The Nasiona Podcast

We continue with the second part of my conversation with Natalie Obando, the current national president of the Women’s National Book Associatio and first Latina to take the helm. They continue to discuss the Authentic Voices Fellowship Program, her experiences and thoughts about the White Gaze in publishing and storytelling industries, how she uses her influence to transition us out of it so we can become more authentic and reflect a more realistic representation, and much more. They also dissect the harmful urge to center the comfort of others by anglicizing our names, thereby decentering ourselves at the outset of relationships, and the kind of impact this form of code-switching has on us and our communities. If you have not already, we encourage you to go back and listen to the first part so you can better situate yourself in today’s episode.

This 2-part conversation is the first of our new The Nasiona Podcast series showcasing the authentic voices of Women of Color writers. The Nasiona teamed up with the Women’s National Book Association’s Authentic Voices Fellowship Program and the Women of Color Writers organization to publish their inaugural first anthology, entitled The Roots That Help Us Grow: An Authentic Voices Anthology, Volume 1. Check our website at thenasiona.com for more information on the anthology.

For our podcast series, I interviewed everyone we published in the anthology to present you with an in-depth exploration of their individual literary journeys, their relationships to authenticity, experiences where they learned that language and their stories have power, obstacles they have experienced as Women of Color writers, the stories we included in the anthology, and much more. 

With the Authentic Voices Fellowship program, the anthology, and this podcast series, we seek to bring BIPOC women to a deeper level of inclusion in the publishing industry and the literary world at large. Through the words of these inaugural fellows, the reader and listener may understand how telling these stories – despite the tragedy, trauma, injustice, political movements, language barriers, and grief involved  – allows one to root more deeply into a heritage that helps us grow.

President Obando and I spoke on November 27th, 2021. This is the second of our two-part conversation. Thank you for listening.

***

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Today’s 2-part conversation is the first of The Nasiona’s new series showcasing the authentic voices of Women of Color writers. The Nasiona teamed up with the Women’s National Book Association’s Authentic Voices Fellowship Program and the Women of Color Writers organization to publish their inaugural first anthology, entitled The Roots That Help Us Grow: An Authentic Voices Anthology, Volume 1. Check our website at thenasiona.com for more information on the anthology.

For our podcast series, I interviewed everyone we published in the anthology to present you with an in-depth exploration of their individual literary journeys, their relationships to authenticity, experiences where they learned that language and their stories have power, obstacles they have experienced as Women of Color writers, the stories we included in the anthology, and much more. 

With the Authentic Voices Fellowship program, the anthology, and this podcast series, we seek to bring BIPOC women to a deeper level of inclusion in the publishing industry and the literary world at large. Through the words of these inaugural fellows, the reader and listener may understand how telling these stories – despite the tragedy, trauma, injustice, political movements, language barriers, and grief involved – allows one to root more deeply into a heritage that helps us grow.

Today’s episode is special episode with the visionary behind the Authentic Voices program: a bad-ass chingona who goes by many variations of her first name – Nat, Natí, Nato, Natalie, or Natalia – but who I like to refer to as President Obando as a sign of respect. Natalia Obando has worked in the world of book publicity since 2008, is the founder of Do Good Public Relations and the grassroots organization Women of Color Writers Podcast and Programming.

She is the current national president of the Women’s National Book Association, overseeing all chapters nationwide. As the first Latina president of the Women’s National Book Association, her goal has been promoting diversity in publishing via grassroots efforts through both organizations. She has since been a panelist and speaker at some of the most well-regarded literary conferences in the industry, including the San Francisco Writer’s Conference, The West Coast Writer’s Conference, the Central Coast Writer’s Conference, as well as conferences that focus on diversity in publishing, such as Centering on the Margins. When she’s not championing for others in the book world, she is writing novels and screenplays rooted in Latinx folklore and magick. You can find her on LinkedIn as Natalie Obando and on Instagram as @dogooderbookgal

President Obando and I spoke on November 27th, 2021. This is the first of our two-part conversation, where we discuss her own experience in the literary world as a Latina, along with the origin story and breakdown of the Authentic Voices Fellowship Program. We then transition into a discussion on the White Gaze in publishing and how she’s using her influence to transition us out of it so we can become more authentic and reflect a more realistic representation. We end Part One of the conversation dissecting the pros and cons of code-switching and how through us coming together in solidarity we can gain more power and lift each other up.

So let’s get to it. I’ll drop you in where President Obando is discussing some of the stories in the anthology. Thank you for listening.

***

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

What is the relationship between psychological trauma and physical Illness? Co-producer Nicole Zelniker joins Julián Esteban Torres López on the podcast to interview Molly “Marco” Marcotte to answer this question. 

Molly “Marco” Marcotte (they/them) is program designer, evaluator, and consultant in their eighth year of work in the anti-violence field. They have co-implemented and evaluated over 30 county-level sexual violence primary prevention initiatives, co-authored multiple state-level and organizational change models and corresponding evaluation plans, designed culturally relevant programming and evaluation for colleges across the Southeast, and have helped construct 50 research and evaluation instruments. Existing as a multilingual, neurodivergent, queer, non-binary femme informs every aspect of their approach, particularly in building authentic rapport and community-centered definitions of programmatic success.

