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Australian comedian Hannah Gadsby became a global star with her Netflix special Nanette. It’s a remarkable piece of work, and it does what great art is supposed to do: Give you a sense, however fleeting, of what it is like to live inside another human’s experience. Gadsby’s new special, Douglas, takes that a step further: It explores her autism diagnosis and gives you a sense of what it is like to experience the world through another person’s mind.  The first half of my episode with Gadsby is about her experience moving through the world as a neurodiverse person. Gadsby didn't receive her autism diagnosis until she was almost 40 years old, after decades of struggling to navigate systems, institutions, and norms that weren't built for people like her. Her story of how she got to comedy — and how close she was to simply falling off the map — is searing, and it helped me see some of the capabilities and social conventions I take for granted in a new light. As in her shows, Gadsby, here, renders an experience few of us have had emotionally legible. It’s a powerful conversation. Then, we turn to the topics of free speech, safety, and cancel culture. For years, comedy has been undergoing many of the very same debates that have recently become front and center in the journalism world, and Gadsby has done some of the most powerful thinking I've heard on these issues. We discuss what it means for people in power to take responsibility for their speech, how to navigate the complex relationship between creator and audience members, why Twitter is a “bullying pulpit,” the role of recording technology, and the new skills those of us privileged with a platform are going to need to develop. This is one of those conversations I’ve been thinking about since I had it. Don’t miss it. Book (and painting) recommendations: Saint Sebastian as a Woman by Louise Bourgeois The Hidden Life of Trees by Peter Wohlleben  The New Tsar by Steven Lee Myers Please consider making a contribution to Vox to support this show: bit.ly/givepodcasts Your support will help us keep having ambitious conversations about big ideas. New to the show? Want to check out Ezra’s favorite episodes? Check out the Ezra Klein Show beginner’s guide (http://bit.ly/EKSbeginhere) Credits: Producer/Editor/Jack-of-all-audio-trades - Jeff Geld Researcher/Learner of all things - Roge Karma Want to contact the show? Reach out at ezrakleinshow@vox.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us your scary encounters with the unexplained at so we can narrate them on the show! https://www.darkstories.org/ Follow, rate and review Unexplained Encounters on your favorite podcasting app to help us grow! https://pod.link/1152248491 Listen to the other show I host as well as a ton of other FREE and SCARY podcasts like this! https://eeriecast.com/ Follow me on twitter for cringe and updates! https://twitter.com/darkprevails Music in Unexplained Encounters was or may have been created all or in part by: CO.AG: https://www.youtube.com/channel/UCcavSftXHgxLBWwLDm_bNvA Myuu: https://www.youtube.com/channel/UCiSKnkKCKAQVxMUWpZQobuQ Jinglepunks: https://jinglepunks.com/ Epidemic Sound: https://www.epidemicsound.com/ Kevin MacLeod: http://incompetech.com/ Dark Music: https://soundcloud.com/darknessprevailspodcast Soundstripe: https://app.soundstripe.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices