Weekend

Oscar-nominated Juno star and trans actor Elliot Page opens up about Hollywood, abuse and coming out (18m41s); Marina Hyde implores Holly Willoughby to lose the sanctimony as she returns to daytime TV (1m26s); and as he finally reveals his true identity, Henry Morris (aka The Secret Tory) tells Zoe Williams why it was time to come clean (8m31s)

The Scissor Sisters’ Jake Shears reflects on the new wave of queer culture – and throwing the ultimate party (8m32s); Marina Hyde on how difficult it is being a philanthropist like Jeff Bezos (1m30s); and Joanna Biggs tries to find meaning in a post-divorce world (19m32s)

Succession creator, Jesse Armstrong, on why the show nearly didn’t happen (1m24s), Marina Hyde is amused by the idea of the home secretary being too famous to attend an online speed awareness course (15m15s), and a hostage negotiator reveals the secrets that could transform your life (23m32s).

Nothing is more important to the country right now than Holly Willoughby and Philip Schofield’s alleged rift, and Marina Hyde is absolutely here for it (1m30s); in the wake of a racially-charged backlash, Halle Bailey talks about overcoming self-doubt and her soulmate sister Chlöe (8m15s); and author Kat Lister explores the stigma of grieving partners’ sexuality and the loss of sexual intimacy (25m56s).

Award-winning British actor Ruth Wilson considers #MeToo hypocrisy, the violence of cosmetic surgery and why she steers clear of social media (24m02s); Marina Hyde grapples with last week’s coronation protest power-play from the Met (1m32s); and Elle Hunt reveals the incredible story of one man’s struggle to rebuild his life after being struck by lightning (8m48s)

Multi-platinum singer-songwriter Kesha discusses her most raw and confrontational album to date (9m31s); as the Post Office scandal continues to unfold, Marina Hyde asks why there is a deafening silence on social media (1m35s); and as the nation celebrates the new monarch, Caroline Davies considers the historic coronations that went awry (26m44s)

Amelia Dimoldenberg recounts her journey from the Chicken Shop to Vanity Fair’s Oscars party (1m19s). Artificial Intelligence keeps Google bosses up at night - so how worried should we be (18m36s)? And three decades on, the sole survivor of a plane crash reflects on how the trauma changed her (28m19s)

Champion javelin thrower Fatima Whitbread reveals how competitive sport saved her (1m34s); Marina Hyde asks why the coronation is being overshadowed by Meghan, Harry and a quiche (17m32s); and from the West End stage to care homes campaigner, Ruthie Henshall talks to Sam Wollaston (25m04s)

Marina Hyde asks why sell-by dates don’t apply to the world’s most powerful men (1m22s); Rachael Healy explores the ugly new side of theatre audiences (9m01s); and Canadian musician Feist reflects on the impact of adopting her daughter, and then losing her father, had on her songwriting (20m04s)

Marina Hyde asks who really are the ‘people in the real world’ that politicians speak so highly of (1m54s), Rhik Sammader discovers what it means to be a Highly Sensitive Person (10m14s), and actor Charles Dance reflects on his big break and humble beginnings (25m25s)

Marina Hyde confesses that she couldn’t tear her eyes away from the Gwyneth Paltrow trial (1m32s); from Camden council care worker to trailblazing icon, we revisit an interview with Paul O’Grady from 2017 (9m34s); and Zoe Williams laments the revival of the ‘men-are-trash’ narrative (24m15s).

With Partygate and the former PM back in the news, we ask if we’ve finally reached peak Boris (1m35s)? With one billion streams, what makes John Cooper Clarke’s I Wanna Be Yours possibly the world’s favourite poem (8m27s)? And Viv Groskop navigates the mixed messages of the women’s fiftysomethings clothing market (21m40s)

We are delighted to bring you the first episode in our second series of Pop Culture with Chanté Joseph. Awards season reached its climax with the Oscars this week. Despite the Academy Awards being the biggest event in Hollywood, are viewers really that bothered? Chanté speaks to Michael Schulman, the author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears. If you like what you hear, search “Pop Culture with Chanté Joseph” wherever you get your podcasts.

It-girl-turned-campaigner Paris Hilton speaks up about her stolen childhood, years of trauma, and taking down the ‘troubled teen industry’ (1m41s), Steve Rose investigates the mysterious case of the missing Academy Awards (30m35s), and the great serotonin debate: do depression treatments work by boosting the happy hormone? (43m14s)

Zoe Williams reacts to the news that Boris Johnson plans to nominate his father for a knighthood (1m28s), what Oscar-nominated film The Whale says about how society truly views fat people (7m), and how volunteering in a hospice changed Anna Tims’ perspective on life – and death (20m27s)

Costume designer Jenny Beavan reveals why fashion is usually the last thing on her mind (1m33s), writer Alaina Demopoulos dismantles the misconception that Gen Z are tech-savvy (15m28s), and actor Katy Wix recalls the near-death experience that changed her relationship with her father forever (23m16s)

Writer and actor Jamie Demetriou reveals how an admin mixup paved the way for an unconventional career trajectory (1m33s), the groups of women unmasking online cheats and ghosters (18m37s), and Sam Wollaston extols the virtues of sitting down to pee (27m45s)

Oscar nominee Cate Blanchett reflects on her life-changing role in Tár (1m25s), food writer Bee Wilson investigates the real impact of energy drinks on consumers (21m38s), and David Robson on what a ground-breaking study says about our power to shape our future selves (48m09s)

Model, activist and writer, Munroe Bergdorf on how she fell back in love with life (28m27s), Marina Hyde on the country’s worrying relationship with toxic ex-prime ministers (1m25s), and a Harvard professor’s lifelong work reveals the key to our health and happiness (9m46).

Tim Dowling mulls over the fragility of male friendships (10m06s), Marina Hyde on Prince Andrew’s latest run at the greasy pole of ‘justice’ (1m28s), and Amelia Tait methodically unpacks the world of the hyper-organised (17m49s)