chazelle

In this episode, it's time for another Rapid Review! With the Oscars around the corner, we discuss Best Picture nominees "The Fabelmans" and "Triangle of Sadness", as well as the old-Hollywood epic "Babylon" from director Damien Chazelle. Listen now!

The bros are still in retroland but they're not alone this time. Hesham has returned from Egypt to accompany Chris and Admir as they review one of their favorites. The trio discuss the film's strengths, specifically JK Simmons as well as the themes and messages the movie tries to portray and whether or not they pertain to real life situations.

Bill sacrifices everything to become one of the greats.

Damien Chazelle is back with a new kind of space movie that zeroes in on a private man, dealing with family tragedy and carrying out an almost impossible task. Ryan Gosling and Claire Foy are awesome and are bolstered by a stellar supporting cast, well-integrated special effects and a bold score by Justin Hurwitz. Subscribe on iTunes or Apple Podcasts:  https://itun.es/i6gB67Y  Check out our Facebook page:  www.facebook.com/actorandengineer and follow us on twitter @actorengineer. 

The FMBoys are back and to make up for lost time the boys decide to cram in every notable film they saw in the week(s) since their last episode. 

There's something for everybody here; ranging from Maciej's bitter disappointment with Gareth Evan's Apostle (starts 5:10), Tobias' unforgiving scorn for Drew Goddard's Bad Times At The El Royale (starts 28:10), to both host's respectful ambivalence toward Damien Chazelle's First Man (starts 50:00).


Next Week much to Tobias' chagrin we will be watching all 3 hours of Kevin Costner's The Postman.

P.S. the audio on this episode was recorded over Discord with a terrible internet connection, so the quality and your mileage, may vary. 

Deze film vertelt het boeiende verhaal van de NASA-missie die als doel had mannen naar de maan te sturen, met de nadruk op astronaut Neil Armstrong en de periode van 1961 tot en met 1969. Deze indringende persoonlijke vertelling is gebaseerd op het boek van James R. Hansen, en laat zien wat Armstrong en heel Amerika er wel niet voor over hadden om één van de gevaarlijkste expedities in de geschiedenis een succes te laten worden.

In deze aflevering hoor je de spoilervrije review van Nils over First Man.

Vergeet je niet te abonneren op ons kanaal, laat een review achter via iTunes of Apple Podcasts en volg ons op Facebook: www.facebook.com/filmfanspodcast en Instagram: www.instagram.com/filmfanspodcast. Voor meer reviews, filmnieuws en afleveringen ga je naar www.filmfanspodcast.nl.

We take one giant leap with First Man and hope that Damien Chazelle can save 2018 cinema. We also talk Bradley Cooper's A Star is Born, Wishmaster and The Staircase and later discuss the first trailer for the upcoming Pet Sematary adaptation.

Follow the show on Twitter: @thecinemaspeak

Follow the show on Instagram: cinemaspeakpodcast

Intro: 0:00 - 5:28

Review - First Man: 5:28 - 42:10

Micro-Reviews - A Star is Born, The Staircase, Wishmaster, [REC] 2, I am the Pretty Thing that Lives in the House: 42:10 - 1:09:26

News - Pet Sematary trailer: 1:09:26 - 1:13:08

This week in new releases/Outro: 1:13:08 - 1:18:07

Set throughout the 1960s, First Man tells the story of Neil Armstrong's ascent to leading the Apollo 11 mission. Within that decade, the audience gets to see the failure and hardship that surrounded Neil, his family and his fellow astronauts-in-training.

Damien Chazelle directs the highly anticipated biopic that attempts to humanize the myth of Neil Armstrong while also celebrating and showcasing the magnitude of the Apollo 11 mission. Admir and Chris evaluate Ryan Gosling's performance as a "quiet actor" once again, praise the visual effects and applaud Chazelle's intention of grounding the story in humanity.

Set throughout the 1960s, First Man tells the story of Neil Armstrong's ascent to leading the Apollo 11 mission. Within that decade, the audience gets to see the failure and hardship that surrounded Neil, his family and his fellow astronauts-in-training.

Damien Chazelle directs the highly anticipated biopic that attempts to humanize the myth of Neil Armstrong while also celebrating and showcasing the magnitude of the Apollo 11 mission. Admir and Chris evaluate Ryan Gosling's performance as a "quiet actor" once again, praise the visual effects and applaud Chazelle's intention of grounding the story in humanity.

This week gave us the lineups of two of the fall's biggest festivals, Venice and Toronto. 

On this 66th Oscar podcast, I am joined by freelance film writer (you can find his work at Vanity Fair, Moviemaker magazine and more) and publications editor for the Sundance Film Festival, Daniel Joyaux. 

