alien movie

Can anyone hear you scream in space? Not if you don't stream your gameplay! Listen to my nonsense about one of the most (non-)surprisingly enjoyable games! I wan't expecting to do a Taquito on this but this just felt right for a small episode.

We have a special episode of Born to Watch for you today. We have had some feedback from our "ALIEN" episode and we have listened. Dan's "Film School" segment was essentially cut from the full episode, not because of a lack of quality but more from a time sensitive approach. We have to keep the flow of the show and the user experience at the front of all editing decisions. Whilst we know that some episodes can run a little long we believe that if the conversation is collaborative then you as the listener will give it a pass.
This episode of film school is a great segment and warrants a bonus episode in itself. For the film nerds out there, this is Dan in his absolute element, ENJOY.

This is DAN'S SOLO FILM SCHOOL FOR F-WITS!!

"In space, no one can hear you scream", is an absolutely cracking tagline for an Iconic piece of cinema. Alien is a movie really like no other and the Born to Watch team can't wait to sink their teeth into this one. We also have a special guest join us for 'Good, Bad and Ugly" and Dan goes on a tangent in "Film School".

In the vast expanse of science fiction cinema, few films have achieved the enduring impact and chilling atmosphere of Ridley Scott's "Alien," released in 1979. This groundbreaking fusion of science fiction and horror transcends genre boundaries to create an immersive and unforgettable experience. Crafted with meticulous attention to detail, the movie's ability to evoke fear, tension, and a sense of isolation remains unparalleled even decades after its initial release. As we delve into the world of "Alien," we find ourselves exploring not only the terrifying depths of space but also the depths of human vulnerability and resilience.

From the moment "Alien" begins, its visual aesthetic envelops the audience in a hauntingly atmospheric world. The cavernous interior of the spaceship Nostromo is a labyrinthine maze that feels both futuristic and worn, creating a sense of realism that grounds the film's fantastical elements. The attention to detail in production design, with its mix of high-tech machinery and lived-in clutter, makes the setting feel lived-in and authentic.

However, the truly remarkable aspect of the film's design is H.R. Giger's otherworldly biomechanical creations. The titular alien, also known as the Xenomorph, is a masterpiece of creature design, simultaneously fascinating and horrifying. Its sleek yet grotesque appearance, with its elongated head, exoskeletal structure, and double-jawed mouth, has become iconic and synonymous with the franchise. Giger's influence permeates the entire film, creating an unsettling and surreal ambience that reinforces the sense of dread.

"Alien" is a masterclass in building tension and suspense. The pacing of the film is deliberately measured, allowing the sense of isolation and vulnerability to gradually intensify. As the crew of the Nostromo responds to a distress signal on a seemingly abandoned planet, the atmosphere becomes increasingly eerie. The tension is amplified by the film's deliberate silence, punctuated only by the distant hum of machinery or the echoing footsteps of the characters.

One of the most iconic scenes in the film is the infamous chest-burster sequence. The tension that has been building throughout the movie reaches its apex in this horrifying moment. The suddenness of the creature's emergence, coupled with the visceral and graphic nature of the scene, creates an indelible image that lingers long after the credits roll. It's a testament to the filmmakers' ability to provoke genuine shock and fear in their audience.

At the heart of "Alien" is a cast of characters who find themselves in an unimaginable nightmare. The diverse crew of the Nostromo feels authentic, each member bringing their own personality and quirks to the table. Sigourney Weaver's portrayal of Ellen Ripley stands out as one of cinema's most iconic female protagonists. Ripley's transformation from a resourceful officer to a determined survivor is a journey that resonates on both emotional and psychological levels.

The dynamics between the crew members are fraught with tension and suspicion, particularly as they grapple with the growing realization that they are not alone on the spaceship. This interpersonal tension heightens the sense of claustrophobia and unease, reflecting the paranoia that often accompanies fear of the unknown. The performances are universally strong, contributing to the film's overall sense of authenticity and immersion.

Beneath its terrifying exterior, "Alien" explores deeper themes that continue to resonate with audiences. The fear of the unknown and the unseen is a central motif. The alien itself remains largely hidden for much of the film, a sinister presence lurking in the shadows. This fear of the unseen taps into primal human instincts, exploiting our vulnerability to the unseen threats that may lie beyond our comprehension.

Additionally, the film examines the theme of corporate greed and exploitation. The Nostromo's crew is expendable in the eyes of the Weyland-Yutani Corporation, which prioritizes the recovery of the alien creature over the lives of its employees. This cynical portrayal of corporate interests underscores the film's commentary on the dehumanizing effects of unchecked capitalism and the pursuit of profit at any cost.

