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Welcome to the Sightlines podcast. I’m Jonny Garrett.

On July 21, barely three weeks after the U.K.’s hospitality industry and pubs came out of lockdown, the government announced it would be raising the amount of alcohol tax paid by small breweries. The backlash was immediate and furious, but it wasn’t only against the government. The anger was also aimed at a group of larger breweries that had campaigned for the tax rise.

Let that sink in for a moment: A group of businesses successfully campaigned for higher taxes within their own industry, specifically for up-and-coming competitors. To work out how it came to this, we need to take a step back.

It starts with a bill known as Small Brewers Relief (SBR), which was put into law in 2002. The bill gives all U.K. breweries smaller than 5,000 hectoliters (about 4,300 U.S. barrels) of annual production a 50% reduction in their alcohol tax. Beyond that volume, as the brewery grows, that reduction tapers off to zero.

Almost since the bill’s inception, some owners of breweries above the 5,000hl threshold have claimed the system gives small brewers an unfair pricing advantage. Meanwhile, those below see SBR as a lifeline without which new breweries would be unable to survive and grow.

After around five years of campaigning for reform and a two-year research project by the U.K. Treasury, the larger breweries—under an alliance called the Small Brewers Duty Reform Coalition—have won. The new rules mean small breweries will pay more tax starting at 2,100hl, which would immediately increase alcohol duty payments for around 150 existing businesses—by as much as £50,000 ($67,500) a year.

The Coalition believes the move will increase the price they can charge wholesalers for their beer, but they also say that it will encourage more growth among small breweries. They reason that starting the tax taper at a lower threshold—at 2,100hl—will remove what campaigners call the “cliff-edge” at 5,000hl, when duty payments suddenly start to escalate and making profit becomes significantly tougher.

Those small breweries, however, believe lowering the threshold will just limit their growth earlier, and see the move as a land grab by powerful brewing companies worried about the growth of craft beer beneath them.

In the wake of the news, several industry commentators called for drinkers to boycott the companies leading the charge for reform, including national brands like Timothy Taylor’s Brewery, Harvey’s Brewery, Wye Valley Brewery, and Hogs Back Brewery.

Beer can be political, and Small Brewers Relief has brought divisions within the industry into sharp focus, asking fundamental questions of who needs and deserves financial support in these difficult times: the historical, traditional breweries, or the new startups? How much should the state prop up private businesses? Is growth always the goal? And how sustainable is pricing in the industry, particularly around cask beer?

In this episode, we’ll talk to brewery owners on both sides of the argument, and will get the views of the economist who cowrote the academic paper that helped Small Brewers Relief come into being in the first place. You’ll hear how both sides have valid points to make—and that neither Small Brewers Relief nor any reforms of it have much hope of solving the industry’s underlying problems.

This is the Sightlines podcast. Listen in.

Welcome to the Good Beer Hunting Collective podcast, the show where members of our team interview each other to get the behind-the-scenes look at some of our favorite articles. I’m Claire Bullen, and I’m the Editor-in-Chief at Good Beer Hunting.

One of the greatest pleasures of my job is fielding pitches that our writers send in, which range from the bold to the brilliant to the baffling. Recently, GBH staff writer Jonny Garrett sent in an idea that was a mix of all three; as soon as it came into my inbox, I remember thinking—“this is something we have to publish.” That pitch evolved into his recent piece, “TL;DR – Tracing the Origins of Beer Language, from Michael Jackson to Emojis,” which is part of our Mother of Invention series, underwritten by Guinness.

With this article, Jonny set himself an almost impossibly expansive task: examine the history and evolution of modern beer writing, from the groundbreaking author and beer personality Michael Jackson, who helped codify a formal language around beer in the ’70s and ’80s, all the way up to today’s frenzy of Twitter timelines, Instagram captions, and Untappd reviews. As the article’s title suggests, Jonny even digs into the role that emojis play in beer writing.

In researching his article, Jonny spoke to linguists and delved into the history books. He also examined how wine-tasting notes came to be, talked to one of Beer Twitter’s most infamous wordsmiths, and spent more than a little time scrolling through his various social media feeds. The result is an up-to-the-minute piece with a unique, metacritical scope. In the space of just a few thousand words, he manages to touch on everything from the debate around the term “craft beer” and the way that specialized vocabulary functions within niche communities to “crispy bois” and dank memes.

It’s a remarkable piece of writing, and it may well change the way you think about and describe beer forever. If you haven’t yet read his article, you can find that on GoodBeerHunting.com. For now, tune in and listen as Jonny describes how the idea for this article first came about.

I’m Jonny Garrett, and you’re listening to the Good Beer Hunting podcast.

Today’s guest is Paul Jones, founder and sole owner of Cloudwater Brew Co. in Manchester, England. Since founding Cloudwater just five years ago Jones has, perhaps knowingly, become a spokesperson for the British beer industry. To be fair, he has plenty of right to that job. Cloudwater was previously voted the fifth-best brewery in the world by the users of RateBeer, and is one of the country’s fastest-growing beer businesses. Jones has also had a hand in many of the major developments in the U.K. beer scene—including New England-style brewing, canned beer, direct-to-consumer sales, off-site taprooms, and an emphasis on cold-chain distribution and storage.

