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    eisenstein

    Explore "eisenstein" with insightful episodes like "Une bibliothèque pas comme les autres", "RUSSIA Film & TV The Story Of The Great KGB Soviet Director Sergei M. Eisenstein", "HP080 Alexander Nevsky (1938)", "Eine Chance: Der politische Film I Politik ist tot I Folge 8" and "Episode 2: Klassiker des russischen und sowjetischen Films" from podcasts like ""La recherche à l'œuvre", "DISRESPECTFUL NAJA_SORRY NOT SORRY!", "Hinge Problems", "Politik ist tot!" and "Bücher im Gespräch"" and more!

    Episodes (23)

    Une bibliothèque pas comme les autres

    Une bibliothèque pas comme les autres

    1932, Moscou. Le cinéaste Sergeï Eisenstein rentre chez lui après un long voyage. Il pénètre dans son petit appartement qu’il a entièrement transformé en bibliothèque et dont le classement inhabituel et surprenant ne doit pourtant rien au hasard. Il est le seul à en comprendre le secret… Ada Ackerman, chargée de recherche au CNRS, s’intéresse depuis plusieurs années au célèbre cinéaste. Elle raconte ici l’origine de son intérêt pour son œuvre et ses liens aux artistes avant de s’attarder sur les relations méconnues du réalisateur aux livres et aux bibliothèques.



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    Production : Institut national d’histoire de l’art (INHA), en partenariat avec Beaux Arts Magazine. 

    Auteure : Anne-Cécile Genre 

    Réalisation, habillage sonore, mixage : Théo Boulenger 

    Jingle : Guillaume Auguet 

    Mise en image : Marie Baudet

    Production exécutive : Alessandra Danelli, Diane Guédon et Léa Schiavo



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    « La recherche à l’œuvre » plonge l’auditeur dans le monde de l’histoire de l’art et parcourt les époques en utilisant le pouvoir immersif de l’écriture sonore. La quatrième saison fait entendre 5 nouvelles voix de chercheuses et de chercheurs. De la description de leur passion à la réalisation de leurs travaux, en passant par leurs doutes et questionnements, l’auditeur les suit dans la part intime de leur recherche pour découvrir une discipline vivante ancrée dans l’actualité.

    Eine Chance: Der politische Film I Politik ist tot I Folge 8

    Eine Chance: Der politische Film I Politik ist tot I Folge 8
    ACHTUNG, DIESE FOLGE ENTHÄLT SPOILER ZUM FILM "DARK WATERS". Filme können uns prägen. Sie können uns dazu animieren, dass wir uns wie unsere Lieblingscharaktere verhalten, dass wir unsere Gestik oder unseren Stil anpassaen...sie können aber auch politisch sein. Ein politischer Film des letzten Jahres ist DARK WATERS von Todd Haynes. Doch, warum ist das so? Was macht genau diesen Film so grandios und politisch zugleich? Ist er grandios, weil er politisch ist? Und, was ist ein politischer Film eigentlich? Wer hat diesen geprägt? Darüber spreche ich in dieser Folge mit dem Filmwissenschaftler Lucas Curstädt. Viel Spaß mit der neuen Folge POLITIK IST TOT! Über Lucas Curstädt: Lucas Curstädt hat Filmwissenschaft und Philosophie studiert. Seit April 2019 ist er als wissenschaftlicher Mitarbeiter an der Rheinischen Friedrich-Wilhelms-Universität in Bonn am Institut für Sprach-, Medien- und Musikwissenschaft angestellt und Stipendiat der Studienstiftung des Deutschen Volkes. Forschungsschwerpunkte: Filmtheorie und -philosophie, Anthropomedialität, Ideologiekritik. Dazu betreibt er den Youtube Kanal DIE ZWEITE PRODUKTION, auf dem er Kritiken und Rezensionen hochlädt und sich mit Filmtheorie und Geschichten des Films auseinandersetzt. Zu Lucas Curstädt: https://www.youtube.com/channel/UCFbUHe4fgSb89riJmEktnAQ DARK WATERS von Todd Haynes: "Robert Bilott (Mark Ruffalo) ist seit kurzem Partner in einer renommierten Anwaltskanzlei in Cincinnati. Nachdem er von zwei Landwirten aus West Virginia kontaktiert wurde, die glauben, dass das örtliche DuPont-Werk giftige Abfälle auf der Mülldeponie ablädt, das ihre Felder zerstört und ihr Vieh vergiftet, gerät er in einen Konflikt. In der Hoffnung, die Wahrheit über die Geschehnisse zu erfahren, reicht Bilott mithilfe seines leitenden Partners der Firma, Tom Terp (Tim Robbins), eine Beschwerde ein, die den Beginn eines epischen 15-jährigen Kampfes markiert. Ein Kampf, der nicht nur seine Beziehung zu seiner Frau Sarah (Anne Hathaway), sondern auch seinen Ruf, seine Gesundheit und seinen Lebensunterhalt auf die Probe stellt. Basiert auf dem Artikel „The Lawyer Who Became DuPont’s Worst Nightmare“ von Nathaniel Rich, der im New York Times Magazine erschien." (https://www.filmstarts.de/kritiken/269509.html) Trailer (Englisch): https://www.youtube.com/watch?v=RvAOuhyunhY Trailer (Deutsch): https://www.youtube.com/watch?v=gYkEKJgD_Gc Analyse von Wolfgang M. Schmitt: https://www.youtube.com/watch?v=nzF13gcSaJk Analyse von Lucas Curstädt: https://www.youtube.com/watch?v=FxMWDsH_HAQ "The Lawyer who became DuPont´s worst Nightmare" von Nathaniel Rich: https://www.nytimes.com/2016/01/10/magazine/the-lawyer-who-became-duponts-worst-nightmare.html Zwei interessante Artikel aus JACOBIN zum Thema "Politischer Film": https://jacobin.de/artikel/filmgeschichte-politischer-film-eisenstein-rossellini-drittes-kino-dogma-95/ https://jacobin.de/artikel/superhelden-marvel-wolfgang-m-schmitt/ Wer den Podcast finanziell unterstützen möchte: Konto: Marc-David Nappert Betreff: Politik ist tot IBAN: DE60 7015 0000 1006 0829 92 BIC: SSKMDEMMXXX Vielen Dank! Twitter: https://twitter.com/marcdavid_e_n?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Instagram: https://www.instagram.com/politik_ist_tot/?hl=de

