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    The Well Read Poem

    Because reading is interpretation, The Well Read Poem aims to teach you how to read with understanding! Hosted by poet Thomas Banks of The House of Humane Letters, these short episodes will introduce you to both well-known and obscure poets and will focus on daily recitation, historical and intellectual background, elements of poetry, light explication, and more! Play this podcast daily and practice reciting! The next week, get a new poem. Grow in your understanding and love of poetry by learning how to read well! Brought to you by The Literary Life Podcast.
    en89 Episodes

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    Episodes (89)

    S9E1: "The Rhodora" by Ralph Waldo Emerson

    S9E1: "The Rhodora" by Ralph Waldo Emerson

    In this ninth season, we are going to read six poems about the four seasons of the year. English verse especially is abundant in celebrations, odes, and meditative poems about the divisions of the year and the visible changes in nature that attend them. Over the next several weeks, we will take a look at some fine examples of seasonal poetry. Today's selection is "The Rhodora" by Ralph Waldo Emerson; poem begins at timestamp 5:07.

    The Rhodora

    by Ralph Waldo Emerson

    On being asked, whence is the flower.

    In May, when sea-winds pierced our solitudes,
    I found the fresh Rhodora in the woods,
    Spreading its leafless blooms in a damp nook,
    To please the desert and the sluggish brook.
    The purple petals fallen in the pool
    Made the black water with their beauty gay;
    Here might the red-bird come his plumes to cool,
    And court the flower that cheapens his array.
    Rhodora! if the sages ask thee why
    This charm is wasted on the earth and sky,
    Tell them, dear, that, if eyes were made for seeing,
    Then beauty is its own excuse for Being;
    Why thou wert there, O rival of the rose!
    I never thought to ask; I never knew;
    But in my simple ignorance suppose
    The self-same power that brought me there, brought you.

    S8E6: "Ode to a Nightingale" by John Keats

    S8E6: "Ode to a Nightingale" by John Keats

    In this eighth season of The Well Read Poem, we are reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place.

    Today's poem is "Ode to a Nightingale" by John Keats. Poem begins at timestamp 2:23.

    "Ode to a Nightingale"

    by John Keats

    My heart aches, and a drowsy numbness pains
             My sense, as though of hemlock I had drunk,
    Or emptied some dull opiate to the drains
             One minute past, and Lethe-wards had sunk:
    'Tis not through envy of thy happy lot,
             But being too happy in thine happiness,—
                    That thou, light-winged Dryad of the trees
                            In some melodious plot
             Of beechen green, and shadows numberless,
                    Singest of summer in full-throated ease.
     
    O, for a draught of vintage! that hath been
             Cool'd a long age in the deep-delved earth,
    Tasting of Flora and the country green,
             Dance, and Provençal song, and sunburnt mirth!
    O for a beaker full of the warm South,
             Full of the true, the blushful Hippocrene,
                    With beaded bubbles winking at the brim,
                            And purple-stained mouth;
             That I might drink, and leave the world unseen,
                    And with thee fade away into the forest dim:
     
    Fade far away, dissolve, and quite forget
             What thou among the leaves hast never known,
    The weariness, the fever, and the fret
             Here, where men sit and hear each other groan;
    Where palsy shakes a few, sad, last gray hairs,
             Where youth grows pale, and spectre-thin, and dies;
                    Where but to think is to be full of sorrow
                            And leaden-eyed despairs,
             Where Beauty cannot keep her lustrous eyes,
                    Or new Love pine at them beyond to-morrow.
     
    Away! away! for I will fly to thee,
             Not charioted by Bacchus and his pards,
    But on the viewless wings of Poesy,
             Though the dull brain perplexes and retards:
    Already with thee! tender is the night,
             And haply the Queen-Moon is on her throne,
                    Cluster'd around by all her starry Fays;
                            But here there is no light,
             Save what from heaven is with the breezes blown
                    Through verdurous glooms and winding mossy ways.
     
    I cannot see what flowers are at my feet,
             Nor what soft incense hangs upon the boughs,
    But, in embalmed darkness, guess each sweet
             Wherewith the seasonable month endows
    The grass, the thicket, and the fruit-tree wild;
             White hawthorn, and the pastoral eglantine;
                    Fast fading violets cover'd up in leaves;
                            And mid-May's eldest child,
             The coming musk-rose, full of dewy wine,
                    The murmurous haunt of flies on summer eves.
     