"Alien" has left an indelible mark on both the science fiction and horror genres. Its success spawned a franchise that includes sequels, prequels, novels, comics, and video games. The blend of science fiction and horror elements has become a template for many subsequent films, with its influence evident in movies like "Event Horizon," "The Thing," and "Predator."

Beyond its impact on the entertainment industry, "Alien" has also prompted scholarly discussions on its themes, symbolism, and social commentary. It has been analyzed for its representation of gender roles, the concept of the "final girl," and its exploration of sexual violence as a metaphor. The film's ability to provoke intellectual engagement while simultaneously terrifying audiences speaks to its enduring relevance.

In conclusion, "Alien" is a cinematic masterpiece that transcends its genre origins to create an enduring tale of fear, isolation, and the unknown. Ridley Scott's meticulous attention to detail, coupled with H.R. Giger's hauntingly unique designs, forms the foundation for a visually stunning and emotionally gripping experience. The film's ability to evoke tension and suspense, combined with strong performances and thought-provoking themes, cements its status as a classic of both science fiction and horror cinema. Even after more than four decades, "Alien" continues to captivate and terrify audiences, making it a timeless example of the power of cinema to tap into our deepest fears and vulnerabilities.

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It's no Twilight, but we still need to talk about The Host (2013). No, not the Bong Joon Ho horror — we mean the Stephenie Meyer movie adaptation. That's right, it's time for another Fifth Tuesday, a.k.a. one of our non-spooky bonus episodes, and given that this film features a bonafide intergalactic invasion, we knew it would be the perfect way to close out Alien Month. After four weeks of figuring out all the various ways humanity might put a stop to attacks from outer space, it was time to ask the really important questions: What happens when the aliens win? Also, what if they're sort of sexy? With Saoirse Ronan doing her best bad Southern accent and Diane Kruger serving cunt in a ribbed white tank top, our latest installment of Spooky Tuesday does the work to tackle all the important topics: communism, supernatural love squares, and the true test of any romance.   

Resources:

https://stepheniemeyer.com/the-books/the-host/the-host-playlist/

https://www.theguardian.com/books/2020/aug/07/stephenie-meyer-id-like-to-be-remembered-for-writing-the-host-but-itll-be-twilight 

Art is all about engaging with the big questions in life, and when it comes to Signs (2002), the M. Night Shyamalan movie is no different. This early aughts sci-fi flick invites important conversations about predestination versus free will, what sins can truly be forgiven, and whether or not being obsessed with female Olympians makes you, as a woman, totally gay. It also gives us baby Abigail Breslin and Rory Culkin, and that's important, too. On our latest episode of Spooky Tuesday — and our second to last installment of Alien Month — we're taking a big swing as we break down all those topics and more, including the unnerving nature of America's favorite crop. It's not just a big lump with knobs, folks.

References:

https://screenrant.com/signs-ending-explained-meaning/

https://screenrant.com/signs-movie-theory-creatures-not-aliens/

Here’s the thing about Mars Attacks! (1996) — it’s not giving Tim Burton. We’re dedicating our third installment of Alien Month to the notoriously spooky director, but this flick is a little different from his most famous material. Though it includes a few CLEAR references to his earlier work, it’s missing his trademark emaciated waif aesthetic, is devoid of any claymation whatsoever, and doesn’t star his main bestie. It does, however, feature pretty much everyone else in Hollywood. The interstellar cast ranges from Oscar winners and nominees to Brandy’s little brother, plus Jack Nicholson times two just for fun. On a new Spooky Tuesday, we’re swapping out our Transatlantic accents for Martian and music as we bravely resist the urge to yodel all episode long.

References:

https://screenrant.com/mars-attacks-movie-facts-trivia/

This episode is the epitome of Manic Depression, as Cj finds the exact tonal opposite of the movie in question, Gage apologizes again, and Ziv checks out about 45 minutes in.

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GET OUT OF MY BODY!!!!

Today were talking about:
1994's The Puppet Master Starring Donald Sutherland, Eric Thal, & Julie Warner where aliens invade and we wont know WHOS WHO!?

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GET OUT OF MY BODY!!!!

Today were talking about:
1998's cult horror film The Faculty starring Josh Harnett, Elijah Wood, Usher, Jordana Brewster, & Clea Duvall.

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Today we are rewatching Stepsister from Planet Weird! 
It's a Disney Channel Original Movie! 

Stepsister from Planet Weird is a Disney channel original movie was released on June 17, 2000. 

If you somehow missed this classic that summer or the hundreds of times it played on the channel in the following years, stepsister from planet weird is about as girl named Megan who discovers her future stepsister is an alien in disguise. 

Alternatively, this movie is about a girl named Zuweza who is an alien disguised as a blonde girl named Ariel, wishing to return to her true form as a bubble from planet Zircalon. 