    Episode 2: Klassiker des russischen und sowjetischen Films

    Episode 2: Klassiker des russischen und sowjetischen Films
    Barbara Wurm (HU Berlin) spricht mit Matthias Schwartz (ZfL) über »Klassiker des russichen und sowjetischen Films«, Bd. 1 & 2 (Marburg: Schüren 2020). »Für uns ist der Film die wichtigste aller Künste«, teilte Lenin 1922 seinem Volkskommissar für Bildungswesen, Anatolij Lunačarskij, mit. Und so nimmt es nicht Wunder, dass das neue Medium in der Sowjetunion so stark gefördert und subventioniert wurde wie kaum irgendwo sonst. Das Resultat ist eine schier unüberschaubare Fülle an Filmen verschiedenster Genres. Die in zwei Bänden beim Schüren-Verlag erschienenen »Klassiker des russischen und sowjetischen Films« stellen insgesamt 44 davon vor – über die Schwierigkeiten der Auswahl, Einordnung und Bewertung sprechen die Herausgeber*innen des zweiten Bands, Barbara Wurm und Matthias Schwartz, miteinander. ———————— Was macht einen Klassiker eigentlich zum Klassiker? Und was ist das besondere eines russischen oder sowjetischen Klassikers? Oder anders gefragt: Inwiefern hat das sowjetische Kulturdenken zur Etablierung dieser Kategorie beigetragen? Und was heißt überhaupt »sowjetisch«? Barbara Wurm und Matthias Schwartz verwenden diesen Begriff zunächst ganz pragmatisch-deskriptiv – bemerken jedoch, dass er in den letzten Jahrzehnten im innerrussischen Diskurs zunehmend von der mindestens ebenso diskussionswürdigen Kategorie des ›Vaterländischen‹ überschrieben wird. Vor dem Hintergrund der seit 2010 verstärkt festzustellenden Rebürokratisierung der russischen Kulturproduktion mit dem Ziel ihrer Dienstbarmachung für gouvernementale Zwecke wird klar: Die Geschichte des Films und der Kultur im Allgemeinen muss stets auch als (kultur-)politische Geschichte betrachtet werden – und manchmal neigen wir in der Rückschau zur Vereinfachung. So wird der undifferenzierte Vorwurf des »Propagandistischen« der Vielfalt des russischsprachigen Kinos mit seiner über hundertjährigen Geschichte nicht gerecht. Dazu gehören die Filme der weltweit Kultstatus genießenden Meister Ėjzenštejn und Tarkovskij, der Cannes-Gewinner »Die Kraniche ziehen« von Kalatozov, aber auch Werke, die im Westen kaum Beachtung fanden: Rjazanovs »Ironie des Schicksals« zum Beispiel, der noch immer bei keinem russischen Neujahrsfest fehlen darf, oder Danelias Kultfilm »Kin-dsa-dsa!«. Mit Werken Muratovas und Askol’dovs gehören zu den »Klassikern« schließlich auch ›Schubladenfilme‹, die erst nach dem Ende der Sowjetunion einem breiteren Publikum zugänglich wurden. Fazit: Erst durch die Verabschiedung der monolithischen Vorstellung einer ausschließlich über Zentralismus und Zensur operierenden sowjetischen Kulturproduktion entsteht ein differenziertes Bild des russischsprachigen Kinos. Erst dann wird beispielsweise die Zeitlosigkeit der Überlegungen zur Gewalt in Klimovs »Komm und sieh« sichtbar. Diese diskutieren Barbara Wurm und Matthias Schwartz ebenso wie die Frage, warum es eigentlich kein sowjetisches »Star Wars« gibt. ———————— Die Slawistin Barbara Wurm ist wissenschaftliche Mitarbeiterin am Institut für Slawistik und Hungarologie der Humboldt-Universität zu Berlin. Sie promovierte 2017 zum sowjetischen Kulturfilm. Matthias Schwartz ist Slawist und Leiter des Programmbereichs Weltliteratur des ZfL, an dem sein Projekt »Weltfiktionen post/sozialistisch« angesiedelt ist. www.zfl-berlin.org