    Darkling I listen; and, for many a time
             I have been half in love with easeful Death,
    Call'd him soft names in many a mused rhyme,
             To take into the air my quiet breath;
                    Now more than ever seems it rich to die,
             To cease upon the midnight with no pain,
                    While thou art pouring forth thy soul abroad
                            In such an ecstasy!
             Still wouldst thou sing, and I have ears in vain—
                       To thy high requiem become a sod.
     
    Thou wast not born for death, immortal Bird!
             No hungry generations tread thee down;
    The voice I hear this passing night was heard
             In ancient days by emperor and clown:
    Perhaps the self-same song that found a path
             Through the sad heart of Ruth, when, sick for home,
                    She stood in tears amid the alien corn;
                            The same that oft-times hath
             Charm'd magic casements, opening on the foam
                    Of perilous seas, in faery lands forlorn.
     
    Forlorn! the very word is like a bell
             To toll me back from thee to my sole self!
    Adieu! the fancy cannot cheat so well
             As she is fam'd to do, deceiving elf.
    Adieu! adieu! thy plaintive anthem fades
             Past the near meadows, over the still stream,
                    Up the hill-side; and now 'tis buried deep
                            In the next valley-glades:
             Was it a vision, or a waking dream?
                    Fled is that music:—Do I wake or sleep?

    S8E5: "Old Adam, the Carrion Crow" by Thomas Beddoes

    S8E5: "Old Adam, the Carrion Crow"  by Thomas Beddoes

    In this eighth season of The Well Read Poem, we are reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place.

    Today's poem is "Old Adam, the Carrion Crow" by Thomas Beddoes. Poem begins at timestamp 7:00.

     

    "Old Adam, the Carrion Crow"

    by Thomas Beddoes

    Old Adam, the carrion crow,
            The old crow of Cairo;
        He sat in the shower, and let it flow
            Under his tail and over his crest;
              And through every feather
              Leak'd the wet weather;
            And the bough swung under his nest;
            For his beak it was heavy with marrow.
              Is that the wind dying? O no;
              It's only two devils, that blow,
              Through a murderer's bones, to and fro,
              In the ghosts' moonshine.
          Ho! Eve, my grey carrion wife,
            When we have supped on king's marrow,
        Where shall we drink and make merry our life?
            Our nest it is queen Cleopatra's skull,
              'Tis cloven and crack'd,
              And batter'd and hack'd,
            But with tears of blue eyes it is full:
            Let us drink then, my raven of Cairo!
              Is that the wind dying? O no;
              It's only two devils, that blow
              Through a murderer's bones, to and fro,
              In the ghosts' moonshine.

    S8E4: "Le Corbeau et le Renard (The Crow and the Fox)" by Jean de la Fontaine

    S8E4: "Le Corbeau et le Renard (The Crow and the Fox)" by Jean de la Fontaine
    In this eighth season of The Well Read Poem, we are reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place. Today's poem is "Le Corbeau et le Renard (The Crow and the Fox)" by Jean de la Fontaine, translated from the French by Norman Spector. Poem begins at timestamp 7:08.

    "Le Corbeau et le Renard (The Crow and the Fox)"

    by Jean de la Fontaine (trans. by Norman Spector)

    At the top of a tree perched Master Crow;
    In his beak he was holding a cheese.
    Drawn by the smell, Master Fox spoke, below.
    The words, more or less, were these:
    "Hey, now, Sir Crow! Good day, good day!
    How very handsome you do look, how grandly distingué!
    No lie, if those songs you sing
    Match the plumage of your wing,
    You’re the phoenix of these woods, our choice."
    Hearing this, the Crow was all rapture and wonder.
    To show off his handsome voice,
    He opened beak wide and let go of his plunder.
    The Fox snapped it up and then said, "My Good Sir,
    Learn that each flatterer
    Lives at the cost of those who heed.
    This lesson is well worth the cheese, indeed."
    The Crow, ashamed and sick,
    Swore, a bit late, not to fall again for that trick.

