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    canlit

    Explore "canlit" with insightful episodes like "Season 4 Episode 4 - Sumaiya Matin", "Season 4 Episode 3 - Craig Shreve", "Season 4 Episode 2 - Shivani Howe", "Season 4 Episode 1 - Live at The Black Box Sessions" and "#295 – Writing a Domestic Thriller with Samantha M. Bailey" from podcasts like ""Love and Defiance's podcast", "Love and Defiance's podcast", "Love and Defiance's podcast", "Love and Defiance's podcast" and "Kobo Writing Life Podcast"" and more!

    Episodes (85)

    Season 4 Episode 4 - Sumaiya Matin

    Season 4 Episode 4 - Sumaiya Matin

    In today’s episode I’ll be speaking with Sumaya Matin who worked on her memoir with Shyam Selvadurai. Titled The Shaytan Bride, it was published in 2021 by Dundurn Press and it is an account of Sumaiya’s immigration to Canada from Bangladesh as a young girl, her attempts to reconcile her Muslim faith with secular Canadian society and the patriarchal strictures placed on Muslim girls and women from within their own community which culminates, for Sumaiya, in an attempted forced marriage.

    This season of Love and Defiance is written and produced by David Bezmozgis, and produced and edited by Evan Gravelle.

    Thanks for listening. We’ll be back next year with more students and more remarkable stories from the Humber School for Writers.

    Season 4 Episode 1 - Live at The Black Box Sessions

    Season 4 Episode 1 - Live at The Black Box Sessions

    Our first episode of Season 4 comes from conversations at the Black Box Sessions at the Toronto International Festival of Authors with students from the Humber School for Writers. Our first guest is Kim Echlin. Kim's novels include Elephant Winter, and Dagmar's Daughter. Our second guest is Vicky Chen who has published a book of nonfiction and three plays. We finish off with Arzu Yildiz, a writer and journalist from Turkey. 

    This season of Love and Defiance is written and produced by David Bezmozgis, and produced and edited by Evan Gravelle.

    #295 – Writing a Domestic Thriller with Samantha M. Bailey

    #295 – Writing a Domestic Thriller with Samantha M. Bailey

    In this episode, we are joined by Samantha M. Bailey, USA Today and #1 nationally bestselling author of Woman on the Edge. We discussed Samantha's next thriller, Watch Out for Her, her experiences finding a traditional publishing platform, following up a successful debut during a global pandemic, how curiosity can drive the creative process of writing a thriller, the importance of editing, of community, of her readers, and much more!

    Find more information about our podcast, including links to our guests' books here. If you're ready to start your publishing journey, visit kobo.com/writinglife

    Listening, Sound, Agency: A Retrospective Listening to the 2021 SpokenWeb Symposium

    Listening, Sound, Agency: A Retrospective Listening to the 2021 SpokenWeb Symposium

    This is a mixed format episode presenting SpokenWeb members Mathieu Aubin and Stéphanie Ricci’s critical commentary after taking part in the organization of and attending the Listening, Sound, Agency Symposium. Bridging techniques from journalism and oral history, this episode includes sounds from the conference, interviews, and critically reflective discussions between Mathieu and Stéphanie. This episode was produced by Mathieu Aubin and Stéphanie Ricci, with audio engineering by Scott Girouard.

    This episode explores the Symposium from the perspective of a first-time conference attendee coupled with a veteran attendee; these join the voices of multiple conference participants. Mathieu and Stéphanie focus on the process of organizing, holding, and listening to the 2021 SpokenWeb Symposium, and they discuss its themes of listening, sound, and agency as they emerge through the presentations and discussions. The episode begins with the theme of listening ethically and intentionally, before diving into a discussion of issues surrounding sound politics. It concludes with the topic of agency in relation to the amplification of sound as a potential means of empowerment. 

    A special thanks to the 2021 Listening, Sound, Agency organizing committee, especially Jason Camlot, Klara DuPLessis, Deanna Fong, Katherine McLeod, Angus Tarnawsky, and Salena Wiener, whose voices are featured at the beginning of the episode.

    SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.

     

    Episode Producers:

    Mathieu Aubin is a Research Affiliate at Concordia University and Principal Investigator of the SSHRC IDG project “Listening Queerly Across Generational Divides.” He is also a Research Associate at Higher Education Strategy Associates where he provides advice to postsecondary institutions on how to improve equity in higher education across Canada.

