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    The Samuel Andreyev Podcast

    Samuel Andreyev talks with the performers and composers who are changing the music world today.
    en-ca71 Episodes

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    Episodes (71)

    Matthew Sheeran: The Quest for Microtonal Music

    Matthew Sheeran: The Quest for Microtonal Music

    Matthew Sheeran is a UK-based composer, violinist and arranger. His new album, arranging music by the American microtonal composer Easley Blackwood, has just been released and can be found at the link below. This interview was filmed on December 18, 2023.

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    SAMUEL ANDREYEV’S NEW ALBUM
    https://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/

    LINKS

    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Arkadiusz Buchala
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caMarch 01, 2024

    Ian Pace, Round 3: The Artist in Society

    Ian Pace, Round 3: The Artist in Society

    Ian Pace is a pianist, musicologist and Professor of Music, Culture and Society at City, University of London. This is his third appearance on the Samuel Andreyev Podcast.

    IAN PACE’S WEBSITE
    https://ianpace.com/

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    SAMUEL ANDREYEV’S NEW ALBUM
    https://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/

    LINKS

    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Arkadiusz Buchala
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caFebruary 27, 2024

    Martin Suckling: How to Write Beautiful Music

    Martin Suckling: How to Write Beautiful Music

    Martin Suckling was born in Glasgow in 1981. After spending his teenage years performing in the National Youth Orchestra of Great Britain and in ceilidh bands around Scotland, Suckling studied music at Clare College Cambridge and King’s College London. He was a Paul Mellon Fellow at Yale University from 2003-5, undertook doctoral research at the Royal Academy of Music, and subsequently became a Stipendiary Lecturer in Music at Somerville College, Oxford. His teachers include George Benjamin, Robin Holloway, Paul Patterson, Martin Bresnick, Ezra Laderman, and Simon Bainbridge. He has benefited from residencies at the Royal Shakespeare Company, Aldeburgh Festival, Aspen, and IRCAM, and has won numerous awards including the 2008 Royal Philharmonic Society Composition Prize and a Philip Leverhulme Prize. He is Professor of Composition at the University of York.

    DISCOVER MARTIN’S ONLINE OPERA ‘BLACK FELL’
    https://www.black-fell.com/opera

    MARTIN SUCKLING WEBSITE
    http://www.martinsuckling.com/

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    In Glow of Like Seclusion

    LINKS

    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caDecember 12, 2023

    Gary Barwin: Artists Will Save the World

    Gary Barwin: Artists Will Save the World

    Gary Barwin is a novelist, composer, poet. This conversation was recorded 4 December 2023 via zoom.

    GARY BARWIN WEBSITE
    https://garybarwin.com/bio/

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    SAMUEL ANDREYEV’S NEW ALBUM
    https://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/

    LINKS

    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Philippe Gosselin
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caDecember 05, 2023

    Jim O’Rourke, composer

    Jim O’Rourke, composer

    Jim O’Rourke is a composer, singer-songwriter, producer, archivist, and former member of Sonic Youth.

    JIM O’ROURKE ON BANDCAMP
    https://steamroom.bandcamp.com/

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    SAMUEL ANDREYEV’S NEW ALBUM
    https://divineartrecords.com/recording/samuel-andreyev-in-glow-of-like-seclusion/

    LINKS

    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Philippe Gosselin
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caDecember 01, 2023

    Fifty-One Minutes About Harmony, with composer Julian Anderson

    Fifty-One Minutes About Harmony, with composer Julian Anderson

    I had an impromptu discussion with British composer Julian Anderson about harmony. It was recorded in the Hotel de l’Hermitage in Monte Carlo, Monaco, on 11 October 2023.