With this episode we usher in our new series for 2022 on disability, mental health, and chronic conditions.

***

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

“I don’t want to make sense anymore,” Robin Gow wrote in Blue Blood, “I just want to exist.” 

"These days we only seem to talk about trans people in the news when we talk about bathroom laws. Our bodies are made political. Somedays I just want to exist. I want to crawl into the corn fields before harvest and just be alone with my skin," wrote Robin Gow.

On today’s episode, I speak with Robin Gow and showcase some of the pieces found in their new essays and poetry collection Blue Blood, published by The Nasiona.

Robin Gow is a queer and trans poet, essayist, and Young Adult author. They grew up in rural Pennsylvania and live in Allentown with their partner, best friend, and two pugs, Eddie and Gertie.

Gow is also the author of the chapbook Honeysuckle (Finishing Line Press 2019), the collection Our Lady of Perpetual Degeneracy (Tolsun Books 2020), and a YA verse-novel, A Million Quiet Revolutions (FSG 2022),

He is a managing editor at The Nasiona, Assistant Editor at Large at Doubleback Books, and a reader for the Young Adult magazine Voyage.

When I was first introduced to Robin’s work back in 2018, I immediately wanted to publish it. After reading some of their other pieces published in different magazines, I reached out to Robin to ask if they had enough for a collection. It was at that point that we decided to create what has become one of my favorite books of the year: Blue Blood.

We all begin in water and are called back to water. Blue Blood challenges the rhetoric that trans people are “unnatural” through captivating verses about metamorphosis and meditations on the concept of home. Robin Gow invites readers to celebrate identity; to question what their own body means to them.

Essayist and editor Wren Awry, for example, had the following to say about Blue Blood:

“In a world where trans people must define ourselves over and over again in order to be seen, Robin Gow’s refusal to offer neat conclusions is refreshing. Instead, these essays and poems—on everything from horse shoe crabs and bearded women to St. Francis and Georgia O’Keefe—lean into the complexities of gender, family, ecology, and mental health. If Gow’s book has a thesis, it’s that who we are and how we see the world are so fluid and shaped by so much that it’s impossible to unravel it all on paper. The best we can do is lean into the mess and pull out what we can and my, what beauty lies there!”

With this episode we continue to pull back the layers to reveal the themes and topics and approaches and angles of Blue Blood.

We conducted the interview via email correspondence in November of 2020. Thank you for listening.

Thank you to Robin Gow for being our guest today. Thank you to Amanda Lopez for helping me produce this episode and for being the lead The Nasiona editor for Blue Blood. 

Interested in getting a copy of Robin’s newest collection of essays and poems? Go here or to thenasiona.com and search for Blue Blood by Robin Gow.

***

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

In this episode, we share the second part of a virtual public event Julián Esteban Torres López gave on November 10th, hosted by the Department of Language, Literature, and Arts at Texas A&M University, San Antonio. Be sure to check out Part 1, where Julián gives a talk on what it means to decolonize and indigenize storytelling. For this final part today, Dr. Alexandra Rodriguez Sabogal, interviews Julián, followed by a Q&A with the audience moderated by Dr. Katherine Gillen, the Chair of the Department of Language, Literature, and Arts. We discuss:

• the relationship between language and identity, 
• how the concept of time can be a tool to challenge hegemonic epistemologies,
• the importance of centering and circulating thinking and art from the Global South,
• how we can stand up for our own concerns in a colonized landscape,
• the challenges of being multilingual in a society that encourages monolingualism,
• And much more.

We jump into the moment of the event when Dr. Alexandra Rodriguez Sabogal asks Julián about his own experiences. Given that Julián was born in Colombia, and raised in both Colombia and the United States, and having also lived in Canada, Chile, and Japan, she asked him how his global experience influenced or informed how he defines himself as an artist and storyteller. We start the episode with Julián answering this question. Thank you for listening.

***

We’d like to thank the Dr. Alexandra Rodriguez Sabogal and Dr. Katherine Gillen (chair of the Department of Language, Literature, and Arts at Texas A&M, San Antonio) for all of the hours of preparation they put into making this event happen. Also thank you to Myrna Garza (chair of Native American Heritage Month Committee) and Tamara Hinojosa and the President’s Commission on Equity for their work and support of this event. We’d also like to thank the university’s Spanish, Bilingual Education, Mexican-American and Latinx Studies, Communication, English, and First Year Experience programs for making this event possible. And gracias to the entire Texas A&M, San Antonio, cohort and everyone who attended the event virtually from around the world. 

***

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

What does it mean to show up as you beyond the you you were told to be? Christine Cariño joins Julián Esteban Torres López to discuss the philosophy of authenticity, how getting over trauma often means finding your way back to that person you were before the trauma, and the transformative process of rerooting and replanting yourself and reclaiming deferred dreams. This episode is about healing, empowerment, and giving ourselves permission to say yes to ourselves, to allow ourselves to feel, and to create the conditions we need to fully become ourselves.

