jay o. sanders

Defector.com's David J. Roth returns to talk about The Day After Tomorrow, which was marketed as an Important Must-See back in 2004, and almost uniformly savaged by critics who seem not to have understood the point of AN ACTION MOVIE. But your commentators all quite enjoy it, despite all the Hollywood Sciencing, the lonesome death of a Law & Order-verse stalwart in a Paramus mall court, direwolf Colorforms, protagonists stopping to look at the special effect that's trying to kill them for a full ten count, and a baffling chapeau choice from our boy DQ. How many actors were asked before Quaid? What exactly happens to the English royal family? And could this movie make Dick Cheney's heart grow one size? Slip into a 78-lb. snowsuit and join us for an all-new Quaid In Full. Overall score: 7.67 QQQ score: 7.17 Days since a lost Kuffs accident: 21 SHOW NOTES Follow us on Twitter (http://twitter.com/quaidinfullpod) Get EVEN MORE Qontent (...sorry) at our Patreon page (https://www.patreon.com/quaidinfull) Ebert's review (https://www.rogerebert.com/reviews/the-day-after-tomorrow-2004) Anthony Lane's for TNY (https://www.newyorker.com/magazine/2004/06/07/cold-comfort-4) David Edelstein's for Slate (https://slate.com/culture/2004/05/the-day-after-tomorrow-is-apocalyptic.html) Manohla Dargis's for NYT (https://www.latimes.com/archives/la-xpm-2004-may-28-et-dargis28-story.html) Defector.com (https://defector.com/) It's Christmastown (https://daveandjebarentmean.libsyn.com/) Don't use an indie ruler to measure an action flick (https://tomatonation.com/culture-and-criticism/transformers-revenge-of-the-fallen/) Special Guest: David J. Roth.

Was it Lee Harvey Oswald on the sixth floor of the Texas School Book Depository with a Carcano Model 38 carbine rifle? Perhaps David Ferrie years before in a Floridian swamp owned by the CIA with a decaying Thompson submachine gun? Wait, what about a forever anonymous gunman, in effect a shadow indicative of forces far beyond our understanding (much less control) armed with the potent mysteries inherent to the ever evolving demands of the American Century? All we know for certain is that President John F. Kennedy died in Dallas, Texas on November 22, 1963, a day that forever changed the nation. This week's subject film, 1991's JFK, attempts to make the abstract concrete in an exploration of American fault lines that would soon threaten to cripple the country in the decade(s?) to follow. Listen as we walk through our own reflections of the assassination and its enduring legacies before diving into the conspiratorial cinema of Oliver Stone. Does the movie's technical brilliance distract from its logical and ethical discrepancies? What relationship does this film hold to a citizenry ever more comfortable with tin-foil-hat philosophizing? Where can we find any additional scenes, alternate takes, blooper reels, etc. of John Candy's performance as Dean Andrews? Indeed, if any exists, #ReleaseTheDeanAndrewsCut. We don't intend to definitively answer any of the aforementioned questions but we promise you there's plenty to sort through in this jam packed, 6.5 hours long episode. Feel free to skip to 2:49:01 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.