As we explore all of that, some listeners may perceive Jones’ self-championing as arrogance, but he’s the first to admit fault and is his own biggest critic, as you’ll hear throughout the interview. On the occasions I get a word in and challenge him, it’s clear he’s already asked himself the same questions a thousand times and played out all the scenarios in his mind—probably while wide awake in the middle of the night.

We start the interview reminiscing about happier times, with what was perhaps a celebration of everything Cloudwater has achieved so far—the Friends & Family & Beer Festival, held in February. Bringing together an insane brewery list and a festival with charity and inclusivity at its heart it was supposed to be a signal of where beer was headed. Looking back now, it feels a bit like the last supper.

After going through the highs and lows of running a fast-growing, much-hyped beer brand, I knew Paul would have some insight into how the beer scene and the beer industry—because they are very different things—will play out once the threat of COVID-19 fades. Jones has been ahead of the curve on so many occasions, and it’s worth taking note of what he says. While he’s had to change his expectations and the specifics, his approach remains the same—if you do the same thing as everyone else, you’re going to find yourself crowded out.

In the face of the biggest challenge craft beer has ever faced, the fact that Jones is still excitable and upholding his admirable beliefs about beer, industry, and society is comforting—even if I don’t completely share his optimism.

This is Paul Jones of Cloudwater Brew Co. Listen in.

This is GBH Outloud, and I’m Ashley Rodriguez. Today you’ll hear Jonny Garrett reading the very first story he ever wrote for Good Beer Hunting. It’s called, “A Homebrewing Festival in the Arctic Circle,” and was published on GoodBeerHunting.com on February 28, 2018.

This article is part of our GBH in Residence series, where we go beyond the brewery tour and the tasting room, and literally join the crew in their daily grind. In these articles, GBH spends a day or two working alongside brewers, cidermakers, cellarmen and delivery drivers. It's what the craft industry looks like on its own terms. And in this case, Jonny goes all the way to the Arctic Circle to follow a homebrewing festival and taste perhaps some of the wildest, weirdest, and most interesting beers you can imagine. 

As you might expect, getting to the Arctic Circle isn’t easy. Before Jonny starts reading, you’ll hear him talk about what it takes to actually get there. Follow along as he reads and shares stories of this adventure by checking out his article at GoodBeerHunting.com. 

This is Jonny Garrett reading his article, “A Homebrewing Festival in the Arctic Circle.” Listen in.

Welcome to this special episode of Sightlines, part of Good Beer Hunting’s continued coverage of the COVID-19 pandemic. I’m Jonny Garrett.

The U.K. is now several weeks into near-total lockdown, with everyone told to stay indoors barring medical emergencies, food shopping, and one bit of exercise a day. While internet and TV services are thriving, the high street and hospitality industry have been devastated.

Over the last month, I have been writing Sightlines pieces that try to describe and analyze that devastation. In this episode, I’ll be giving you first-hand insight into the kind of conversations I’ve been having day in, day out with people in the beer industry. We’ll hear from three very different businesses on the frontline, and I’ll ask how each one has been affected by shutdowns—and what their futures might look like on the other side of this crisis.

I talk to the owner of London bottle shop mini-chain We Brought Beer, who decided he had to close despite seeing record sales. You’ll also hear the surreal story of the night all the U.K.’s pubs closed for the first time in history from the perspective of a London publican.

We’ll start further up the supply chain, though. DEYA Brewing Company in Cheltenham only recently went through a major funding and expansion phase, and is supposed to be paying off its bills through brewing unprecedented volume and serving at its new taproom. Instead, it’s barely brewing once a week and has thousands of pounds worth of stock going slowly out of date. Founder Theo Freyne has had to tear up his business plan for the next decade, but despite the uncertainty is upbeat about his brewery’s prospects.

This is the Sightlines podcast. Listen in.

Welcome to this special series of the GBH Collective podcast, where we’ll be checking in with members of our global team to keep you updated on unfolding events surrounding COVID-19. I’m Ashley Rodriguez.

If you have an iPhone, it probably tells you how many hours per day you’ve looked at your screen. According to my phone, my screentime has been up 63%—and I’m sure I’m not alone. I’m doubly sure most of us are looking at articles that make us feel a sense of dread as opposed to providing comfort.

In this check-in, I wanted to talk to our team about the bright spots: the ways that folks have come together, the ways that communities have brainstormed creative solutions—anything that makes us feel better in this weird time. I catch up with Jim Plachy first, who is the community manager of the Fervent Few, our subscriber-based beer community. Then we jump to Jonny Garrett, one of our U.K.-based GBH contributors. He has been searching for small optimistic episodes within the pandemic—and offers some hot tips for folks who suddenly find themselves at home for the foreseeable with their partners and spouses.

This is the Good Beer Hunting Collective podcast. Listen in.

I’m Jonny Garrett, and you’re listening to the Good Beer Hunting podcast.