Christine Cariño is a transformation catalyst, a queer nonbinary immigrant of Filipino heritage who’s passionate about creating an inclusive and equitable global society. She is also the Founder & Managing Partner of Conscious Thrive LLC. a consulting firm that helps businesses embody the work of diversity, equity and inclusion. Christine designs and facilitates transformation workshops in-person and virtually, with notable international experience. She is a proponent of authenticity and radical self-love as resistance. Her coaching practice is centered in empowering global majority leaders reach their next level of success through healing and authenticity so they can create impact on their own terms.

Prior to her work, she has spent over eight years in corporate America as a Recruitment and Staffing strategist where she has coached professionals throughout the hiring process and advised business leaders in different industries on staffing and retention strategies best fit within their organizational needs. She holds a Bachelor's in International Studies; a Diploma in Coaching from NYU and a DEI in the workplace certificate from University of South Florida.

She believes that for us to create a thriving, loving and inclusive world, we must start the work within. To heal, love and include all parts of who we are creates the ripple of change we want to see in our family, relationships, communities and society.

consciousthrive.com

IG: @consciousthrive  

LinkedIn: linkedin.com/in/ccarino

Christine Cariño and Julián Esteban Torres López spoke on the 17th of November 2021. This is that conversation. Thank you for listening.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Colonization has not ended. We are not in a post-colonial age in a similar way that we are not in a post-racial age. Colonization has simply become normalized, perpetuated by dominant culture narratives, and accepted by the majority as part of life. On this episode, we share a virtual public talk Julián Esteban Torres López gave entitled "Decolonizing and Indigenizing Storytelling," hosted by the Department of Language, Literature, and Arts at Texas A&M, San Antonio. Julián centers the talk around several questions:

• What does it mean to decolonize and Indigenize storytelling?
• How do institutionalized Euro-centric storytelling frameworks limit creativity, understanding of stories and histories, and how we relate to others, our selves, our environment, and our art creations?
• What does it mean to center Indigenous ways of thinking, knowing, and creating in storytelling?
• How can we reimagine and redesign and free ourselves from the shackles and limitations of colonial storytelling?

He shares his story; discusses his storytelling work across various media platforms; and addresses the importance of decolonizing storytelling, affirming Indigenous traditions, and creating safe and encouraging spaces for BIPOC stories.

We’d like to thank Rigorous (a journal edited and written by people of color) for publishing Julián's poem “The Wind” in its Volume 5, Issue 2. We’d also like to thank the Dr. Alexandra Rodriguez Sabogal and Dr. Katherine Gillen (chair of the Department of Language, Literature, and Arts at Texas A&M, San Antonio) for all of the hours of preparation they put into making this event happen. Also thank you to Myrna Garza (chair of Native American Heritage Month Committee) and Tamara Hinojosa and the President’s Commission on Equity for their work and support of this event. We’d also like to thank the university’s Spanish, Bilingual Education, Mexican-American and Latinx Studies, Communication, English, and First Year Experience programs for making this event possible. And gracias to the entire Texas A&M, San Antonio, cohort and everyone who attended the event virtually from around the world. 

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

On today’s episode, we center, elevate, and amplify our stories from our own mouths. We take you on a tour of what it means to be Latina/e/o/x through the voices of previous The Nasiona Podcast guests. Our stories are complex, nuanced, and deserve to be heard. In the show notes, you can find links to the previous guests’ episodes, if you want to listen to the entire conversations and learn more about all guests. Also, we have a magazine series at TheNasiona.com that specifically focuses on personal essays, memoirs, and poetry about what it means to be Latina/e/o/x. Be sure to check those out.

Guests: Sylvia Salazar, Colette Ghunim, Alondra Adame, Eva Gonzalez, Diana Castellanos, Mireya S. Vela, Liza Ann Acosta, Alexandra Meda, Christina Igaraividez, J.L. Torres, Irma Herrera, Beezy Montaña, Ra Avis, Patrick A. Howell, Carlos Carrasco, and Deborah Taffa.

[00:02 - 00:14] Sylvia Salazar: Episode 24: Tono Latino

[02:18 - 03:00] Colette Ghunim: Episode 23: Traces of Home

[03:02 - 03:54] Alondra Adame: Episode 27: To the Border Crossers

[03:56 - 04:54] Eva Gonzalez: Episode 27: To the Border Crossers

[04:56 - 06:05] Diana Castellanos: Episode 27: To the Border Crossers

[06:06 - 07:14] Mireya S. Vela: Episode 2: Mireya S. Vela’s Vestiges of Courage

[07:21 - 07:40; 10:16 - 11:12] Liza Ann Acosta: Episode 36: The Sisterhood of Teatro Luna, Part 1

[07:41 - 09:16] Alexandra Meda: Episode 36: The Sisterhood of Teatro Luna, Part 1

[09:18 - 10:14] Christina Igaraividez: Episode 36: The Sisterhood of Teatro Luna, Part 1

[11:13 - 12:46] J.L. Torres: Episode 59 – The Nuyorican Hallway: Belonging & Living Between Worlds

[12:50 - 15:26] Irma Herrera: Episode 22: Why Would I Mispronounce My Own Name?

