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WIth one final game left in the football season, Sons of Montezuma looks into the two rising stars that SDSU has contacted for the new Head Coach position—Defensive Coordinator Tony White of Nebraska and Offensive Coordinator Brennan Marion of UNLV. Subscribe and watch on YouTube or listen here now.

October Extravaganza continues with Night 3 as we do a One Shot on Taiyo Matsumoto’s Gogo Monster! dakazu also read the end of Wotakoi: Love Is Hard for Otaku, watched Ranking of Kings, talks about Kamen Rider with  Tojima Tanzaburo wa Kamen Rider ni Naritai, and rants about Spotted Flower and Shimoku Kio!!!

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Timestamps:

• 00:00:00 - Intro Song: “The One Eyed Captain” by Ian Post, Opening, Introductions, Halloween, Ko-fi shout outs
• 00:07:43 - Listener Mail: Nobuyuki Fukumoto’s manga on Manga Planet
• 00:14:22 - Whatchu Been Reading: Transition Song: “Can’t Look Down” by Ty Simon, The Ranking of Kings anime is fantastic, dakazu read the end of Wotakoi: Love Is Hard for Otaku
• 00:18:17 - Tojima Tanzaburo wa Kamen Rider ni Naritai is about Kamen Rider fanatics who get to live out their dreams when criminals claiming to be Shocker appear in Japan
• 00:22:08 - *SPOILERS* Darfox is reminded of Samurai Flamenco’s show changing twist
• 00:25:57 - Spotted Flower is an unofficial sequel to Shimoku Kio’s Genshiken and dakazu hates it
• 00:43:10 - Next Episode Preview and Rundown: Triple Dip, where we read the first volume of three different horror manga, including: Mermaid Saga by Rumiko Takahashi, The Silver Demon by Saki Hiromi, and PTSD Radio by Masaaki Nakayama
• 00:44:23 - Main Segment One Shot: Gogo Monster, Transition Song: “K.I.T.T. Vs. K.A.R.R” by Ian Post, We review Taiyo Matsumoto’s story about a boy who can see another world filled with supernatural beings
• 01:25:21 - Next Week’s Topic: Mermaid Saga, The Silver Demon, PTSD Radio, Social Media Rundown, Sign Off Song: “Ghost Waltz” by Ziv Moran

DJ Kool is an American DJ and rapper born in 1958 who, in the late 1980s, produced several popular rap singles. Born in 1958 in Washington, D.C., his influence from his years of working the go-go and rap circuits became apparent in his music. He recorded with creative funk music from 1988 to 1992 he was then picked up by CLR records in 1992 he was then picked up by American recordings in 1996 and released the chart topping single “Let Me Clear My Throat,” which peaked at #8 in the UK Singles Chart in March 1997 and in 1996 in the U.S. The song prominently featured a sample of “The 900 Number” by DJ Mark the 45 King, (that song featured a sample from Marva Whitney’s “Unwind Yourself”,repeated over a breakbeat for six minutes). The song also began by sampling “Hollywood Swinging” by Kool and the Gang. The song is a recognizable dance floor-filler, and the track remains popular to this day. DJ Kool was featured on Mýa’s 2006 single “Ayo!” from her 2008 album Liberation. He was also featured on two tracks on Will Smith’s 2005 album Lost and Found.

L.A.-based performer Ms Easy on her extraordinary journey from St. Louis rave fixture to globe-trotting performer to managing clowns, stilt walkers and Fishy Fish as Entertainment Director for Insomniac, who throw massive EDM festivals like EDC and Beyond Wonderland. Hosted by Vivian Host (aka DJ Star Eyes). Visit RavetotheGrave.org or follow us on Instagram at @ravetothe.grave.

In the not-too-distant future (next Sunday A.D.), there is a guy named Joel, not too different from the hosts of this week's episode, in that he has recently been reading The King In Yellow. Or rather, watching a filmed production of The King In Yellow - the only one known to remain. See, Joel has spent years in space aboard the Satellite of Love thanks to the evil Dr. Forrester and his dimwitted assistant, Frank, who regularly subject Joel to the worst films they can find, FOR SCIENCE. But thanks to Joel's ingenious creation of the riffing robots Tom Servo and Crow, he and his mechanical buddies have resisted all efforts from "the Mads" to drive them over the mental edge, blasting cheesy B-movies apart with an endless supply of jokes and turning legitimately terrible scripts into satirical sketch comedy, much to the Forrester's chagrin.

This movie is different, though. This is no poorly-acted financial flop featuring teenagers from outer space or a satanic Freddy Mercury. Since first coming to light via the short stories of Robert Chambers in 1895, The King In Yellow is a disturbing, sinister work of decadent nihilism that has a habit of driving those who read it into paranoia, delusion, sexual perversion, and violence. Its history is shrouded in the thick fog of the unknown; any knowledge of its origins and subsequent passage through the world has gone unrecorded, save for a few cases -- and the reliability of even those sources is questionable at best. Like the secret Lovecraftian horrors to which it provides humanity a brief, dreadful glimpse, it was never meant to be seen by mortal beings. Or, if it was, we must ask what sort of vile author would attempt to doom us all with such an act (well, two acts, actually).

Can Joel and the Bots use their wit and riffing abilities to withstand the sanity-destroying effects of a movie that is not just bad, but that inflicts supernatural damage to the psyche while also being bad? Or will Hastur the Unspeakable (shit, sorry) lead them like puppets into the bleak realm of the Hyades and dim Carcosa? Kris Newton of the Gameable Podcast and MegaDumbCast returns to Smash Fiction to help us find out, and folks, he has come prepared. The Yelling Sign is found, the dreaded name of Monster a Go-Go is invoked, and at least one of our regular hosts goes insane by the end of opening arguments. Not upon us, oh King, not upon us!

Far-Too-Late Disclaimer: Yeah, I'm afraid you definitely shouldn't have read that description, because while it may have seemed long-winded and banal, you now have no choice but to listen to this episode in full. We apologize for the impending insanity.