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    grand union canal

    Explore " grand union canal" with insightful episodes like "Lil Warren and Lindsey Hood", "A Lifetime Ago", "Canalscapes of Childhood", "Winter of 1962/3" and "The Erica behind the Erica" from podcasts like ""ODDS & SODS", "Nighttime on Still Waters", "Nighttime on Still Waters", "Nighttime on Still Waters" and "Nighttime on Still Waters"" and more!

    Episodes (5)

    Lil Warren and Lindsey Hood

    Lil Warren and Lindsey Hood

    This fabulously interesting and wide ranging episode is with Coventry-born (and one of the few women in the UK who is a fully qualified Helmsman) Lindsey Hood.  

    We recorded, on location, on the Grand Union Canal as guests on board Lindsey's narrowboat, Seresha. We hear how the life of a boater "happened" and interesting tales of living and working on the water. 

    An eclectic chat about rock n roll, growing up in the city of Two-Tone, bringing up a child on a narrowboat,  life as a Continuous Cruiser and the move to being a skipper. Lindsey also tells us about her Scottish and Northern ancestry, her Great-grandfather's Music Hall career (as Felix Burns) and her Grandfather's life as a violinist and how her family ended up in Coventry.

    To find out more about how to get an experience day on a boat in and around London contact the RYA
    https://nbsc.org.uk/experience-day?gclid=EAIaIQobChMIvJGcttnH8gIVBuR3Ch1VVwSjEAAYASACEgIVtvD_BwE

    Lindsey Hood can also be found on Facebook.

     

    A Lifetime Ago

    A Lifetime Ago

    A lifetime ago, almost to the day, it turned cooler after an uncustomary warm and dry couple of weeks. Synoptic charts show high pressure moving up the country dragging with it frontal systems. No doubt, on that day, some looked at the clouds and grumbled. And life carried on as it had the days before. Engines shunted in sidings. People waited at bus stops. Shop tills rang out. Dogs barked. And, in the cabin of a small boat moored on the bank of the Grand Union, I took my first breath of air; sweet with cow pasture, and nettles, and paraffin. 

    Journal entry:

    “27th April, Tuesday.

    This morning dawned with frost and golden washes of light. 
     I discovered a new patch of cowslips and hawthorns budding, and the first mallow and bugle clusters shouldering their way into the sunshine. 
     It should have been perfect. 
     The birds sang with a brilliant clarity managing to subsume the aural gash of traffic.
     But it wasn’t. 

    Everything felt a little off kilter. 
     My shoulders and legs ached. 
     - Not so much in pain – just an awareness of them being there, 
     So that walking was not an automatic act, 
     But a conscious and deliberative one. 
     Consequently, it felt awkward, clumsy – not natural.

    The morning chill lost that exhilarating feel and sank into my bones. 
     A racing mind that gravitates to the dark edges
     Where formless unease lurks. 

    It was not that I was untouched by the world in which I walked, 
     Those spots of beauty – touches of joy, 
     But sometimes perfection and beauty lie in the small details
     Not the whole. 

    Even Eden had its serpent.
     Et in Arcadia ego
    ‘Even in Arcadia , there I am.’”    

    Episode Information

    In this episode I talk about my mother’s memoirs that she wrote about her time living on the canal. You can hear more about her in Episode 2 The Erica behind the Erica and hear me reading an excerpt from her writing in which she described the harsh winter of 1963 in Episode 9 The Winter of 1962/63

    General Details

    In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.

    Support the show

    Become a 'Lock-Wheeler'
    Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

    Contact
    For pictures of Erica and images related to the podcasts or to contact me, follow me on:

    I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

    For more information about Nighttime on Still Waters

    You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

    Canalscapes of Childhood

    Canalscapes of Childhood

    A listener has asked, "After we left the boat and went to live in a house, did canals continue to play much of a part in my life?"
    After the boat, we moved to Kings Langley, Hertfordshire. It was there I grew up and found my place within the world. At the time it was still a fairly small village. The main industry was the Ovaltine factory that bordered the Grand Union Canal which bisected the village. Working boats were still a relatively common sight. As well as through traffic from London to Birmingham and other cities to the north, they serviced the local industries; Ovaltine, Toovey's Mill, the John Dickinson mills at Nash Mills and Apsley, and Rose’s Lime Juice at Boxmoor Warf, Hemel Hempstead. 

