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    arg

    Explore " arg" with insightful episodes like "SCP-3008 - A Regular Ikea", "DLUTI 007 - POSTcontent", "DLUTI 005 - Kepther e", "101 - Mastering the Art of Producing: What Makes a Good Producer?" and "Immersive in 2019 & 2020 • The Value of Play pt. 2 • The 2019 Immersion Awards" from podcasts like ""Don't Look Under the Internet", "Don't Look Under the Internet", "Don't Look Under the Internet", "Producers' Happy Hour" and "Immersion Nation Podcast"" and more!

    Episodes (51)

    SCP-3008 - A Regular Ikea

    SCP-3008 - A Regular Ikea

    WARNING. THIS INFORMATION HAS BEEN DEEMED CLASSIFIED BY THE FOUNDATION.  ONLY THOSE WITH LEVEL 3 CLEARANCE OR HIGHER MAY PROCEED.

    We all know how it goes. You head to Ikea for some cheap furniture, maybe some meatballs and lingonberry jam. The whole process takes hours and when you try to find the exit you can't. The Staff has a strange air about them and may tell you to politely leave. But wheres the exit. OH GOD WHERE IS THE EXIT.

    SCP-3008 Foundation item entry by user Mortos.

    D.L.U.T.I. Merch!

    Support the show

    Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with Buzzsprout!
    https://www.buzzsprout.com/?referrer_id=1671664

    Linktree
    Buy us a beer!
    Join us in Discord!
    DLUTI.com
    Unplanned Podnancy
    Undefined Graphics (Photography & Graphic Design)
    Ghoulish Mortals

    Inquiries: dlutipod@gmail.com

    Don't Look Under The Internet
    PO BOX 6437
    Aurora IL 60598

    DLUTI 007 - POSTcontent

    DLUTI 007 - POSTcontent

    Sometimes our minds play tricks on us. We see shadows that are't there. Hear voices that aren't real. But sometimes we have a terrifying silhouette with nightmarishly long fingers living down the hall. Today's internet mystery is POSTcontent, an eerie YouTube channel that takes some inspiration from MTV cribs (maybe?).

    POSTcontent YouTube channel
    EGS YouTube channel
    Sophie's blog

    Find us on social media, and anywhere podcasts are hosted!
    https://linktr.ee/dlutipod

    Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with buzzsprout!
    https://www.buzzsprout.com/?referrer_id=1671664

    D.L.U.T.I. Merch!

    Support the show

    Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with Buzzsprout!
    https://www.buzzsprout.com/?referrer_id=1671664

    Linktree
    Buy us a beer!
    Join us in Discord!
    DLUTI.com
    Unplanned Podnancy
    Undefined Graphics (Photography & Graphic Design)
    Ghoulish Mortals

    Inquiries: dlutipod@gmail.com

    Don't Look Under The Internet
    PO BOX 6437
    Aurora IL 60598

    DLUTI 005 - Kepther e

    DLUTI 005 - Kepther e

    Officially, this episode is about a strange internet mystery found in a hidden corner of youtube: Kepther e. Unofficially, this episode is an opportunity to learn more about Gargamel.  Could this be a look behind the veil of a secret society? Maybe! Anything is (technically) possible.

    Kepther e
    NefariousTV Analysis

    Find us on social media, and anywhere podcasts are hosted!
    https://linktr.ee/dlutipod

    Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with buzzsprout!
    https://www.buzzsprout.com/?referrer_id=1671664

    Musical credit to Dark Fantasy Studio

    Buy us a beer!

    D.L.U.T.I. Merch!

    Support the show

    Starting your own podcast? Use this link to receive a $20 Amazon gift card when you sign up for a paid account with Buzzsprout!
    https://www.buzzsprout.com/?referrer_id=1671664

    Linktree
    Buy us a beer!
    Join us in Discord!
    DLUTI.com
    Unplanned Podnancy
    Undefined Graphics (Photography & Graphic Design)
    Ghoulish Mortals

    Inquiries: dlutipod@gmail.com

    Don't Look Under The Internet
    PO BOX 6437
    Aurora IL 60598

    101 - Mastering the Art of Producing: What Makes a Good Producer?

    101 - Mastering the Art of Producing: What Makes a Good Producer?

    Uncover the Secrets of Successful Producing - What Makes a Good Producer?