    037 Charles Eisenstein – From Dehumanization to Sacralization

    037 Charles Eisenstein – From Dehumanization to Sacralization

    The original, caring, and influential thinker Charles Eisenstein joins Terry to explore what’s really happening in this disorienting, liminal ordeal we find ourselves in — what he calls the “space between stories.” We confront the pattern of dehumanization we’re seeing across human culture, especially amidst our converging crises, and we consider what is required to support a pattern of sacralization — that continuously restores the sacredness of one another and the natural world through our listening, sensemaking, generosity, and relationships. Ultimately, we endeavor to expand our curiosity and play in a larger reality — with our minds and hearts more open to unknown forces and new possibilities considered “off limits” by dominant narratives.

    Charles Eisenstein's work focuses on themes of human culture, identity, systems change, and personal growth. He transmits profound clarity, disarming openmindedness, and deep care for the human future and that of the more-than- human world. Charles is the author of several books, including Sacred Economics, The More Beautiful World our Hearts Know is Possible, and his newest book, Climate: A New Story. Two of his most recent & noteworthy essays are The Coronation and The Conspiracy Myth.

    Here are some of the questions we discuss in the episode:

    • Does our real security come from what we have, or what we give away?
    • Among all that’s considered “off limits” in culture, can we discover essential stories and information?
    • How does the pervasive tendency to “find the enemy” tend to reduce the natural world to commodities and profit?
    • How can each conversation we have be a sacred opportunity to restore one another’s humanity?

    For more information on Charles Eisenstein and Terry Patten, check out the following resources:

    Learn more and join our social experiment at A New Republic of the Heart, visit BeingofBenefit.com.

    Join Our Community of Listeners and Supporters

    If you haven’t yet, we welcome you to join us as a monthly contributor here and become part of our community of listeners dedicated to uplifting our public discourse.

    Mind Meld 182 | Giving Birth to a New Myth with Charles Eisenstein

    Mind Meld 182 | Giving Birth to a New Myth with Charles Eisenstein

    Support us and get rewards on patreon!

    Author and speaker Charles Eisenstein enters the mind meld to chat about a better future, the new myth that's emerging, the psychedelic revolution and oodles more.

    Support Third Eye Drops:

    Film Foil 14: Battleship Potemkin

    Film Foil 14: Battleship Potemkin

    The podcast episode so nice they recorded it twice! Join Brandon, Tyler, and special guest Josh Erikson as they overcome a local power outage and discuss Sergei Eisenstein’s 1925 film, Battleship Potemkin, known for its revolutionary editing techniques…and its actual revolution.

