Rodolphe Bourotte: Limits and perspectives of the computer-assisted sound drawing experience
Paranoia. Grenzerfahrungen elektronischer Musik im Kontext von Iannis Xenakis’ Schaffen | Symposium
Thu May 31, - Jun 02, 2012
Context: Where does the motivation for a tool such as UPIC come from?
History: We will have a short look at the history of the UPIC, and then at ten years of software innovations in a post-CEMAMu world.
Today: What tools do we dispose of now, when thinking graphically about sound?
tomorrow: Xenakis ideas were generally implemented in separate, independent programs. We will dicuss about integration two of them, sieves and stochastic sound, into a graphical editor.