    Stéphanie Ricci is an undergraduate student completing a journalism major with a sociology minor at Concordia University. Passionate about storytelling in all forms, Stéphanie is a contributing writer for the Forbes Leadership section, and scriptwriter for The CEO Series radio show with Karl Moore. Stephanie has previously worked on SpokenWeb’s online presence and outreach tactics as social media coordinator. Her past experiences also include working as an investigative reporter for the Institute for Investigative Journalism, volunteer copy editor for Her Campus Media, and production intern with CityNews Montreal.

    Audio Engineering:

    Scott Girouard is a Front-End Developer based in Toronto, Canada with a lifelong background in music and creative practice.

     

    Audio Credits:

    Kvelden Trapp from Blue Dot Sessions: https://app.sessions.blue/browse/track/94421

    Citations:

    Bergé, Carole. 1964. The Vancouver Report. FU Press.

    Brittingham Furlonge, Nicole. May 19, 2021. “‘New Ways to Make Us Listen’: Exploring the Possibilities for Sonic Pedagogy.” 

    Du Plessis, Klara. May 21, 2021. “From Poetry Reading to Performance Art: Agency of Deep Curation Practice.” 

    McLeod, Dayna. May 18, 2021. “Queerly Circulating Sound and Affect in Intimate Karaoke, Live at Uterine Concert Hall. 

    Robinson, Dylan. May 19, 2021. “Giving/Taking Notice.” 

    Sun Eidsheim, Nina. May 20, 2021. “Re-writing Algorithms for Just Recognition: From Digital Aural Redlining to Accent Activism.”

    What the Archive Remembers [ShortCuts]

    What the Archive Remembers [ShortCuts]

    In this episode, ShortCuts explores one of the methods of listening from the previous episode of The SpokenWeb Podcast. That episode, produced by Julia Polyck O’Neill, listens to the emotional weight of archives. Julia’s conversations with poet Lisa Robertson uncover the ways in which archives record the relationships between memory, affect, and mortality. In this ShortCuts, producer Katherine McLeod listens to the emotional weight of archives through a recording of bpNichol, reading with Lionel Kearns in Montreal on November 22, 1968. How does the archive record loss? What can the archive never record? And what do we remember as listeners?

    EPISODE NOTES

    A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

    Producer: Katherine McLeod

    Host: Hannah McGregor

    Supervising Producer: Judith Burr

    SHOW NOTES

    Bowering, George. “bpNichol: 1944-1988.” The Long Poem / Remembering bp Nichol. Spec. issue of Canadian Literature 122-123 (Autumn/Winter 1989): 294-297.

    McGregor, Hannah. “The Voice Is Intact: Finding Gwendolyn MacEwen in the Archive.” The SpokenWeb Podcast, 6 April 2020.

    Polyck-O’Neill, Julia. “Lisa Robertson and the Feminist Archive.” The SpokenWeb Podcast. 1 November 2021.

    Pound, Scott. “Sounding out the Difference: Orality and Repetition in bpNichol.” Open Letter: bp + 10 (Fall 1998) 50-58.

    Singh, Julietta. No Archive Will Restore You. Punctum Books, 2018.

    AUDIO CLIPS

    Audio for this ShortCuts is clipped from a recording of Ear Rational: Sound Poems 1966-1980 available on PennSound, a partner affiliate of the SpokenWeb research network, and from a recording of bpNichol and Lional Kearns from the Sir George Williams Poetry Series audio collection.

    Nichol, bp. “Pome Poem.” PennSound – and a link to the same recording is also available on the official bpNichol archive.

    “I wanted to forget you.” bpNichol reading with Lional Kearns. Sir George Williams Poetry Series. Montreal, 22 November 1968. https://montreal.spokenweb.ca/sgw-poetry-readings/bpnichol-and-lionel-kearns-at-sgwu-1968/#1

    Who’s going to win the Giller and what else should you read this fall?

    Who’s going to win the Giller and what else should you read this fall?

