Close Watch with Robert Yaniz Jr.

In a harmonious double feature, Close Watch continues venturing through the world of movie musicals with an in-depth breakdown of both the 1961 classic West Side Story and Steven Spielberg's 2021 remake. Does the Oscar-winning original still hold up, and was its update worth the creative risk?

Darin Lundberg of NostalgiaCast joins us in this melodic journey through two versions of Maria and Tony's love story. We'll explore the rich history of the original film and how it laid the foundation for modern musicals. Then, we'll dive into the reimagined 2021 adaptation and how it measures up.

These two films have left an indelible mark on the musical genre, and in a conversation nearly as long as the movies themselves, we discuss their impact on the genre, the timeless themes of love and conflict, and how they've resonated with audiences over the decades.

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Every episode, Close Watch gives us the chance to get to know our guest through the movie they love. But more recently, the show has sharpened its focus on the wide world of movie musicals. And after the man-eating plant of Little Shop of Horrors and the cultural celebration of In the Heights, musical icon Gene Kelly has officially entered the chat.

Philip Boone of the Ultimate Gilmore Girls Movie Night podcast joins us to discuss 1951's An American in Paris. We'll discuss where it fits into Kelly's filmography, how it compares to fellow classics Singin' in the Rain and On the Town, and why -- despite winning six Academy Awards, including Best Picture -- An American in Paris remains underrated.

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Way back in 2020, a few hardcore Hamilfans -- including this episode's guest -- united for the first-ever Crooked Roundtable to talk up the Disney+ release of Lin-Manuel Miranda's Tony-winning musical Hamilton. Now, at last, loyal listeners get the long-awaited spiritual sequel to that discussion.

On this episode, Close Watch continues its year-long analysis of movie musicals as The Lady-Wan of Screen Run joins us to talk 2021's In the Heights. Based on Miranda's other Tony-winning musical, the film follows a group of largely Latinx characters in New York's Washington Heights.

We'll discuss why In the Heights underperformed at the box office, how it thematically matches up with Hamilton, and why director Jon M. Chu's film deserved better. Plus, we'll count down our favorite In the Heights songs in a brand-new edition of Let's Talk About SIX!

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It's 2023, and Close Watch has a song in its heart this year. For the next year, we're dedicating this podcast to movie musicals. Every month, the show will feature at least one episode in which Rob and a guest go in-depth on a beloved movie musical. And what better way to celebrate one of cinema's most beloved genres than with a man-eating plant from outer space?!

Film critic Morgan Roberts joins the show to discuss 1986's Little Shop of Horrors starring Rick Moranis, Ellen Greene, and Steve Martin. We'll discuss the elite group of movie musicals the Frank Oz-directed film belongs to, the staggering puppetry that brings Audrey II to life, and explore why some of our favorite movie musicals go to some very dark places.

So shimmy downtown to the little flower shop on the corner for a glimpse at the strange and unusual plant in the window. Just don't feed the plants!

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After UHF, "Weird Al" Yankovic fans faced a wait of more than three decades for another movie featuring the musical icon. And finally, along comes Weird: The Al Yankovic Story. Starring Daniel Radcliffe as "The Weird One" himself, the movie pokes fun at Yankovic's life and career as well as the very notion that someone would make a biopic about him.

Lauren Carey of the Beer'd Al Podcast joins us to discuss 2022's Weird: The Al Yankovic Story (a movie she and Rob willed into being). We'll cover whether The Roku Channel original movie met our expectations, how it connects back to the criminally under-seen 1985 mockumentary The Compleat Al, and what we want Yankovic to do next in a post-Weird world.

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Cate Blanchett might be poised to win a third Academy Award for her performance in Tár. But more than two decades ago, the actor -- who was already well on her way to becoming one of the best actors of her generation -- co-starred with Bruce Willis and Billy Bob Thornton in an under-seen crime comedy-drama. And unsurprisingly, she steals the film.

The Famous Ashley Grant joins us to discuss 2001's Bandits from director Barry Levinson. We'll talk about Blanchett's mesmerizing turn as the hostage who comes in between two bank robbers (Willis, Thornton), how the movie's treatment of romance is so progressive, and we'll name-check our favorite Willis movies in a new edition of Let's Talk About SIX.

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Some movies are too big to cover in a single conversation. Cloud Atlas -- the 2012 epic directed by the Wachowskis and Tom Tykwer -- is definitely such a movie. So to celebrate the film's tenth anniversary, we invited Brian Skutle of the Sonic Cinema Podcast to help us dig into the movie and its ensemble cast, which includes Tom Hanks, Halle Berry, and Jim Broadbent.

In this first half of a massive two-part crossover event, Brian joins us to discuss the audacious production that was Cloud Atlas, its controversial casting choices, its six interwoven stories, and its grand themes. Plus, the thrilling return of Let's Talk About SIX sees Rob and Brian rank their six favorite Wachowski-led projects, from Bound to The Matrix Resurrections!

Stay tuned to the Sonic Cinema Podcast for Part 2 of our Cloud Atlas chat, as Rob swings by to discuss how Tykwer, Johnny Klimek, and Reinhold Heil's score informs the movie's story.

