Director Kemp Powers and actor Jeffrey Wright talk superheroes and satire with our Envelope hosts Shawn Finnie and Yvonne Villarreal.
A new season of the Envelope kicks off at the cusp of awards season, as hosts Mark Olson, Yvonne Villarreal and Shawn Finnie reveal their favorite 2023 actors, writers, directors and films.
‘Succession,’ which earned a whopping 27 Emmy nominations for its final season, has captivated audiences with its complex, uber-wealthy characters. For director Mark Mylod, telling stories about family and social class is a reccuring theme — His credits include ‘Shameless’ and ‘The Menu’ — with surprisingly personal roots.
In this episode of The Envelope podcast, Mylod opens up about his fascination with this topic, takes us behind the scenes of the pivotal ‘Connor’s Wedding’ episode, and shares how he pushed through his comfort zone to take on more creative risks.
Bravo producer Alex Baskin and star-turned-producer Lisa Vanderpump. They candidly delve into the juicy details behind the show’s scandals, a forthcoming spinoff featuring familiar personas and their perspective on the burgeoning calls for reality show residuals. Plus, their response to awards recognition — and whether any “Housewives” counterparts had anything to say. Listen now wherever you get your podcasts.
As today’s screenwriters and actors grapple with financial challenges in a rapidly changing showbiz landscape, combined strikes by the Writers Guild of America and SAG-AFTRA have brought Hollywood to a standstill. Productions are stalled, press tours canceled, and the 2023 Emmys postponed. The economic impact is expected to far surpass that of the last writers’ strike, which cost the L.A. economy more than 2 billion dollars. On this episode of “The Envelope,” hosts Yvonne Villarreal and Mark Olsen discuss the issues underlying this historic strike, pay disparities in streaming, and concerns over the rise of AI with L.A. Times film reporter Josh Rottenberg and actor Sarah Ramos — a member of the SAG-AFTRA negotiating committee. Listen now wherever you get your podcasts.
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