Sullivan + Strumpf

Sanné Mestrom’s art practice has always worked to complicate understandings of sculpture, but has recently focused more intently on exploring the agency of sculpture and its accountability to public and private space and the people that inhabit it. 

In the fascinating discussion recorded during the installation of her latest exhibition, Body as Verb, Sanné and Gallery Director Ursula Sullivan discuss how Hannah Höch, motherhood and moving to the Blue Mountains has changed her and her practice. 

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In this delightful, meandering conversation, multimedia artist Angela Tiatia chats with Genevieve Smart, co-founder of the iconic Australian fashion label, Ginger & Smart about the climate crisis, art and fashion. 

It’s a fascinating discussion between two creative kindred spirits who met in 2017 at a climate crisis workshop on Heron Island organised by renowned Australian environmentalist, Tim Flannery.

Angela was also featured in Ginger & Smart’s recent Changemakers Series with six other influential women. She chats with Genievieve about creativity and their shared passion for the environment.

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There is an intrinsic link between place and identity - who we are, is to a large extent determined by our environment.

Alex Seton’s unusual upbringing around a marble quarry not far from the Wombeyan Caves in New South Wales, Australia has shaped him at least as much as he has shaped the limestone that comes from it.

Seton’s award winning sculptural works, hewn from solid marble are a love letter to this upbringing and the material he has worked with his whole life. His sculptures are a paradox, rendering an inherently hard material soft, and can also be viewed as an allegory to Australia’s mineral resource wealth and exploitation.

In this podcast, recorded in the lead-up to his latest exhibition at Sullivan+Strumpf gallery, Meet Me Under the Dome, Seton chats about his work and his upbringing with 2022 Adelaide Biennial Curator, Sebastian Goldspink. As Seton says, “there are things that form you and shape you...”

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Artist Lindy Lee draws on her Australian and Chinese heritage to develop Contemporary works that engage with the history of art, Daoism, Ch’an (Zen) Buddhism and the cosmos including the connections between humanity and nature.

Join Lindy and Sullivan+Strumpf gallery Director Joanna Strumpf for this delightful conversation recorded in the lead-up to her forthcoming survey show Moon in a Dew Drop opening in October at the Museum of Contemporary Art, Sydney (MCA).

Several new works have been commissioned especially for this major exhibition, including her largest ever installation, Moonlight Deities which will be a fully immersive experience for visitors. Lindy has also created a series of epic new scroll works for the show from her Byron Bay rainforest studio, working with her latest collaborator, the rain.

Enjoy.

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Throughout history, artists have always quoted and appropriated, synthesising the past and (hopefully) creating something new all their own. It is the modus operandi of award winning painter Sam Leach and is exemplified in his controversial Wynne Prize winning work based on a 17th century Dutch painting of an Italianette landscape.

No stranger to controversy, Sam Leach is now using Artificial Intelligence (AI) to generate new imagery based on his own catalogue of work, which he then painstakingly paints. It’s a kind of feedback loop, blending the mystical qualities of paint with digital technology.

The process raises serious questions about the future of art, culture and humanity — or what Sam calls the cultural singularity. Is this a new kind of collaboration between man and machine, giving us a new aesthetic beyond ourselves, or has the artist been subjugated as the machine’s apprentice?

Join Sam and art critic, lecturer and broadcaster Andrew Frost in this very timely, thought-provoking conversation.


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A road trip through the Australian outback listening to an audio book of Homer’s The Odyssey was the beginning of a transformative journey for contemporary ceramicist Kirsten Coelho — a journey which would eventually take her to Europe and inspire her upcoming exhibition, Ithaca at the Samstag Museum of Art.

Join Kirsten and Samstag Museum of Art Associate Curator Joanna Kitto for an enlightening odyssey through the work of one of Australia’s leading ceramicists.


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Tony Albert is one of the most important indigenous artists working in Australia today. In light of recent world events, he reflects with long-time friend and National Gallery of Australia Program Manager Sally Brand on his latest exhibition, Duty of Care.

Albert’s work has always been in protest, seeking positivity in the face of adversity ⁠— but in late 2019, during his six week residency at Canberra Glassworks there is no way he could have known how the death of George Floyd would set America ablaze and ignite a call for change around the world. Albert doesn’t believe in chance - things "happen because they’re meant to happen" he says. Glass is neither solid or liquid, and these works are amorphous too — a powerful lens that brings this issue painfully into focus. A not-to-be-missed episode.