    Guest: Deborah Dundas, Star Books Editor

    Canada’s prestigious literary award, the Scotiabank Giller Prize recently announced its shortlist — which is not short on diverse Canadian literature — and we’ll have a winner on Monday in an actual in-person award ceremony after nearly two years of this pandemic. The Toronto Star’s Books Editor Deborah Dundas is on “This Matters” for a breakdown of the Giller Prize 2021, the nominees and potential winners and recommends some of Canada’s best, buzzworthy book titles to add to your holiday reading list

    Lisa Robertson and the Feminist Archive

    Lisa Robertson and the Feminist Archive

    In this episode, SpokenWeb contributor Julia Polyck-O’Neill shares an archived recording of Canadian poet Lisa Robertson with us and talks us through two interviews she recorded with Robertson. Polyck-O’Neill invites us to consider the significance of Robertson’s intimate archival collections in light of the relationships between archives, memory, affect, and mortality. In examining these conceptual, material and immaterial dimensions of the archive within Robertson’s personal narrative history of the Kootenay School of Writing, Polyck-O’Neill points to how creative and feminist approaches to the archive and to archival practice are exist within Robertson’s practice. Polyck-O’Neill shares with us how Robertson’s archives are influencing her research and the ways she approaches the topic of archives and intimacy in her work and her life more broadly.

    Addendum: Listening Notes

    Nancy Shaw (1962-2007), a celebrated curator, poet, writer, and organizer, at times collaborated with Lisa Robertson and also wrote work in dialogue with Robertson’s poetry. Robertson wishes to mention how greatly the absence of her good friends Shaw, Stacy Doris (d. 2012), and Peter Culley (d. 2015) has affected her. Additionally,  XEclogue was, in fact, Robertson’s first book, although she published chapbooks prior; additionally, she does not think of her books as collections, as they are written as single, cohesive works. The new edition of R’s Boat is titled Boat and is being published by Coach House in Spring 2022. 

     

    SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about SpokenWeb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.

     

    Episode Producer:

    Julia Polyck-O’Neill is an artist, curator, critic, poet, and writer. A former lecturer at the Obama Institute at Johannes Gutenberg Universität Mainz (2017-18) and international fellow of the Electronic Literature Organization, she is currently a Social Sciences and Humanities Research Council (SSHRC) Postdoctoral Fellow in the department of Visual Art and Art History and the Sensorium Centre for Digital Arts and Technology at York University (Toronto) where she studies digital, feminist approaches to interdisciplinary artists’ archives. Her writing has been published in Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (The Journal for Aesthetics and General Art History), English Studies in Canada, DeGruyter Open Cultural Studies, BC Studies, Canadian Literature, and other places.

     

    Citations

    Cvetkovich, Ann. An Archive of Feelings. Duke University Press, 2003.

     

    Fong, Deanna and Karis Shearer. “Gender, Affective Labour, and Community-Building Through Literary Audio Artifacts.” No More Potlucks, 2018, http://nomorepotlucks.org/site/gender-affective-labour-and-community-building-through-literary-audio-artifacts-deanna-fong-and-karis-shearer/. Accessed 1 Dec. 2019. 

     

    Morra, Linda. Unarrested Archives: Case Studies in Twentieth-Century Women’s Authorship. University of Toronto Press, 2014.

     

    Robertson, Lisa. “At the Kootenay School of Writing, Vancouver, 1994: Launch of XEclogue on January 8, 1994.” PennSound, n.d., https://media.sas.upenn.edu/pennsound/authors/Robertson/Robertson-Lisa_Reading_Kootenay-School_Vancouver_01-%2008-1994.mp3. Accessed 1 Sept. 2021.

     

    Singh, Julietta. No Archive Will Restore You. Punctum, 2018.

     

    Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, 2003.

     

    Music Credits:

    Clouds at Castor Ridge by Zander on Blue Dot Sessions: https://app.sessions.blue/browse/track/69017

     

    Kothbiro by Real Vocal String Quartet on Free Music Archive: https://freemusicarchive.org/music/Real_Vocal_String_Quartet#contact-artist

     

    Sunsets and Rockers by Rebecca Foon on Free Music Archive: https://freemusicarchive.org/music/Rebecca_Foon/Live_At_CKUT_on_Montreal_Sessions/03_Sunsets_And_Rockers

    10 questions with Prajwala Dixit | The Write Project

    10 questions with Prajwala Dixit | The Write Project

    Us, Now is a collection of stories connecting Newfoundland and Labrador to the world via racialized Newfoundlanders. These are stories that fit George Elliot Clarke’s thinking on what a truly Canadian national tale might be: local, yet connected, broadly and diversely. But at its core, this book, as editor Lisa Moore sagely wrote, “is a book about belonging. Sometimes in these stories, belonging is fragile and fought for, but the act of writing from a place and about a place is belonging—the sometimes sacred, sometimes scary act of witnessing means writers always stand apart and, at the same time, are a part of.”

