Warfare of Art & Law Podcast

Show Notes:
0:00 M.C. Sungaila discussing history / preservation of space exploration
1:50 Sungaila’s Portia Project Podcast interview with Space Law Expert Michelle Hanlon
2:45 Sungaila’s experience with University of Mississippi School of Law’s Air and Space Program
5:30 unclear language related to space law
8:00 mining on the moon
9:40 lessons from Holocaust-era restitution cases like Cassirer v. Thyssen-Bornemisza Collection Foundation
12:30 For All Moonkind
13:30 International Symposium on Cultural Heritage in War and Peace: Tangible and Intangible Cultural Heritage through Past, Present and Future
16:45 Sungaila’s proposed framework to create space cultural heritage commission
22:45 The Artemis Accords
24:50 Italian Opera added to UNESCO intangible cultural heritage list
25:15 treaty requiring registration of space objects
25:35 For All Moonkind’s moon registry
26:10 One Small Step To Protect Human Heritage in Space Act
27:40 Sungaila’s projection
29:30 Dubai space court
31:25 urgency of space cultural heritage preservation
32:40 definition of justice
35:40 9th Cir's 9 Jan 2024 opinion in Cassirer and the question of ethics and law
39:45 Mismatch between domestic law and international obligations
42:10 Institute on Space Law and Ethics
44:00 issues related to satellites, drones, air taxis

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover image by Nosrat Tarighi of Sanjay Sethi at an AFI event entitled Revolutions and Movements

To learn more, please visit the sites for Artistic Freedom Initiative and Sethi & Mazaheri, LLC.

Show Notes:

2:00 overview of Sethi’s background and work as Founding Partner of Sethi & Mazaheri, LLC and Co-Executive Director of Artistic Freedom Initiative (AFI)
3:45 genesis and mission of AFI
5:00 AFI’s services
8:00 AFI’s residency program
9:00 AFI’s Artists for Social Change
9:45 challenges to helping artists
13:00 AFI’s creation of a sponsorship model
13:30 AFI’s program in Germany
15:00 determination of artists in imminent danger
16:20 assistance for female artists
18:20 university placements for female artists
18:40 the New School’s fellowships for Afghan artists at risk
19:00 Germany’s program for artists at risk
21:00 Journals of Exile at the Berliner Ensemble
22:10 programs through AFI’s Artists For Social Change
23:45 Brazilian Singer Songwriter Bia Ferreira
25:20 AFI’s Afghan Artists Protection Project & Iranian Artists Support Project
27:00 challenges of single intent visas like student visas and O-1 visas
28:30 denial of entry based on immigration intent for Afghan versus Iranian artists 
30:00 applications from Myanmar, Egypt, Nicaragua, India and particular Kashmir
31:00 impact of prior and upcoming elections 
31:30 Poland shifted back to center left with loss of Law and Justice (PiS) party
31:50 Slovakia’s election of Robert Fico with agenda similar to Hungary’s Viktor Orbán
32:00 Slovenia’s election of liberal Robert Golob
32:10 Brazil’s election of leftist former president, defeating Pres. Jair Bolsonaro
32:15 Indian PM Narendra Modi’s Hindu Nationalist Party projected to win 
32:30 elections in Italy and the Netherlands
32:45 new and different threats to cultural sectors globally
33:00 AfI’s Artistic Freedom Monitor - initial reports on Poland and Hungary
36:00 regimes replaced museum/cultural institution heads with right wing politicians
36:00 Curation of shows under those regimes would conform to nationalist ideals
37:25  defunding anti-regime institutions or anti-Catholic in Poland 
37:50 intimidation of non-conforming artists
38:10 Poland’s use of blasphemy law to criminally charge non-conforming artists
38:00 chilling effect of such subversive mechanisms 
39:15 AFI’s position that arts decisions should be merits-based and non-ideological   
39:30 response to Artistic Freedom Monitor’s reports
40:00 erroneous belief that arts are inconsequential in public & political dialogue 
41:35 elevation of AFI’s advocacy efforts to an international forum 
44:00 collaboration to lobby for artistic and creative freedom
45:00 impact of artificial intelligence 
47:50 legacy of his work
49:50 how his notion of justice has evolved