    S8E3: "The Oven Bird" by Robert Frost

    S8E3: "The Oven Bird" by Robert Frost

    In this eighth season of The Well Read Poem, we are reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place.

    Today's poem is "The Oven Bird" by Robert Frost. Poem begins at timestamp 3:42.

    "The Oven Bird"

    by Robert Frost

    There is a singer everyone has heard,
    Loud, a mid-summer and a mid-wood bird,
    Who makes the solid tree trunks sound again.
    He says that leaves are old and that for flowers
    Mid-summer is to spring as one to ten.
    He says the early petal-fall is past
    When pear and cherry bloom went down in showers
    On sunny days a moment overcast;
    And comes that other fall we name the fall.
    He says the highway dust is over all.
    The bird would cease and be as other birds
    But that he knows in singing not to sing.
    The question that he frames in all but words
    Is what to make of a diminished thing.

    S8E2: "The Eagle" by Alfred, Lord Tennyson

    S8E2: "The Eagle" by Alfred, Lord Tennyson

    In this eighth season of The Well Read Poem, we are reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place.

    Today's poem is "The Eagle" by Alfred, Lord Tennyson. Poem begins at timestamp  7:51.

    "The Eagle"

    by Alfred, Lord Tennyson

    He clasps the crag with crooked hands;
    Close to the sun in lonely lands,
    Ring'd with the azure world, he stands.
     
    The wrinkled sea beneath him crawls;
    He watches from his mountain walls,
    And like a thunderbolt he falls.

    S8E1: "Les Hiboux (The Owls)" by Charles Baudelaire

    S8E1: "Les Hiboux (The Owls)" by Charles Baudelaire

    In this eighth season of The Well Read Poem, we will be reading six poems about birds. Since antiquity, birds have supplied rich material to poets, being by turns regal, charming, absurd, delicate, dangerous, and philosophical creatures. This season is dedicated to the animal lovers in our audience, particularly to Emily Raible who suggested the subject in the first place.

    Today's poem is "Les Hiboux (The Owls)" by Charles Baudelaire, translated from the original French by Roy Campbell. Poem begins at timestamp 8:38.

    "Les Hiboux (The Owls)"

    by Charles Baudelaire (trans. Roy Campbell)

     Within the shelter of black yews
    The owls in ranks are ranged apart
    Like foreign gods, whose eyeballs dart
    Red fire. They meditate and muse.

    Without a stir they will remain
    Till, in its melancholy hour,
    Thrusting the level sun from power,
    The shade establishes its reign.

    Their attitude instructs the sage,
    Content with what is near at hand,
    To shun all motion, strife, and rage.

    Men, crazed with shadows that they chase,
    Bear, as a punishment, the brand
    Of having wished to change their place.

     

    S7E6: "Love Poem" by John Frederick Nims

    S7E6: "Love Poem" by John Frederick Nims
    In this seventh season, we are reading six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "Love Poem" by John Frederick Nims. Poem begins at timestamp 5:52.

    Love Poem

    by John Frederick Nims

    My clumsiest dear, whose hands shipwreck vases,
    At whose quick touch all glasses chip and ring,
    Whose palms are bulls in china, burs in linen,
    And have no cunning with any soft thing

    Except all ill-at-ease fidgeting people:
    The refugee uncertain at the door
    You make at home; deftly you steady
    The drunk clambering on his undulant floor.

    Unpredictable dear, the taxi drivers' terror,
    Shrinking from far headlights pale as a dime
    Yet leaping before apopleptic streetcars—
    Misfit in any space. And never on time.

    A wrench in clocks and the solar system. Only
    With words and people and love you move at ease;
    In traffic of wit expertly maneuver
    And keep us, all devotion, at your knees.

    Forgetting your coffee spreading on our flannel,
    Your lipstick grinning on our coat,
    So gaily in love's unbreakable heaven
    Our souls on glory of spilt bourbon float.

    Be with me, darling, early and late. Smash glasses—
    I will study wry music for your sake.
    For should your hands drop white and empty
    All the toys of the world would break.

