Frame Work

We head through the Omega 4 Relay and dig into the still unparalleled finale of MASS EFFECT 2.

Chris Exantus returns to talk about robbing banks, cocaine addiction, cooking shows, and, of course, the Muppets.

In which we talk about the middle section of ME2, where we get the band together and do everyone a favor.

Michael Martin returns to talk about Al's favorite movie ever.

John and Al dive into the mechanics, cast, and early missions of what is probably Bioware's crowning achievement.

John and Al enter the Lecter-verse

John and Al conversate about crime committed in cold conditions on cable

The guys reassemble to fawn over the best finale in TV history.

Daniel Baldwin returns to try to make sense of Mann's first foray into adaptation and sole foray into fantasy, and also Scott Glenn's pecs.

Gwen Sisco and Dan Shea join us to try to predict what films of our weird, young century will stand the test of time to become the classics of tomorrow.

There is a space vagina out there, and we have to talk about that.

Dan Shea returns to dig deep into the Chicago bona fides of Michael Mann's premier heist thriller/actioner/noir, and impugn the honor House Belushi.

John and Al try to tease out what MASS EFFECT looks like on TV

In which we talk about the excellent endgame of the original Mass Effect.

In which we go over the midgame questlines and open world exploration segments.

Finch Club returns with Michael Fassbender's OTHER international assassin movie. 

The Team returns to talk about penultimate seasons, the power of Goggins, gritty torture scenes and elaborate cucking scenarios.

In which we talk about the world-building, cast and opening missions of Bioware's original space opera.

Michael Martin does penance by enduring THE WARD, then helps to rank the staggering highs and considerable lows of Carpenter's ouevre.