[15:28 - 16:37] Beezy Montaña: Episode 48 – BIPOC Musical Artists Showcase

[16:39 - 18:30] Ra Avis: Episode 34: Incarceration and Prison Abolition, Part 1

[18:32 - 19:23] Patrick A. Howell: Episode 31: Global International African Arts Movement, Part 2

[19:26 - 20:53] Carlos Carrasco: Episode 50 – Inside the Afro-Latino Actors Studio, Part 1

[20:54 - 24:02] Deborah Taffa: Episode 39 – Kwatsáan: Ancestral Land, Myths, & Reparations

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López @je_torres_lopez.

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

What’s it like growing up Black and brown in a predominantly white town? Joe Sparkman and Julián Esteban Torres López share their experiences of growing up together in the 1990s as teenagers in Nashua, New Hampshire.

If you are a fan of the show The Office, you may know that Nashua is the location of one of Dunder Mifflin’s branches—the very branch where Holly Flax was working out of before she got transferred to the Scranton branch. 

Others may be familiar with Nashua as having been the place where JFK launched his presidential campaign at the steps of City Hall.

Or, maybe you heard that Nashua was ranked both in 1987 and 1997 by Money magazine as the best place to live in the United States.

Some of you may even know the obscure fact that Nashua was one of the only places in the country (if not the only place, period) where you could find triangular manhole covers covering most of the city’s sewer connections.

Others may remember the Good Will Hunting scene where Will tells Sean during his therapy session that he wants “to move up to Nashua, get a nice little spread, get some sheep and tend to them.” I remember being in Nashua watching this movie when it came out and everyone in the movie theatre just looked at each other and started laughing with pride, even though the movie was actually making fun of our city.

For me, however, my favorite historical fact was that the Nashua Dodgers—a farm club of the Brooklyn Dodgers in the 1940s—is believed to be the first professional baseball team based in the United States in the twentieth century to play with a racially integrated roster. The team was based at Holman Stadium in Nashua, New Hampshire, the very stadium that hosted my high school graduation ceremony in 1999. The very same stadium where Joe Sparkman and I used to play football together.

Yet, despite Nashua having the history of hosting the first racially integrated U.S. team in modern baseball, the racism in Nashua in the 1990s was still very much alive when Joe Sparkman and I moved to the city to attend Jr. High School and Sr. High School together.

So what it was it really like growing up as Black and brown in New Hampshire in the 1990s in a predominantly white state and a city that saw itself as racially progressive? That’s what this episode unpacks. And to dig in, I invited one of my oldest and closest friends, Joe Sparkman, to join me for the conversation.

Joe Sparkman is an inspiration to others and has been one of the reasons why The Nasiona flourished in the first place. Back in the mid-1990s, when Joe and I were classmates in 8th grade together, Joe gave me my first social justice awakening. In this episode, along with forthcoming episodes, I want to humanize The Nasiona by introducing you to the behind the scenes conversations we have with each other here, and to the people who have made The Nasiona possible. 

Joe Sparkman joined the team last year to become our podcast’s music producer, and this year he is helping us to officially make our transition into becoming a non-profit organization. In light of this, I wanted to re-introduce you to one of The Nasiona’s visionaries.

Joe Sparkman decided to follow his dreams in music after he got his multiple sclerosis diagnosis. He started working with Ne-Yo and went on to produce several prominent artists, such as Rihanna, Mary J. Blige, Joe, Snoop, Christina Milian, Heather Headley, Emeli Sande, Nicole Scherzinger, Missy Elliot, Prince Royce, among others. He won several awards: Grammy, ASCAP Award, multiple Platinum and Gold plaques, and an African Music Award. After his music career, he continued to dream big and co-founded a million-dollar medical and pharmaceutical company (Medsav). He’s currently an advisor to the board at Roche and The Adira Foundation,, a district activist leader for the National MS Society, a member of the Government Relations Advisory Committee, and during the 2020 elections the Georgia Democrats delegated Joe as a precinct chairman. As The Nasiona Podcast‘s music producer, Joe returned to his musical roots, and now he’s taking on a bigger leadership role as we take The Nasiona into the next phase so we can more effectively center, elevate, and amplify the personal stories of those Othered by dominant cultures and systems of oppression.

Given that Joe and I have a friendship nearing three decades, I thought it’d be worthwhile to give you a glimpse into the kinds of situations that give rise to activists and social justice warriors like myself and Joe.