This film is told in alternating rewind fashion. First we experience the world through Megan and then literally rewind time to Ariel’s POV. This happens twice during the film and then as their worlds officially mold together and Ariel’s VoiceOver replaces the rewind effect.

You might recognize Courtney Draper, who plays Megan, from The Jersey and the Thirteenth Year. Tamara Hope who played Airel wasn’t in anything else that I have seen. She was in a lot of TV movies but I only had access to cable TV at my grandparents house so I missed a lot growing up. 

Let's ReWatch it again!

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Today we are ReWatching Signs a 2002 film written and directed by M Night Shyamalan. Listen, y’all probably don’t think Signs is that scary but it’s one of the only scary movies I can actually handle. I love a good alien movie and this is one of those movies for me that whenever I see it on a streaming platform, I have to watch it again! I can’t help it! 

If you’ve never seen Signs it’s a horror film about a widowed reverend living with his two children and brother on a Pennsylvania farm. One morning they awake to find mysterious crop circles in their corn field, their dogs began to act strangely and then crop circles begin appearing all over the world. 

Let's Rewatch it Again!

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Hey! Symbiotes, chickens, and that wig! Find out what we thought of this sequel and its carnage. Also, which one of us just figured that Tom Hardy is both Eddie and Venom? 

Want to hear the spookiest thing of all? This episode is our season finale — but don’t worry, we’re not leaving you for long. Before we start Season 2, though, we knew we had to go out with a bang, which is why we’re exploring Alien (1979). A legendary film that won both critical acclaim and launched a whole Ridley Scott Cinematic Universe, there’s a lot to talk about, and we promise not to spend TOO much time focusing on all of the — well, let’s just call it sexually suggestive imagery. 

References: 

https://www.space.com/alien-movie-40th-anniversary.html

https://www.independent.co.uk/arts-entertainment/films/features/alien-40-anniversary-ridley-scott-sigourney-weaver-ellen-ripley-a8801066.html 

GET TO THE CHOPPER! Michael takes Jonah and Mally on a jungle adventure to battle the alien known as the Predator. They discuss Arnold's epic muscles, Stan Winston's amazing creature creations and Michael get's his money's worth in Jonah's Schwarzenegger impressions. Directed by John McTiernan. Starring Arnold Schwarzenegger, Carl Weathers, Kevin Peter Hall, Jesse Ventura.

You also have the power to pick our next movie! Use our Buy Me a Coffee link below and buy either Jonah or Mally nachos (aka, donate $15 or 3 cups of coffee) and you get to pick the next movie we watch.

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Grab your bike and red zip-up hoodie — it's time to talk about E.T. Kick off your Movie Lovers experience and join Mally and Jonah as they discuss the timeless John Williams score, Spielberg's impeccable vision and what E.T.'s fingers remind Jonah of. Directed by Steven Spielberg. Starring Henry Thomas, Drew Barrymore, Peter Coyote, Dee Wallace.

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Directed by Robert Rodriguez, this 90s nod to Invasion of the Body Snatchers coupled with teenagers general skepticism of high school faculty is more terrifying than I remember. 

Featuring an all-star cast and pretty dark script me and Mikey break down the many character personalities, out of this world story, and what was up with Josh Hartnett's hair.  

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The OFS hosts have talked about it before: women are usually portrayed as lesser individuals in film than their male counter parts. They're usually crazy and often victims, particularly in the horror genre. And with more recent conversations being had regarding white washing and the need for Hollywood to cast more minorities in leading roles, the hope is that films become more diverse, both in terms of the stories being told and talent being cast. However, another group that sees even more disparity in terms of the number of characters written into stories representing them and the number of actors cast into these roles that can best portray them are people with disabilities.

The first 30 minutes of this episode recognizes the very few horror movies through the decades which portray individuals with disabilities in lead roles including, deafness, blindness, paraplegia, tetraplegia and quadriplegia. The even more sobering part is how almost none have featured individuals that can best act in these films: actual disabled talent.

In comes the discussion of this episode's film!!! A Quiet Place's John Krasinski pushed for casting a deaf actress to play the part of the daughter in this surprisingly awesome apocalyptic, alien horror, family drama. And Minki and Tracy are happy to give credit to this film for the mindful and appropriate casting as well as for writing in a brave and self-sufficient character that just so happens to be deaf. Kudos, John and team!

Also, while there are some silly and annoying things about this film, which the hosts like to point out (ahem...that whiteboard tho), for the most part, it's a solid flick, sure to draw even more viewers and positive ratings, making this a horror film that extends itself well to the masses. So, go see it if you haven't!

Oh, and don't ever say these two words to Tracy or to any woman on earth: "Quiet, woman!!"

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