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Show Notes:
2:00 Dr. Joanna Sliwa’s background
4:20 Dr. Elizabeth White’s background 
5:20 Majdanek concentration camp
8:00 1989 - White received the manuscript of Dr. Janina Mehlberg’s unpublished memoir from Dr. Arthur Funk
10:30 Dr. Janina Mehlberg’s humanitarian work in Polish concentration camp during WWII
12:20 Mehlberg’s alias as Countess Suchodolska
13:30 2018 - Dr. Joanna Sliwa began work with Dr. White to research Mehlberg's memoir
15:00 reading from The Counterfeit Countess
20:00 balance of co-authoring The Counterfeit Countess
22:20 research process
24:00 surprises from the research 
27:45 Countess Karolina Lanckorońska
30:30 Saturnina Malm
33:30 Dr. Stefania Perzanowska 
35:00 view of women’s roles during war and instances of persecution 
38:00 empathic approach of Mehlberg as a model for today
42:00 propoganda
46:00 individual ways to address hate
49:00 justice
51:45 legacy
54:30 Sliwa’s focus on marginalized groups, including future volume on experiences of older jews before, during and after the Holocaust  

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Show Notes:

1:00 overview of thesis topic
3:00 2018 music video at the Louvre by Beyoncé and Jay Z 
3:55 Advertising campaign by Louis Vuitton that featured Joan Mitchell paintings
6:00 2020 Uffizi promotional campaign to promote Botticelli exhibition
7:25 Uffizi’s TikTok account posting with Dua Lipa 
8:10 criticism of Uffizi campaigns
9:20 Approaches by EU and UK
11:20 Influencer marketing
14:35 EU Directive
30:10 Italian approach 
33:00 liability under Italian case law and consumer code
35:30 historical events that caused Gallo’s choice on research and thesis
37:00 Emily Gould
38:20 Alan Robertshaw 
43:15 risks and contractual issue with fees
46:20 Gould
47:45 Gallo on InstaGram disclosure 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more, please have a look at Dr. Ercolani's book, The Maidan Museum: Preserving the Spirit of Maidan.
Show Notes:
1:00 Ercolani’s background
3:50 Ercolani’s focus of Ukraine
6:40 research and writing The Maidan Museum: Preserving the Spirit of Maidan
11:40 new Maidan language created that includes symbols
14:45 portraits by Marina Sochenko
16:50 Yulia Ovcharenko
17:45 Tatyana Cheprasova
18:20 Cheprasova’s use of Caravaggio 
19:00 Oleksandr Ivanovych Melnyk’s “I Can See Your Deeds”
19:45 Melnyk’s “I Can See Your Deeds”
20:25 French anthropologist Marc Augé - ‘anthropology of encounter’
21:15 Marina Sochenko’s art as documentation
21:55 Artistic Hundreds group
22:15 Artist Ivan Semesyuk with Artistic Hundreds
26:15 Kandinsky quote that artists are receivers and beneficiaries
28:15 Maidan art and a new world order
33:45 NATO
36:45 Maidan revolution and the current war
41:00 memory of identify and identity war
42:05 author Andrey Kurkov’s move to Ukraine to have the identity of Ukrainians
43:25 significant of preserving art and cultural heritage in times of conflict
47:00 his legacy 
49:50 his definition of justice
51:15 the constitution of Melfi by Emperor Frederick II
53:15 link between Russian-Ukraine War and Maidan Revolution
58:45 next projects focused on conflict in society
1:00:30 anthropological identity work tied to art and cultural heritage
1:02:30 artist seen as enemy

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Featuring excerpts from Episode 121, an interview with Dr. Samson Munn and musical composition by Toulme, Copyright 2023.

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover Photo of David Newhoff by Sean Mekas

To learn more, please visit Mr. Newhoff's site as well as his blog, The Illusion of More.