Joe Sparkman and I spoke in July of 2020. This is the 1st part or our 3-part conversation.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

My guest today is J.L. Torres (no relation), the author of Migrations, the inaugural winner of the Tomás Rivera Book Prize. His previous publications include another short story collection, The Family Terrorist and Other Stories; the poetry collection, Boricua Passport; and the novel, The Accidental Native. He has also published stories and poems in many journals and magazines. A Fulbright recipient, he recently retired as a scholar and professor of American literature, Latinx literatures, and creative writing. Born in Puerto Rico, raised in the South Bronx, he now lives in upstate New York.

His work focuses on the diasporican experience—living in the inbetweeness that forms and informs the Puerto Rican experience. He aims to go beyond issues of identity, although these are central to that experience. 

Through his writing, J.L Torres says he explores "what it means to live a life yearning for ‘belongingness’ at a time when you’re told nation and home are empty concepts, and you have no historical memory of what they ever meant.” He wants to explore what this means in a world becoming smaller and where geography cannot ground anything.

I’m very excited to share my conversation with J.L Torres. We dissect the central themes of his new book, Migrations, which is a collection of stories deeply rooted in the history of Puerto Rico, where he elevates the experiences of Othered individuals. This is a far-ranging conversation that spans colonialism, Nuyorican identity, Latine colorism, Critical Race Theory, trauma, healing, and much more.

We spoke on July the 2^nd, of 2021.

You can learn more about J.L. Torres at: jltorreswriter.com

and follow him on Twitter: @rican_writer

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Angela Rideau and Julián Esteban Torres López explore taboos, their relationship to trauma, and how our taboo resistance is both a revolutionary act and a step toward healing.

Angela Rideau is a London-based British-Indian Spoken Word Poet. She is the host of Poems From My Heart, a spoken word podcast sharing stories and poetry that explores taboos and difficult topics such as colonialism, body image, living within the diaspora, and feminism through poetry. 

Her debut autobiographical poetry collection, honeybee, is an exploration of trauma, identity, growing up within the South-Asian diaspora, healing, motherhood, and femininity.

With both Poems From My Heart Podcast and her poetry collection honeybee, Angela Rideau introduces us to the roots of her heritage, and the soil that has cultivated her grief and frustrations, her joys and her hopes. She brings footnotes to the forefront, decolonizing her heart and thoughts from those coercive frameworks that have for generations passed as common sense. With these raw and honest poems, Angela Rideau dissects the dominant hierarchies, cultures, and caste systems that have othered and devalued her, and she reimagines a world anew that includes, encourages, and elevates her, and you, us ... the collective beehive. And in the process, she sheds the skin of misogyny and proudly arms herself with her battle scars to become one with herself, her body, and her hive .. to better embrace the harmony of her new collective colony — where we learn how to live with multiple tongues in our mouths, weaving songs that heal, that soothe, and that empower the soul.

100% of the royalties from the book will be donated to Tommy's Charity (UK) who help to support families through and research the cause of baby loss.

I had the pleasure of speaking with Angela Rideau on June 17th of 2021.

Today’s musical guest: Mallika Vie, performing her track, “Since My Baby Said Goodbye,” which you can find in The Nasiona‘s compilation BIPOC musical album, Volume 1: Petrichor at thenasiona.com

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Mallika Vie for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

During the last episode, my good friend Kanchan Gautam and I discussed our experiences as Third Culture Kids and cultural appropriation. Today, we explore the deep roots of colorism in our South Asian and Latin American communities, along with dating and making friends while brown in predominantly white spaces.

Kanchan Gautam is a novice birdwatcher, myco-enthusiast, and amateur naturalist. She is proud of her Nepali heritage and she spends time exploring identity and cultural narrative in Oakland, occupied Ohlone territory. 

I had the pleasure of speaking with Kanchan Gautam on July 12th of 2020. This is the second part of our two-part conversation. 

Today’s musical guest is Stephanie Henry, performing her track “Snowflakes at Midnight,” which you can find in The Nasiona's compilation BIPOC musical album, Volume 1: Petrichor at thenasiona.com

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Stephanie Henry for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Before the pandemic lockdown, my good friend Kanchan Gautam and I would meet at different San Francisco cafes and parks to discuss our experiences as brown immigrants in the United States. She’s one of my favorite people to speak with, and today Kanchan and I allow you to listen in on a couple of our conversations. We first discuss our experiences as Third Culture Kids, which then evolves into a conversation about cultural appropriation. Next week we’ll discuss the deep roots of colorism in our South Asian and Latin American communities, along with dating while brown in predominantly white spaces.

Kanchan Gautam is a novice birdwatcher, myco-enthusiast, and amateur naturalist. She is proud of her Nepali heritage and she spends time exploring identity and cultural narrative in Oakland, occupied Ohlone territory. 

I had the pleasure of speaking with Kanchan Gautam on July 12th  of 2020. This is the first part of our two-part conversation. Join us next time when we’ll discuss colorism in our South Asian and Latin American communities.

Today’s musical guest is Annah Sidigu, performing her track “The Lynchpin,” which you can find in The Nasiona‘s compilation BIPOC musical album, Volume 1: Petrichor at thenasiona.com.

