Weird Era

About Sarah Blakley-Cartwright: Sarah Blakley-Cartwright is the author of Red Riding Hood, a #1 New York Times bestseller published worldwide in thirty-eight editions and fifteen languages. She is the editor of Hauser & Wirth’s The Artist's Library for Ursula magazine. She is publishing director of the Chicago Review of Books, and associate editor of A Public Space. About Alice Sadie Celine: It’s opening night, but Alice’s performance in the local Bay Area production of The Winter’s Tale is far from glamorous. She doesn’t have dreams of stardom, but the basement theater in a wildfire-choked town isn’t exactly what she envisioned for her career back home in Los Angeles. To make matters worse, her best friend Sadie is not even coming. Pragmatic, serious Sadie and flighty, creative Alice have been best friends since high school—really one another’s only friends—but now that they are through with college (which they attended together) and living on opposite ends of California, Alice would at least expect her friend’s support. Sadie, determined not to cancel her plans with her boyfriend, ends up enlisting the help of her mother, Celine. A professor of women’s and gender studies at UC Berkeley, Celine’s landmark treatise on sex and identity made her notorious, but she’s struggling to write her new book in a post-second-wave feminist world. So, when Sadie begs her to attend Alice’s play, she relents, if only to escape writer’s block. But in a turn of perplexing events, Celine becomes entranced by Alice’s performance and realizes that her daughter’s once lanky, slightly annoying best friend is now an irresistible young woman. Set over the course of decades—from Alice and Sadie’s early friendship days and Celine’s decision to leave her husband to the radical movements of 1990s Berkeley and navigating contemporary Hollywood—Alice and Celine’s affair will test the limits of their love for Sadie and their own beliefs of power, agency, and feminism. Witty and relatable, sexy and surprising, Sarah Blakley-Cartwright’s debut adult novel is a mesmerizing portrait of the inner lives of three very different women.

ABOUT ANDREW SULLIVAN: Andrew F. Sullivan is the author of novels The Marigold; The Handyman Method (co-written with Nick Cutter); Waste, a Globe and Mail Best Book; and the story collection All We Want Is Everything, a Globe and Mail Best Book and finalist for the Relit Award. He lives in Hamilton, Ontario. ABOUT THE MARIGOLD: In a near-future Toronto buffeted by environmental chaos and unfettered development, an unsettling new lifeform begins to grow beneath the surface, feeding off the past. The Marigold, a gleaming Toronto condo tower, sits a half-empty promise: a stack of scuffed rental suites and undelivered amenities that crumbles around its residents as a mysterious sludge spreads slowly through it. Public health inspector Cathy Jin investigates this toxic mold as it infests the city’s infrastructure, rotting it from within, while Sam “Soda” Dalipagic stumbles on a dangerous cache of data while cruising the streets in his Camry, waiting for his next rideshare alert. On the outskirts of downtown, 13-year-old Henrietta Brakes chases a friend deep underground after he’s snatched into a sinkhole by a creature from below. All the while, construction of the city’s newest luxury tower, Marigold II, has stalled. Stanley Marigold, the struggling son of the legendary developer behind this project, decides he must tap into a hidden reserve of old power to make his dream a reality — one with a human cost. Weaving together disparate storylines and tapping into the realms of body horror, urban dystopia, and ecofiction, The Marigold explores the precarity of community and the fragile designs that bind us together.

ABOUT MARTA BALCEWICZ: Marta Balcewicz spent her early childhood in Pomerania and Madrid, and now lives in Toronto. Her work has appeared in Catapult, Tin House online, Vol. 1. Brooklyn, Washington Square Review, The Rumpus, and Passages North, amongst other publications. Her fiction was anthologized in Tiny Crimes(Catapult, 2018). She received a fellowship from Tin House Workshops in 2022. Big Shadow is her first novel. ABOUT BIG SHADOW: In an unnamed town in the summer of 1998, Judy is an isolated and inexperienced teenager on the cusp of adulthood struggling to craft an identity for herself—especially as the artist she wants to be. There is little help around her. Her only friends are increasingly obsessed with a cultish belief in a coming "Big Shadow." Her mother is afraid of life and finds solace in TV shows. At her lowest point, Judy meets Maurice Blunt, a visiting summer poetry class professor who is a "has-been" fixture of the 1970s NYC punk music scene. Judy believes Maurice—a man more than twice her age desperately seeking lost adoration—is the ticket out of her current life. Soon, she begins taking secret weekend trips to visit him. Judy's visits to his apartment in New York bring hopes of belonging to the city's cultural world and making a living as a video artist. With each trip and frustrated promise, however, she feels the creeping realization that there is a price to pay for her golden ticket entry into this insular and moribund scene. Judy must navigate the shifting power dynamics with her aging gatekeeper and the possibility of building an early adult identity alone. An affecting novel of psychological nuance and dark humour, Big Shadow explores the costs of self-deceit, fandom, and tenuous ambitions, exposing the lies we’ll tell ourselves and the promises we'll make to edge closer to what we want… or what we think we want.

