jeremy pelt

Happy birthday to us - sixth birthday, to be exact.  What better way to celebrate than digging into six sextets like they were delicious pieces of cake?  And if anyone has the complete run of John Zorn birthday cd's (all five-hundred of 'em), please let Mike or your therapist know.  Jeremy Pelt – INSIGHT; Jon Jang – TWO FLOWERS ON A STEM; Lester Young – SEXTET 1939; John Kirby – COMPLETE SEXTET RECORDINGS DISC ONE; Albert Ayler – NEW YORK EYE AND EAR CONTROL; Bar Kokhba Sextet – 50th BIRTHDAY CELEBRATION VOL 11 DISC TWO.

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Roxy Coss is a saxophonist who's put out four albums as a leader and has also recorded with Jeremy Pelt (a guest on episode 21), and as a member of the Posi-Tone Records all-star band New Faces. Her most recent releases are The Future is Female and the New Faces album Straight Forward, both of which came out this year.

In addition to her music, Roxy Coss is the founder of WIJO, the Women In Jazz Organization, a collective that has a whole bunch of projects in the works in terms of education, expansion of opportunities for female musicians, and much more. We talked about that a lot in this interview, along with her various recordings, the evolution of her style on the horn, and much more. I’m sure you’re going to find it very interesting, as I did.

Here's a list of the songs you'll hear in this episode:

Roxy Coss, "Nevertheless, She Persisted" (The Future is Female)

Jeremy Pelt, "The Calm Before the Storm" (Face Forward, Jeremy)

Jeremy Pelt, "Boom Bishop" (Water and Earth)

Roxy Coss, "Waiting" (Restless Idealism)

Roxy Coss, "Chasing the Unicorn" (Chasing the Unicorn)

Roxy Coss, "Crazy" (Chasing the Unicorn)

Roxy Coss, "She Needed a Hero, So That's What She Became" (The Future is Female)

New Faces, "King Cobra" (Straight Forward)

Support the Burning Ambulance podcast on Patreon: http://patreon.com/burningambulance

Episode 21 of the Burning Ambulance podcast - we're adults now! - features an interview with trumpeter Jeremy Pelt, who’s been on the scene more or less since the dawn of the 21st century. He made his first album as a leader in 2002, but he really broke out of the pack in 2008, when he formed a quintet with JD Allen on tenor sax, Danny Grissett on piano, the late Dwayne Burno on bass, and Gerald Cleaver on drums. He made four albums with that group – November in 2008, Men of Honor in 2010, The Talented Mr. Pelt in 2011, and Soul in 2012 – and they’re all terrific. That was where I started listening to him – the first album I heard was The Talented Mr. Pelt, and I went backward immediately and checked out Men of Honor and November, and Soul. I interviewed him for Burning Ambulance in 2011, and have written about him a lot on the site in the years since, because he makes an album a year, and they're always worth hearing.

After that quintet broke up, he started experimenting, changing up the musicians he was working with on every album. He made two records that went in more of an electronic, fusion-ish direction, Water and Earth and Face Forward, Jeremy; then he made a record with two drummers, Tales, Musings and Other Reveries; then he made a quartet record, #jiveculture, with Danny Grissett back on piano and Ron Carter on bass, and Billy Drummond, who’d also played on Tales, on drums. And in the last couple of years, he’s formed a new band, centered around his partnership with Victor Gould. He played on Gould’s album Clockwork, and then brought him into his band for the album Make Noise, from last year, and this new live album.

That’s not all he’s got going on, though. Jeremy Pelt is on about a half dozen records coming out in 2018. He’s on saxophonist Wayne Escoffery’s new record Vortex; he’s on three tracks from organist Jared Gold’s new album Reemergence; he’s part of the band on Don’t Play With Love, a collection of pieces composed by Prince's father, John L. Nelson; he and saxophonist Jim Snidero recorded a tribute to Cannonball Adderley called Jubilation; and he’s a member of the Black Art Jazz Collective along with Wayne Escoffery, and they just released their second album, Armor of Pride. This is one of the longest episodes of the podcast - almost 80 minutes - because Jeremy Pelt has a lot to say, and it's all worth hearing.