Annah Sidigu is a songwriter and poet currently residing in the San Francisco Bay area. Her poetry has appeared in The New England Review and is forthcoming in Penumbra. She is the recipient of a Bread Loaf Environmental Writers scholarship and has written reviews of poetry and prose books for Zyzzyva. You can listen to her music on Spotify, Bandcamp, or Soundcloud, and follow her on Facebook or Instagram at Annah Sidigu. Thank you for listening.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Annah Sidigu for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

According to the Blended Future Project, even though multiracial and multiethnic identity can absolutely be a fluid and difficult road to understand, Blended Future Project would like to create a platform to initiate that understanding. To start this process, the Blended Future Project is creating a new cultural identity where multiracial and multiethnic people are understood and free to develop and collaborate their own unique culture(s). They believe this would not only benefit the growing population of multiracial and multiethnic peoples, but also adopted individuals who may not even know their racial or ethnic backgrounds, or third culture kids who have grown up in a country with a different societal culture from their parents. With this, Blended Future Project is actively uniting multiracial and multiethnic people and integrating them fluidly into the cultural communities of all other racial and ethnic groups.

I had the honor of speaking with the leaders of the Blended Future Project, Maris Lidaka and Beth Chin, on June 2nd, 2021, to further discuss the hurdles of creating such a blended future and what that future may look like, as well as hearing about their own mixed-identity journeys.

Beth Chin was born and raised in the Chicagoland area and was seventeen when she co-founded her first non-profit organization with her friends in high school, earning them the President’s Volunteer Service Award from Barack Obama. Being  of Chinese, German, and Polish descent, her work focuses on multi-racial identity. She is the founder of the All Related Art collective in Hamburg, Germany, as well as the author of Being Mixed: A Visual Guide on Mixed  Identity. Chin is the creator of Blended Future Project, Re-Mixed – A Multicultural Festival, and is working to create more events and bring greater community in the years ahead.

Maris Lidaka is the founder of The Blended Future Project. Born in Oak Park, IL, he is of African-American and Latvian heritage, and has spent the past 20 years working in the entertainment industry in a variety of capacities for large companies such as Disney, Warner Bros, AT&T and Verizon. He created The Blended Future Project to empower the experience of being multiracial and multicultural. With the ultimate goal to create a larger space for empathy and understanding.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

How can we reimagine school systems to fit the concerns of students in the 21st century? On our last episode, I spoke with Dr. Kimberly Douglass and Dr. Robin Harwick to identify the pain points of our education system, and to explore how we can deconstruct and rebuild it anew. They are the co-authors of the book YOU are the Revolution! Education that Empowers your Black Child and Strengthens your Family, and also are at the center of the innovative The Pearl Remote Democratic High School. Today we continue the conversation by going behind the scenes of The Pearl and learn about democratic education.  The Pearl is a personally relevant and student-centered educational experience. Students benefit from being part of a dynamic international learning community while being supported by mentors, educators, and professionals. The Pearl’s students are prepared for whatever life they choose.

I had the honor of speaking with both Dr. Kimberly Douglass and Dr. Robin Harwick on the 9th of August, 2020. This is the second part of our two-part conversation.

But before we jump into the conversation with Dr. Kimberly Douglass and Dr. Robin Harwick, Aïcha Martine Thiam and I would like to introduce you to The Nasiona BIPOC Music Series. We will begin most podcast episodes this year by showcasing a BIPOC musical artist from our series, which you can explore at TheNasiona.com. Today’s musical guest is San Palo, and she performs his track "Rainy Day,” which you can find in The Nasiona‘s compilation BIPOC musical album, Volume 1: Petrichor.

Want to be considered for our BIPOC Music Series? Go here to learn more.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to San Palo for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

On today’s episode, I speak with Dr. Kimberly Douglass and Dr. Robin Harwick to identify the pain points of our education system, and to explore how we can deconstruct and rebuild it anew. They are the co-authors of the book YOU are the Revolution! Education that Empowers your Black Child and Strengthens your Family, and also are at the center of the innovative The Pearl Remote Democratic High School.

I had the honor of speaking with both Dr. Kimberly Douglass and Dr. Robin Harwick on the 9th of August, 2020. This is the first part of our two-part conversation.

But before we jump into the conversation with Dr. Kimberly Douglass and Dr. Robin Harwick, Aïcha Martine Thiam and I would like to introduce you to The Nasiona BIPOC Music Series. We will begin most podcast episodes this year by showcasing a BIPOC musical artist from our series, which you can explore at TheNasiona.com. Today’s musical guest is Jinnat, and she performs their track "Enlight,” which you can find in The Nasiona‘s compilation BIPOC musical album, Volume 1: Petrichor.

