george segal

Getting you caught up on the latest and greatest (and sometimes not-so-great) in blu-rays, Peter Sobczynski and Erik Childress run the gamut this week. They include Billy Wilder doing Agatha Christie and George Segal doing Michael Crichton. A film from the late Norman Jewison and a reimagining of the late Adrienne Shelley’s final film. Plus in maybe the biggest swing, going over arguably Robert Altman’s finest film and then diving into the career of Uwe Boll.

0:00 - Intro

1:15 – Criterion (McCabe and Mrs Miller)

8:55 – Kino (The Big Country, Witness for the Prosecution, The Thomas Crown Affair, Burnt Offerings)

29:10 - Massacre Video (Bloodrayne 4K)

41:12 – Shout Factory (Funeral Home, The Terminal Man)

47:29 – Decal (Waitress: The Musical)

54:18 – New Blu-ray Announcements

56:56 - Outro

Using technology to get a second chance at life is one of the  great themes of sci fi, from Frankenstein to Charly to Eternal Sunshine of the Spotless Mind. But sometimes it's the movies themselves that need a second chance!  Tonight we take a look at two films that came with great pedigrees, but somehow failed to find their audience, and ask if they deserve another shot!  First up is George Segal in Micchael Chrichton's The Terminal Man, followed by Matt Damon in Alexander Payne's Downsizing!

In an episode full of ups, downs, twists, turns and stomach-churning upside-downy bits, Chris has taken us back to the 1977 amusement park thriller ROLLERCOASTER.  We hope you are as amused as we were.

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Crap poster mock-ups by Chris Webb
Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission

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