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Unless superheroes, hobbits, or boy wizards are involved, fantasy films are all too rare these days. But in the 1980s, the genre was thriving on the big screen. Filmmakers coupled state-of-the-art visual effects with puppetry, make-up, and good ol' movie magic to create worlds fans could previously only imagine. Director Ron Howard's 1988 film Willow is one such film.

Featuring a story by George Lucas, Willow was the filmmaker's blatant attempt to tell a story like The Lord of the Rings. And with the new Disney+ sequel series right around the corner, Jeremiah Stewart of the Let's Talk YouTube channel joins the show to remind listeners why they should revisit Willow. We'll discuss how the movie inspired Jeremiah's own interest, the greatness of star Warwick Davis, and what we want out of the new show.

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Unless superheroes, hobbits, or boy wizards are involved, fantasy films are all too rare these days. But in the 1980s, the genre was thriving on the big screen. Filmmakers coupled state-of-the-art visual effects with puppetry, make-up, and good ol' movie magic to create worlds fans could previously only imagine. Director Ron Howard's 1988 film Willow is one such film.

Featuring a story by George Lucas, Willow was the filmmaker's blatant attempt to tell a story like The Lord of the Rings. And with the new Disney+ sequel series right around the corner, Jeremiah Stewart of the Let's Talk YouTube channel joins the show to remind listeners why they should revisit Willow. We'll discuss how the movie inspired Jeremiah's own interest, the greatness of star Warwick Davis, and what we want out of the new show.

Connect with Crooked Table Productions on social media:

Facebook  |  Twitter  |  Instagram

Unless superheroes, hobbits, or boy wizards are involved, fantasy films are all too rare these days. But in the 1980s, the genre was thriving on the big screen. Filmmakers coupled state-of-the-art visual effects with puppetry, make-up, and good ol' movie magic to create worlds fans could previously only imagine. Director Ron Howard's 1988 film Willow is one such film.

Featuring a story by George Lucas, Willow was the filmmaker's blatant attempt to tell a story like The Lord of the Rings. And with the new Disney+ sequel series right around the corner, Jeremiah Stewart of the Let's Talk YouTube channel joins the show to remind listeners why they should revisit Willow. We'll discuss how the movie inspired Jeremiah's own interest, the greatness of star Warwick Davis, and what we want out of the new show.

Connect with Crooked Table Productions on social media:

Facebook  |  Twitter  |  Instagram

Unless superheroes, hobbits, or boy wizards are involved, fantasy films are all too rare these days. But in the 1980s, the genre was thriving on the big screen. Filmmakers coupled state-of-the-art visual effects with puppetry, make-up, and good ol' movie magic to create worlds fans could previously only imagine. Director Ron Howard's 1988 film Willow is one such film.

Featuring a story by George Lucas, Willow was the filmmaker's blatant attempt to tell a story like The Lord of the Rings. And with the new Disney+ sequel series right around the corner, Jeremiah Stewart of the Let's Talk YouTube channel joins the show to remind listeners why they should revisit Willow. We'll discuss how the movie inspired Jeremiah's own interest, the greatness of star Warwick Davis, and what we want out of the new show.

Connect with Crooked Table Productions on social media:

Facebook  |  Twitter  |  Instagram

Unless superheroes, hobbits, or boy wizards are involved, fantasy films are all too rare these days. But in the 1980s, the genre was thriving on the big screen. Filmmakers coupled state-of-the-art visual effects with puppetry, make-up, and good ol' movie magic to create worlds fans could previously only imagine. Director Ron Howard's 1988 film Willow is one such film.

Featuring a story by George Lucas, Willow was the filmmaker's blatant attempt to tell a story like The Lord of the Rings. And with the new Disney+ sequel series right around the corner, Jeremiah Stewart of the Let's Talk YouTube channel joins the show to remind listeners why they should revisit Willow. We'll discuss how the movie inspired Jeremiah's own interest, the greatness of star Warwick Davis, and what we want out of the new show.

Connect with Crooked Table Productions on social media:

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Cinema -- like all art forms -- is wholly subjective. And within that, comedy is perhaps most subjective of all. That being said, 1980's Airplane! remains widely considered one of the funniest movies of all time. So as Close Watch emerges from a lengthy hiatus, we'll take to the skies for an in-depth chat.

On this episode, film critic Albert Lanier returns to break down how Airplane! works not only as a comedy parodying the disaster films of the 1970s but also as an adaptation of the 1957 film Zero Hour. We'll discuss the most unforgettable jokes and most iconic performances, and answer once and for all whether Airplane! is indeed the funniest movie ever made.

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It's showtime. Close Watch kicks off a new year with the "ghost with the most" himself. Tim Burton's 1988 comedy Beetlejuice made mega-stars out of both Burton and Michael Keaton ahead of their next film, Batman.

On this episode, Bri Azmoudeh of the Geeky Waffle Network's new podcast, Killer Waffles, joins the show to talk about why Bri connected so strongly to Beetlejuice, its balance of horror and comedy, and a possible sequel.