Show Notes:

1:45 Newhoff’s background 

4:15 impetus to write Who Invented Oscar Wilde?: The Photograph at the Center of Modern American Copyright? 

6:15 SCOTUS’s Warhol decision

10:00 Sarony’s input compared with and AI users’ input

14:00 Newhoff’s comments to USCO’s NOI and Request for Comments

17:20 compulsory licensing scheme

18:50 RightsClick

25:45 USCO’s focus on how a work was created (by AI or human) versus leaving that to courts

25:55 feedback on his comments to USCO

32:00 AI copyright lawsuits in the US

36:25 liability for AI training data

40:45 Emily Gould: whether training involves making copies, EU exception for copies

43:00 whether US copyright is still fit for purpose in light of issues raised by AI

44:20 work “in the style of” 

48:40 Deborah Roberts vs Lynthia Edwards - suit over collage works

52:30 Alan Robertshaw: threshold of infringing work versus transformative work

54:50 why use AI to create artwork

56:45 NFT hype

57:35 the legacy Newhoff hopes to be creating 

58:50 Newhoff’s view of justice 

1:01:00 status of Allen v. Cooper and Allen’s pending constitutional takings claim

1:04:00 camouflage patents

1:05:20 change from allowing IP claims against states to decision that Congress does not have that authority and 11th Amendment’s restriction of individuals bringing suit against states controlled 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover Image:  Self-Portrait, oil on canvas by Jacob Mącznik.

To learn more, please visit the website for Jacob Mącznik, the Lost Art Database page for Mącznik's Still Life with Fish,  The Austrian Encounter and the trailer to The Ghosts of the Third Reich.

Show Notes:

0:00 Dr. Samson Munn discussing Van Ham art auctionhouse

1:45 Munn’s background

2:50 history of Holocaust-related dialogue with Dan Bar-On

4:00 Children of the Third Reich

4:20 Austrian dialogue group 

4:35 Ghosts of the Third Reich

6:00 second group, The Encounter 

7:45 Dan Bar-On’s book Fear and Hope

12:00 examples from dialogue groups

17:15 Munn’s initial motivation to start dialogue group - emotional responsibility 

24:40 Munn’s dialogue work in Northern Ireland

27:25 dialogue work with descendants of displaced indigenous peoples

28:50 preparation for dialogue group facilitators 

32:20 screening individuals for dialogue groups

33:45 Israeli, Polish and German citizenship

44:30 Jacob Mącznik’s work 

1:00:00 Van Ham auctionhouse

1:06:00 Parisian archive research

1:11:00 Munn’s research of other artists from the Paris School

1:12:30 female artists from the Paris School

1:14:30 Mącznik catalogue raisonne

1:17:00 legacy that Munn is working to create

1:19:30 justice

1:22:30 Israeli PM Netanyahu

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Show Notes:

0:00 Yelena Khajekian

1:30 Warhol v Goldsmith decision by SCOTUS 

3:00 USCO NOI’s Question 8

4:00 Google LLC v. Oracle America, Inc., 593 U.S. ___ (2021)

4:20 liability question

4:45 Emily Gould - fair use

6:30 Alan Robertshaw - Warhol court’s focus on use of the work

7:50 Khajekian - artists’ perspective on Warhol decision

9:00 Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994)

10:20 confusion of fair use analysis and court’s aesthetic analysis

12:00 USCO NOI’s Question about fair use 

13:00 Robertshaw - UK’s fair dealing analysis

15:50 Gould - big players like Getty 

17:45 text and data mining exception

20:10 Drawdy - private contracting as a solution

21:00 Robertshaw - Getty

22:15 Khajekian - conceptual art

25:55 Warhol’s 2 Cir decision 

26:50 Gould & Khajekian - Richard Prince decision held not fair use

27:20 Khajekian - equity issue

28:40 Gould - UK courts’ emphasis on purpose, e.g., Stormtrooper helmet case 

30:30 Drawdy - amount and substantiality of use

31:10 Gould - Australian case about Men at Work’s use of folk song Kookaburra in its pop song Down Under