Listeners in California may remember a brewery called Toolbox Brewing, which for a brief period around 2015 and 2016 was making waves with some delicious, mixed-fermentation beers. Sadly the brewery closed in 2018, about a year after the departure of its head brewer, Ehren Schmidt, who is my guest today.

Schmidt gained plenty of critical acclaim for the beers he was making at Toolbox, but in 2017, he got an offer he couldn’t refuse. That job offer came from Mikkel Borg Bjergsø, founder and owner of Mikkeller, who wanted him to move to Copenhagen to help him start a wild brewery arm of his global cuckoo brewing empire.

We talk a bit about his decision to move halfway around the world, and it’s clear that that risky choice has paid off. Schmidt has complete creative freedom at Mikkeller Baghaven, and has used it to build a brewery that takes a scientific approach to deeply traditional brewing. The medieval lettering and cork-and-cage presentation belie the hands-on way that Schmidt goes about sourcing his yeasts and nurturing the fermentations in barrels and foeders.

We recorded in his office between the Saturday sessions of the first-ever Mikkeller Baghaven Wild Ale Celebration, an exclusively wild- and mixed-fermentation festival where the participating breweries were handpicked by Schmidt. Given his history, the roster featured a predictably heavy U.S. focus, but some exciting European and South American breweries were also represented. Most of our conversation is spent musing on the level of understanding in the wild brewing community about the concept of terroir in beer, and how it isn’t just the ingredients, or even the place, that dictate it. It’s the people—their stories, tastes, and biases.

This is Ehren Schmidt of Mikkeller Baghaven. Listen in.

Welcome to the Good Beer Hunting Collective podcast, the show where members of our team interview each other to get a behind-the-scenes look at our favorite articles. I’m Jonny Garrett, and I’m a staff writer and podcaster here at Good Beer Hunting.

Today I’m talking to Eoghan Walsh, who just had his first article for Good Beer Hunting published. Entitled, “The Last Crusade — Rich Soriano Wants to Talk to You About Lambic,” it’s essentially the story of a day with one of Belgium’s most beloved beer characters, Rich Soriano. And by a day with, I really mean a bar crawl with.

Eoghan’s piece manages to make it feel like the reader is right there with them, and over the course of a few thousand words, we travel to a number of special Lambic producers and pubs, slowly learning how an American has ended up being one of the faces of Brussel’s traditional brewing scene. We start, though, by addressing the fact that that’s the last way that Soriano would want to be described.

This is the Good Beer Hunting Collective podcast. Listen in.

Welcome to the Good Beer Hunting Collective podcast, the show where members of our team interview each other to get a behind-the-scenes look at our favorite articles. I’m Jonny Garrett, and I’m a staff writer and podcaster here at Good Beer Hunting.

I first met Breandán Kearney in 2015, when he swept the board at the British Guild of Beer Writers Awards. I, like quite a few people in the room, had no idea who he was at the time, but I only had to read a few of his articles to see what a brilliant writer he is. And you’d have to be brilliant to tackle the article we talk about in today’s podcast.

Breandán’s latest piece for Good Beer Hunting is titled, “Flying With Clipped Wings — West Kerry Brewery, County Kerry, Ireland.” It tells the heartbreaking story of a brewpub on the Irish coast. Few beer articles have two deaths in their opening paragraphs, but even fewer manage to tell such an uplifting story of personal grit, and success against the odds.

The piece also serves as a wonderful insight into the small world of Irish brewing and the people who have slowly turned the country into an exciting, modern brewing nation. I start by asking how Breandán came across the brewery, before delving into what it’s like to research such a difficult, emotional story.

This is Breandán Kearney. Listen in.

Welcome to the Good Beer Hunting Collective podcast, the show where members of our team interview each other to get a behind-the-scenes look at our favorite articles. I’m Jonny Garrett, and I’m a staff writer and podcaster here at Good Beer Hunting.

In our Mother of Invention series with Guinness, we’ve been looking at the great innovations in beer—ideas that have changed or could change the course of the industry.

In the context of brewing, invention can mean a lot of different things. Usually, it implies the discovery of something new: an ingredient, a recipe, a process, a piece of equipment. But sometimes, it means looking back to find something we lost along the way. Luke Robertson, a GBH writer in Australia, found one of those things hanging from a washing line at a house party.

A “goon” is the Aussie term for a bag of wine, and staggeringly, during the ’80s and ’90s, the goon accounted for over half of all wine sales in Australia.

While that trend has died due to the product’s association with poor quality, the bag-in-box format has started to take off in the beer world for styles that don’t require much—or indeed any—carbonation. That means lightly sparkling British ales and, of course, Lambic. Luke and I start with the remarkable history of the bag-in-box and its invention in Australia, then muse on the benefits it might have when reapplied to beer. Along the way we dig into the party game, Goon of Fortune—and explain why that bag of wine ended up on a washing line—as well as the difficulties of talking to some older, less press-friendly Belgian breweries.

We also discuss Luke’s role at the Independent Brewers Association, which supports and represents small Australian breweries. The IBA just held this year’s conference in Melbourne, during which Luke was on a panel about mental well-being.

This is Luke Robertson, GBH writer. Listen in.