    Join us on a journey to learn the key traits of a successful producer. In our debut episode, we introduce ourselves and delve into the ever-changing media landscape and how it affects our role as producers. From continual learning to flexibility in the face of platform changes, we share insights and opinions over drinks as we discuss what it takes to thrive in this exciting and dynamic industry.

    Tune in to gain a fresh perspective on what it means to be a good producer in today's rapidly evolving world.

    Unlock the full potential of your industry knowledge and stay ahead of the game with our insider access to episode topics and exclusive resources. Don't miss out on the latest industry news and expert insights - Join our Happy Hour Newsletter now!

    Topics: Producer traits, Successful producing tips, Media landscape for producers, Good producer characteristics, Dynamic producing skills

     
    Credits
    Christopher Daniels - Artwork Design
    www.misterstyles.com

    Kyle Puccia - Music Composer
    www.kylepuccia.com

    Tom Tenney - Engineer
    www.radiofreebrooklyn.com

    Mike Delay - Mixing/Mastering
    www.realvoicela.com

    Follow The Hosts!
    Sister Christian Kendrick
    Insta: @sisterchristianrocks
    Website: www.sisterchristianrocks.com

    Lawrence T. Lewis
    Insta: @lawrenceltl
    LinkedIn: www.linkedin.com/in/lawrencetlewis/
    Producing Website: www.lawrencetlewis.com
    Experiential Prod Co: www.indelible-arts.com
    Voice Over: www.voiceoflawrence.com

    Follow The Show!
    Website: www.producdershappyhour.com
    Insta: @producershappyhour
    Facebook: www.facebook.com/groups/producershappyhour/
    Linkedin: www.linkedin.com/groups/13819792/

    Watch us on YouTube
    https://www.youtube.com/channel/UCane6SJauLT2Kf9YJ2aJ6Yg

    Contact Us!
    We want to hear from you. If you have any suggestions on show topics, interview guests, or producing tips, please get in touch!

    Email: producershappyhour@gmail.com

    Immersive in 2019 & 2020 • The Value of Play pt. 2 • The 2019 Immersion Awards

    Immersive in 2019 & 2020 • The Value of Play pt. 2 • The 2019 Immersion Awards

    In this episode, we talk about the 2019 immersion awards and take a look at the big picture of immersive entertainment in 2019. We revisit the concept of play with a few listeners of the podcast joining us to share their thoughts on the importance of play. Next, we discuss the potential future of immersive entertainment in 2020 and beyond. Finally, we end the show with the nominations for the 2019 immersion awards.

    Selected Links:

    2019 Immersion Awards Nominations
    Reach out to Immersion Nation 

    Jenny Weinbloom’s Talk at ID summit
    Meow Wolf’s, Vince Kadlubek, on expansion plans
    Discussion about Star Wars: Galaxy’s Edge
    Secret Cinema
    Creating Evermore Park
    The Void Experience
    Amazon San Diego Comic-Con 2019 immersive activations

    Show Notes:

    Episode outline: 2019, The value of play, and 2020 [1:17]
    On the 2019 Immersion Awards [3:00]
    The immersive zeitgeist in 2019 [6:47]
    Jenny Weinbloom, rehearsal for resistance, and Immersion as a catalyst for social change
    [6:50]
    In case you missed it: Immersive Headlines in 2019 [8:58]
    Growth in immersive as a backdrop [12:58]
    The Value of Play: Part 2 [14:58]
    Listener’s thoughts on the value of play [15:23]
    Play, risk, and experimentation [19:07]
    Immersive in 2020 [21:31]
    2019 Immersion Awards Nomination [24:37]


    13 - The Chris Porter Experience

    13 - The Chris Porter Experience

    Jenny Curtis, Chris Porter, Micky Shiloah, and Kuali'i Wittman realize they shouldn't be recording the podcast because Chris forgot this guy's name. RULE: When you change the scene, all the hosts have to 'count it in.' (A one! A two! A one two three four!)

    Learn more about When Last I Left and our hosts: https://www.curtco.com/whenlastileft

    And Follow Us:

    Facebook: https://www.facebook.com/whenlastileft

    Instagram: https://www.instagram.com/whenlastileft

    Twitter: https://www.twitter.com/whenlastileft

    A CurtCo Media Production https://www.curtco.com

    See omnystudio.com/listener for privacy information.