32:20 Robershaw - dispute over Vanilla Ice’s Ice Ice Baby

33:00 Ed Sheeran  

34:15 Getty case pending in UK

35:00 Khajekian - international versus US issues 

37:30 Robershaw - test that contemplates level of effort or end result regarding AI output

40:30 Gould - risks involved with AI

40:50 EU’s application-based approach 

41:10 AI for medical applications

41:55 detecting forgeries will still require humans, e.g., conflicting AI results regarding Raphael

42:50  implicit bias in AI

43:15 dogs detecting forgeries 

43:40 chickens detecting shapes

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover art: Martha Szabo, Rooftops in Snow 11, oil on linen, 24 x 35 in., circa 1964

To learn more, please visit the sites for Martha Szabo and MSeum.

Show Notes:

0:00 Art historian Kathleen Hulser

1:30 Journalist Julia Szabo’s motivation to work on Martha Szabo’s body of work

4:30 MSeum to be built in the Catskills

5:00 National Association of Women in Construction

7:50 Justice for unknown female artists

11:15 Museum’s mission related to blind and low-vision visitors

13:45 Sculpture Robin Antar’s limestone sculpture of Szabo’s “Red Sunset”

15:20 Legacy to be created with MSeum includes redefining storage

16:45 Visible storage space

18:30 Julia Szabo’s parents

19:45 ‘Mother Artist’ field of scholarship

20:00 Author Hettie Judah

21:20 Reception for Martha Szabo’s exhibition Up On the Roof

22:10 Artist Christina Massey

23:20 Museum’s director Kathleen Hulser

24:30 “Up On the Roof” exhibition curated by Hulser

26:00 “Incorrigibles” trans media project

27:45 MSeum’s creation and mission

34:15 Hulser’s scope a MuSeum

36:45 Martha Szabo’s background and how it impacted her work 

43:15 Feedback about Martha Szabo’s solo exhibition Up On The Roof: Liberation, Transformation, Celebration

49:35 MSeum and exhibitions like “Up On The Roof” role in bringing some historical justice for female creatives

52:10 David Richard Gallery

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover art by Donald "C-Note" Hooker: top image "Cell Time" (2019); bottom image "During the Flood" (2017)

To learn more, please visit the sites for Donald "C-Note" Hooker and Art for Redemption.

Show Notes:
0:00 Anna D. Smith discussing C-Note Hooker’s artwork entitled “During the Flood”
1:20 Smith’s background
3:15 Smith’s work as a court advocate
4:00 Smith’s adoption of son, Emmanuel 
4:45 Smith’s contact with artist Donald “C-Note” Hooker
5:55 Art for Redemption coffee book
6:10 C-Note’s work related to social justice
6:45 “During the Flood” aka “Count Time”
7:50 California prison built on flood-prone areas 
8:45 compensation for incarcerated workers
11:00 Smith’s efforts to sell C-Note’s artwork
11:45 billboards “Incarceration Nation” and “Look Up Hope and Beauty”
12:20 “Colored Girl Warhol”
13:20 Billboard events to raise awareness about issues for the individuals in the system, the homeless, parolees 
14:10 “Incarceration Nation”
14:50 misconceptions about individuals in the system
16:45 defining justice and amendment of the 13th Amendment 
19:00 power of imagery to impact social awareness about issues with the system
20:30 legacy and need for connections
21:00 Martin Luther King’s inspiration to love one’s enemies
24:00 incarcerated individual who entered contest about rehabilitation 
27:00 view of justice for Smith began with her father’s work as teacher of economics to those incarcerated
30:30 Vanity Fair article 
32:00 importance of the arts in the system 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more and support Vacant to Visual artists, please visit the CityKey website.

To reach out and learn more about Ernest Chrappah's work, please visit his website.

