itcomesatnight

Moviecast is an audio podcast hosted by Dan and various collaborators, with discussions about film and tv-oriented topics along with occasional reviews and interviews.

In this episode, Dan discusses why some seemingly pretentious and challenging films work and why others may not.

Movie Meltdown - Episode 546 (For our Patreon "Horror Club")

This session of The Meltdown Horror Club we discuss It Comes at Night the 2017 film written and directed by Trey Edward Shults. Plus we also address just how April Fool's Day fits into the arc of 80s slashers.

And while we enjoy our common interests that are killing strangers together, we also bring up… incredible box art, Stanley, Night of the Living Dead, the fallen tree, The Sweet Hereafter, running out in the woods, Joel Edgerton, Amy Steel, A Quiet Place, friends… workin’ together, Christopher Abbott, metaphorical, why don’t mansions have nice basements, anxious brain thing, Carmen Ejogo, The Road, the evil twin, very bleak, Starfish, I’d name all the skeletons, Kelvin Harrison Jr., telepathic not telekinetic, Deborah Foreman, Bird Box, odd pandemic timing, the dream sequences, The Walking Dead, Thomas F. Wilson, would we survive, Waves, that’s why you don’t expand your quarantine bubble, Riley Keough, my cat’s a punk and a creepy hellscape Renaissance painting. 

Spoiler Alert: Full spoilers for "It Comes at Night" and over-all plot spoilers for "April Fool's Day". You have been warned! 

“What comes at night in the movie It Comes at Night?!”

Thank you to all our supporters! If you would like to join the club, go to: https://www.patreon.com/moviemeltdown

So...still waiting for "it" to come...In his episode, Rob and Jessica rant about dumb red doors, putting down grandpa, and invisible zombies?

Because we like to torture ourselves, send us your good or bad movie suggestions on our Facebook, Instagram, and Twitter channels.

Andy and Zach talk about the movie nobody seems to be talking about (and why they absolutely should) in their review of the sleeper hit 'Assassination Nation' and discuss the subtleties of horror through tone in 2015's New-England folktale, 'The Witch'.

Andy and Zach take a closer look at the new Aardman stop-motion animated film 'Early Man' and discuss why it hasn't been performing particularly well next to it's comic-book competition before diving into the 2018 Academy Award Winners and reviewing 2017's often overlooked paranoia-inducing psychological thriller 'It Comes At Night'.

Listen in as David and Matt discuss IT COMES AT NIGHT and get real hung up on the title and argue over what "It" is.

Talking about the worst horror movie ever, bad employees and Pride!!