T.M.D.D x 貝多芬的壓力回收車
生活中總有無數時刻讓我們忍不住大喊“TMD”（他媽的）！各種來自各界的負能量，不論家庭、工作、日常生活，我們都有忍不住想大喊和撞牆的時刻。
每週四晚上9:00，你也到了一週快要爆炸的臨界點嗎？快來聽我們大聊分享外加開箱，甩開壓力跨過臨界點，迎接週末的小確幸和正能量吧！
趕快Follow T.M.D.D 的IG帳號：tmddtaipei
一起舒壓解憂嘿^^
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für elise
Explore "für elise" with insightful episodes like "T.M.D.D x 貝多芬的壓力回收車", "Who was "Elise" in Beethoven's Piano Piece, Für Elise?", "Majan - BOI (EP Review) // Favourite Worst Cast #34" and "Ludwig van Beethoven: Klavierstück a-Moll WoO 59 ("Für Elise")" from podcasts like ""T.M.D.D", "The Classical Music Minute", "Favourite Worst Cast" and "WDR 3 Meisterstücke"" and more!
Episodes (4)
Who was "Elise" in Beethoven's Piano Piece, Für Elise?
Description
Nowadays, ‘Für Elise’ is undoubtedly one of Beethoven’s most famous works. It seems almost strange then that, at the time it was composed, the piece was relatively incidental. It certainly didn’t provoke much of a reaction and apparently, Beethoven himself was never fully satisfied with the work, returning to it some years later and trying, unsuccessfully in his eyes, to revise and refine it. Ultimately, ‘Für Elise’ wasn’t even published until 1865, nearly forty years after Beethoven’s death on 26 March 1827. Take a minute to get the scoop!
Listen to "Für Elise" Performed by Lang Lang
Fun Fact
Beethoven composed the piece on 27 April 1810. At this stage, Beethoven’s hearing was getting gradually weaker. The composer could apparently still hear some speech and music until 1812. But by the age of 44 (four years after he composed ‘Für Elise’), he was almost totally deaf and unable to hear voices. As he got progressively deafer, his pieces got higher and higher. This might account for the relatively high pitch of ‘Für Elise’, which reaches an E7 – two Es above a top soprano C.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
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The Classical Music Minute
en-usSeptember 12, 2022
Majan - BOI (EP Review) // Favourite Worst Cast #34
Mit der "BOI"-EP hat Majan nur drei Wochen nach dem Vorgänger "OH" sein zweiteiliges Debüt-Projekt "OH BOI" vollendet. Auch die neue EP umfasst fünf Songs, auf denen der vielversprechende Newcomer seine volle musikalische Bandbreite zeigen kann. Und auch emotional ist auf "BOI" so einiges los. Von der aktuell sehr fühlbaren sozialen Isolation auf "Kalt", über das lähmende Gefühl der Monotonie auf dem Song mit schmyt und Megaloh bis hin zur absolut lebensbejahenden Hymne "Für Elise".
Wie dieses Klang gewordene Gefühlschaos funktioniert und ob der zweite Teil das Gesamtwerk "OH BOI" zu einem runden Abschluss gebracht hat, darüber sprechen wir in dieser Folge unseres Podcasts.
Viel Spaß beim Hören!
Ludwig van Beethoven: Klavierstück a-Moll WoO 59 ("Für Elise")
Wer war Elise? Darüber rätseln Beethoven-Forscher bis heute. Fest steht: Das Drei-Minuten-Werk ist eines der berühmtesten Klavierstücke überhaupt und seinem Charme können auch noch so krude Arrangements nichts anhaben. Von Dominik Mercks.