    Pick up Us, Now using the following link to help the channel: https://amzn.to/3kWTopL

    Originally broadcast on October 25 2021 on CHMR 93.5 FM in St. John's, and on other great stations across the country. 

    Check out As Loved Our Fathers, the latest book from Write Project host Matthew LeDrew: https://amzn.to/3HB7BAB

    It's a hunt for the Holy Grail taken on by an American Anthropologist and a Newfoundland History professor that unveils hidden secrets within Newfoundland history!

    Support the show

    Listen on CHMR online at http://www.chmr.ca/​

    This program, and others like it, are helped by support from viewers and fans on Patreon. Consider helping support Engen Books on Patreon for as little as $1.00 a month for excellent rewards, including books! https://www.patreon.com/engenbooks​

    Checkout Engen titles at http://www.engenbooks.com/​

    The Write Project signup for FREE book: http://eepurl.com/c8W9OT
    Engen Horror Society Signup for FREE book: http://eepurl.com/c8Yemr
    Fantasy Files signup for FREE book: http://eepurl.com/c8X4zL
    Engen's Science-Fiction Newsletter for FREE book: http://eepurl.com/ir5Jmg

    This recording copyright © 2023 Matthew LeDrew

    Interview with Prajwala Dixit of Us, Now | The Write Project

    Interview with Prajwala Dixit of Us, Now | The Write Project

    Us, Now  is a collection of stories connecting Newfoundland and Labrador to the world via racialized Newfoundlanders. These are stories that fit George Elliot Clarke’s thinking on what a truly Canadian national tale might be: local, yet connected, broadly and diversely. But at its core, this book, as editor Lisa Moore sagely wrote, “is a book about belonging. Sometimes in these stories, belonging is fragile and fought for, but the act of writing from a place and about a place is belonging—the sometimes sacred, sometimes scary act of witnessing means writers always stand apart and, at the same time, are a part of.”

    Pick up Us, Now using the following link to help the channel: https://amzn.to/3kWTopL

    Originally broadcast on October 18, 2021 on CHMR 93.5 FM in St. John's, and on other great stations across the country. 

    Check out As Loved Our Fathers, the latest book from Write Project host Matthew LeDrew: https://amzn.to/3HB7BAB

    It's a hunt for the Holy Grail taken on by an American Anthropologist and a Newfoundland History professor that unveils hidden secrets within Newfoundland history!

    Support the show

    Listen on CHMR online at http://www.chmr.ca/​

    This program, and others like it, are helped by support from viewers and fans on Patreon. Consider helping support Engen Books on Patreon for as little as $1.00 a month for excellent rewards, including books! https://www.patreon.com/engenbooks​

    Checkout Engen titles at http://www.engenbooks.com/​

    The Write Project signup for FREE book: http://eepurl.com/c8W9OT
    Engen Horror Society Signup for FREE book: http://eepurl.com/c8Yemr
    Fantasy Files signup for FREE book: http://eepurl.com/c8X4zL
    Engen's Science-Fiction Newsletter for FREE book: http://eepurl.com/ir5Jmg

    This recording copyright © 2023 Matthew LeDrew

    20 Questions with Paul David Power, author of 'Crippled' | The Write Project

    20 Questions with Paul David Power, author of 'Crippled' | The Write Project

    Interview with Paul David Power, the astonishing playwright behind 'Crippled' and contributor to 'Land of Many Shores,' both published through Breakwater Books!

    Pick up Us, Now using the following link to help the channel: https://amzn.to/3kWTopL

    Originally broadcast on September 27 2021 on CHMR 93.5 FM in St. John's, and on other great stations across the country. 

    Check out As Loved Our Fathers, the latest book from Write Project host Matthew LeDrew: https://amzn.to/3HB7BAB

    It's a hunt for the Holy Grail taken on by an American Anthropologist and a Newfoundland History professor that unveils hidden secrets within Newfoundland history!

    Support the show

    Listen on CHMR online at http://www.chmr.ca/​

    This program, and others like it, are helped by support from viewers and fans on Patreon. Consider helping support Engen Books on Patreon for as little as $1.00 a month for excellent rewards, including books! https://www.patreon.com/engenbooks​

    Checkout Engen titles at http://www.engenbooks.com/​

    The Write Project signup for FREE book: http://eepurl.com/c8W9OT
    Engen Horror Society Signup for FREE book: http://eepurl.com/c8Yemr
    Fantasy Files signup for FREE book: http://eepurl.com/c8X4zL
    Engen's Science-Fiction Newsletter for FREE book: http://eepurl.com/ir5Jmg

    This recording copyright © 2023 Matthew LeDrew

    2.5 Book Publishers & the Changing Industry

    2.5 Book Publishers & the Changing Industry

    Through the editing stage to organizing author appearances at festivals, readings and more, there are many people behind the scenes at publishing houses who work together to get books into a readers' hands. In this episode, hear from two publishing professionals, Cory Beatty at HarperCollins Canada and Jillian Levick at Simon and Schuster Canada, about their experiences in the last year and a half. From an online bookstore finder to virtual book launches, their teams have found exciting new ways to connect authors and readers.