Show notes:

0:00 Ernest Chrappah
1:10 Chrappah’s background
4:00 Washington DC’s Vacant to Visual program
9:00 artists included in the Vacant to Visual program
9:50 Nia Keturah Calhoun
11:15 “Ro” Stephenson
12:00 Vacant to Visual NFTs
13:40 feedback from Vacant to Visual program
16:20 Vacant to Visual program as a model for other cities
18:20 his view on how art can be used to create a more just society
20:45 his defintiion of justice
23:15 future work
25:30 AI policy
28:30 Vacant To Visual Site and Vacant to Visual NFT purchase cite

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more, please visit the website for the #lastseen project.

SHOW NOTES:

0:00 Katharina Menschick on the response to #lastseen project

3:00 Menschick – research associate in Arolsen Archives’ historical research department dealing with digital memory projects, digital archival projects and archival theory

3:20 Dr. Christoph Kreutzmüller – historian with Arolsen Archives and House of the Wannsee Conference in Berlin

3:45 mission of the #lastseen initiative

5:00 missing deportation photographs 

6:00 deportation photographs found by American GI and returned during Nuremberg trials

7:00 request for deportation photographs

7:20 types of deportation photographs 

8:30 Eisenach deportation – Magda Katz 

9:00 U.S. Holocaust Memorial Museum research – donor identified uncle in photograph 

11:15 deportation from Dr. Kreutzmüller’s hometown

12:30 questions about why photographers took the deportation photos

13:00 spectatorship / audience of the photographs

14:20 importance of photographs as a historical source

14:45 virtual interactive educational resource

16:45 German high school pupils’ assistance in developing educational resource

18:10 difficulty of discussing bystanders 

19:30 photographs invite reflection 

22:00 historical transparency by telling what they don’t know 

25:00 giving context to photographs 

28:30 gaze of those photographed

29:15 propaganda film in Warsaw Ghetto

30:20 legacy of their work 

32:15 definition of justice – striving for fairness

33:00 real restoration cannot be achieved

34:00 doing justice to the photographs and to those in the photographs

34:45 restitution through archives 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

 SHOW NOTES:
0:00 Alan Robertshaw
1:00 Emily Gould - overview of AI historical development
2:30 first phase - 1950s Alan Turing - machines do what they are told
3:10 second phase - machine learning creating models using data and develop methods to make decisions / predictions based on that data
3:50 third phase - deep learning usually using neural networks to mimic the human brain
4:50 GANs - part of third phase that involve generator and discriminator algorithms
5:55 Obvious’ Portrait of Edmond de Belamy
6:40 Robbie Barrett’s code used by Obvious
8:40 unpredictability in the deep learning phase 
9:25 different tests applied to determine if a machine is intelligent
9:55 Turing test - machine is intelligent if you can’t tell the difference between responses by a human and a machine
10:10 Lovelace test - machine is intelligent if you can’t explain machine’s answer
11:20 ‘Alpha Go’ algorithm
13:30 uses of AI
14:20 huge training data sets
15:50 major risks with AI include copyright
17:10 privacy and data protection
17:20 transparency - deep fake
17:40 bias amplification
18:15 MIT researcher Joy Buolamwini’s work with facial analysis software
19:45 UK’s pro-innovation approach to AI
21:45 text and data mining (TDM) exception only for non-commercial use - proposal to expand to commercial use
24:25 Nov 2022 government decided not to expand TDM exception to commercial use
24:55 UK Pro-innovation Regulation of Technologies Review
26:45 A pro-innovation approach to AI regulation policy paper  - no legislation in the short term, no move to central regulatory body for AI
29:30 AI described in UK white paper as including autonomy and adaptivity
32:25 Global Summit on AI Safety
32:45 EU AI Act with risk—based approach - June 2023 signed off by Parliament; final conclusions expected late 2023; operational circa 2026
36:35 US - AI suits pending
37:00 Robbie Barrett
38:00 opt in versus opt out policy
39:20 Senate testimony regarding UK’s AI advances
40:15 US Task Force on AI Policy proposed; Privacy Consumer Protection Framework
40:45 Getty v. Stability AI suits in US and UK
41:25 2024 elections and AI
44:00 Alan Robertshaw’s case with Getty
47:05 Gould: AI voice scam
48:00 Robertshaw: AI uses
50:20 AI medical screening
53:00 consciousness
56:00 Artist Sofia Crespo’s work with natural history
56:30 Lines and Bones by artist Iskra Velitchkova
56:50 Dawn Chorus Alexandra Daisy Ginsberg
57:30 projection for how artists in the UK will address AI issues 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more, please visit the sites for Sojourn Theatre, One Nation/One Project, and the Undoing Time: Art and Histories of Incarceration exhibition. 