About Dizz Tate: DIZZ TATE grew up in Florida and lives in London, U.K. She has had short stories published in Granta, The Stinging Fly, Dazed, No Tokens Journal, Five Dials, 3:AM Magazine, among other publications. She was long-listed for the Sunday Times Audible Short Story Award in 2020 and won the Bristol Short Story Prize in 2019. Brutes is her first novel. About Brutes: In Falls Landing, Florida—a place built of theme parks, swampy lakes, and scorched bougainvillea flowers—something sinister lurks in the deep. A gang of thirteen-year-old girls obsessively orbit around the local preacher's daughter, Sammy. She is mesmerizing, older, and in love with Eddie. But suddenly, Sammy goes missing. Where is she? Watching from a distance, they edge ever closer to discovering a dark secret about their fame-hungry town and the cruel cost of a ticket out. What they see will continue to haunt them for the rest of their lives. Through a darkly beautiful and brutally compelling lens, Dizz Tate captures the violence, horrors, and manic joys of girlhood. Brutes is a novel about the seemingly unbreakable bonds in the "we" of young friendship, and the moment it is broken forever.

About Henry Hoke: Henry Hoke is an editor at The Offing and a writer whose work has appeared in No Tokens, Triangle House, Electric Literature, and the flash noir anthology Tiny Crimes. He co-created the performance series Enter>text in Los Angeles, and has taught at CalArts and the UVA Young Writers Workshop. He lives in New York City. About Open Throat: A lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel. A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one? Henry Hoke’s Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.

About Stephanie LaCava: Stephanie LaCava is a writer based in New York City. Her work has appeared in Harper's, Artforum, Texte zur Kunst, the New York Times, the New York Review of Books, Vogue, and Interview. Her debut novel, The Superrationals, was published by Semiotext(e) in 2020. About I Fear My Pain Interests You: Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She’s seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family. A literary take on cinema du corps, Stephanie LaCava’s new novel is an audaciously sexy and moving ex

About Catherine Lacey: Catherine Lacey is the author of the novels Nobody Is Ever Missing, The Answers, and Pew, and the short story collection Certain American States. She has received a Guggenheim Fellowship, a Whiting Award, the New York Public Library's Young Lions Fiction Award, and a New York Foundation for the Arts fellowship. She has been a finalist for the Dylan Thomas Prize and the PEN/Jean Stein Book Award, and was named one of Granta’s Best of Young American Novelists. Her essays and short fiction have appeared in The New Yorker, Harper’s Magazine, The New York Times, The Believer, and elsewhere. About Biography of X: When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, CM, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows CM as she traces X’s peripatetic trajectory over decades, from Europe to the ruins of America’s divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined. Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

About Lindsay Wong: LINDSAY WONG is the author of the critically acclaimed, award-winning, and bestselling memoir The Woo-Woo, which was a finalist for Canada Reads 2019. She has written a YA novel entitled My Summer of Love and Misfortune. Wong holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. She currently teaches creative writing at the University of Winnipeg. Follow her on Twitter @LindsayMWong, Instagram @Lindsaywong.M, or visit www.lindsaywongwriter.com. About Tell Me Pleasant Things about Immortality: Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred. There’s a courtesan from 17th century China who, try as she might, just can’t manage to die. Grandmama Wu, who returns from the dead to protect her grandchildren from bullies. Not to mention an Internet-order bride who inadvertently brings the apocalypse to Nebraska City. From Shanghai to Vancouver, the women in this collection haunt and are haunted—by first loves, troublesome family members, and traumatic memories. Intertwining horror, the supernatural, and mythology, Tell Me Pleasant Things about Immortality riotously critiques contemporary life and fearlessly illuminates the ways in which the past can devour us. A collection about transformation and what makes us human, it solidifies Lindsay Wong as one of the most vital and electrifying voices in Canadian literature today.