SYNOPSIS
After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O'Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose "help" quickly becomes dangerous for the Maitlands and innocent Lydia.

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The Dark Universe might have been dead on arrival, but 1999's The Mummy remains just as beloved as ever. More than two decades later, fans continue to revisit Brendan Fraser and Rachel Weisz's sweeping adventure.

On this episode, Catherine Gonzales of Latinx Lens joins the show as we talk about the film's influence on modern blockbusters, its iconic cast of unforgettable characters, and how well it holds up by today's standards.

SYNOPSIS
The Mummy is a rousing, suspenseful and horrifying epic about an expedition of treasure-seeking explorers in the Sahara Desert in 1925. Stumbling upon an ancient tomb, the hunters unwittingly set loose a 3,000-year-old legacy of terror, which is embodied in the vengeful reincarnation of an Egyptian priest who had been sentenced to an eternity as one of the living dead.

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Call him The Dude, His Dudeness, El Duder, or even El Duderino (if you're not into the whole brevity thing). Whatever you call Jeff Bridge's loveable hipster hero in The Big Lebowski, he's certainly become a cinematic icon.

This episode, Kerri Jones joins the show to help us break down the ethos of The Dude, what it has to say about the culture (and counter-culture), and why so many fans seem ready and willing to convert to Dudeism.

SYNOPSIS
Jeff "The Dude" Leboswki (Jeff Bridges) is mistaken for Jeffrey Lebowski (Charles Durning), who is The Big Lebowski. In search of justice, The Dude tracks down his namesake, who offers him a job. His wife (Tara Reid) has been kidnapped, and he needs a reliable bagman. Aided and hindered by his pals Walter Sobchak (John Goodman), a Vietnam vet, and Donny (Steve Buscemi).

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Who needs parents when there's adventure? That seemed to be the philosophy of fantasy films in the 1980s. And as it turns out, 1981's Time Bandits might be the granddaddy of all those fan-favorite cult classics.

JC from the Screen Fix podcast joins the show as we talk about how Time Bandits influenced fantasy-adventure films, what the movie really says about childhood versus adult, and that completely bonkers ending.

SYNOPSIS
Young history buff Kevin (Craig Warnock) can scarcely believe it when six dwarfs emerge from his closet one night. Former employees of the Supreme Being (Ralph Richardson), they've purloined a map charting all of the holes in the fabric of time and are using it to steal treasures from different historical eras. Taking Kevin with them, they variously drop in on Napoleon (Ian Holm), Robin Hood (John Cleese) and King Agamemnon (Sean Connery) before the Supreme Being catches up with them.

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Spike Lee is without a doubt one of the most essential filmmakers of his generation. And 1989's Do the Right Thing is widely considered his masterpiece. So this episode, we're giving this indelible classic its due.

David Snyder joins the show as we discuss Lee's ground-breaking use of hip hop in the film, his stellar ensemble cast, and how Do the Right Thing balances a variety of tones to create something wholly unique.

SYNOPSIS
Salvatore "Sal" Fragione (Danny Aiello) is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out (Giancarlo Esposito), becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

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The Wicker Man has gotten a bad rap in recent years, thanks to the widely ridiculed 2006 remake starring Nicolas Cage. But this episode, we're setting aside the "not the bees!" jokes for a closer look at the original 1973 classic.

Amy Otero joins the show to go in-depth on The Wicker Man. We'll discuss its representation of pagan culture, how it uses folk music, and its influence on horror. Who is the real villain of director Robin Hardy's movie?

SYNOPSIS
Sergeant Howie (Edward Woodward) arrives on the small Scottish island of Summerisle to investigate the report of a missing child. A conservative Christian, the policeman observes the residents' frivolous sexual displays and strange pagan rituals, particularly the temptations of Willow (Britt Ekland), daughter of the island magistrate, Lord Summerisle (Christopher Lee). The more Sergeant Howie learns about the islanders' strange practices, the closer he gets to tracking down the missing child.

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Considering The First Wives Club earned $100 million in 1996, it's remarkable how little people seem to discuss it. This episode, Phoenix Clouden of the Film Code Podcast helps us fix that. As the movie celebrates its 25th anniversary, now is the perfect time to celebrate the iconic performances from Goldie Hawn, Bette Midler, and Diane Keaton.

Even as a child, Phoenix found himself drawn into the story of three women of a certain age contending with their duplicitous ex-husbands. We'll discuss why The First Wives Club is so much deeper than it seems, which of the three leading ladies we relate to the most, and whether we'd want to see a sequel reuniting Hawn, Midler, and Keaton even now.

Join us as we officially call this meeting of The First Wives Club to order.

SYNOPSIS
Despondent over her ex-husband's marriage to a younger woman, a middle-aged divorcée (Stockard Channing) plunges to her death. At her funeral, her former college friends (Bette Midler, Goldie Hawn, and Diane Keaton) reunite. When they discover the reason for their friend's suicide, they realize their ex-husbands have taken them for granted. Deciding it's time for revenge, they make a pact to get back at their exes.

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