Cover Photograph: "Rohd co-facilitating an arts convening in Boston this past fall with Nicole Brewer and musicians from Silkroad Ensemble"

Show Notes:

3:45 Rohd’s background

4:50 'Hope is Vital' project in DC area

7:00 Sojourn Theatre

10:10 2003 disruption in Oregon legislature

11:50 'Witness Our Schools' project - role of public education today 

14:30 impact of bringing voices in and building relationships for a different kind of dialogue

15:15 criteria for success of arts-based work around civic issues 

16:10 One Nation / One Project rooted in post-Great Depression Federal Theater project

22:15 local community involvement centered on building relationships

25:30 approach to critics of social-based arts programs

28:10 Center for Performance and Civil Practice (CPCP) - collective of 9 

33:45 Undoing Time: Art and Histories of Incarceration exhibition with Arizona State University Art Museum Director Miki Garcia (Episode 79)

37:45 choreography / dramaturgy for Undoing Time

40:20 questions posed in Undoing Time

42:10 future project for the cards created from Undoing Time 

44:45 aspect of justice included in the question he focuses on: who are we responsible for?

47:30 influence of teachers that led Rohd to his current work

49:50 legacy 

51:30 Co-Lab for Civic Imagination in Montana

53:50 ‘Communities of Care’ model

54:15 Definition of Civic Imagination - like functional democracy

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more, please visit the websites for Jeremy Richter, J.W. Judge, Scarlet Oak Press and The Write Approach podcast.

Show Notes:

1:00 Commercial litigation practice with Gordon Rees

4:00 Sustainable marketing and branding with writing law blog 

5:00 Speaking and presenting at conferences on legal topics

5:20 Writing legal non-fiction on case management, client development

6:20 2018 ABA published book Building A Better Law Practice, 2019 Self published 2nd and third books Stop Putting Out Fires and Level Up Your Law Practice: The Ultimate Guide to Being a Successful Lawyer 

7:40 August 2020 first novel Vulcan Rising

8:20 Research for family story from father’s side of family 

8:50 Grandfather’s father murdered his estranged wife and himself in 1940 

10:45 Research for second novel Seeking Sanctuary in The Zauberi Chronicles set in Germany’s Black Forest

14:30 Lawyerpreneur podcast ran from March 2020 to August 2022

16:50 The Write Approach podcast

18:45 Co-host Barbara Hinske
20:00 The Write Approach podcast episode 6: Dovetailing Creative Ideas and Smart Business Decisions with Kevin Tumlinson and reference to AI

20:45 AI changes

21:50 Chat GPT - rewrite of book blurb

22:40 Chat GPT-3 and Chat GPT-4

23:00 AI’s impact on jobs

24:00 AI for book cover ideas

24:25 Casual Business with Fairies

25:00 5th novel - Castaway meets a murder mystery

26:10 Publishing imprint Scarlet Oak Press

26:50 Do You Draw Pictures by Becki C. Lee (Author), Walter Jaczkowski (Illustrator)

27:35 Should We Shake On It by Becki C. Lee (Author), Walter Jaczkowski (Illustrator)

27:50 Mommy Needs a Minute by Claire E. Parsons & Naomi L. Hudson

29:00 Traditional publishing

31:00 The Write Approach podcast episode 33: From Spicy Romance to Chart-Topping Suspense with Alessandra Torre

31:25 Evolution of his business goals and intent for future work

32:50 Pursuit of multiple careers

34:25 Definition of justice 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover art After World War III, 2020, oil on board, 60 cm x 80 cm, by Farook Mohammed

To learn more, please visit the website for the Afro Arabian Empire.