About Michael DeForge: Michael DeForge is a cartoonist, an illustrator, and a community organizer who lives Toronto, Ontario. About Birds of Maine: Birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything. Michael DeForge’s post-apocalyptic reality brings together the author’s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge’s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.

About Colin Winnette: COLIN WINNETTE’s books include Coyote, Haints Stay, and The Job of the Wasp, which was an American Booksellers Association’s Indie Next Pick. Winnette’s writing has appeared in numerous publications, including Playboy, McSweeney’s, The Believer, and The Paris Review Daily. A former bookseller in Texas, Vermont, New York, and California, he is now a writer living in San Francisco. About Users: Miles, a lead creative at a midsize virtual reality company known for its “original experiences,” has engineered a new product called The Ghost Lover. Wildly popular from the outset, the “game” is simple: a user’s simulated life is almost identical to their reality, except they’re haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children. The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness. In a world rife with the unchecked power and ambition of tech, Users investigates—with both humor and creeping dread—how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.

About Sean Thor Conroe: Sean Thor Conroe is a Japanese-American writer. He was born in Tokyo in 1991 and was raised in Scotland, upstate New York, and the greater Bay Area. He studied literature and philosophy at Swarthmore College, and attended the Columbia University School of the Arts. He has guest edited New York Tyrant Magazine and hosts the book podcast 1storypod. About Fuccboi: A fearless and savagely funny examination of masculinity under late capitalism from an electrifying new voice. Set in Philly one year into Trump’s presidency, Sean Thor Conroe’s audacious, freewheeling debut follows our eponymous fuccboi, Sean, as he attempts to live meaningfully in a world that doesn’t seem to need him. Reconciling past, failed selves—cross-country walker, SoundCloud rapper, weed farmer—he now finds himself back in his college city, trying to write, doing stimulant-fueled bike deliveries to eat. Unable to accept that his ex has dropped him, yet still engaged in all the same fuckery—being coy and spineless, dodging decisions, maintaining a rotation of baes—that led to her leaving in the first place. But now Sean has begun to wonder, how sustainable is this mode? How much fuckery is too much fuckery? Written in a riotous, utterly original idiom, and slyly undercutting both the hypocrisy of our era and that of Sean himself, Fuccboi is an unvarnished, playful, and searching examination of what it means to be a man.

About Justin Ling: JUSTIN LING is an investigative journalist whose reporting has focused on stories and issues undercovered and misunderstood. His writing has appeared in the Globe and Mail, the National Post, the Guardian, Foreign Policy, and elsewhere. In 2019 he hosted "The Village," the award-winning third season of the CBC podcast Uncover, which examined cold cases from the 1970s that were reopened as a result of the McArthur investigation. About Missing From the Village: The tragic and resonant story of the disappearance of eight men--the victims of serial killer Bruce McArthur--from Toronto's queer community. In 2013, the Toronto Police Service announced that the disappearances of three men--Skandaraj Navaratnam, Abdulbasir Faizi, and Majeed Kayhan--from Toronto's gay village were, perhaps, linked. When the leads ran dry, the search was shut down, on paper classified as "open but suspended." By 2015, investigative journalist Justin Ling had begun to retrace investigators' steps, convinced there was evidence of a serial killer. Meanwhile, more men would go missing, and police would continue to deny that there was a threat to the community. In early 2019, landscaper Bruce McArthur was sentenced to life in prison for the murders of eight men. There is so much more to the story than that. Based on more than five years of in-depth reporting, Missing from the Village recounts how a serial killer was allowed to stalk the city, how the community responded, and offers a window into the lives of these eight men and the friends and family left behind. Telling a story that goes well beyond Toronto, and back decades, Justin Ling draws on extensive interviews with those who experienced the investigation first-hand, including the detectives who eventually caught McArthur, and reveals how systemic racism, homophobia, transphobia, and the structures of policing fail queer communities.

About Joshua Whitehead: Joshua Whitehead is an Oji-nêhiyaw, Two-Spirit member of Peguis First Nation (Treaty 1). He is author of the award-winning novel Jonny Appleseed and the poetry collection full-metal indigiqueer, and he is editor of Love after the End. He is assistant professor in the departments of English and international Indigenous studies at the University of Calgary. About Making Love with the Land: In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession. In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land. Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

About Elif Batuman: Elif Batuman’s first novel, The Idiot, was a finalist for a Pulitzer Prize, and was shortlisted for the Women’s Prize for Fiction in the UK. She is also the author of The Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University. From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin’s quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood About Either/Or Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel—a life worthy of becoming a novel—without becoming a crazy abandoned woman oneself? Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel. Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.