    #34 When fiction looks at you with Jeromy Barber of Dinolion

    #34 When fiction looks at you with Jeromy Barber of Dinolion

    To recap, last week we left off. Jeromy had gotten a call from a local bar/beer garden asking him to produce a Halloween season show for their upstairs space. They had a month to make this show, the rabbit cage, come together. 


    We talk about this adventure in creation and how one could layer experiences together, in the make it immersive segment. Jeromy tells us about an experience he had with Sleep No More, and another where he was momentarily, and thrillingly convinced he was about to be abducted into an experience. Finally, Jeromy talks about the power of being seen and what could happen when an experience is bold enough to stretch the boundary of entertainment.

    The ideas that make the foundation of what we do when we create, or go out to an immersive experience are becoming more common. The language of immersive [beat] is beginning to be adopted because whether you’re designing a set, a workplace, a school, or your living room, it applies. If you’re listening to this, you’re witnessing the edge of what is likely a profound shift in the way our culture thinks about shaping the world around us. [beat] And no matter what happens, there is one thing we can be sure about the future of immersive experience… 2020 is going to be wild. Enjoy 

    Selected Links:

    Dino Lion
    -Facebook
    -Instagram
    The Rabbit Cage

    Festival of Disruption
    David Lynch
    Sleep No More
    Day for night festival
    Sundance Film Festival

    Grey Area, San Francisco
    The 21 experience
    Beta Theater
    Alternate Reality Game
    Overlook film festival


    Show Notes:

    •A month to create a show [4:03]
    •All ideas beget other ideas [5:54]
    •A brilliant spoiler (for The Rabbit Cage) [7:01]
    •Make it immersive [8:47]
    •The festival of disruption: Dino Lion Style [6:38]
    •Immersive is…. [11:30]
    •The in-between could also be an immersive experience! [15:25]
    •A Sleep No More Story [16:10]
    •An experience within an experience. Where the experience ends [18:31]
    •A story about the twenty-one experience. “These guys are going to get out and bag me and throw me this van” [20:24]
    •Jeromy Barber on exciting new things in immersive creation [23:01]
    •“I want to make work that authentically knows people… There’s a lot of power in being known” [25:24]
    •The lattice effect; on being a supportive structure [27:16]
    •Being seen; when fiction looks at you [30:13]


    #33 Designing for Champaign Problems with Jeromy Barber of Dinolion

    #33 Designing for Champaign Problems with Jeromy Barber of Dinolion

    In 2005, Jeromy Barber moved from New York City to a small town in Texas.

    If Jeromy's life was a screenplay, and I was editing? I would probably advise the writer to make it just a touch less formulaic. It is fantastic. Jeromy has trained with the comedy monolith, Second City. Founded the improv focused Beta Theater in Houston and, of course, owns and operates Dinolion, a quote “Creative video house” which rocks the tagline “Projects we love with people we love.” and does everything from video marketing to, of course, immersive experience design. 

    My read on The Dinolion brand, as a creative expression of Jeromy’s style, is bright and brash and I think can only really be described as brilliantly refined chaos. But that’s just my read on it, go check out their reel for yourself after the show; also, fantastic. 

    Jeromy’s way of thinking about the creation of immersive experiences is incredibly innovative. So, again for you practicing or aspiring immersive creators out there, these two episodes will hopefully likely spark the same kind of curiosity and excitement that I walked away with. And for the immersive fans, adventurers, connoisseurs? Have you ever heard of a one-person immersive experience in a plane? 

    Once again, fantastic.

    Selected Links:

    Dinolion
    -Facebook
    -Instagram
    The Rabbit Cage

    Beta Theater
    Bill Callahan
    David lynch
    Festival of Disruption
    Transcendental Meditation
    Second City
    The Steam Powered Hour
    Pollok Texas
    Lonely girl 15
    Cassie is Watching
    Alternate Reality Game
    Overlook film festival
    The Axelrad Beer Garden

    Show Notes:

    Jeromy’s fictional world [3:08]
    What is Dinolion? [7:16]
    The path from video to immersive [9:25]
    New York to Texas & discovering ARG [10:42]
    Consuming to create in a new medium [13:25]
    Starting with easter eggs [14:34]
    Cross-discipline: Video and immersive [17:18]
    Video in immersive experience [19:14]
    Spoilers and marketing for immersive productions [21:33]
    The ONLY person who has said the marketing is easy and the complexity ceiling
    [23:31]
    The golden ratio of immersive: post-experience interest is a champagne problem. 
    [26:23]
    The draw to the haunt genera [28:14]
    The inception of The Rabbit Cage [30:29]


    #32 Always a challenge but absolutely possible with Immersive Producer Niyia Mack

    #32 Always a challenge but absolutely possible with Immersive Producer Niyia Mack

    This episode is brimming, overflowing even with tips and techniques for those who like to look behind the curtain. If you didn’t catch last week’s episode, it gives some background on our guest Niyia Mack’s experience producing and consulting on immersive experience design. 