Show Notes:

00:45 Pan-African mission of his artwork that combines the diversity of Africa

2:30 artwork to promote brotherhood and unity for Africa and the world 

8:00 artwork tells stories that include a focus on identity and gender

10:00 childhood

12:25 social constructs

15:30 power of art

16:00 legacy he want to leave

18:00 under-population of the world

18:40 sustainable development 

19:00 examples of his work 

22:30 women

23:10 Man’s Endeavor

25:00 life outside the earth

26:30 use of AI 

30:30 regulations on use of technology 

32:15 transparency about use of AI to create art

33:00 Chat GPT

34:40 open market 

36:20 used Midjourney for ideas 

38:20 use of AI for bad reasons

39:15 drone technology

40:20 Elon Musk

40:50 After World War III

44:30 claims against S African media houses

47:30 Afro Arabian Empire 

47:55 group exhibition planned for Mantis Boutique 

48:30 Continental Pan-Africa Art Exhibition 

49:45 view of justice 

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more: 18 April 2023 UK Parliament's Digital, Culture, Media and Sport Committee regarding NFTs and the blockchain,  Emily Gould's correspondence following the hearing on several issues touched on by the Committee; and NFT-related posts on the IAL Blog.

Show Notes:
1:15 Beeple sold ”Everydays — The First 5000 Days” for $69 million
2:45 The Art Basel and UBS Global Art Market Report
3:00 current global art market valued at 67.8 billion
3:15 current art-related NFTs valued at $1.5 billion
3:50 collectibles-related NFTs valued at 11.8 billion
5:00 Parliamentary  committee
5:50 NFT life cycle
6:40 NFT defined
10:50 Distributed Ledger Technology
12:20 Ethereum
14:20 Web 1-3
15:50 Metaverse
16:50 holograms
17:35 stakeholders
22:50 resale royalty right
24:00 NFTs taken off chain will break royalty under smart contract
27:15 Flipkick - NFT authentication service
27:25 Artclear -  NFT authentication service
28:00  blockchain and provenance
30:40 fractional ownership
31:40 DAOs
32:40 fractional.art
32:55 Artsect Gallery
34:50 Copyright infringement
37:00 licensing 
37:40 Injective Protocol purchased/burnt Banksy's Morons (White)
38:50 Daystorm posted NFT of Basquiat for sale along with IP rights
39:30 TM infringement - MetaBirkin NFTs
40:30 commercial risks
41:00 NFT platform liability and disclaimers
42:00 EU copyright directive
42:25 Soleymani v. Nifty Gateway
44:10 UK consumer rights act protection for Soleymani
44:30 illicit activity - theft of NFTs or unauthorized minting of NFTs
44:45 ex-OpenSea employee convicted of fraud/money laundering
45:15 Osbourne v Opensea & Tulip Trading Limited v Bitcoin
45:30 property status of NFTs
46:00 money laundering
46:25 financial risks
48:00 tax & estate planning
48:15 environmental concerns
50:00 Whitworth Gallery’s Ancient of Days
51:10 Vacant-To-Visual Program 
52:40  Hirst’s Currency project
54:05 Alan Robertshaw
54:30 Currency project results slightly favored physical works over NFT
55:45 Hirst’s The Beautiful Paintings project
56:35 international body 
57:20 Robershaw 
58:40 conflict between smart contracts and natural term licensing
1:00:30 Robertshaw 
1:01:10 transaction time
1:02:20 "trustless" system actually requires trust

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

To learn more, please visit the websites for the Max Stern Restitution Project, the HEAR Act, the Second Circuit's decision in Zuckerman v. The Metropolitan Museum of Art, the Zurückgeben Foundation and Almost Lost: the Heinemann Legacy (Before, During, and After the Holocaust).