    Follow us on on Twitter, @FilmFoilPodcast, and Facebook

    Brandon’s Twiter: @BrandoV2
    Tyler’s Twitter: @TylerJRinne
    Josh's Twitter: @Josh_Erikson

    Check out Josh's website for more information about his book "Hero Forged" https://josherikson.com/

    Music - "Golden Sunrise" by Josh Woodward. Free download: http://joshwoodward.com/

    Exploring Astrology with Charles Eisenstein

    Exploring Astrology with Charles Eisenstein

    In this show, I am joined by revolutionary thinker Charles Eisenstein.  We contemplate Neptune in Pisces under the Virgo Full Moon, take a look at long stretches of time through the quaking dynamic between Pluto and Uranus, and much more.  Charles is not an Astrologer but was kind enough to come on the show with an open mind to see what happened.  Well, I think what happened was kind of interesting...oOo Enjoy

    www.Holestoheavens.com

    https://charleseisenstein.net/

    May 2017 Watershed Podcast

    May 2017 Watershed Podcast
    To mark the centenary of the Russian Revolution Mark Cosgrove, Watershed Cinema Curator and Andrew Kelly, Director Bristol Festival of Ideas, discuss upcoming films and events in May.They talk about the part cinema played in romanticising revolution, the optimism of international socialism, and how some directors making films in a revolutionary context were seeking new forms of audience participation.

    Politisch korrekter geht's nicht

    Politisch korrekter geht's nicht

    Folge 99A: Kurz vor der Dreistelligkeit sinnieren Markus und Josef über Zeit, Geld, Follower, Ex-Freundinnen und "Im Zentrum". Und sind Dave Chappelle und Louis C.K. in Wirklichkeit super rechts?! 

    Heute mit 

    HARVEY, DAVE CHAPPELLE: THE AGE OF SPIN, LOUIS CK 2017, JIM JEFFERIES, DAN HARMON, WAR DOGS, MOONLIGHT, BOYHOOD, EISENSTEIN

    Lust Auf Zorn
    de-atApril 20, 2017

    Politisch korrekter geht's nicht

    Politisch korrekter geht's nicht

    Folge 99A: Kurz vor der Dreistelligkeit sinnieren Markus und Josef über Zeit, Geld, Follower, Ex-Freundinnen und "Im Zentrum". Und sind Dave Chappelle und Louis C.K. in Wirklichkeit super rechts?! 

    Heute mit 

    HARVEY, DAVE CHAPPELLE: THE AGE OF SPIN, LOUIS CK 2017, JIM JEFFERIES, DAN HARMON, WAR DOGS, MOONLIGHT, BOYHOOD, EISENSTEIN

    Lust Auf Zorn
    de-atApril 20, 2017

    Eric Eisenstein: TODAY Show & Saturday Night Live Camera Ops

    Eric Eisenstein: TODAY Show & Saturday Night Live Camera Ops

    Eric has been on the forefront of filming for top network shows and programs for 36 years. A veteran in the field of camera ops, he balances technical skill with creative flair to capture the best shots. Eric has also been a freelance director for various top level networks and shows from the Olympics to Eminem concerts. An inside look at his work behind the scenes from the TODAY Show to SNL.

    Ep 7: Being a D-list celebrity in Korea with Vickie Eisenstein

    Ep 7: Being a D-list celebrity in Korea with Vickie Eisenstein

    Sarah Albritton interviews Vickie Eisenstein and they talk about Korea, never wanting to sleep and being a D-list celebrity. Vickie Eisenstein is a Chicago-based comedian, writer, actor and YouTuber. You can find out more at www.vickieeisenstein.com or follow her on Twitter @vickieIronstone and YouTube

    Sleeping with Sarah is a podcast where comedian and narcoleptic, Sarah Albritton interviews people in her bed. They talk about sleep, comedy, and relationships. Visit www.sleepingwithsarah.com for more information. You can follow Sarah on Instagram @sarahalbritton & Twitter:@sarahalbritton or visit her at www.sarahalbritton.com. Music by Josh Bryant. You can view the video version of the podcast on Sarah's Youtube channel.

    Succotash Clips Epi122: Movin' Toward The Holidays

    Succotash Clips Epi122: Movin' Toward The Holidays

    Yes, ‘tis I, Marc Hershon. Happy holidays and welcome to Epi122 of Succotash, the Comedy Podcast Podcast. I’m back with another edition of Succotash Clips, the version of this podcast where we feature clips, snippets, and bits from comedy podcasts harvested from all around the Internet.

    Special thanks, as always, to our Associate Producer, Tyson Saner, for going out and getting many of the offerings to be found in this installment.  I hope you find at least one new show that you’d like to track down and download after listening to our little Whitman’s Sampler of a show.

