duchamp

Emily McElwreath is equipped with over seventeen years of experience as an adviser, independent curator and art educator; she also boasts a background in sales. Thanks to her time as Director of Communications and Education at the Brant Foundation Art Study Center, Emily demonstrates the unique ability to understand the art world from both the point of view of the artist and the audience. This skill is continually perfected through extensive involvement in art education: throughout her career, Emily has organized multiple programs, lectures, and panels, featuring distinguished artists, on university campuses and leading NYC venues, in addition to lecturing herself at Sotheby’s Education. Emily has worked on blockbuster exhibitions including Andy Warhol, Julian Schnabel and Nate Lowman at The Brant Foundation, as well as lecturing at top NYC museums including The Whitney and The Metropolitan Museum of Art. Most recently, Emily has curated multiple exhibitions with leading emerging artists and is now host and CEO of The Art Career Podcast. Building relationships with artists continues to be Emily’s main focus, frequenting studio visits, connecting artists with collectors, and building partnerships within the art community. With an MA from Purchase College in Art History with a Concentration in Contemporary Art Criticism and an Art Business Certification from Christie's Education, Emily McElwreath possesses diverse, real-world experience and formal academic training.

Eileen Myles on the Art Career Podcast

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Timestamps:

• 00:25: Art as Cognition, Ekphrasis and reactions toward imagery in the subconscious
• 01:35: Art as a unique artifact. Cutting through the noise
• 02:35: Modern Art, Duchamp's readymades, Art, bananas. What is Art depends on perception. What is an Artist?
• 04:00: The Swamp Table, not an artifact, but identical to it. Is it Art? And Foucault's take on an Author and Shakespeare. 
• 05:55: Pyrenees Cave Paintings. Art, Communication or both? 
• 07:50: Context colors Aesthetic Experience. Cognitive knowledge bases and the link between perception and cognition
• 10:15: Art reveals you and itself vs Art on its own as a "beautiful object"
• 11:45: What if we can't understand the Art?
• 13:50: Decoding process of Art. Decoding your mindset
• 15:50: Art evokes emotional reactions, the Age of Assertions. 
• 16:50: Catharsis and Suffering. Do we only care because of sympathy?

Twitter: @talkpopc
Instagram: @talkpopc

Mónica Belevan is a Peruvian theorist and crypto entrepreneur. She's the author of a newsletter called Covidian Aesthetics and co-founder of a Web3 production studio called Accursed Share. Her current focus is an NFT project called The Curse, which you can search for on Open Sea.

We talk about Georges Bataille and the meaning of energy expenditure in the cryptoeconomy; Spengler, Wittgenstein, and Duchamp; the aesthetics of covid, the sentimentality of markets; the affective drama of Wallstreet Bets; egregoric warfare; and much more.

➡️  Covidian Aesthetics newsletter: https://covidianaesthetics.substack.com

➡️  Accursed Share production studio: https://accursedshare.art

➡️  The Curse NFT: https://accursedshare.art/curse-nft-auction/

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✦ If you're working on long-term intellectual work outside of institutions, request an invitation at https://indiethinkers.org

talkPOPc participant Mark Friedman begins the conversation with  Resident Philosopher Carolina Flores by talking about the Italian Renaissance, in particular the Ghiberti doors n Florence, which is where he spent his study-abroad year as a college student. Flores points out that when you see something in person and study it in person it is so different than seeing it also; noting that perhaps it's that one is paying attention to the thing in a different way, and thus understanding it better as you've also added in the cultural context. He then transition to Duchamp's "Urinal," and readymades, and states that sometimes you see art hanging on a museum wall and wonder "really, that??" intimating that you can be puzzled but then move beyond that. Flores sums up the conversation by addressing issues of attention/focus, and the process of learning about things, and asks Mark if art can really expand one's perspective.  He responds that film can obviously do that, but music can do that, too. Flores discusses how music encompasses certain attitudes to the world, similarly to Duchamp's fuck-you gesture. Mark agrees and uses the example of punk, or that disco vibe of everything's-all-right. So, he asks, has a piece of music literally changed the way one thinks?

Twitter: @talkpopc
Instagram: @talkpopc

No primeiro episódio da temporada, Luiz Camillo Osorio discute o texto "Arte, não-arte e a partir da arte", escrito por Camillo em 2019 para o site do Prêmio PIPA. No programa, assim como no texto, Camillo debate a autonomia das definições dadas ao que é atualmente classificado como arte – e por quem são feitas tais denominações. Camillo analisa a incorporação de novas atividades e práticas (que há algumas décadas não seriam incluídas no status artístico) à arte. 

Ouça os destaques do Caderno 2 desta segunda-feira (19/08/19)

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Edward Hirsch examines the complex relationships between American poets and painters.

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