    This week, Niyia answers questions about creating immersive experiences when you’re not based in LA, New York, or Chicago, what she’s excited about in the changing world of immersive, and how it’s possible to make more intimate immersive productions financially viable. 

    Whether or not you’re a creative in immersive entertainment, getting a window into the world of those who carefully craft experiences for others can be incredibly eye-opening to the end of understanding the ways in which the world around you might be changeable, designable, and resoundingly story-worthy. Enjoy

    Selected Links:

    Niyia Mack
    Niyia Mack’s projects
    Janell Langford’s Obsidiopolis
    SXSW panel

    Some of Niyia Mack’s work and collaborations:

    Meow Wolf Denver
    Delusion
    Spy Brunch’s “Safehouse’
    Speakeasy Society’s ‘Johnny cycle’
    CoAct Production’s ‘Sideshow’
    LEIA
    Pasadena Playhouse

    Show Notes:

    Creating a space of safety [2:41]
    Creating when you’re not in LA, NY, or Chicago [7:46]
    Finding the community [11:17]
    What Niyia is excited about in immersive? [12:48]
    LARPing and immersive rookies [16:47]
    Financially viable small shows [18:31]
    Surprised by the effects of immersive [24:18]


    #29 Relearning agency and rehearsal for existence with Noah Nelson of No Proscenium

    #29 Relearning agency and rehearsal for existence with Noah Nelson of No Proscenium
    “The art of immersive isn’t about the art of engagement, it isn’t about holding people’s attention... It’s about attachment. It’s about forging a connection.” -Noah

    You can consume or you can create. Usually, it’s one or the other. Whether you’re considering a movie, music, or a book.. You can choose what you consume, for the most part, but you can’t alter the thing while in the midst of a storyline. Which, I believe, is part of what makes immersive so confounding. In the space of immersive entertainment, there is the option to do both. 


    Today we have, once again, good sir Noah Nelson the creator of No Proscenium. Based in LA, for the last 5 years Noah has strived to knit together the immersive community across the country and help the world understand this change in the way that our culture consumes narrative and story. 

    Selected Links:

    Show Notes:

    On oculus and interface [2:05]
    What is immersive? What is the goal? [3:40]
    The art of immersive isn’t about engagement [5:27]
    Emotional agency [7:18]
    You are Shia LaBeouf [8:54]
    The entertainment in immersive [10:55]
    Relearning what matters [15:35]
    You can’t spend all day long questioning reality [20:38]
    The trough of disillusionment [22:35]
    Rehearsal for existence & learning agency [23:53]
    What isn’t immersive? [27:37]
    Selfie palaces [29:03]
    Justifying immersive [30:14]


    #27 Enabling empathy and cultivating connection with Siobhan O’Loughlin of Broken Bone Bathtub

    #27 Enabling empathy and cultivating connection with Siobhan O’Loughlin of Broken Bone Bathtub

    Now this is where things change. One small group of people, one small room, one unexpectedly vulnerable interaction at a time. And it’s not easy. It’s hard to just be present, let alone open up to strangers.

    And this is where Siobhan comes in. Someone who can take something serious, and turn it into laughter. Someone who can take something that is so hard to explain, a performance in a bathroom? And not leave you feeling like it makes sense, but like it’s the only thing that makes sense. Siobhan O’Loughlin has crafted and refined and created something in Broken Bone Bathtub that redefines what immersive entertainment can be. 


    What is Broken Bone Bathtub?

    Broken Bone Bathtub is an immersive theater experience performed -typically- for a small group, in a bathroom.  Siobhan O’Loughlin casts the audience as close friends, letting her borrow their bathtub after breaking her hand in a bicycle accident. In the name of keeping her cast dry, and finding some much needed human connection, she hops in the tub; over the course of the 60-90 minute performance, she interacts with the audience in a way that perfectly walks the line between the topical gravity of the story and the situational levity of the scenario. 