    Produced by the Toronto International Festival of Authors and hosted by Stephanie Fraser. Visit festivalofauthors.ca/TheReWrite to learn more.

    From the Archive: Moving [ShortCuts]

    From the Archive: Moving [ShortCuts]

    A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

    Producer: Katherine McLeod

    Host: Hannah McGregor

    Supervising Producers: Judith Burr and Stacey Copeland

    AUDIO SOURCES

    Archival audio clips for this ShortCuts minisode are cut from this recording of Phyllis Webb’s reading in Montreal on November 18, 1966. The entire recording can be accessed here

    RESOURCES

    Collis, Stephen. Almost Islands: Phyllis Webb and the Pursuit of the Unwritten. Talonbooks, 2018. 

    McGregor, Hannah. “The Voice is Intact: Finding Gwendolyn MacEwen in the Archive.” The SpokenWeb Podcast, 6 April 2020, https://spokenweb.ca/podcast/episodes/the-voice-is-intact-finding-gwendolyn-macewen-in-the-archive/

    McLeod, Katherine. “Listening to the Archives of Phyllis Webb.” In Moving Archives. Ed. Linda Morra. Wilfrid Laurier University Press, 2020. 113-131.

    ---. “Poetry on TV: Unarchiving Phyllis Webb’s CBC-TV Program Extension (1967).” CanLit Across Media: Unarchiving the Literary Event. Eds. Jason Camlot and Katherine McLeod. McGill-Queen’s University Press, 2019. 72-91.

    Webb, Phyllis. Naked Poems, Periwinkle Press, 1965. 

    Webb, Phyllis. Peacock Blue: The Collected Poems. Ed. John Hulcoop. Talonbooks, 2014.

    Alone Together [ShortCuts]

    Alone Together [ShortCuts]

    A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

    Producer: Katherine McLeod

    Host: Hannah McGregor

    Supervising Producer: Judith Burr

    AUDIO SOURCES

    Ali Barillaro’s recording of reading of her blog post, “Tanya Davis performing ‘How to Be Alone’” on SPOKENWEBLOG, 6 August, 2020. 

    Tanya Davis performing “How to Be Alone,” recorded at The Words & Music Show at Casa del Popolo, Montreal on 12 December 2012. Listen to the entire audio here: https://spokenweb.ca/tanya-davis-performing-how-to-be-alone/.

    Excerpt of Cover of “Digging my own grave” by Thrice performed by Ali Barillaro and Vincent Pigeon here:

    https://www.youtube.com/watch?v=7y6H9QuL6q8

    RESOURCES

    Watch Tanya Davis and Andrea Dorfman’s 2010 film of the poem “How to Be Alone”: https://www.youtube.com/watch?v=k7X7sZzSXYs

    Watch the 2020 film made by Tanya Davis and Andrea Dorfman in which they revisit the poem as “How to Be at Home”: https://www.nfb.ca/film/how-to-be-at-home

    Find out more about all of SpokenWeb’s audio collections here.

    Mavis Gallant, Part 2: The 'Paratexts' of "Grippes and Poche" at SFU

    Mavis Gallant, Part 2: The 'Paratexts' of "Grippes and Poche" at SFU

    This episode features Kate, Kandice, and Michelle's efforts to understand how these paratexts may have informed not only the experience of attending the event in 1984, but also their own experiences listening to the recording of the reading now, in 2021, and their interactions with the surviving archival materials. This led them to interview Ann Cowan-Buitenhuis and Carolyn Tate, who attended and contributed to the organization of the two events. Their contributions provided both memories and facts not captured by the archival remains of the reading.

    With additional archival materials available in a supplementary slideshow, this episode takes us beyond the bounds of an ‘audio edition’ to instead consider how the ‘paratexts’ of this reading deepen our understanding of the recording and bring to life the reading of the story by acclaimed Canadian short-story writer Mavis Gallant.