Show Notes:
1:30 Max Stern Art Restitution Project 
2:30 Dr. Max Stern
5:00 Stern’s restitution efforts
8:00 Cancellation of The Max Stern Düsseldorf to Montreal Art Exhibition
9:50 Sales under duress
10:15 Auctions at cut-rate prices as an encouragement to the German people
13:15 Rug in the office of Angela Merkel 
14:20 Russian exhibition of looted German objects
16:00 German Lost Art Foundation 
17:00 Mosse Art Research Initiative - partly funded by German Lost Art Foundation
18:10 Thieves able to give good title under German law
20:40 Hilde Schramm - German politician for Alliance 90/The Greens, daughter of  German architect/Nazi Party official Albert Speer
21:20 The Zurückgeben Foundation - organization started by Schramm
21:45 City of Lüneburg, Germany honored Jewish Heinemann family whose objects were looted 
22:45 Heinemann family donated looted objects back to the Lüneburg Museum
23:20 Holocaust Expropriation Art Recovery (HEAR) Act 
24:40 Second Circuit decision in Zuckerman v. The Metropolitan Museum of Art
25:00 Doctrine of Laches
27:40 New focus of research on difficulty of being honest about genocide restitution
28:30 Theft of works from Ukrainian museums
33:20 Dehumanization as part of genocide
34:00 Denial of wrongs committed in genocide
35:00 Russia’s prior theft of Ukrainian cultural heritage
35:20 World’s tolerance / denial of genocide
36:20 Need for empathy
36:30 What is a bystander
36:50 Spain’s policy as an allegedly neutral party during WWII
38:00 Concept of justice
38:45 Andrew Smith - The Met’s reasoning 
40:45 British Museum’s policy that Elgin Marbles are part of UK heritage
42:40 HEAR Act’s legislative intent ignored by the Court
43:45 Picasso’s The Actor was a gift to the Met
44:20 Vienna case of  painting looted from Alma Mahler (Edvard Munch's "Summer Night at the Beach") restituted in 2001 by Belvedere Museum to Mahler's granddaughter, Marina
46:30 Alan Robertshaw - neutral area that serviced U boats
47:20 Alan Robertshaw - 1995 abolishment of UK’s market overt - English legal concept from mediaeval times that allowed subsequent ownership of stolen goods

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]

Cover image by Stephen Tromans: Climate Innocence, 1957, oil on board, 20x24 inches

To view Stephen Tromans' work, please visit Mr. Tromans' website and Instagram as well as Ely Cathedral's feature of his Golgotha series, the Cambridge Drawing Society's discussion of his work and the Gallery Holt.

Show Notes:
1:30 Troman’s choice to go into law, specifically environmental law
2:45 Lord Denning
3:30 Troman’s work as a painter
4:30 Diploma in oil painting
5:00 Influenced by Turner, Caravaggio, Goya
5:30 Scotland’s Joan Eardley
5:40 Royal Academician Fred Cuming
6:30 mixed media and collage
6:50 Hong Kong urbanscapes
9:20 Golgotha series
12:00 Ely Cathedral
15:00 feedback from Golgotha series
15:45 Ukrainian children and their toys as a focus in Golgotha series
18:00 future cathedral venues for Golgotha series
18:45 current work
20:20 environmentally-related art
22:00 Climate Innocence, 1957 - acceptance of pollution
23:00 Troman’s process
24:00 art’s function to speak to social issues
26:00 compliments between legal and creative work
28:50 legacy
31:30 definition of justice 
34:15 how Troman’s artwork speaks to justice
35:15 the power of Picasso’s Guernica

Please share your comments and/or questions at stephanie@warfareofartandlaw.com

To hear more episodes, please visit Warfare of Art and Law podcast's website.

Music by Toulme.

To view rewards for supporting the podcast, please visit Warfare's Patreon page.

To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.

Thanks so much for listening!

© Stephanie Drawdy [2024]