    Selected Links:


    Siobhan O’loughlin
    Broken Bone Bathtub
    -Instagram
    -Facebook
    -Twitter

    Press and reviews of Broken Bone Bathtub through the years. 
    Siobhan’s Patreon
    Siobhan’s Moth Grandslam and other videos

    -*Editorial favorite from clips in above link is ‘Every Time I Try’


    Show Notes:

    Siobahn’s fictional world: artistic renaissance [4:23]
    Are Patreon and crowdfunding platforms helping? [6:26]
    What is Broken Bone Bathtub? [10:55]
    Vulnerability and beginning the bath [15:00]
    Japan to LA, meeting the audience where they’re at [19:53]
    Spacial improv and staying on your toes [22:44]
    The language barrier in immersive performance [24:12]
    Moving with and through cultural barriers [26:05]
    The impact of immersive experience [28:25]
    Building the immersive community [30:55]


    #26 Social design and Invisible Privilege | Risa Puno of The Privilege of Escape

    #26 Social design and Invisible Privilege | Risa Puno of The Privilege of Escape

    We often think of people as so individual, so removed from their context. As individuals.  But try as we might, we are.. the constantly shifting point that sits at the intersection of our internal identity and our external environment.  

    And if you think about the curve of human history, this fact has been the point *pause* of thousands of years of frustration. It’s a little bit of an adversarial  relationship. Most of what we categorize as necessities, clothing, shelter, access to clean water are acts of environmental design

    But on this episode, we’re discussing how this is changing. How shaping an external environment can enable changes in our internal environment, rather than prevent them. This is part two of a conversation with Risa Puno, creator of The Privilege of escape. An escape room, that uses environmental design to explore the concept of privilege.

    This portion of the conversation is by itself fantastic and illuminating and illustrative but if you find yourself wanting to know a little more about the context of the piece, you should go check out the first part of the interview, episode 23 which you can find wherever you might be listening right now. Beyond that, I hope you enjoy this window into the world of escape rooms, social dynamics, and the way our environment shapes our awareness. 


    Selected Links:
    The Privilege of Escape

    Risa Puno
    @risapuno
    On twitter
    On Vimeo

    Creative time
    -Sugar Sphinx
    -Pigeon lights performance

    The Onassis foundation
    The olympic tower building
    On Post Game Frothing


    Show Notes:

    The original room design [2:37]
    Harvesting spines, you know, the usual [3:42]
    The concept of neutral authority [4:14]
    The issue of provoking thought [5:26]
    The puzzles and the flow and easter eggs [7:20]
    Escape room life: Confusion and frustration [9:43]
    Privilege is everything you don’t have to deal with [12:23]
    Hacking empathy [16:19]
    You have to listen [17:04]
    Part refrigerator, part escape room [19:10]


    #25 Soundbaths, soundscapes, and flourishing experiments with Andrew Hoepfner of House World

    #25 Soundbaths, soundscapes, and flourishing experiments with Andrew Hoepfner of House World

    The word ‘soundscape’ seems to get lobbed around haphazardly, kind of like a half deflated football picked up out of a sense of obligation around the Thanksgiving season. However, the idea of a ‘soundscape’ seems to have a bit more vigor when applied more literally to an immersive experience. Especially when the lens -or maybe more appropriately, the voicing- of an immersive experience, the original impetus, comes from a musician.

    Someone who’s first artistic language is not visual. Andrew Hoepfner, the prolific and determinately resourceful creator of House World, Bottom of the Ocean, Waves, and co-creator of Whisperloge, approaches immersive experience design in exactly this way.

    Sound and music are not just another layer in Andrew’s experience composition, but rather are the core, the engine that overtly drives much of what he creates. Right now, Andrew Hoepfner is hard at work in his Brooklyn creative space, Gymnopedie and preparing for the next iteration of the show, Bottom of the Ocean in December. More immediately, he joins us to discuss his path into and through the world of immersion.

