frrivers

We’re still talking about that phenomenal recording of Fr. Rivers and the Hawkins Family in a new episode of MFR! And we talk about so much more as well. Bonus content from our interview with composer and former Church musician Scott Patterson, featured in Episode 29, forms the content of this episode of Meet Father Rivers. Eric tells us more about Afro House, the art collective our guest Scott (and Alisha Patterson) lead. Then Emily, Eric and Scott discuss music ministry, form in art (and when to break it), Earth, Wind & Fire as church music, liturgy as “folk art” and how to have church all week. We intersperse more music from the Hawkins Family concert with Fr. Rivers and close with reflections on the importance of leadership in liturgy. Enjoy this eclectic episode of Meet Father Rivers. For Episode 30 Show Notes, click here.

Eric and Emily and special guest Scott Patterson discuss a concert Fr. Rivers hosted on August 19, 1971, recorded live at the Detroit Institute of Arts auditorium and produced by the National Office of Black Catholics. The concert—and the week-long workshop that preceded it—were intended as “an act of freedom on the part of contemporary American Black Catholics” to make their “own impact on Catholic worship” (Joseph Davis, SM, from the album’s back cover). The conversation focuses on clips of the concert while touching on Gospel music then and now, the importance of Protestant-Catholic collaborations in building a Black Catholic liturgical aesthetic, music ministry in Black Catholic pastoral settings and, of course, Fr. Rivers and his legacy. For Episode 29 Show Notes, click here.

Eric and Emily discuss an archival recording of a Christmas liturgy Fr. Rivers designed and presided over from 1972, then later published in his 1974 book Soulfull Worship. Emily and Eric discuss the recording, play clips, and compare and contrast worship practices from 1972 until now. Fr. Rivers' signature style is on full display in this special Christmas episode of Meet Father Rivers. For Episode 28 Show Notes, click here.

Eric and Emily discuss an archival recording of a Christmas liturgy Fr. Rivers designed and presided over from 1972, then later published in his 1974 book Soulfull Worship. Emily and Eric discuss the recording, play clips, and compare and contrast worship practices from 1972 until now. Fr. Rivers' signature style is on full display in this special Christmas episode of Meet Father Rivers. For Episode 28 Show Notes, click here.

Hosts Emily and Eric catch up after a break from podcasting, sharing the projects and events that kept them busy this summer, including travel to present on Fr. Rivers at the National Black Catholic Congress in the Washington, D.C. area. They introduce the second season of the show with a fascinating, 1968 article from National Catholic Reporter interviewing Fr. Rivers. Rivers' setting of the Creed is also shared and discussed. For show notes for Episode 25, click here.

Emily and Eric examine a new book that contains two essays by Fr. Clarence Rivers: the Black Catholic Studies Reader: History and Theology, recently published by Catholic University of America Press. We speak with editor Fr. David Endres, a priest of Archdiocese of Cincinnati, seminary dean, and editor of US Catholic Historian. We also speak to one of the book’s contributors, Dr. Cecilia Moore, associate professor of religious studies at University of Dayton. We talk about how the Reader came to be, what it aims to achieve, and how it forms a conversation between newer scholars and those foundational voices, like Fr. Rivers, who paved the way for Black Catholics in the United States. Emily and Eric get big ideas for future projects involving Fr. Rivers’ writings, and Fr. David reflects on how Fr. Rivers is remembered among Cincinnati clergy. For Episode 23's Show Notes, click here.

Emily and Eric continue their conversation with composer Ken Canedo by asking a tough question about whether Fr. Rivers got co-opted and left behind by the White folk movement in the American Catholic Church. Ken provides a thoughtful response that involves (of all things) Catholic missalettes and lack of accompaniment, and discussion turns to the ways Fr. Rivers may have unintentionally hindered access to his own works. We pose Ken our standard question about Fr. Rivers’ obscurity, and Ken’s answer is perhaps the most practical we’ve received: it’s because his music has long been unavailable. There's more: enjoy this second part of our interview with composer Ken Canedo. For Episode 19 Show Notes, click here.

Fr. Joseph A. Brown, SJ is our guest on this episode: a Jesuit priest and professor of Africana studies and scholar of Black Catholicism and liturgy. Fr. Brown is a poet, an artist and was a friend and colleague of Fr. Rivers. He tells how he first heard Fr. Rivers’ music and shares his belief that Fr. Rivers’ scholarly works are an undiscovered gem of American Catholicism. Hosts and guest discuss how we must share Rivers' ideas and legacy in the digital age. Fr. Joseph teaches us about sankofa: a West African, cyclical concept of the cosmos which emphasizes a return to the past to bring forth present and future. He suggests with some urgency that we “do the sankofa thing” with the teachings of Fr. Rivers, to renew the Church and empower the people of God. For Episode 16 Show Notes, click here.

Emily and Eric conclude their investigation of Fr. Rivers’ career teaching high school English and drama at Purcell in Cincinnati. Former Queen’s Man Kenneth Stevens shares his memories of Fr. Rivers as a teacher, director and inspiration for Ken’s long and productive career in the arts. Ken describes Rivers’ influence on his own career, contributing to his can-do attitude and his ability to look at situations without prejudice to create amazing results. Ken and the hosts talk about Rivers as a powerful mentor, and finally, Ken describes the scholarship he founded at Eastern Michigan University and why he named it after Fr. Clarence Rivers. For Show Notes for Episode 15, click here.

Emily and Eric interview Wilton Cardinal Gregory, the seventh Archbishop of the Roman Catholic Archdiocese of Washington and the first African American Cardinal—ever!—in the Roman Catholic Church. Cardinal Gregory shares how he first encountered Fr. Rivers, what Rivers’ work meant to him as a young seminarian, priest and Bishop, and how he continues to pray in thanksgiving for Fr. Rivers’ work and witness. He explains how he came to possess one of Fr. Rivers’ pectoral crosses and what it means to him. Hosts and esteemed guest discuss Fr. Rivers as just one of many African American “hidden figures” in the Catholic Church and how important it is to remember and acknowledge their gifts to the Church. Finally, Eric and Emily process the conversation with some follow-up thoughts and share feedback from two listeners. Episode photo by Peter Ringenberg/©University of Notre Dame. Click here for the Episode 11 Show Notes.

Emily and Eric interview pianist, pastoral musician, liturgist, workshop presenter and composer Mr. Ronald (Rawn) Harbor. Rawn met Fr. Rivers in 1973 and became his primary accompanist and eventually a liturgist in his own right under Fr. Clarence’s careful mentorship. Rawn discusses his own approaches to composition and even shares a recording of a psalm arrangement that he’s particularly proud of: Psalm 63 “My Soul is Thirsting,” on this special, most musical episode of Meet Father Rivers to date. Click here for show notes.