Jackson Howard is an editor and writer from Los Angeles who lives in Brooklyn. He’s an Editor at Farrar, Straus and Giroux and its imprint MCD, where he acquires and edits a broad range of fiction and nonfiction. Writers he publishes include Judith Butler, Brontez Purnell, Sarah Schulman, Catherine Lacey, Fernando A. Flores, Susan Straight, Venita Blackburn, Imogen Binnie, Thomas Grattan, Missouri Williams, Jonathan Escoffery, Kaitlyn Tiffany, and many others. As a writer, his reviews, profiles, and essays have appeared in The New York Times Magazine, Pitchfork, The Cut, Rolling Stone, The Ringer, them., W., ELLE, i-D, office, Document, and elsewhere. He regularly visits undergrad and MFA programs for workshops and talks, and judges for fellowships; he’s also spoken on panels for the Miami Book Fair, One Story, and the New York Foundation for the Arts, and he’s read at Housing Works and MOMA PS1. He is also part of the team behind the FSG Writer’s Fellowship, and is passionate about efforts to increase transparency and access within publishing at large. He graduated from the University of Michigan in 2016 and is very much a Taurus.

About Lillian Fishman: Lillian Fishman was born in 1994 and lives in New York. She received her MFA from NYU, where she was a Jill Davis Fellow. Acts of Service is her first novel. About Acts of Service: A “bold and unflinchingly sexy” (Vogue) debut novel about a young woman who follows her desires into a world of pleasure, decadence, and privilege, unraveling everything she thought she knew about sex . . . and herself. “One of the most entertaining books about sex I’ve ever read . . . The perfect read for fans of Raven Leilani and Ottessa Moshfegh, this is a book that will have people talking.”—BuzzFeed “Anytime I want, I can forsake this dinner party and jump into real life.”—Eve Babitz Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she’s wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship—one that disturbs Eve as much as it enthralls her. As each act of their complicated, three-way affair unfolds across a cold and glittering New York, Eve is forced to confront the questions that most consume her: What do we bring to sex? What does it reveal of ourselves, and one another? And how do we reconcile what we want with what we think we should want? In the way only great fiction can, Acts of Service takes between its teeth the contradictions written all over our ideas of sex and sexuality. At once juicy and intellectually challenging, sacred and profane, Lillian Fishman’s riveting debut is bold, unabashed, and required reading of the most pleasurable sort.

ABOUT NABEN RUTHNUM: Naben Ruthnum lives in Toronto, and is the author of Curry: Eating, Reading, and Race. As Nathan Ripley, he is the author of two thrillers, Find You In the Dark and Your Life is Mine. He also writes for film and television. ABOUT A HERO OF OUR TIME A wry comic novel with an acerbic wit, A Hero of Our Time is a vicious takedown of superficial diversity initiatives and tech culture, with a beating heart of broken sincerity. Osman Shah is a pitstop on his white colleague Olivia Robinson’s quest for corporate domination at AAP, an edutech startup determined to automate higher education. Osman, obsessed by Olivia’s ability to successfully disguise ambition and self-interest as collectivist diversity politics, is bent on exposing her. Aided by his colleague turned comrade-in-arms Nena, who loathes and tolerates him in equal measure, Osman delves into Olivia's twisted past. But at every turn, he's stymied by his unfailing gift for cruel observation, which he turns with most ferocity on himself, without ever noticing what it is that stops him from connecting to anyone in his past or present. As Osman loses his grip on his family, Nena, and everything he thought was essential to his identity, he confronts an enemy who may simply be too good at her job to be defeated. A Hero of Our Time cracks the veneer of well-intentioned race conversations in the West, dismantles cheery narratives of progress through tech and “streamlined” education, and exposes the venomous self-congratulation and devouring lust for wealth, power, and property that lurks beneath.