    Coming up this episode we have slices off of Comic Book Jones, The David Steinberg Podcast, The Eisenstein Effect, The Gisele Show, The GSMH Podcast, Proudly Resents, Sweet Feathery Jesus, and Wooden Overcoats.

    What Else We Got?

    In addition to the clippage, we’ve got our Burst O’ Durst segment with political comedian and social commentator Will Durst, where he’s running down the Top 10 comedic news stories of 2015 for you. This episode is sponsored by Henderson's Pants seasonal Jingle Drawers. And we’ve also got your tweets and emails and reviews in the Tweetsack.

    And that’s about it. But isn’t that enough, really?

    Clips

    David Steinberg Podcast
    Funny how younger comics have, for the most part, paved the way for older comics to make their way into podcasting. The great David Steinberg is now jumping in, even though he’s mainly been busy writing and directing television for years. He started out as an improvisor and a standup. In fact, he was one of my comedy influencers back when I was first figuring out what made something funny. The guest in his second episode is Kathy Griffin and, even though David is a great conversationalist, with Kathy in the room you don’t really have to try that hard to keep the chatter going.

     

    Wooden Overcoats
    If you’re a fan of British comedies, particularly the sitcom kind, there’s a podcast out that just wrapped up its 8-show, first season run that doesn’t miss a beat. It’s called Wooden Overcoats, created by David K. Barnes, and features a fantastic cast that really bring the characters to life. “Wooden overcoat” is slang for “coffin” and the premise of the show is that the only undertaker in a sleepy Channel island village is bent out of shape when a rival sets up shop. There’s intrigue, violence, romance, and a narrating mouse.

    The Gisele Show Podcast, mit Friends!
    You might know Gisele Nett from her gig co-hosting the Nooner podcast on SModcast Internet Radio with Marty Yu. She’s started her own, entitled The Gisele Show Podcast, mit Friends! There are a pile of cast people, too: Jonna Tamases, John Pirruccello, Jon Stahl, and Gena Key. Tyson clipped this from her very first episode, featuring guest comedian Cassandra Cardenes.

    GSMH (God-Shaped Mommy Hole)
    I’m not sure how our associate producer Tyson Saner finds some of these shows. Which is precisely why he’s as good as he is as our top clip clipper! Thanks to him we bring you a snippet of the GSMH Podcast, the initials of which stand for God-Shaped Mommy Hole. Headed up by a dude named Toni Rager, it’s a bunch of friends, just hanging out. There’s also Louis, Tim, Clicks and Freiddo, plus Rubbi Rager, but her mic was dead this episode. This clip features an interview technique with the acronym FORD, and some of the gang tries to explains to the rest of the gang who Joe Rogan is.

    Proudly Resents
    This clip comes in directly from the source: Adam Spiegelman. Friend of Succotash, as well as past and, no doubt, future guest, Adam is the host of the Proudly Resents podcast. It had grown into kind of a mishmash of content and Adam was having a tough time figuring out what his own podcast was supposed to be. But in his note to me this week, he says that he has, “finally split up my podcast.” Meaning he’s got different bits and pieces but they’re all making sense. He says he got recaps, interviews, Nicko – his sometimes sidekick, and “The best of the worst Christmas movies.” He recently did a live “Saving Christmas” show at the Improv in Hollywood, with Jimmy Pardo, Todd Levin (a writer for Conan), and Sharon Houston, who is a podcaster and TV producer in the same vein as Adam.

    Sweet Feathery Jesus
    We’ve not played anything for quite a while from the boys over at the Sweet Feathery Jesus podcast – Belasco, Beardo and Chuck Turtleman – so let’s correct that now with a segment from their show. This clip is from their #111, entitled On The Wagon Train, because their fourth cast member, Booze, is absent. It features an installment of their segment Denmark Is Shit.

    The Eisenstein Effect
    Comedian Vickie Eisenstein hosts The Eisenstein Effect, which is – according to her homesite – “a weekly jaunt to explore the careers, hobbies, and passions of funny, artistic, talented, and intelligent guests!” I think she’s based in Chicago, so she’s got access to lots of like-minded comedic types. Including the guest in Epi23 of her show, Anthony LeBlanc.

    Comic Book Jones
    There’s a comic book store in Staten Island, New York, a legendary place on Forest Avenue, called Comic Book Jones. It also happens to be the name of their podcast, hosted by proprietors Socko and Tiger Jones. They’ve been podcasting since Fall of 2012 and they’re still going strong with their special brand of geek chatter and comic book mayhem. And, at least around Thanksgiving, talk about disgusting White Castle Thanksgiving sliders.

