history of ideas

The sixth and last of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures.

The fourth of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures.

The fifth of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures.

The third of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures.

In this episode, Jan-Willem Prügel discusses the historical origins and philosophical characteristics of Conservatism with two brilliant Oxford students of the humanities. Some say Conservatism is not even a proper political belief, some think of it as shorthand for the politics of the Tory or Republican party. Alas, it is so much more than that and so much more difficult to grasp. Explore the nature of this strange political creature and find out if there are not some aspects of it you find charming and worthy of implementing into your very own view of the world around you. Hello, little platoons, hello useful traditions.

The second of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures.

The first of Isaiah Berlin's famous 1965 Mellon Lectures In March–April 1965 Isaiah Berlin delivered his most famous series of public lectures, the A. W. Mellon Lectures (sponsored by the Bollingen Foundation), at the National Gallery of Art, Washington, DC. The lectures were entitled 'Some Sources of Romanticism', and transcripts were published posthumously as 'The Roots of Romanticism', edited by Henry Hardy (London, 1999: Chatto and Windus; Princeton, 1999: Princeton University Press). A second edition was published by Princeton in 2013, with a new foreword by John Gray and an appendix containing contemporary letters about the lectures. In this first lecture he confronts the vexed question of whether there is actually such a thing as Romanticism (a label, some hold, on too many bottles), and if so, how it is to be described and defined. Towards the end there occurs a celebrated rhetorical tour de force in which he breathlessly lists the many, very various, characteristics that have been called Romantic by writers on the subject.

Adam Sutcliffe (KCL) discusses how Zionist ideologues have viewed the notion of Jewish purpose. The nineteenth-century emergence of Zionism was intimately connected to the idea that the Jews served a uniquely crucial role in the world. This notion is rooted in theological anticipations, both Jewish and Christian, of a messianic future. From it the 1860s took on distinct overtones of economic and geo-political transformation, and spread in various ways into the secular realm. In this paper I will show how ideas of Jewish purpose feature in both Jewish and non-Jewish Zionist thinking, from Joseph Salvador and Ernest Laharanne in 1860, through George Elliot, Theodor Herzl and Bernard Lazare, to the religious Zionism of Abraham Kook and the secularised ‘light unto the nations’ rhetoric of David Ben-Gurion. Adam Sutcliffe is Professor of European History at King’s College London. His most recent book is What Are Jews For: History, Peoplehood, and Purpose (Princeton University Press, 2020). His co-edited volumes include The Cambridge History of Judiasm, volume VII (1500-1815) (CUP, 2018) and Philosemitism in History (CUP, 2011). He is currently working on a history of the idea of empathy in historical writing and pedagogy.

Director of the Max Planck Institute for the History of Science: Professor Lorraine Daston gives her inaugural lecture at Merton College.

Discussion on whether tragedy still exists in modern culture, whether in films, modern theatre or and other creative arts.

Third dialogue on the nature of tragedy where they talk about whether tragic theatre teaches people, and if it does, how and what does it teach?

A discussion of what the use of tragedy is, and whether the emotional experience of tragic theatre is simply a passing thrill or a vital part of life.

This talk was given at Wolfson College on 28 May 2009 as part of the 'Lives and Works' series of lectures