fatherrivers

Eric and Emily and special guest Scott Patterson discuss a concert Fr. Rivers hosted on August 19, 1971, recorded live at the Detroit Institute of Arts auditorium and produced by the National Office of Black Catholics. The concert—and the week-long workshop that preceded it—were intended as “an act of freedom on the part of contemporary American Black Catholics” to make their “own impact on Catholic worship” (Joseph Davis, SM, from the album’s back cover). The conversation focuses on clips of the concert while touching on Gospel music then and now, the importance of Protestant-Catholic collaborations in building a Black Catholic liturgical aesthetic, music ministry in Black Catholic pastoral settings and, of course, Fr. Rivers and his legacy. For Episode 29 Show Notes, click here.

Eric and Emily receive a unique and precious gift: a wedding video recording from 1994 in which Fr. Rivers leads his original Eucharistic Prayer, the Anaphora of the Lion and Lamb. Eric and Emily talk to the bride and groom, Pam and Matt Fellerhoff, about their experience and play audio clips from their memorable celebration. Eric and Emily discuss their reactions to this extraordinary find. For the Episode 24 Show Notes, click here.

Emily and Eric welcome Bro. Louis Canter, OEF, life-long Catholic liturgist, pastoral musician and composer, to the show to talk about an old box of music, slated for destruction, that he found at a pivotal time in his young career. The box was full of colorful music from a publisher called Stimuli, Inc., by a composer named Fr. Clarence Jos. Rivers. Louis tells us about how rescuing that box and playing through it in his free time set a trajectory for his life and career in ministry, helping him understand what it means for music to speak to your very soul. For the Show Notes for Episode 22, click here.

Catholic composer and musician Ken Canedo discusses the influence of Fr. Rivers on his life and career in liturgy and music. Ken is the co-composer (with Bob Hurd) of the Gospel-styled song “Alleluia! Give the Glory”. Ken and the hosts talk about the advice Fr. Rivers gave Ken when he met him as a young composer and what elements of Fr. Rivers’ compositions Ken still strives to incorporate today. Ken is also a chronicler of the story of contemporary music in the North American Catholic Church since Vatican II, and he has authored two books on that subject; guest and hosts dig into Fr. Rivers’ place in that story. Ken’s fascinating, enlightening ideas about Fr. Rivers, his music and his legacy are too much for one episode to hold! Look for part 2 of our interview in Episode 19. For the Episode 18 Show Notes, click here.

Fr. Joseph A. Brown, SJ is our guest on this episode: a Jesuit priest and professor of Africana studies and scholar of Black Catholicism and liturgy. Fr. Brown is a poet, an artist and was a friend and colleague of Fr. Rivers. He tells how he first heard Fr. Rivers’ music and shares his belief that Fr. Rivers’ scholarly works are an undiscovered gem of American Catholicism. Hosts and guest discuss how we must share Rivers' ideas and legacy in the digital age. Fr. Joseph teaches us about sankofa: a West African, cyclical concept of the cosmos which emphasizes a return to the past to bring forth present and future. He suggests with some urgency that we “do the sankofa thing” with the teachings of Fr. Rivers, to renew the Church and empower the people of God. For Episode 16 Show Notes, click here.

Emily and Eric continue their investigation of Fr. Rivers’ career teaching high school English and drama at Purcell in Cincinnati. Fr. Rivers started a drama troupe at Purcell, an all-boys Catholic high school, called the Queen’s Men. 1962 Purcell High School grad Dan Sack sits down with Emily and Eric to tell them about his first-hand experience of Fr. Rivers as a director, teacher and life-long friend. Surprisingly, he also shares how the troupe was broken apart when many of its members became troopers in the Vietnam War. Personal memories and US history intertwine in this not-to-be-missed episode of Meet Father Rivers. For this episode's show notes, click here.

As a newly-ordained priest, Fr. Rivers served as an English teacher, guidance counselor and drama coach at Purcell High School in Cincinnati in the late 1950s into the 1960s. There, he changed lives. Emily and Eric start their investigation of Fr. Rivers as high school teacher with Purcell teaching colleague, Fr. James Heft, SM. Fr. Jim was fresh out of college at the time of his encounter with Fr. Rivers, but went on to a distinguished career in the academy as an expert in Catholic secondary and higher education. Fr. Heft talks about the way Fr. Rivers set high standards for the English and drama curriculum at Purcell and the seamless way Rivers’ teaching expressed his interests in drama and the human experience. Fr. Heft also discusses how Rivers—along with his personal encounters with the Black American writer James Baldwin—helped him understand the commonalities among all of humanity and what he calls the elasticity of Catholicism. Finally, Fr. Heft offers Emily and Eric some welcome encouragement in telling Fr. Rivers’ story. For show notes, click here.

Emily and Eric interview Fr. Tom DiFolco, retired priest of the Archdiocese of Cincinnati who was mentored by Fr. Rivers, forming a friendship with Fr. Rivers as a fellow priest that greatly enhanced Fr. Tom’s own priestly ministry. Fr. Tom has served the Black Catholic parishes of Cincinnati for 25 years, and he opens up about the joys and challenges of his ministry and—most especially—how he has been forever changed by the life and influence of Fr. Clarence Rivers. The conversation includes a discussion of the original Eucharistic prayers composed by Fr. Rivers, and a sizable audio clip of Fr. Clarence praying his “Anaphora of the Lion and Lamb” is included in this episode, with special thanks to Matt Fellerhoff. For show notes, click here.