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Natalya Hughes and Grant Stevens have been close friends and colleagues for 20 years. Both use digital technology in the creation of their art work, but in very different ways. Join Natalya and Grant for a walk through The Forest, Grant’s latest work which brings digital technology and the natural environment together in an endless series of speculative moments, uneasy contemplation, instant gratification and perpetual fatigue.

On now at Sullivan + Strumpf Gallery, Sydney and online.


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Curator Louis Ho chats with Jeremy Sharma about his art and his music in the lead-up to Flat ⁠— a virtual exhibition supported by the National Arts Council featuring works by Alfonse Chiu, Daniel Chong, Mark Chua and Lam Li Shuen, Fazleen Karlan, Genevieve Leong, Justin Lin, Nicholas Ong, Fiona Seow, Mangkhut (Jeremy Sharma), Moses Tan and Terry Wee.


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What does vampire folklore and aggravated burglary have in common? Join photographer, sculptor, video artist and musician Darren Sylvester and Sullivan + Strumpf Gallery Director Ursula Sullivan in this revealing conversation about vampiric mythology, pop culture, desirability, mortality and a recent home invasion.

Fresh off an NGV career retrospective, Darren’s new exhibition Balustrade Stake opens June 4, 2020 at Sullivan + Strumpf Gallery, Sydney.


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Independent Curator and Writer Hamish Sawyer chats with Natalya Hughes about her latest body of work — a new series of paintings examining de Kooning’s representation of women. In this thought provoking conversation, Hughes’ calls into question the idea of the male genius artist and explains how she used de Kooning as her assistant in the creation of these new works.


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Greg Hodge’s art work has always had a way of unsettling assumptions. Still in lockdown in Paris after a three-month residency, he chats with interior designer David Flack about art, architecture and his upcoming exhibition at Sullivan + Strumpf gallery.

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Sullivan + Strumpf gallery Director Joanna Strumpf chats with the legendary entertainer and Helpmann award winner, Todd McKenney about Covid-19, his two greyhounds and his passion for collecting contemporary art – a decades long affair which began in Melbourne with a season of Cats. Thank you Andrew Lloyd Webber!

Tune in to this not to be missed “Toddcast” to hear about how Darren Sylvester’s epic work “Broken Model” would be the first thing Todd would save in a fire, and why Todd believes we need the arts, now more than ever.

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Eko Nugroho is part of a new wave of artists forging a unique Indonesian visual language deeply rooted in everyday life. In this episode, renowned writer, curator and broadcaster Julie Ewington talks to 4A Centre for Contemporary Art Director Mikala Tai about this exciting visual artist, his work and the latest Sullivan + Strumpf (Singapore) group show 'Nothing Lasts Nothing's Finished', featuring Nugroho’s work alongside Southeast Asian visual artists Juka Araikawan, Dawn Ng and Enggar Rhomadioni.


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Contemporary Visual Artist and ceramicist Ramesh Mario Nithiyendran speaks with Diana Campbell Betancourt, Artistic Director of the Samdani Art Foundation. As friends and collaborators, this fascinating discussion traverses language, the significance of regionally specific dialogues, ceramic histories and sex. It's a revealing insight into the artist and his art work as well as his new exhibition at Sullivan + Strumpf gallery, Polymorphous Figures.

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Sullivan + Strumpf gallery directors Ursula Sullivan and Joanna Strumpf talk with five of their visual artists from around the world. It’s a fascinating and worrying insight into the impacts of COVID-19 on these artists, their families and the visual arts in general.

Join Ry David Bradley in lock down in London, Jemima Wyman from home in LA, Kanchana Gupta in Singapore, Polly Borland marooned in Byron Bay and Gregory Hodge stuck in Paris.

Ry David Bradley
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Jemima Wyman
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Kanchana Gupta
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Polly Borland
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Gregory Hodge
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Glenn Barkley and Ramesh Mario Nithiyendran are contemporary Australian artists represented by Sullivan + Strumpf gallery in Sydney. Both work with ceramics and are also good friends. This conversation between the two artists provides a unique insight into Glenn's practice and how Australia's recent bushfire disaster inspired his latest exhibition, 'What did the Birds Say?' (until April 30 at Sullivan + Strumpf Gallery, Sydney).

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