    This episode was created by SpokenWeb contributors Kate Moffatt, Kandice Sharren, and Michelle Levy, with additional audio courtesy of the Simon Fraser University Archives and Records Management Department.

    SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.

    Episode Producers:

    Kate Moffatt is a recent graduate of the MA program in SFU’s Department of English. Her research interests lie primarily with women’s pedestrianism in the Romantic period and women’s book history, and she brings a keen interest in the digital humanities, book and literary history, and archives and archival practices to her work as a Research Assistant for SpokenWeb.

    Michelle Levy is Co-Director of the Digital Humanities Innovation Lab at Simon Fraser University. She brings a strong theoretical background in literary and sound studies to the SpokenWeb Project, and extensive expertise in data architecture and management that contributes to our creation of metadata standards necessary for the aggregation of diverse corpora of recorded literary readings.

    Kandice Sharren is a recent graduate of the PhD program in SFU’s Department of English. Her research focuses on print culture of the Romantic period, and she brings her experience with digital humanities, archival research, and book history to the SpokenWeb project.

    Featured Guests:

    Ann Cowan-Buitenhuis is retired from Simon Fraser University in Vancouver where she was the Executive Director of the Vancouver campus. During her thirty-four years there she served in many capacities, notably founding the Writing and Publishing Program and co-founding the Canadian Centre for Studies in Publishing. The constant theme in her career has been her interest in literature and communication, her belief in lifelong learning, and the responsibility for educators in the support of civil society. In her retirement to private life she enjoys singing in the Performing Arts Lodge (PAL) Chorus, sharing the lives of family and friends, and pursuing the occasional  speaking engagement or program development project.

    Carolyn Tate worked as the Director of Information for Continuing Studies at SFU from 1980 to 1982, and as Director of the Liberal Studies program in Continuing Studies at SFU from 1982 to 1987. She has a BA from UBC, an MA from McGill University, an unfinished PhD from University College, University of London, and an LL.B (J.D.) from Queen's University. She is now retired from law and resides in Toronto, Ontario, but takes trips to various continents and has fun with her grandchildren.

    Citations:

    Coe, Jonathan. “The Life of Henri Grippes.” London Review of Books. Vol. 19, no. 18, 18 September 1997.

    Gallant, Mavis. “Grippes and Poche.” The New Yorker, 29 November 1982, p. 42.

    vladnegrila. “Flipping through pages 2.” Freesound, 22 April 2017, https://freesound.org/people/vladnegrila/sounds/388870/.

    “Delamine.” Blue Dot Sessions. Accessed 18 May 2021.  https://app.sessions.blue/browse/track/39295

    “Silver Lanyard.” Blue Dot Sessions. Accessed 18 May 2021.  https://app.sessions.blue/browse/track/39298.

    Errata:

    We refer to the “Liberal Studies Department” in the episode; Liberal Studies was actually a program that was part of Continuing Studies.

    Moving [ShortCuts]

    Moving [ShortCuts]

    A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode.

    Producer: Katherine McLeod

    Host: Hannah McGregor

    Supervising Producers: Judith Burr and Stacey Copeland

    AUDIO SOURCES

    Archival audio clips for this ShortCuts minisode are cut from this recording of Phyllis Webb’s reading in Montreal on November 18, 1966. The entire recording can be accessed here

    RESOURCES

    Collis, Stephen. Almost Islands: Phyllis Webb and the Pursuit of the Unwritten. Talonbooks, 2018. 

    McGregor, Hannah. “The Voice is Intact: Finding Gwendolyn MacEwen in the Archive.” The SpokenWeb Podcast, 6 April 2020, https://spokenweb.ca/podcast/episodes/the-voice-is-intact-finding-gwendolyn-macewen-in-the-archive/

    McLeod, Katherine. “Listening to the Archives of Phyllis Webb.” In Moving Archives. Ed. Linda Morra. Wilfrid Laurier University Press, 2020. 113-131.

    ---. “Poetry on TV: Unarchiving Phyllis Webb’s CBC-TV Program Extension (1967).” CanLit Across Media: Unarchiving the Literary Event. Eds. Jason Camlot and Katherine McLeod. McGill-Queen’s University Press, 2019. 72-91.

    Webb, Phyllis. Naked Poems, Periwinkle Press, 1965. 

    Webb, Phyllis. Peacock Blue: The Collected Poems. Ed. John Hulcoop. Talonbooks, 2014.

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