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    In Glow of Like Seclusion

    LINKS

    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caOctober 11, 2023

    Jean-Luc Hervé, compositeur [in French]

    Jean-Luc Hervé, compositeur [in French]

    **EPISODE IN FRENCH / EPISODE EN FRANÇAIS**

    Né en 1960, Jean-Luc Hervé fait ses études au Conservatoire Supérieur de Musique de Paris avec Gérard Grisey. Il y obtient un premier prix de composition. Sa thèse de doctorat d’esthétique ainsi qu’une recherche menée à l’IRCAM seront l’occasion d’une réflexion théorique sur son travail de compositeur, sa résidence à la Villa Kujoyama de Kyoto un tournant décisif dans son œuvre. Sa pièce pour orchestre Ciels a obtenu le prix Goffredo Petrassi en 1997. En 2003 il est invité en résidence à Berlin par le DAAD. Ses deux disques monographiques ont reçu le coup de cœur de l'académie Charles Cros. Il fonde en 2004 avec Thierry Blondeau et Oliver Schneller l’initiative  Biotop(e). Ses œuvres sont jouées par des ensembles tels que l’Ensemble Intercontemporain, Court-Circuit, Contrechamps, Musik Fabrik, KNM Berlin, Divertimento, Orchestre Philharmonique de Radio-France, Orchestra della Toscana, Berliner Sinfonie-Orchester. Une partie de son travail actuel consiste en des œuvres de concert-installation conçues pour des sites singuliers. Il est actuellement professeur de composition au conservatoire à rayonnement régional de Boulogne-Billancourt et est édité aux éditions Suvini-Zerboni Milan.

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    Iridescent Notation

    LINKS

    YouTube channel
    Official Website
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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Arkadiusz Buchala
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    en-caJune 09, 2023

    Dr. Tyler Foster, Mathematician and composer: Music and AI

    Dr. Tyler Foster, Mathematician and composer: Music and AI

    Dr. Tyler Foster is a mathematician and composer working in machine learning. This conversation was recorded over Zoom on March 23rd, 2023.

    MUSIC EXCERPTS HEARD IN THIS PODCAST, IN ORDER:
    Voice Leading — Beatmatching Study
    This Brutal World

    HEAR TYLER FOSTER’S MUSIC

    https://soundcloud.com/tyler-foster

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    Iridescent Notation

    LINKS

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    Official Website
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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Arkadiusz Buchala
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caApril 03, 2023

    Laurence Osborn, composer

    Laurence Osborn, composer

    Laurence Osborn (b. 1989) is a British composer currently based in London. His music has been commissioned and/or programmed by the London Symphony Orchestra, London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Ensemble Modern, Britten Sinfonia, The Riot Ensemble, Manchester Collective, 12 Ensemble, GBSR Duo, Ensemble Klang, and Ensemble 360, among others. He has also written for solo performers Sarah Dacey, Mahan Esfahani, Bartosz Glowacki, Zubin Kanga, Lore Lixenberg, Michael Petrov, and Agata Zubel. His music has been programmed throughout the UK, at venues such as The Royal Festival Hall, Queen Elizabeth Hall, The Royal Opera House, Symphony Hall (Birmingham), The Wigmore Hall, Kings Place, LSO St Luke's, St Martin- In-The-Fields, Milton Court, Wilton's Music Hall, Britten Studio (Aldeburgh), The National Portrait Gallery, The Holywell Music Room (Oxford), The Crucible Theatre (Sheffield), Kettle’s Yard (Cambridge), and at Huddersfield Contemporary Music Festival (where he was an International Showcase Artist), St Magnus International Festival, Music in the Round Festival, and Ulverston International Music Festival.

    Laurence Osborn’s song cycle Essential Relaxing Classical Hits was nominated for an Ivor Novello Award in 2021. He won the Royal Philharmonic Society Composition Prize in 2017, was runner up in the New Cobbett Prize for Composition (2014) and the International Antonin Dvorak Composition Competition (2013) and was shortlisted for the ICSM World Music Days (2018). Laurence has won student prizes for composition while studying at both undergraduate and postgraduate level, including the Adrian Cruft Prize for Composition and the Royal College of Music Concerto Competition. He has held positions in association with LSO Soundhub (2013-15), Nonclassical (2015-17), and the London Philharmonic Orchestra (2017-18).