    Selected Links:

    Waves
    Gymnopedie
    Houseworld
    -Instagram
    -Facebook
    -Twitter

    Whisperlodge


    Show Notes:

    Fictional world Andrew wants to live in [2:53]
    Emotional dynamic range [4:33]
    Creating the opportunity for peak experiences [6:09]
    House World, Whisperlodge, BOTO, and Waves [7:49]
    Curious origins of immersive interaction [10:33]
    The path from Michigan to NYC [13:55]
    When life gives you a 25 room mansion... [15:49]
    Melinda Lauw, and new things for Whisperlodge [20:01]






    #22 Privilege, Play, and Starting conversations with Risa Puno of The Privilege of Escape

    #22 Privilege, Play, and Starting conversations with Risa Puno of The Privilege of Escape

    A door has opened with the rise of immersive experience. Immersive experience can be fun, and wondrous, mind bending, but it can also aid incredible empathy in a way that very few other things can. 

    The privilege of escape is an escape room and an experience that uses this fact to address the real world problems of privilege and social inequity. Risa Puno, is a new york based artist that, in collaboration with creative time, has pioneered a new front, a new world of potential, for what immersive experiences can be. 

    References & Selected Links:

    The Privilege of Escape

    Risa Puno
    @risapuno
    On twitter
    On Vimeo

    Creative time
    -Sugar Sphinx
    -Pigeon lights performance

    The Onassis foundation
    The olympic tower building
    On Post Game Frothing



    Show Notes:

    Fictional world for adventures [2:43]
    •PSA: We don’t wrap back around to that- the rest of the conversation was just too good! [5:53]
    •Creative Time and What is the Privilege of Escape? [6:04]
    •Why an escape room? [8:43]
    •Nuance in name and idea [11:52]
    •Communicating privilege through adrenaline and context [13:57]
    •What is the experience like? [16:37]
    •The setting- now with spaceship hvac! [19:35]
    •The depth of the space [22:44]
    •Post game debrief [24:22]
    •Games that show who we are  [26:11]
    •The actors in the art [29:45]
    •You are the message [33:11]
    •Risa undercover- getting shut down [35:13]
    •Being right doesn’t matter Power dynamics feeling only 99% sure [36:10]
    •Awareness of one’s privilege [41:05]
    •Acknowledging one’s privilege [42:27]
    •Using the frothiness [43:24]

    #21 The value of play pt. 1

    #21 The value of play pt. 1

    Why is play important? What is the value of play? 

    Well, today’s episode of the immersion Nation Podcast is a little bit different. This is the first in a series of mini episodes that we’re going to be releasing periodically in place of our normal interviews. 

    We’ve been asking guests of the Immersion Nation podcast why play matters.

    There are certain concepts that are intrinsic, not just to the immersive wave, but to how we understand and interface with the world as a whole. But often the importance of play fades in our mind as we get older…

    We want to know what you think!
    What do we lose when we forget how to play?
    Or
    Why do you think play is important?

    -We will share your thoughts on the next episode about about play

    •Email Nathaniel Sky, the podcast host directly with this link: https://www.immersionnation.com/contact/
    •DM us on instagram: @immersionnation
    •Or message us on facebook with this link: http://m.me/immersionnation

    Selected Links:

    Genevieve Gearhart on the podcast
    The Speakeasy Society
    Christoff Visscher on the podcast
    Tales By candlelight
    Pete Billington on the podcast
    Wolves in the Walls
    Fable Studio


    Show Notes:

    Intrinsic to how we understand the world [1:20]
    Genevieve Gearhart on play [1:54]
    Is play escapism? [2:53]
    Christoff Visscher on play [3:59]
    Playing in reality [5:13]
    Pete Billington of Fable Studio [5:51]
    Forgetting how to play [6:38]
    What do you think? [7:58]
    What do you think? [7:58]

    #19 Invisible but not hidden: Wellness and the transformation economy with Melinda Lauw of Whisperlodge

    #19 Invisible but not hidden: Wellness and the transformation economy with Melinda Lauw of Whisperlodge

    On a humid August night in williamsburg brooklyn, Melinda Lauw, cofounder of the genre creating asmr experience, Whisperlodge, took the stage at new york immersive night. Melinda explained that she thought of immersive experience as a kind of wellness practice. At that moment I was sitting in the back of the room, utterly fascinated.

    Today melinda discusses this concept, the transformation economy, and the kind of things that are so pervasively common, they fade into the background and become invisible.

