bresson

Jackie and Greg shuffle through the streets of Paris in search of a con for Robert Bresson's PICKPOCKET from 1959. Topics of discussion include Bresson's formalism, his actors as "models", the "cinema of hands", and why his work is do divisive amongst filmgoers.

#63 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.
https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012

#136 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time

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Music: Andrew Cox
Editing: Asa Parsons

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On the thirty-sixth episode of the Cinematic Odyssey, Tristen and Max unpack the documentarian effort of French director Robert Bresson in his acclaimed A Man Escaped. Packed with minute details and patient unease and suspense, both hosts respect the effort to make the film as realistic as possible to the memoir it was based on, as well as true human physicality. Max makes a series of absolutely horrible comparisons between this film and pop culture of today, while Tristen remains in awe of every shot and each poignant detail. They both are able to come away with the knowledge that this film is more than just an escape: it's about trust, hope, and the human spirit to fight on and keep living. 

We did it, folks. Dixon finally got us to talk about the inimitable Robert Bresson. Join the Afterthoughts crew as we discuss his biggest commercial success, the thrilling prison break masterpiece A Man Escaped (1956). We dive into Bresson's one-of-a-kind filmmaking style, his technical mastery, and his ability to build tension like no director before or since.

Jackie and Greg get locked up with Robert Bresson's minimalist prison-escape classic, A MAN ESCAPED from 1956. Topics of discussion include Bresson's cinema of hands, how it compares to other jailbreak films, where it falls within his filmography, and why it's a magical pairing of filmmaker and subject matter.

#69 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.
https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012

#95 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time

Check us out on Instagram: https://www.instagram.com/sceneandheardpod

Check us out at our official website: https://www.sceneandheardpod.com

Join our weekly film club: https://www.instagram.com/arroyofilmclub

JP Instagram/Twitter: jacpostaj
GK Instagram: gkleinschmidt

Photography: Matt Araquistain
Music: Andrew Cox

Get in touch at hello@sceneandheardpod.com

Support the show on Patreon: patreon.com/SceneandHeardPod
or
Subscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Nick finally gets Mike to watch the new donkey movie, EO: a new interpretation of an old classic they both love: Au Hasard Balthazar. Two special guests join the hosts: Jackie and Ryan. The group talks interpretation of EO and the barrier to entry to Bresson's minimalist directing style. Does EO deserve a place on the Mount Rushmore of film donkeys?

Jerzy Skolimowski’s EO is probably not the first film to premiere at Cannes, land on a ton of annual Top Ten lists, and then get nominated for Best International Feature at the Academy Awards. But it’s the first movie to do all that AND be about – and starring – a donkey. Comedian Ashley Ray joins us to talk about our silent protagonist’s adventure across Europe. Then, a certain bear joins the Hall of Excellence and we pick some other non-human POVs that would make good cinema.

What’s Good:
Drea - Hearing the Spirit Awards were accessible
Ashley - Extreme Sisters
Alonso - Kristen Lopez, But Have You Read the Book?

ITIDIC

• New Ninja Turtles Movie
• Lenny Kravitz to Sing Oscars “In Memoriam” Segment
• EEAAOO Wins a LOT of Spirit Awards (watch The Daniels’ speech)

Staff Picks
Drea - Bruiser
Ashley - Three Ways
Alonso- Framing Agnes

Check out TV, I Say with Ashley Ray

With:
Drea Clark
Alonso Duralde
Ashley Ray

Produced by Marissa Flaxbart
Sr. Producer Laura Swisher

Follow us on BlueSky, Twitter, Facebook, or Instagram

With
Drea Clark
Alonso Duralde
Ify Nwadiwe

Produced by Marissa Flaxbart
Sr. Producer Laura Swisher

Jason speaks to director Chinonye Chukwu about the film Till, which tells the story of the brutal lynching of Emmett Till, and a look at the importance of director Robert Bresson ahead of a season at the Melbourne Cinematheque.

Welcome to an all-new Films for the Void, Bonus Episode #8! In this episode, Landon interviews Matt Everitt - the writer/director of the self-produced short film Waffle Home, filmed on location in Grand Rapids, Michigan. Everitt describes the short as "a film about waffles, generational trauma, and the dumb shit men do to feel better." Together, the pair talk about Everitt's pursuit of indie  filmmaking, Waffle Home, and have a round robin discussion about some of his favorite movies - all on the latest episode of Films for the Void!

Watch WAFFLE HOME here: https://www.youtube.com/watch?v=Aq0VCZhNS4U

TIME STAMPS
00:00:16 Interview w/ Matt Everitt
00:36:10 Round Robin Discussion

TWITTER: @films_void
$3/MONTH PATREON: patreon.com/films_void

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Artwork by Annie Curle
Theme Music by Meghan Gove