While these festival announcements always give us great intel on how studios are positioning their fall and winter awards releases, it's often the films that are missing that give us even bigger clues. Where are Bohemian Rhapsody, Boy Erased, Destroyer and Mary Queen of Scots? Some may show up at Telluride, others may be added to Toronto's lineup next month (there are still three Gala spots and 30 Special Presentation slots open).

Venice will give us premieres of Damien Chazelle's First Man, while Toronto will world premiere Steve McQueen's Widows and If Beale Street Could Talk from Barry Jenkins. Alfonso Cuarón's Roma looks set to hit every major festival - Venice, Toronto, NYFF and Telluride. All eyes will be on the follow-ups of these Oscar-winning directors.

The Cannes/Netflix kerfuffle earlier this summer proved to be the gain of both Venice and Toronto as each festival is flush with debuts from the streaming service. The Coen brothers' anthology series (which will apparently compete as a feature film for the Oscars) The Ballad of Buster Scruggs, Paul Greengrass's 22 July and the final film from Orson Welles, The Other Side of the Wind are all set to kick off at Venice.

I will be at the Toronto International Film Festival this year for the first time. Keep your eyes and ears open for more podcasts leading up to, at, and after TIFF.

With music this podcast runs 1h 27m.

Opening song: "Sulk" by TR/ST

Closing song: "New York City by Day" by Thomas Newman from the Original Motion Picture Soundtrack of Desperately Seeking Susan

¡Hola Crononautas!

En esta ocasión traemos un peliculón y una pedazo de invitada. Nos acompaña Clara Schwarze, actriz de doblaje y cineasta, a la que entrevistaremos acerca del interesantísimo mundo del doblaje en España y sobre su faceta como como youtuber en la que hace reviews muy directas y originales de todo tipo de films. No os olvidéis de seguirla como Scarlew Harzac en Twitter y Youtube.

Además se quedara durante todo el programa para comentar y analizar en profundidad los diversos puntos de interés de Whiplash, el largometraje de 2014 dirigido por Damien Chazelle, que cuenta con una estupenda música a cargo de Justin Hurwitz y con las grandes actuaciones de J.K. Simmons y Miles Teller.

En los dos primeros bloques SIN SPOILERS hablaremos sobre las carreras de Chazelle, Simmons y Teller, así cómo de una banda sonora que suscitó alguna que otra polémica. También tendremos nuestra sección Detrás de la Claqueta, en la que hablaremos sobre el proceso de edición de la película que fue galardonado en los Oscar. En el tercer y último bloque llegará la alerta SPOILER y desmenuzaremos en detalle la trama analizándola escena a escena. 

En este episodio suena la BSO de CronoCine compuesta por el artista musical El Arias (podéis encontrar su música en Facebook y Soundcloud). Además, suenan los temas Swing has swung de Silverman Sound Studios,  Search for Clue de Bryan Chi Music y Swing Time de Music by Pedro (todas bajo licencias Cretive Commons 3.0). 

Alex and Brian like movies and like to talk about movies. Alex also has a fascination with Rotten Tomatoes. Join the guys as they talk movies, movie ratings, and their own hot take on the topics. And whether they agree with the Rotten Tomato rating or not. 

This week, they start with the critically acclaimed La La Land. Staring Emma Stone and Ryan Gosling.

In 2016, director Damien Chazelle released his much-anticipated sophmore feature film La La Land, a modern day jazz musical starring Ryan Gosling and Emma Stone as a couple of young dreamers seeking to fulfill their dreams while falling in love. But does the film deserve a city of stars or a walk of shame? MovieDude Eric, Kent and Chris head to the west coast to find out.

"District Four" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at feedback@arthouselegends.com or on our Twitter feed @arthouselegends.

Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you.

On this 52nd Oscar podcast, the last of the 2016-2017 awards season, I'm honored to have AwardsDaily's Sasha Stone and Ryan Adams as guests for the post-Oscar post-mortem.

After last night's historic win for Moonlight in Best Picture and an announcement fiasco unlike anything the Academy Awards have ever seen before, there is a lot for Stone, Adams and myself to talk about.

Between our personal appreciation for Moonlight (and La La Land, for that matter) the conversation traverses politics and emotions as we analyze the academic reasons for the film's success and why it was so important that it won.

We cover the perceived backlash and controversy that arrived late for La La Land, what streaks and records were broken last night and which ones held true, including that Best Actor SAG stat where we saw Denzel Washington lose to Casey Affleck.

This podcast runs 1h 36m with music.

Intro: A24's 'Moonlight' trailer featuring music from Nicholas Britell's Oscar-nominated score

Outro: Thomas Newman's "New York City By Day" from the Original Motion Picture Soundtrack of Desperately Seeking Susan