    Selected Links:


    Show Notes:  

    • Fictional world: [2:35]
    • Textiles, gradmas, the exotic [3:21]
    • Fluffy guerilla art, the inversion of expectations [5:23]
    • The transformation economy- one step further [6:23] 
    • Growing the audience for art  [10:01]
    • Immersive experience as a wellness practice [12:15]
    • Craving Immersion [14:29]
    • Make it immersive: A world without plastic [18:44]
    • “I thought you brought the props!” [22:17]
    • What is Whisperlodge [25:09]
    • The Origin of Whisperlodge [26:17]
    • Change in experimental outlet [29:28]
    • Current work and Ice Cream [30:50]
    • What I do didn’t exist [32:26]
    • IRL vs. URL: A balancing act. [33:30]
    • Environment and holistic experience [37:09]
    • Working with the Museum of Ice Cream [41:48]
    • New horizons in the immersive world: new combinations [43:52]

    #17 Mimes, Accidental Immersion, and the Power of Story: Billy Angel of Story Works

    #17 Mimes, Accidental Immersion, and the Power of Story: Billy Angel of Story Works

    Stories are trust. They create understanding and shared meaning. Stories are the fabric of culture so it is befitting that Billy Angel has carved his path through the world with his stories.  From the Netherlands, to the UK, to the co-founding of Story Works in the United States. 

    In this conversation Billy tells the stories of... 

    • How he came to create an immersive tour across 60 schools by necessity and accident. 
    • How teaching mime opened the door for an exploration of the intersection of sound and movement. 
    • The circumstances of producing an all ages television series, jacob's ladder


    The thread of self expression and the drive to enable the expression of others’ stories has given him a depth of multifaceted, and multicultural perspective. Before the modern era of immersive theater this perspective guided Billy and others on the same path to sew the seeds of the immersive revolution. 

    Links and full show notes can be found 

    #16 Fluid identity, empathy, and the struggle to understand: CoAct Productions

    #16 Fluid identity, empathy, and the struggle to understand: CoAct Productions

    Identity is a complex topic under the best of circumstances. We are often defined by the invisible scripts we learned so long ago we forget we’re even reciting lines. The Severance Theory casts you in the role of someone contending with DID. Dissociative Identity Disorder, commonly known as multiple personality disorder. 


    DID is tricky to portray through narrative. Especially so in the context of immersive theater. The creative minds behind the show, Lyndsie Scoggin & Danielle Levesque of CoAct Productions have created an experience that inspires appreciation for complexity, and insites curiosity about the mysteries of identity.

    In this episode, we discuss the why and how behind the creation of an immersive experience, where the single guest is uncovering both parts of their past and parts of themselves. 

    --
    Chapter markers, links from the show, and more on CoAct's work:  https://www.immersionnation.com/coactproductions-podcast/

    #15 What does it mean to be human?: Ben Cox of Trailblazer Productions

    #15 What does it mean to be human?: Ben Cox of Trailblazer Productions

    Imagine if human touch were a felony. What would that world look like? Ben Cox of Trailblazer Productions is exploring this question in his productions of TOUCH & TOUCH: INCARNATION. Ben joins the Immersion Nation Podcast for an adventure through dystopian futures, cultural change, and the presently evolving idea of human connection. 

    Ben has used this dystopian backdrop to raise the question, ‘what does it mean to be human?’. In TOUCH, you are placed into the midst of a rebellious group, fighting the regulation of touch. They use the tagline- “We are electric”. While metaphorically appropriate this mantra also has the obvious layer of scientific legitimacy. 

    Now, more than ever, the questions of our common humanity deserve attention. This conversation frames the idea that immersive experience is becoming an incredible tool for the exploration of these questions. 

    Full show notes at Immersion Nation: here

    #14 Carnivals, crowns, and learning the power to change: Caroline Murphy of Incantrix productions

    #14 Carnivals, crowns, and learning the power to change: Caroline Murphy of Incantrix productions

     Any who have truly lost themselves in an immersive experience have glimpsed the potential of immersion as a whole. Caroline Murphy -co-founder of Incantrix production- discusses this potential, and the cause behind the air of wonder and openness that often follows audiences out the doors, after an immersive production. 

    Caroline seems to have a particular propensity for looking at immersive design as both an engineering problem and a piece of social art at the same time. This ability has manifested in their productions of The Carnivale, Crown Me, and extends to inspire audiences of both immersive enthusiasts and the immersive unaware.

    Full show notes with selected links mentioned in the show and chapter markers can be found here: https://www.immersionnation.com/incantrixproductionspodcast/

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