Want to be considered for our BIPOC Music Series? Go here to learn more.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Jinnat for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

On today’s episode, we re-enter the Afro-Latino Actors Studio with Carlos Carrasco: actor, filmmaker, and director of the Panamanian International Film Festival. Last week, in part 1 of our conversation, Mr. Carrasco took the lead on stage, then gave us the VIP tour backstage, behind the curtains, where we glimpsed into what it is like to be an immigrant Afro-Latino in acting in the United States, and how this experience impacted his identity and drove him to also dedicate his time to social impact causes for Latin actors, theatre, and film. In today’s conversation, we examine the heart of art, how the sounds of things carry the emotions of things, we deconstruct language into its most fundamental pieces, and explore how art is a process of selection.

Born in Panamá City, Panamá, Carlos Carrasco has appeared as an actor on Broadway and Off Broadway in New York City, as well as appearing at many of the country's regional theaters. He appeared on Broadway in the Circle-In-The-Square's production of "The National Health” and has appeared at The Hartford Stage Co., Shakespeare & Co., Atlanta’s Alliance Theatre, The Arizona Theatre Co., The Folger Theatre and The American Shakespeare Theatre. Off- Broadway he appeared with The Puerto Rican Traveling Theatre, INTAR, Theatre for a New Audience and The New York Shakespeare Festival.

Mr. Carrasco has co-starred in such feature films as "Speed," "Blood In...Blood Out," “Turnover,” “Parker,” ”One Man's Hero," "The Burning Season" and "The Fisher King." On television he has been a guest on many prime time series, including “Insecure,” “CSI,” "Star Trek: Deep Space 9," " ER,” "Seaquest," "Hunter," "The Equalizer" and the made for television movies "As Good As Dead" and "Have You Seen My Son?”.

Mr. Carrasco has been active in the non-profit sector, serving for six years as Executive Director of the Hispanic Organization of Latin Actors, serving for three years on the Theatre panel for the New York State Council on the Arts and currently producing a Latin American film festival, The Panamanian International Film Festival, now entering its seventh season.

As filmmaker, Mr. Carrasco has produced and directed five short films, from the documentary “Art Galleries and Back Alleys,” celebrating the East Los Angeles Artists Collaborative Self-Help Graphics to the more recent “One” and “Disarm” tackling the difficult issues of police and school shootings.

I had the honor of speaking with Carlos Carrasco on the 29th of August, 2020. This is the second part of our two-part conversation. 

But before we jump into the conversation with Mr. Carrasco, Aïcha Martine Thiam and I would like to introduce you to The Nasiona BIPOC Music Series. We will begin most podcast episodes this year by showcasing a BIPOC musical artist from our series, which you can explore at TheNasiona.com. Today’s musical guest is Chromic, and they perform their track “Lightless,” which you can find in The Nasiona‘s compilation BIPOC musical album, Volume 1: Petrichor.

Want to be considered for our BIPOC Music Series? Go here to learn more.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Chromic for being our musical guest.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Last week, I published an episode entitled “Colombia’s Historical Lack of Hegemony and Institutionalized Violence,” where I provided a thorough historical recap so you can better grasp the current Great Colombian Uprising and the predictable violent government response to it. (Listen to the episode here.) Though I covered two centuries of history, I stopped in the early 1990s because I lost my voice. Today, I want to fill some important gaps.

Go on social media and type the hashtag #AntiUribista and you will find photos of cities in Colombia (and around the world) declaring themselves Anti-Uribistas as they resist and protest current state violence. Today, I cover the eight years Álvaro Uribe was president of Colombia, from 2002 to 2010, and why he is such a polarizing figure: praised by imperialist and colonial powers and multinational corporations, and scorned by anyone with a heart.

I provide a thorough overview into the many reasons behind the current Anti-Uribismo movement, and also give you a glimpse into the United States’s love affair with Uribe, along with its role and responsibility in Colombia's militarized state since the turn of the century.

Like last week, I read excerpts from my book, Reporting on Colombia: Essays on Colombia's History, Culture, Peoples, and Armed Conflict. 

Today, Colombia and the Colombian people are in crisis. The Colombian government is killing, torturing, disappearing, and sexually assaulting Colombian people on the streets throughout the country. Our hearts are heavy and in pain. We need your help. Please don’t look away.

To help Colombia and Colombians:

• Go here for #SOSColombia Mutual Aid
• Go here to call your US representatives to condemn the violent response to demonstrators
• Go here to help stop human rights violations in Colombian and demand the application of the Leahy Law

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. Hosted, edited, and produced by Julián Esteban Torres López. Follow him on Twitter and Instagram: @JE_Torres_Lopez

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

https://thenasiona.com/

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-Fi donation platform. Every little bit helps.

Thank you for listening, and thank you for your support.

Today we take you inside the Afro-Latino Actors Studio with Carlos Carrasco: actor, filmmaker, and director of the Panamanian International Film Festival in Los Angeles. Mr. Carrasco will take the lead on stage, then give us the VIP tour backstage, behind the curtains, where we glimpse into what it is like to be an immigrant Afro-Latino in acting in the United States, and how this experience has impacted his identity and drove him to also dedicate his time to social impact causes for Latin actors, theatre, and film.