    SOUND EXERPTS, IN ORDER:
    1. Coin Op Automata  for harpsichord and string quartet
    performed by the Manchester Collective
    2. Essential Relaxing Classical Hits, for amplified solo soprano and 6 players
    performed by Agata Zubel and Ensemble Klang
    3. Absorber, for solo piano and MIDI controller
    performed by Zubin Kanga


    LINKS
    Laurence Osborn official website
    Watch video of ‘Absorber’ for piano and MIDI controller

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    Iridescent Notation

    LINKS

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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirn

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    en-caMarch 17, 2023

    Robin Holloway, composer

    Robin Holloway, composer

    Robin Holloway is a British composer and professor at the University of Cambridge. This conversation was filmed at the composer’s home in Cambridge on 25 January 2023.

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    Iridescent Notation

    LINKS

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    EPISODE CREDITS
    Post production: Arkadiusz Buchala
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    en-caFebruary 23, 2023

    Ensemble Proton Bern

    Ensemble Proton Bern

    I spoke with four members of Ensemble Proton Bern immediately following a recording session for my composition ‘Sonata da Camera’ at the SRF Radiostudio in Zürich, Switzerland on 19 June 2022. We talked about our forthcoming album with conductor Luigi Gaggero, how our collaboration has evolved over the past 10 years, the advantages and disadvantages of CDs vs vinyl, the peculiar challenges involved in performing contemporary repertoire, and more.

    Episode guests:
    Jan-Filip Ťupa, cellist
    Coco Schwarz, pianist
    Martin Bliggenstorfer, oboist
    Richard Haynes, clarinet

    HELP US REACH OUR CROWDFUNDING GOAL!

    Wemakeit page

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    Iridescent Notation

    LINKS

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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caJune 21, 2022

    Michael Finnissy, composer

    Michael Finnissy, composer

    Michael Finnissy is a British composer and pianist. This conversation was recorded via Zoom on 27 April 2022.

    00:00:00 Introduction
    00:01:12 The composition process
    00:06:38 Serialism
    00:10:05 MF’s critique of Grand narratives
    00:13:30 On teaching
    00:27:36 On originality
    00:38:36 On being an outsider
    00:48:13 Present-day obsessions
    00:52:13:08 Microtonality
    00:55:16:22 Instrumentation
    01:00:47:13 How MF works with pitch
    01:19:09:16 Patreon question: Drawing inspiration from nature
    01:22:14:07 Patreon question: New complexity

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    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Ian Pace, Round 2: Music in Higher Education

    Ian Pace, Round 2: Music in Higher Education

    Ian Pace is a pianist, musicologist and professor at City, University of London. This is his second appearance on the Samuel Andreyev Podcast. The conversation was recorded in London, UK on 5 April 2022.

    IAN PACE WEBSITE
    https://ianpace.com/sample-page/
    FOLLOW IAN PACE ON TWITTER
    https://twitter.com/ianpacemain?s=20&t=DUDr8v0n9oLmpj0SpOD40Q
    IAN PACE WRITINGS
    https://openaccess.city.ac.uk/view/creators_id/ian=2Epace=2E1.html

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    Iridescent Notation

    LINKS

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    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    La naissance de la musique spectrale : Hugues Dufourt