    As time went on, the number of working decreased, but the canal remained as a key part of the village and social topography and geography. 

    “The canal wasn’t part of my life in a deliberate way. But that was because it was unconsciously so much part of our environment; the geographies of growing up.
     The playground and classroom that we all just took for granted.”

    Journal entry:

    “25th March, Thursday.

    Tonight, the air is warm and still.
     The cabin doors are open. 
     The sounds and scents of a spring-time night
             fill the boat.

    It is difficult to tell where the boat ends and the night begins” 

    Episode Details

    In this episode I read a few lines from John Clare’s (1820) The Shepherd’s Calendar. The text to ‘March’ can be read here - Poem Hunter: The Shepherd’s Calendar - March

    I also refer to Ruth Binney’s (2010) Wise Words and Country Ways: Weather Lore published by David & Charles.

    If you are interested in seeing Captain Mark Dexter’s picture of the Suez Canal, his Instagram account is: The Woodend Wanderer.

    General Details

    In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.

    Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 201

    Support the show

    Become a 'Lock-Wheeler'
    Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

    Contact
    For pictures of Erica and images related to the podcasts or to contact me, follow me on:

    I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

    For more information about Nighttime on Still Waters

    You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

    Winter of 1962/3

    Winter of 1962/3

    A first-hand account remembering life aboard a small boat with a small family during the harsh winter of 1962/3.
    The time we lived on the Kathy were always very precious to Mum and she later wrote about them. Her writings evocatively describe life-aboard at a time when the canals were beginning to transition from working to increasingly residential and leisure use. 
    In this week's episode, I read an extract from her writings in which she describes the winter of 1962/63.  

    Journal entry:

    “16th December, Wednesday.

    Venus hangs above Bearley Lock. 
     A hard diamante stud puncturing the smooth bowl of lacquered blue and satsuma orange fire at the rim
     We stand above the pool eroded by the summer-pastured cows. The water looks like spilt Indian ink that would go on forever and ever

    Penny sniffs at the torn soil and a lone duck slips into the air.

    Later today, the lacquered bowl will become roughened and dull, and rain will whip and pit the mirrored surface of the water. 

    But that is later. This is now… and we are both absorbed in our own worlds.”

    Episode Information

    Photographs of the Kathy and our family on the boat can be found on the podcast’s Facebook page, Instagram, and Twitter accounts.

    In this episode I mention the delightful Weather Folk-Lore of the Sea and Superstitions of the Scottish Fishermen.

    General Details

    In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.

    Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. 

    Piano interludes composed and performed by Helen Ingram.

    All other audio recorded on site. 

    Contact
    For pictures of Erica and images related to the podcasts follow me on:

    Support the show

    Become a 'Lock-Wheeler'
    Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

    Contact
    For pictures of Erica and images related to the podcasts or to contact me, follow me on:

    I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

    For more information about Nighttime on Still Waters

    You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

    The Erica behind the Erica

    The Erica behind the Erica

    In this episode we explore the history of NB 506812 before she became our home and meet the Erica behind the Erica.
    Journal entry: 
    “16th October, Friday. The canal continues to thread its silent way through autumn. There’s a hint now of mist on colder dawns. Today, it lies still and steely. Penny trots ahead, tail up, relaxed, contentedly sniffing the trail and foil of the unseen world. The hedges are garlanded with crimson, rosehip lanterns and bryony’s poisonous fire. The air is filled with the smell of damp earth, leaf mould, wood smoke. Together, we walk through the mystery of autumn.” 

     

    Contact details
    For pictures of Erica and the Kathy can be seen by following me on:

    • Facebook at https://www.facebook.com/noswpod
    • Instagram: https://www.instagram.com/nighttimeonstillwaters/
    • Twitter: https://twitter.com/NoswPod

    I have really appreciated the comments and questions and would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com
     
     Episode Information
    Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org.
    Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. 
    Piano interludes written and performed by Helen Ingram

     

    Support the show

    Become a 'Lock-Wheeler'
    Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.

    Contact
    For pictures of Erica and images related to the podcasts or to contact me, follow me on:

    I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon.

    For more information about Nighttime on Still Waters

    You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

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