Born in Panamá City, Panamá, Carlos Carrasco has appeared as an actor on Broadway and Off Broadway in New York City, as well as appearing at many of the country's regional theaters. He appeared on Broadway in the Circle-In-The-Square's production of "The National Health” and has appeared at The Hartford Stage Co., Shakespeare & Co., Atlanta’s Alliance Theatre, The Arizona Theatre Co., The Folger Theatre and The American Shakespeare Theatre. Off- Broadway he appeared with The Puerto Rican Traveling Theatre, INTAR, Theatre for a New Audience and The New York Shakespeare Festival.

Mr. Carrasco has co-starred in such feature films as "Speed," "Blood In...Blood Out," “Turnover,” “Parker,” ”One Man's Hero," "The Burning Season" and "The Fisher King." On television he has been a guest on many prime time series, including “Insecure,” “CSI,” "Star Trek: Deep Space 9," " ER,” "Seaquest," "Hunter," "The Equalizer" and the made for television movies "As Good As Dead" and "Have You Seen My Son?”.

Mr. Carrasco has been active in the non-profit sector, serving for six years as Executive Director of the Hispanic Organization of Latin Actors, serving for three years on the Theatre panel for the New York State Council on the Arts and currently producing a Latin American film festival, The Panamanian International Film Festival, now entering its seventh season.

As filmmaker, Mr. Carrasco has produced and directed five short films, from the documentary “Art Galleries and Back Alleys,” celebrating the East Los Angeles Artists Collaborative Self-Help Graphics to the more recent “One” and “Disarm” tackling the difficult issues of police and school shootings.

I had the honor of speaking with Carlos Carrasco on the 16th of August, 2020. This is the first part of our two-part conversation.

But before we jump into the conversation with Mr. Carrasco, Aïcha Martine Thiam and I would like to introduce you to The Nasiona BIPOC Music Series. We will begin most podcast episodes this year by showcasing a BIPOC musical artist from our series, which you can explore at TheNasiona.com.  On April 26th, we had the honor of featuring the world premiere of Tre. Charles’s debut single and music video for “Stressin.” which you can listen to and watch on our website. Today, we’ll showcase “Stressin.” for you, in case you missed it.

Want to be considered for our BIPOC Music Series? Go here to learn more.

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. We focus on stories that explore the spectrum of human experiences—stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López. 

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

Thank you to Aïcha Martine Thiam for co-producing the BIPOC Music Series component of the episode, and to Tre. Charles for being our musical guests.

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from readers and listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-fi donation platform. Every little bit helps.

Thank you for listening and reading, and thank you for your support.

Colombia’s history is marked with many of its people treated merely as a mean to an end. Laura Yusem and Herbert Braun, respectively, were right in recognizing that “In Latin America, we learn early that our lives are worth little” and that “[i]n the struggle for land, human life in Colombia has been devalued.” Human rights activist Manuel Rozental was correct to paint Colombia’s history with the following pattern: people are massacred or enslaved, displaced, the land is freed, and the élite, foreign powers, and multi-national corporations come in to exploit the land and the labor force.

What is going on today, during the Great Colombian Uprising of 2021, is an extension of this history.

On today’s episode, I read an essay from my book, Reporting on Colombia: Essays on Colombia's History, Culture, Peoples, and Armed Conflict, which dissects Colombia's historical lack of hegemony and institutionalized violence to give you 200 years of context (through the early 1990s) of what systemic, structural, institutional, policy, and cultural conditions, along with what actors and situations, have led to the current Great Colombian Uprising, which goes beyond this year’s proposed tax reform.

Today, Colombia and the Colombian people are in crisis. The Colombian government is killing, torturing, disappearing, and sexually assaulting Colombian people on the streets throughout the country. Our hearts are heavy and in pain. We need your help. Please don’t look away.

To help Colombia and Colombians:

• Go here for #SOSColombia Mutual Aid
• Go here to call your US representatives to condemn the violent response to demonstrators
• Go here to help stop human rights violations in Colombian and demand the application of the Leahy Law

The Nasiona Podcast amplifies the voices and experiences of the marginalized, undervalued, overlooked, silenced, and forgotten, as well as gives you a glimpse into Othered worlds. Hosted, edited, and produced by Julián Esteban Torres López. Follow him on Twitter and Instagram: @JE_Torres_Lopez

Please follow The Nasiona on Twitter, Instagram, and Facebook for regular updates: @TheNasiona

https://thenasiona.com/

Original music for The Nasiona Podcast was produced by the Grammy Award-winning team of Joe Sparkman and Marcus Allen, aka The Heavyweights. Joe Sparkman: Twitter + Instagram. Marcus Allen: Twitter + Instagram.

The Nasiona Magazine and Podcast depend on voluntary contributions from listeners like you. We hope the value of our work to our community is worth your patronage. If you like what we do, please show this by liking, rating, and reviewing us; buying or recommending our books; and by financially supporting our work either through The Nasiona’s Patreon page or through Julián Esteban Torres López's Ko-Fi donation platform. Every little bit helps.

Thank you for listening, and thank you for your support.