    The Well Read Poem
    enFebruary 14, 2022

    S7E5: "O Tell Me the Truth About Love" by W. H. Auden

    S7E5: "O Tell Me the Truth About Love" by W. H. Auden
    In this seventh season, we are reading six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "O Tell Me the Truth About Love" by W. H. Auden. Poem begins at timestamp 3:13.

    O Tell Me the Truth About Love

    by W. H. Auden

    Some say love's a little boy,
    And some say it's a bird,
    Some say it makes the world go around,
    Some say that's absurd,
    And when I asked the man next-door,
    Who looked as if he knew,
    His wife got very cross indeed,
    And said it wouldn't do.

    Does it look like a pair of pyjamas,
    Or the ham in a temperance hotel?
    Does its odour remind one of llamas,
    Or has it a comforting smell?
    Is it prickly to touch as a hedge is,
    Or soft as eiderdown fluff?
    Is it sharp or quite smooth at the edges?
    O tell me the truth about love.

    Our history books refer to it
    In cryptic little notes,
    It's quite a common topic on
    The Transatlantic boats;
    I've found the subject mentioned in
    Accounts of suicides,
    And even seen it scribbled on
    The backs of railway guides.

    Does it howl like a hungry Alsatian,
    Or boom like a military band?
    Could one give a first-rate imitation
    On a saw or a Steinway Grand?
    Is its singing at parties a riot?
    Does it only like Classical stuff?
    Will it stop when one wants to be quiet?
    O tell me the truth about love.

    I looked inside the summer-house;
    It wasn't over there;
    I tried the Thames at Maidenhead,
    And Brighton's bracing air.
    I don't know what the blackbird sang,
    Or what the tulip said;
    But it wasn't in the chicken-run,
    Or underneath the bed.

    Can it pull extraordinary faces?
    Is it usually sick on a swing?
    Does it spend all its time at the races,
    or fiddling with pieces of string?
    Has it views of its own about money?
    Does it think Patriotism enough?
    Are its stories vulgar but funny?
    O tell me the truth about love.

    When it comes, will it come without warning
    Just as I'm picking my nose?
    Will it knock on my door in the morning,
    Or tread in the bus on my toes?
    Will it come like a change in the weather?
    Will its greeting be courteous or rough?
    Will it alter my life altogether?
    O tell me the truth about love.

    The Well Read Poem
    enFebruary 07, 2022

    S7E4: Remember Me by Christina Rossetti

    S7E4: Remember Me by Christina Rossetti
    In this seventh season, we are going to read six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "Remember Me" by Christina Rossetti. Poem begins at timestamp 6:04.

    Remember Me

    by Christina Rossetti
     
    Remember me when I am gone away,
             Gone far away into the silent land;
             When you can no more hold me by the hand,
    Nor I half turn to go yet turning stay.
    Remember me when no more day by day
             You tell me of our future that you plann'd:
             Only remember me; you understand
    It will be late to counsel then or pray.
    Yet if you should forget me for a while
             And afterwards remember, do not grieve:
             For if the darkness and corruption leave
             A vestige of the thoughts that once I had,
    Better by far you should forget and smile
             Than that you should remember and be sad.
    The Well Read Poem
    enJanuary 31, 2022

    S7E3: "Mother, I cannot Mind my Wheel" by Walter Savage Landor

    S7E3: "Mother, I cannot Mind my Wheel" by Walter Savage Landor
    In this seventh season, we are going to read six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "Mother, I cannot Mind my Wheel" by Walter Savage Landor. Poem begins at timestamp  .

    Mother, I cannot Mind my Wheel

    BY WALTER SAVAGE LANDOR
     
    Mother, I cannot mind my wheel;
    My fingers ache, my lips are dry:
    Oh! if you felt the pain I feel!
    But Oh, who ever felt as I!
     
    No longer could I doubt him true;
    All other men may use deceit:
    He always said my eyes were blue,
    And often swore my lips were sweet.
    The Well Read Poem
    enJanuary 24, 2022

    S7E2: "Sonnet 130: My Mistress' Eyes Are Nothing Like the Sun" by William Shakespeare

    S7E2: "Sonnet 130: My Mistress' Eyes Are Nothing Like the Sun" by William Shakespeare

    In this seventh season, we are going to read six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "Sonnet 130: My Mistress' Eyes Are Nothing Like the Sun" by William Shakespeare. Poem begins at timestamp 5:13.