    Great Gift Ideas!

    If you’re looking for something special for that someone special, might I suggest you visit our homesite, at http://SuccotashShow.com, where you can use the Amazon banner at the top of our page to slide over to the world’s biggest online store. Every time you purchase something there after using out link to get there, we get a little taste of the purchase price, but at no cost to you. You can also shop at our Succotashery, if that special someone would like something with our show logo on it. And if WE’RE your someone special, you can click the Donate button in the upper right hand corner of the page and slip us some delicious cash to help us keep Succotash alive in 2016!

    That’s going to do it for Epi122 of Succotash Clips, the Comedy Podcast Podcast. Hopefully I’ll get another episode or two out before the end of the year. No special plans for a year-end show but you never know – maybe I’ll whip something up. I know this time of year gets busy but feel free to take Succotash along while you’re Christmas shopping or heading off to visit friends and family this holiday season.

    And while you out there visiting, don’t be afraid to pass a little Succotash!

    — Marc Hershon

    Freedom Fighter Podcast Ep 13: Charles Eisenstein

    Freedom Fighter Podcast Ep 13: Charles Eisenstein

    Welcome to the Freedom Fighter Podcast!!


    In this episode I speak with renouned Author and Speaker, Charles Eisenstein!
    I have been carrying around Charles' most recent book, The More Beautiful World Our Hearts Know Is Possible, for the last six months. It seems that I can open it to any page and find something both important and relevant to consider. Listen in as we talk in and around how we see, understand and relate to the idea of Separation and how it presents itself in our everyday lives.


    If you like what you hear in this podcast let me know!
    You can email me here and check out my website for more info: PERRYGLADSTONE.COM

     

    Links referenced in this episode:
    http://charleseisenstein.net/

    Episode 11: Battleship Potemkin

    Episode 11: Battleship Potemkin

    Our friend Gabe Haggard had to go hang out with his family this week, so he is only in this episode in spirit.  Fortunately, Lady P rounded up a couple of great guests to pick up the slack. This week Gary Lampert and Emma Guerard join Lady P to discuss the number 11 movie on the Sight and Sound Greatest Films of All Time List: Sergei Eisenstein's BATTLESHIP POTEMKIN. 

    Next, they discuss how much we should take historical context into consideration when assessing a film. For instance, BATTLESHIP POTEMKIN was funded and made at the behest of a dictator. It's without question, a brilliant piece of Soviet propaganda. Should the film be docked a few notches due to it's sorted history? And what about films that feature blatant racism or sexism? Should important films like BIRTH OF A NATION or TRIUMPH OF THE WILL be included on the Sight and Sound list, despite the fact that they feature some very disturbing themes?? Listen and find out what the panelists think.

    Sacred Economics with Charles Eisenstein

    Sacred Economics with Charles Eisenstein

    Charles Eisenstein, International Speaker and the author of the The Ascent of Humanity and latterly, Sacred Economics joins us for a liberating discussion on the present economics system of the world.  His book Sacred Economics  traces the history of money from ancient gift economies to modern capitalism, revealing how the money system has fostered competition and scarcity, destroyed community and necessitated endless and unsustainable economic growth. 

    He is willing to speak the truths that are staring humanity n the face - that in the pursuit of a higher GDP we seriously risk losing our natural resources and even the planet and consequently our very lives.  As King Midas forewarned – we will be dead – but very very rich.  

    Charles believes that despite the many negative connotations that money has attracted, now is the time to redress the balance.

    Here he shares with us how he believes that if we embrace the ‘gift world’ then we can usher in the practice of Sacred Economics where each of us have a higher chance of having our economic and… possibly our emotional needs too as each of us are called to acknowledge our own gifts.  

    Without dwelling on the fear issues, we explore the weaknesses in the finance and education system that keep people playing small and stop them developing their own innate gifts and creativity that could have a very positive impact on society financially and... emotionally. 

    When people stop 'buying' into the idea that this world has to be a 'certain way' and that in order to survive we need to 'get a job' and a job that is not necessarily doing what we love, then each of can become more empowered and fulfilled. 

    There is distinct optimism in Charles' message as we discuss what each of us can do as individuals to usher in this new age of economics and how the inner work we do will ultimately be reflected in our outer world.  

    Look out for his new book due Autumn 2013 : ' The Beautiful World that Our Hearts Know Is Possible'. 

    APOLOGIES FOR SOME BACKGROUND INTERFERENCE NOISE IN JUST A FEW PLACES.