Explore " am writing" with insightful episodes like "Crime - Fargo", "Action-Epic - The Spy Who Dumped Me", "Complex Status Story - Black Mirror "Bandersnatch"", "Worldview-Education - The Fundamentals of Caring" and "Dialogue - The Shawshank Redemption" from podcasts like ""Story Grid Writers' Room", "Story Grid Writers' Room", "Story Grid Writers' Room", "Story Grid Writers' Room" and "Story Grid Writers' Room"" and more!
You betcha the Roundtablers are going to chip away at how set and setting drive dialogue in the 1996 Coen Brothers film Fargo. This dark comedy was directed by Joel Coen from the script he co-wrote with Ethan Coen.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.
It’s international intrigue with comedy on the side on the Roundtable this week as Leslie continues to explore action plot conventions in The Spy Who Dumped Me. This 2018 action-epic-conspiracy film was directed by Susanna Fogel from a screenplay she wrote with David Iserson.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.
TV shows? Video Games? Choose Your Own Adventure? The Roundtablers take on "Bandersnatch" this week as Anne continues her exploration inot complex story forms. This 2018 episode of the Netflix series Black Mirror was written by Charlie Brooker and directed by David Slade.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.
The fundamentals of global internal genre are under review this time as Kim pitches The Fundamentals of Caring, a 2016 independent film written and directed by Rob Burnett.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.
Get busy living or busy dying when the editors chip away at dialogue in The Shawshank Redemption. This 1994 film was written and directed by Frank Darabont, based on Stephen King’s Novella Rita Hayworth and Shawshank Redemption.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.
All aboard the murder train! This week, the Roundtablers set off from Istanbul with Hercule Poirot and a star-studded cast to review Murder on the Orient Express. This 1974 classic, based on Agatha Christie’s 1934 novel, was written by Paul Dehn and directed by Sidney Lumet.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.
Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine Pirates of the Caribbean: The Curse of the Black Pearl. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.
Things get really complicated this week as Anne pitches Cloud Atlas so we can all study complex nested story form. This 2012 film was written and directed by Lana Wachowski, Lilly Wachowski and Tom Tykwer, based on the 2004 novel by David Mitchell.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better.
It’s 20 minutes of brain-changing inspiration this time as Anne brings you a bite-size episode on how the Story Grid spreadsheet helped her write a better novel.
Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.
Leslie and Anne’s Story Grid Investigation Team has been on the case, and today we uncover Essential Action, a great tool for evaluating the conflict in your scenes.
Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these bite-size episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.
Here’s a preview of the winning hand of stories the Roundtablers are getting ready to bring you in Season 4. Join us for Episode 0, where Anne, Kim, Valerie, Jarie and Leslie each reveal their first movie of the season and talk about why they chose it, and how they hope studying it will help them in their own writing.
It’s 20 minutes of deep insight this time as Kim Kessler and Leslie Watts bring you a bite-size episode on internal genres.
Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne. In these bite-size episodes, we’ll serve up some shorter discussion on topics that interest us as writers.
It’s 20 minutes of help for frozen writers this time as Anne brings you a bite-size episode on the direct path from story structure right down to the selection of details for a story that will engage, entice and enchant your readers.
Here on the Roundtable we're dedicated to helping you become a better writer, following the Story Grid method developed by Shawn Coyne.
In these episodes we bring you some shorter solo articles and interviews on topics that interest us as writers.
We wind up Season 3 with another episode of Story Grid 101. Each of the Roundtable Editors is tackling one of the Story Grid Five Commandments for a deep dive into the fundamental structure of scene, act, and global story, using the Pixar animated feature, Coco as our model. This 2017 family favorite was written by Lee Unkrich, Jason Katz, Matthew Aldrich and Adrian Molina.
Each week the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—examine a specific story principle within the context of a movie.
The Roundtablers join King George VI behind the mic this week to examine emotional stakes in 2010’s Best Picture, The King's Speech, directed by Tom Hooper from David Seidler’s Oscar-winning script.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
Can Anne take the Roundtablers to a story within a story within a story? Find out this week as we analyze Christopher Nolan’s 2010 science fiction heist film Inception.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
Join us in the wilds of Yorkshire as we examine the framing story as narrative device in the original gothic romance, Jane Eyre. This 2011 version was directed by Cary Fukunaga from Moira Buffini’s adaptation of Charlotte Brontë’s 1847 masterpiece.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
It’s suspense, mystery and dramatic irony this week as the Roundtablers explore narrative drive in the context of 2017’s Get Out. This innovative horror movie was directed by Jordan Peele from his Oscar winning screenplay.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
We are off to look at symbolism this week as we analyze The Wizard of Oz. This iconic American classic was written by Noel Langley, Florence Ryerson, and Edgar Allan Woolf based on L. Frank Baum’s 1900 novel The Wonderful World of Oz, and directed primarily by Victor Fleming.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
Put on your favorite jersey and join the Roundtablers as we analyze the 1993 film Rudy. This film was written by Angelo Pizzo and directed by David Anspaugh. It’s based on the true story of Daniel Eugene "Rudy" Ruettiger, a walk on to the 1974-1975 Notre Dame Football team. Jarie feels it’s a great example of how to adapt a true life story.
Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a favorite film as an example of a significant story principle. Then we team up to debate whether it succeeds or fails, giving authors deep insight into story structure.
Stay up to date
For any inquiries, please email us at hello@podcastworld.io