    Sonnet 130: My Mistress' Eyes Are Nothing Like the Sun

    by William Shakespeare

    My mistress' eyes are nothing like the sun;
    Coral is far more red than her lips' red;
    If snow be white, why then her breasts are dun;
    If hairs be wires, black wires grow on her head.
    I have seen roses damasked, red and white,
    But no such roses see I in her cheeks;
    And in some perfumes is there more delight
    Than in the breath that from my mistress reeks.
    I love to hear her speak, yet well I know
    That music hath a far more pleasing sound;
    I grant I never saw a goddess go;
    My mistress, when she walks, treads on the ground.
       And yet, by heaven, I think my love as rare
       As any she belied with false compare.

    S7E1: "A Farewell to Arms" by George Peele

    S7E1: "A Farewell to Arms" by George Peele

    In this seventh season, we are going to read six poems about romantic love. Love may seem to be the most fundamental subject for poetry, but interestingly, it is not. When we consider the great poetic traditions of almost any people, we find that love is by no means the first matter that has inspired their poets. The poems we will read together come from several different periods in time, and I would like to examine, among other things, how the language of romance has changed in the English-speaking world over the centuries. Today's piece is "A Farewell to Arms" by George Peele. Poem begins at timestamp 5:28.

    A Farewell to Arms

    by George Peele

    HIS golden locks Time hath to silver turn’d;
        O Time too swift, O swiftness never ceasing!
    His youth ’gainst time and age hath ever spurn’d,
        But spurn’d in vain; youth waneth by increasing:
    Beauty, strength, youth, are flowers but fading seen;
    Duty, faith, love, are roots, and ever green.

    His helmet now shall make a hive for bees;
        And, lovers’ sonnets turn’d to holy psalms,
    A man-at-arms must now serve on his knees,
        And feed on prayers, which are Age his alms:
    But though from court to cottage he depart,
    His Saint is sure of his unspotted heart.

    And when he saddest sits in homely cell,
        He’ll teach his swains this carol for a song,—
    ‘Blest be the hearts that wish my sovereign well,
        Curst be the souls that think her any wrong.’
    Goddess, allow this aged man his right
    To be your beadsman now that was your knight.

    S6E6: "A Sonnet (Two Voices Are There)" By James Kenneth Stephenson

    S6E6: "A Sonnet (Two Voices Are There)" By James Kenneth Stephenson

    In this sixth season of The Well Read Poem, we will read a number of examples of classic satire in verse. English poetry is particularly rich in satire, and we will take a close look at some of the best instances of literary mockery that the past several centuries have bequeathed to us. Some of these are playfully teasing, while
    others are deliberately savage. All of them taken together, I trust, will provide a happy introduction to the fine art of verbal annihilation. Today’s poem is "A Sonnet (Two Voices Are There)" by James Kenneth Stephenson. Poem begins at timestamp 3:51.

    A Sonnet (Two Voices Are There)

    by James Kenneth Stephenson

    Two voices are there: one is of the deep;
    It learns the storm-cloud's thunderous melody,
    Now roars, now murmurs with the changing sea,
    Now bird-like pipes, now closes soft in sleep:
    And one is of an old half-witted sheep
    Which bleats articulate monotony,
    And indicates that two and one are three,
    That grass is green, lakes damp, and mountains steep:
    And, Wordsworth, both are thine: at certain times
    Forth from the heart of thy melodious rhymes,
    The form and pressure of high thoughts will burst:
    At other times -- good Lord! I'd rather be
    Quite unacquainted with the A.B.C.
    Than write such hopeless rubbish as thy worst.

    S6E5: “A Satire Against Mankind” by John Wilmot, Earl of Rochester

    S6E5: “A Satire Against Mankind” by John Wilmot, Earl of Rochester

    In this sixth season of The Well Read Poem, we will read a number of examples of classic satire in verse. English poetry is particularly rich in satire, and we will take a close look at some of the best instances of literary mockery that the past several centuries have bequeathed to us. Some of these are playfully teasing, while others are deliberately savage. All of them taken together, I trust, will provide a happy introduction to the fine art of verbal annihilation. Today’s poem is  a selection from “A Satire Against Mankind” by John Wilmot, Earl of Rochester. Poem begins at timestamp 3:50.

