Opera Singer Julia Dawson On Taking Creative Ownership
For this episode of Creative Space, we have the pleasure of speaking with opera singer Julia Dawson. She’s a Canadian opera singer who has been hailed by Opera News as “radiant and riveting” and by the NYT as “beautiful in face and voice.” She’s the winner of the George London Award for a Canadian Singer and the Anny-Schlemm Prize from Oper Frankfurt. Her debut solo album, Girl in the Snow, is available on all streaming platforms and her stunning film, Obscura Nox, makes its premiere at Opera Philadelphia’s O22 festival.
You can watch Obscura Nox at this link.
For more on Julia Dawson, you can visit her website: juliadawsonopera.com.
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SHOW NOTES
0:00—Intro
1:15—What’s a coloratura soprano?
2:50—How Julia discovered opera
4:45—Maria Callas in the Attic
6:00—The schooling of an opera singer
8:45—Julia’s definition of creativity
10:33—Relaxation and learning a new role
12:14—Julia’s interests outside of opera
13:20—The move to Germany
15:28—Overcoming people pleasing
17:50—Learning to listen to her inner voice
19:15—The stiffness of “note perfect”
21:50—Taking pleasure in creativity
23:18—The never-ending journey of an artist
24:30—Julia’s first opera film: Obscura Nox
27:14—Plato’s Allegory of the Cave and the pandemic
29:33—Is there a Latinist in the building?
31:20—Pandemic challenges in the production process
34:08—The most important message of Obscura Nox
35:26—Performing onstage vs. performing on-screen
36:32—Learning by doing
38:38—The magic of collaboration
40:43—What’s next