    La naissance de la musique spectrale : Hugues Dufourt

    **EPISODE IN FRENCH / EPISODE EN FRANÇAIS**

    Hugues Dufourt privilégie les continuités et les lentes transformations d'un discours musical qui n'est que rarement interrompu. Il conçoit des formes par évolution de masses et travaille sur les notions de seuils, d'oscillations, d'interférences et de processus orientés. Pionnier du mouvement spectral, il lui accorde toutefois une définition plus large, cherchant à mettre en valeur l'instabilité que le timbre introduit dans l'orchestration. Sa musique repose sur une richesse de constellations sonores et harmoniques et s'appuie sur une dialectique du timbre et du temps. Il puise une partie de son inspiration dans l'art pictural, dont il retient essentiellement le rôle de la couleur, des matières et de la lumière (Dawn flight, quatuor à cordes créé en 2008 à Musica, Le Cyprès blanc et L'Origine du monde, créés à Musica 2004). Marqué par l'avant-garde française des années soixante, Hugues Dufourt participe aux activités de L'Itinéraire (1975-81) et fonde en 1977 le Collectif de Recherche Instrumentale et de Synthèse Sonore (CRISS) avec Alain Bancquart et Tristan Murail. Agrégé de Philosophie en 1967, il publie de nombreux écrits. Il est chargé de recherche (1973-85) puis directeur de recherche au CNRS (1985-2009) et crée en 1982 l'Unité Mixte de Recherche "Recherche Musicale" qu'il dirige jusqu'en 1995. Hugues Dufourt a reçu de nombreux prix, notamment en 2000 le Prix du Président de la République pour l'ensemble de son oeuvre, décerné par l'Académie Charles Cros. Ces dernières années, Hugues Dufourt a composé des oeuvres aux formations diverses, du piano seul (Tombeau de Debussy créé au Festival Musica 2018) au grand orchestre (Ur-Geräusch, créé en 2016 par l'Orchestre de la WDR, Les deux saules d'après Monet créé en 2020 à Vienne par l'Orchestre symphonique de la Radio), en passant par des petites formations (L'atelier rouge d'après Matisse, créé en 2020 à Varsovie par l'Ensemble Nikel) ou les percussions (Burning Bright, créé par les Percussions de Strasbourg au Festival Musica 2014). La Horde d'après Max Ernst, pour orchestre, commande du Lemanic Modern Ensemble et de Radio France sera créé au Festival Présences 2022.

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    Iridescent Notation

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    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    en-caMarch 31, 2022

    New Music in Ukraine: Dina Pysarenko

    New Music in Ukraine: Dina Pysarenko

    Born in Donetsk (Ukraine), Dina Pysarenko is a pianist, accompanist at the National Tchaikovsky Music Academy of Ukraine, soloist of the Ukho Ensemble Kyiv and a laureate of the Levko Revutsky Award (2014) as well as the 6th International S. Prokofiev Competition (Saint-Petersburg, 2013). While still studying at the Donetsk Specialized Music School for gifted children, Dina was twice a laureate of the International Competition in Memory of Vladimir Horowitz in Kyiv. She graduated with Honours from Sergey Prokofiev Donetsk State Music Academy in 2009, where she studied with Prof. Lidiya Adamenko. Eager to embrace various styles in her repertoire, Dina devotes particular attention to contemporary music: since 2006 she has premiered a number of pieces by living composers, such as Yevhen Petrychenko, Serhiy Piliutykov, Alexandra Karastoyanova-Hermentin and Oleksiy Voytenko, performing at important Ukrainian festivals such as KyivMusicFest, GogolFEST, Donbas Modern Music Academy, etc.

    Together with Ukho Ensemble Kyiv under the baton of Luigi Gaggero, she has given the Ukrainian premieres of several important pieces of the 20th and 21st centuries, including À propos du concert de la semaine dernière by Samuel Andreyev, ...quasi una fantasia... by György Kurtág, Kammerkonzert by Klaus-Steffen Mahnkopf, and the Piano concerto of György Ligeti. Dina participated in a conducting masterclass held by maestro Luigi Gaggero with the Ukho Ensemble Kyiv, making her debut as a conduc- tor with Intégrales by Edgard Varèse (2016) and Epicycle by Iannis Xenakis (2018).