    Selection from “A Satire Against Mankind” 

    by John Wilmot, Earl of Rochester

    Were I - who to my cost already am

    One of those strange, prodigious creatures, man - 

    A spirit free to choose for my own share

    What sort of flesh and blood I pleased to wear, 

    I'd be a dog, a monkey, or a bear,

    Or anything but that vain animal,

    Who is so proud of being rational.




    His senses are too gross; and he'll contrive 

    A sixth, to contradict the other five;

    And before certain instinct will prefer 

    Reason, which fifty times for one does err. 

    Reason, an ignis fatuus of the mind,

    Which leaving light of nature, sense, behind,

    Pathless and dangerous wand'ring ways it takes, 

    Through Error's fenny bogs and thorny brakes;

    Whilst the misguided follower climbs with pain 

    Mountains of whimsey's, heaped in his own brain; 

    Stumbling from thought to thought, falls headlong down, 

    Into Doubt's boundless sea where, like to drown,

    Books bear him up awhile, and make him try 

    To swim with bladders of Philosophy;

    In hopes still to o'ertake the escaping light; 

    The vapour dances, in his dancing sight,

    Till spent, it leaves him to eternal night. 

    Then old age and experience, hand in hand, 

    Lead him to death, make him to understand, 

    After a search so painful, and so long,

    That all his life he has been in the wrong:




    Huddled In dirt the reasoning engine lies,

    Who was so proud, so witty, and so wise.

    S6E4: “To a Poet, Who Would Have Me Praise Certain Bad Poets, Imitator of His and Mine” by William Butler Yeats

    S6E4: “To a Poet, Who Would Have Me Praise Certain Bad Poets, Imitator of His and Mine” by William Butler Yeats

    In this sixth season of The Well Read Poem, we will read a number of examples of classic satire in verse. English poetry is particularly rich in satire, and we will take a close look at some of the best instances of literary mockery that the past several centuries have bequeathed to us. Some of these are playfully teasing, while others are deliberately savage. All of them taken together, I trust, will provide a happy introduction to the fine art of verbal annihilation. Today’s poem is “To a Poet, Who Would Have Me Praise Certain Bad Poets, Imitator of His and Mine” by William Butler Yeats. Poem begins at timestamp 7:01.

    To a Poet, Who Would Have Me Praise Certain Bad Poets, Imitator of His and Mine

    by William Butler Yeats

    YOU say, as I have often given tongue
    In praise of what another's said or sung,
    'Twere politic to do the like by these;
    But was there ever dog that praised his fleas?

    S6E3: "Zimri" from "Absalom and Achitophel" by John Dryden

    S6E3: "Zimri" from "Absalom and Achitophel" by John Dryden

    In this sixth season of The Well Read Poem, we will read a number of examples of classic satire in verse. English poetry is particularly rich in satire, and we will take a close look at some of the best instances of literary mockery that the past several centuries have bequeathed to us. Some of these are playfully teasing, while others are deliberately savage. All of them taken together, I trust, will provide a happy introduction to the fine art of verbal annihilation. Today’s selection is from a longer piece called Absalom and Achitophel, by John Dryden. This passage titled Zimri is a satirical character sketch of the Duke of Buckingham. Poem begins at timestamp 5:19.

    "Zimri" from "Absalom and Achitophel"