About Heather O'Neill HEATHER O’NEILL is a novelist, short-story writer and essayist. Her most recent bestselling novel, The Lonely Hearts Hotel, won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads. Her previous work, which includes Lullabies for Little Criminals, The Girl Who Was Saturday Night and Daydreams of Angels, has been shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. She has won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, O’Neill lives there with her daughter. About When We Lost Our Heads 1 NATIONAL BESTSELLER Belletrist Book Club selection * Readers' Digest Book Club selection * Cityline Book Club selection From the bestselling author of The Lonely Hearts Hotel, a spellbinding story about two young women whose friendship is so intense it not only threatens to destroy them, it changes the course of history Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At age twelve, with her pile of blond curls and unparalleled sense of whimsy, she’s the leader of all the children in the Golden Mile, the affluent strip of nineteenth-century Montreal where powerful families live. Until one day in 1873, when Sadie Arnett, dark-haired, sly and brilliant, moves to the neighbourhood. Marie and Sadie are immediately inseparable. United by their passion and intensity, they attract and repel each other in ways that set them both on fire. Marie, with her bubbly charm, sees all the pleasure of the world, whereas Sadie’s obsession with darkness is all-consuming. Soon, their childlike games take on the thrill of danger and then become deadly. Forced to separate, the girls spend their teenage years engaging in acts of alternating innocence and depravity, until a singular event unites them once more, with devastating effects. After Marie inherits her father’s sugar empire and Sadie disappears into the city’s gritty underworld, the working class begins to foment a revolution. Each woman will play an unexpected role in the events that upend their city—the only question is whether they will find each other once more. From the beloved Giller Prize-shortlisted author who writes “like a sort of demented angel with an uncanny knack for metaphor” (Toronto Star), When We Lost Our Heads is a page-turning novel that explores gender and power, sex and desire, class and status, and the terrifying strength of the human heart when it can’t let someone go.

ABOUT ROLLIE PEMBERTON: He is a writer, rapper, producer, poet and activist who performs under the name Cadence Weapon. He won the 2021 Polaris Music Prize for his album Parallel World. His writing has been published in Pitchfork, The Guardian, Wired and Hazlitt. Currently based in Toronto, Pemberton was a former Poet Laureate in his hometown of Edmonton. ABOUT Bedroom Rapper: Cadence Weapon on Hip-Hop, Resistance and Surviving the Music Industry: Tracing his roots from recording beats in his mom's attic in Edmonton to performing with some of the most recognizable names in rap and electronic music—De La Soul, Public Enemy, Mos Def, Questlove, Diplo, and more—Polaris Prize winner Rollie Pemberton, a.k.a Cadence Weapon, captures the joy in finding yourself, and how a sense of place and purpose entwines inextricably with a music scene in his debut memoir: Bedroom Rapper. From competitive basement family karaoke to touring Europe, from fights with an exploitative label to finding his creative voice, from protesting against gentrification to using his music to centre political change, Rollie charts his own development alongside a shifting musical landscape. As Rollie finds his feet, the bottom falls out of the industry, and he captures the way so many artists were able to make a nimble name for themselves while labels floundered. Bedroom Rapper offers us a wide-ranging and crucial history of hip-hop. With an international perspective that's often missing from rap music journalism, he integrates the gestation of American hip hop with UK grime and niche scenes from the Canadian prairies, bringing his obsessive knowledge of hip-hop to bear on his subject. Rollie takes us into New York in the ’70s, Edmonton in the ’90s, the legendary Montreal DIY loft scene of the 2000s, and traces the ups and downs of trusting your gut and following your passion, obsessively.

ABOUT BUD SMITH: Bud Smith works heavy construction in New Jersey. His story "Violets" appeared in The Paris Review. He released his debut novel this year, titled: Teenager. ABOUT TEENAGER: Kody Rawlee Green is stuck in juvie. Tella “Teal Cartwheels” Carticelli is packing her bags for Rome--on the orders of her parents, who want her as far from Kody as possible. But teenage love is too strong a force for the obstacles of reality. And the highway beckons. Leaving their abusive pasts behind them in Jersey, Kody and Teal set off on a cross-country road trip equal parts self-destruction and self-discovery, making their way, one stolen car at a time, toward bigger, wider, bluer skies. Along the road, of course, there’s time to stop at Graceland, classic diners, a fairgrounds that smells of “pony shit and kettle corn," and time for run-ins with outsize personalities like the reincarnated Grand Canyon tour guide Dead Bob and the spurious Montana rancher Bill Gold. On their heels, all the while, is Teal’s brother, Neil Carticelli, who’s abandoned his post in the navy to rescue the sister he left behind. But does she really need saving? These all too American tropes find new expression in Bud Smith’s own freewheeling prose—and in Rae Buleri’s original illustrations—filling Teenager with humor, poetry, and a joy that’s palpable in every unforgettable sentence.