    Since 2009, Dina Pysarenko has accompanied the class of Prof. Valeriy Ivko, one of the founders the of Ukrainian domra school. In the 2013/14 season she was accompanist at the Anatolii Solovyanenko Donetsk Opera and Ballet Theatre. She has also participated in three opera productions staged in the National Opera of Ukraine by Ukho agency and directed by Luigi Gaggero: Limbus-Limbo by Stefano Gervasoni (2016), Pane, sale, sabbia by Carmine Emmanuele Cella (2017), and Luci mie traditrici by Salvatore Sciarrino (2018). This interview was recorded on March 9th, 2022.

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    Iridescent Notation

    LINKS

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    Edition Impronta, publisher of Samuel Andreyev’s scores

    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caMarch 15, 2022

    Q & A: How Can Composers Earn a Living?

    Q & A: How Can Composers Earn a Living?

    00:00 Introduction
    00:41 Pieces that changed my life
    06:04 Thoughts on the ‘saturation’ movement
    08:48 Music and other art forms
    11:38 Is western music shallow?
    14:59 Beauty and modernism
    17:46 Are major keys happy and minor keys sad?
    20:11 Music and the body
    23:54 The techniques of today
    26:40 Early modernist harmony
    30:55 Finding your voice
    32:03 What is good counterpoint?
    34:05 Composition vs. tradition
    36:47 Avant-garde composers and the listening experience
    38:51 Will you make another album like The Tubular West?
    42:23 What is my favourite tonal music of today?
    43:25 Closing remarks

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    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    en-caMarch 05, 2022

    Kenneth Goldsmith, poet

    Kenneth Goldsmith, poet

    Kenneth Goldsmith is an American poet. His writing has been called some of the most exhaustive and beautiful collage work yet produced in poetry by Publishers Weekly. He is the founding editor of UbuWeb, and is a senior editor of PennSound at the University of Pennsylvania, where he teaches. He hosted a weekly radio show at WFMU from 1995 until june 2010. He has published many books of poetry, notably Fidget, Soliloquy, Day, and his American trilogy. 

    He is the editor of I’ll Be Your Mirror, the selected Andy Warhol interviews, which is the basis for an opera, Trans-Warhol, that premiered in Geneva in 2007. He has published three books of essays, including Against Expression, Uncreative Writing, Wasting Time on the Internet, and most recently, Duchamp is my Lawyer. In 2013, he was appointed the first Poet Laureat of the Museum of Modern Art.

    LINKS
    UbuWeb
    Kenneth Goldsmith faculty page at the University of Pennsylvania

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    EPISODE CREDITS
    Post production: Marek Iwaszkiewicz
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    en-caJanuary 27, 2022

    Alexander Goehr, composer

    Alexander Goehr, composer

    Alexander Goehr is a composer for whom the conventional labels of new music seem increasingly inadequate. A latent nonconformism is already suggested by the essential biographical facts. He was born in Berlin in 1932, son of the conductor and Schoenberg pupil Walter Goehr. Still in his early twenties, he emerged as a key figure in the celebrated ‘Manchester School’ of post-war British composers. In 1955-56 he joined Oliver Messiaen’s masterclass in Paris. Thereafter, he worked as a BBC producer and broadcaster, and was a director of the Music Theatre Ensemble. In 1971 he was appointed Professor of Music at Leeds University, and was subsequently appointed to the chair at Cambridge in 1976. Background apart, however, the source of Goehr’s heterogeneous yet single-minded development lies in a questing musical intelligence and a special gift for elaboration, transformation and synthesis. The artistic imperative is for a step-by-step progression, wherever it might lead, from what is familiar to what is genuinely new.

    Special thanks to Julian Anderson,  and to Ian Mylett and Sam Rigby of Schott Music for their invaluable assistance in the production of this episode.

    LINKS
    Alexander Goehr page on Schott Music
    Listen to ‘Colossos or Panic’ for orchestra

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    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    The Samuel Andreyev Podcast
    en-caDecember 29, 2021
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