    by John Dryden

    A numerous host of dreaming saints succeed;
    Of the true old enthusiastic breed:
    'Gainst form and order they their pow'r employ;
    Nothing to build, and all things to destroy.
    But far more numerous was the herd of such,
    Who think too little, and who talk too much.
    These, out of mere instinct, they knew not why,
    Ador'd their father's God, and property:
    And by the same blind benefit of fate,
    The Devil and the Jebusite did hate:
    Born to be saved even in their own despite;
    Because they could not help believing right.
    Such were the tools; but a whole Hydra more
    Remains, of sprouting heads too long, to score.
    Some of their chiefs were princes of the land:
    In the first rank of these did Zimri stand:
    A man so various, that he seem'd to be
    Not one, but all Mankind's Epitome.
    Stiff in opinions, always in the wrong;
    Was everything by starts, and nothing long:
    But in the course of one revolving moon,
    Was chemist, fiddler, statesman, and buffoon:
    Then all for women, painting, rhyming, drinking;
    Besides ten thousand freaks that died in thinking.
    Blest madman, who could every hour employ,
    With something new to wish, or to enjoy!
    Railing and praising were his usual themes;
    And both (to show his judgment) in extremes:
    So over violent, or over civil,
    That every man, with him, was god or devil.
    In squandering wealth was his peculiar art:
    Nothing went unrewarded, but desert.
    Beggar'd by fools, whom still he found too late:
    He had his jest, and they had his estate.
    He laugh'd himself from court; then sought relief
    By forming parties, but could ne'er be chief:
    For, spite of him, the weight of business fell
    On Absalom and wise Achitophel:
    Thus, wicked but in will, of means bereft,
    He left not faction, but of that was left.

    S6E2: "Atticus" by Alexander Pope

    S6E2: "Atticus" by Alexander Pope

    In this sixth season of The Well Read Poem, we will read a number of examples of classic satire in verse. English poetry is particularly rich in satire, and we will take a close look at some of the best instances of literary mockery that the past several
    centuries have bequeathed to us. Some of these are playfully teasing, while others are deliberately savage. All of them taken together, I trust, will provide a happy introduction to the fine art of verbal annihilation. Today’s poem is a portrait piece by the preeminent neoclassical poet, Alexander Pope. Poem begins at timestamp 13:38.

    Atticus

    by Alexander Pope

    Peace to all such! but were there one whose fire
    True genius kindles, and fair fame inspires;

    Blest with each talent, and each art to please,
    And born to write, converse, and live with ease
    Should such a man, too fond to rule alone,
    Bear, like the Turk, no brother near the throne,
    View him with scornful, yet with jealous eyes,
    And hate for arts that caused himself to rise;

    Damn with faint praise, assent with civil leer,
    And, without sneering, teach the rest to sneer;
    Willing to wound, and yet afraid to strike,
    Just hint a fault, and hesitate dislike;
    Alike reserved to blame, or to commend,
    A timorous foe, and a suspicious friend;
    Dreading e'en fools, by flatterers besieged,
    And so obliging, that he ne'er obliged;
    Like Cato, give his little senate laws,
    And sit attentive to his own applause:
    While wits and Templars every sentence raise.
    And wonder with a foolish face of praise--

    Who but must laugh, if such a man there be?
    Who would not weep, if Atticus were he?

    S6E1: "On a General Election" by Hilaire Belloc

    S6E1: "On a General Election" by Hilaire Belloc

    Welcome to Season 6 of The Well Read Poem podcast. In this season we will explore a series of satirical poems. Satire has been defined as literary ridicule or literary correction. This week’s selection is by the rather prolific author Hilaire Belloc who was once a politician who himself became a critic of politics.
    Poem begins at timestamp 7:30.

    On a General Election

    by Hilaire Belloc

    The accursed power which stands on Privilege
    (And goes with Women, and Champagne and Bridge)
    Broke — and Democracy resumed her reign:
    (Which goes with Bridge, and Women and Champagne).

    S5E6: "Summer Evening" by Walter de la Mare

    S5E6: "Summer Evening" by Walter de la Mare

    Welcome to Season 5 of The Well Read Poem with poet and classicist Thomas Banks. Throughout this season, we will be exploring the poetry of Walter de la Mare. De la Mare was a great Gothic writer and was very interested in the atmosphere of the uncanny. Poem begins at timestamp 2:50. Check out our sister podcast, The Literary Life Podcast, for more great discussions of literature!

    Summer Evening

    By Walter de la Mare

    The sandy cat by the Farmer's chair
    Mews at his knee for dainty fare;
    Old Rover in his moss-greened house
    Mumbles a bone, and barks at a mouse;
    In the dewy fields the cattle lie
    Chewing the cud 'neath a fading sky;
    Dobbin at manger pulls his hay:
    Gone is another summer's day.
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